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Grant Allen was a late 19th century Canadian author best known for writing about both science and novels. This is one of his horror tales.
Grant Allen was a late 19th century Canadian author best known for writing about both science and novels. This is one of his horror tales.
A distinguished Positivist friend of mine, who is in most matters a practical man of the world, astonished me greatly the other day at Venice, by the grave remark that Italian was destined to be the language of the future. I found on inquiry he had inherited the notion direct from Auguste Comte, who justified it on the purely sentimental and unpractical ground that the tongue of Dante had never yet been associated with any great national defeat or disgrace. The idea surprised me not a little; because it displays such a profound misconception of what language is, and why people use it.
The speech of the world will not be decided on mere grounds of sentiment: the tongue that survives will not survive because it is so admirably adapted for the manufacture of rhymes or epigrams. Stern need compels. Frenchmen and Germans, in congress assembled, and looking about them for a means of intercommunication, might indeed agree to accept Italian then and there as an international compromise. But congresses don't make or unmake the habits of everyday life; and the growth or spread of a language is a thing as much beyond our deliberate human control as the rise or fall of the barometer.
My friend's remark, however, set me thinking and watching what are really the languages now gaining and spreading over the civilised world; it set me speculating what will be the outcome of this gain and spread in another half century. And the results are these: Vastly the most growing and absorbing of all languages at the present moment is the English, which is almost everywhere swallowing up the overflow of German, Scandinavian, Dutch, and Russian. Next to it, probably, in point of vitality, comes Spanish, which is swallowing up the overflow of French, Italian, and the other Latin races. Third, perhaps, ranks Russian, destined to become in time the spoken tongue of a vast tract in Northern and Central Asia. Among non-European languages, three seem to be gaining fast: Chinese, Malay, Arabic. Of the doomed tongues, on the other hand, the most hopeless is French, which is losing all round; while Italian, German, and Dutch are either quite at a standstill or slightly retrograding. The world is now round. By the middle of the twentieth century, in all probability, English will be its dominant speech; and the English-speaking peoples, a heterogeneous conglomerate of all nationalities, will control between them the destinies of mankind. Spanish will be the language of half the populous southern hemisphere. Russian will spread over a moiety of Asia. Chinese, Malay, Arabic, will divide among themselves the less civilised parts of Africa and the East. But French, German, and Italian will be insignificant and dwindling European dialects, as numerically unimportant as Flemish or Danish in our own day.
And why? Not because Shakespeare wrote in English, but because the English language has already got a firm hold of all those portions of the earth's surface which are most absorbing the overflow of European populations. Germans and Scandinavians and Russians emigrate by the thousand now to all parts of the United States and the north-west of Canada. In the first generation they may still retain their ancestral speech; but their children have all to learn English. In Australia and New Zealand the same thing is happening. In South Africa Dutch had got a footing, it is true; but it is fast losing it. The newcomers learn English, and though the elder Boers stick with Boer conservatism to their native tongue, young Piet and young Paul find it pays them better to know and speak the language of commerce-the language of Cape Town, of Kimberley, of the future. The reason is the same throughout. Whenever two tongues come to be spoken in the same area one of them is sure to be more useful in business than the other. Every French-Canadian who wishes to do things on a large scale is obliged to speak English. So is the Creole in Louisiana; so earlier were the Knickerbocker Dutch in New York. Once let English get in, and it beats all competing languages fairly out of the field in a couple of generations.
Like influences favour Spanish in South America and elsewhere. English has annexed most of North America, Australia, South Africa, the Pacific; Spanish has annexed South America, Central America, the Philippines, Cuba, and a few other places. For the most part these areas are less suited than the English-speaking districts for colonisation by North Europeans; but they absorb a large number of Italians and other Mediterranean races, who all learn Spanish in the second generation. As to the other dominant languages, the points in their favour are different. Conquest and administrative needs are spreading Russian over the steppes of Asia; the Arab merchant and the growth of Mahommedanism are importing Arabic far into the heart of Africa; the Chinaman is carrying his own monosyllables with him to California, Australia, Singapore. These tongues in future will divide the world between them.
The German who leaves Germany becomes an Anglo-American. The Italian who leaves Italy becomes a Spanish-American.
There is another and still more striking way of looking at the rapid increase of English. No other language will carry you through so many ports in the world. It suffices for London, Liverpool, Glasgow, Belfast, Southampton, Cardiff; for New York, Boston, Montreal, Charleston, New Orleans, San Francisco; for Sydney, Melbourne, Auckland, Hong Kong, Yokohama, Honolulu; for Calcutta, Bombay, Madras, Kurrachi, Singapore, Colombo, Cape Town, Mauritius. Spanish with Cadiz, Barcelona, Havana, Callao, Valparaiso, cannot touch that record; nor can French with Marseilles, Bordeaux, Havre, Algiers, Antwerp, Tahiti. The most commercially useful language in the world, thus widely diffused in so many great mercantile and shipping centres, is certain to win in the struggle for existence among the tongues of the future.
The old Mediterranean civilisation teaches us a useful lesson in this respect. Two languages dominated the Mediterranean basin. The East spoke Greek, not because Plato and ?schylus spoke Greek, but because Greek was the tongue of the great commercial centres-of Athens, Syracuse, Alexandria, Antioch, Byzantium. The West spoke Latin, not because Catullus and Virgil spoke Latin, but because Latin was the administrative tongue, the tongue of Rome, of Italy, and later of Gaul, of Spain, of the great towns in Dacia, Pannonia, Britain. Whoever wanted to do anything on the big scale then, had to speak Greek or Latin; so much so that the native languages of Gaul and Spain died utterly out, and Latin dialects are now the spoken tongue in all southern Europe. In our own time, again, educated Hindoos from different parts of India have to use English as a means of intercommunication; and native merchants must write their business correspondence with distant houses in English. To put an extreme contrast: in the last century French was spoken by far more people than English; at the present day French is only just keeping up its numbers in France, is losing in Canada and the United States, is not advancing to any extent in Africa. English is spoken by a hundred million people in Europe and America; is over-running Africa; has annexed Australasia and the Pacific Isles; has ousted, or is ousting, Dutch at the Cape, French in Louisiana, even Spanish itself in Florida, California, New Mexico. In Egyptian mud villages, the aspiring Copt, who once learnt French, now learns English. In Scandinavia, our tongue gains ground daily. Everywhere in the world it takes the lead among the European languages, and by the middle of the next century will no doubt be spoken over half the globe by a cosmopolitan mass of five hundred million people.
And all on purely Darwinian principles! It is the best adapted tongue, and therefore it survives in the struggle for existence. It is the easiest to learn, at least orally. It has got rid of the effete rubbish of genders; simplified immensely its declensions and conjugations; thrown overboard most of the nonsensical ballast we know as grammar. It is only weighted now by its grotesque and ridiculous spelling-one of the absurdest among all the absurd English attempts at compromise. The pressure of the newer speakers will compel it to make jetsam of that lumber also; and then the tongue of Shelley and Newton will march onward unopposed to the conquest of humanity.
I pen these remarks, I hope, "without prejudice." Patriotism is a vulgar vice of which I have never been guilty.
* * *
Charles Grant Blairfindie Allen was born on February 24th, 1848 at Alwington, near Kingston, Canada West (now part of Ontario). Home schooled until 13 when his family moved to England, Grant was to become a highly regarded science writer who branched out to a fiction career and became enormously popular. His work helped propel several genres of fiction and whilst his career was short it was enormously productive. Grant's scientific background enabled him to root much of his work in a plausibility that was denied to others. He had little fear in challenging a society that treated women as second class citizens and creating best sellers from such works. On October 25th 1899 Grant Allen died at his home in Hindhead, Haslemere, Surrey, England. He died just before finishing Hilda Wade. The novel's final episode, which he dictated to his friend, doctor and neighbour Sir Arthur Conan Doyle from his bed appeared under the appropriate title The Episode of the Dead Man Who Spoke in 1900.
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Grant Allen was a late 19th century Canadian author best known for writing about both science and novels. This is one of his horror tales.
This was the top-prize-winning novel from 20,000 entries in one of the richest literary awards ever offered in Britain. Its convoluted and colorful plot turns on questions of heredity and atavism: the ancestry of the Waring twin brothers and of Elma Clifford. Elma comes on her mother's side from a line of gypsy snake dancers, and she displays a periodic urge to dance wildly with a feather boa in her bedroom. A murderous judge, multiple mistaken identities and scenes of tribal life in South Africa decorate this extraordinary novel, which is certainly a testament to Grant Allen's versatility and grasp of the popular market.Excerpt: "Elma felt sure she was mad that night. And, if so, oh, how could she poison Cyril Waring's life with so unspeakable an inheritance for himself and his children? She didn't know, what any psychologist might at once have told her, that no one with the fatal taint of madness in her blood could ever even have thought of that righteous self-denial. Such scruples have no place in the selfish insane temperament; they belong only to the highest and purest types of moral nature."In his biography of Allen, Professor Peter Morton says about this book: "Twice in his career Allen finds he has a great popular success on his hands. What's Bred in the Bone (1891), a sensational thriller written to order at top speed, secures him one of the largest literary prizes ever awarded in Britain: a thousand pounds from George Newnes, the publishers of the magazine Tit-Bits. What's Bred in the Bone comes first in a field of 20,000 entrants to take the prize. It sells hugely in its first year, goes into seventeen impressions, appears in the form of a silent film in 1916, and is translated into several languages, including Icelandic. Nothing demonstrates better Allen's cold-blooded judgment in analysing and meeting the popular taste." The novel was published serially in 1890 and 1891.(Reference: Peter Morton's website about Grant Allen https://sites.google.com/site/petermortonswebsite/.)
"Lucien, let's get a divorce," I said in a peremptory tone that was long overdue, the most decisive farewell to this absurd marriage. We had been married for exactly three years-three years that, for me, were filled with nothing but endless loneliness and torment. For three years, the husband who should have stood by my side through every storm, Lucien Sullivan, had completely disappeared from my life as if he had never existed. He vanished without a trace, leaving me alone to endure this empty, desolate marriage. Today, I finally received his message: "I'm back. Come pick me up at the airport." When I read his words, my heart leapt with joy, and I raced to the airport, thinking that he finally understood my love and was coming back to me. But his cruelty was far worse than I could have ever imagined-he was accompanied by a pregnant woman, and that woman was Carla, my closest and most trusted friend. In that moment, all of my previous excitement, all my hope, and all of our shared laughter and tears turned into the sharpest of daggers, stabbing into my heart and leaving me gasping for air. Now, all I want is to escape from this place that has left me so broken-to lick my wounds in solitude. Even if these wounds will remain with me for the rest of my life, I refuse to have anything to do with him ever again. He should know that it was his own hand that trampled our love underfoot, that his coldness and betrayal created this irreparable situation. But when he heard those words, he desperately clung to this broken, crumbling marriage, unwilling to let it end-almost as though doing so could rewind time and return everything to how it used to be. "Aurora, come back. I regret everything!" Regret? Those simple words stirred no emotion in me-only endless sadness and fury. My heart let out a frantic, desperate scream: It's too late for any of this!
To most, Verena passed for a small-town clinic doctor; in truth, she worked quiet miracles. Three years after Isaac fell hopelessly for her and kept vigil through lonely nights, a crash left him in a wheelchair and stripped his memory. To keep him alive, Verena married him, only to hear, "I will never love you." She just smiled. "That works out-I'm not in love with you, either." Entangled in doubt, he recoiled from hope, yet her patience held him fast-kneeling to meet his eyes, palm warm on his hair, steadying him-until her glowing smile rekindled feelings he believed gone forever.
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
Sawyer, the world's top arms dealer, stunned everyone by falling for Maren—the worthless girl no one respected. People scoffed. Why chase a useless pretty face? But when powerful elites began gathering around her, jaws dropped. "She's not even married to him yet—already cashing in on his power?" they assumed. Curious eyes dug into Maren's past... only to find she was a scientific genius, a world-renowned medical expert, and heiress to a mafia empire. Later, Sawyer posted online. "My wife treats me like the enemy. Any advice?"
She came to survive. He was born to rule. Fate made them mates. And that's where the nightmare began. Evangeline has spent her whole life on the edge, unwanted, unclaimed, and surviving in the shadows of Crescent Moon Pack. A omega by blood and an outcast by choice, she's learned to keep her head down and her scars hidden. But when her dying uncle asks her to enroll at Blackclaw Academy, a school built on bloodlines, brutality, and unforgiving rules..... she agrees. For him, not for herself. She expected whispers. Glares. Even cruelty. What she didn't expect was Ronan Nightbane. The future Alpha. Cold. Untouchable. Worshipped. Feared. And the one the Moon Goddess bound her soul to. Being his mate should've meant protection. Belonging. Destiny. But Ronan wants none of it. He rejects her in front of the entire academy. Mocks her. Marks her as nothing more than a mistake. A threat. A girl born of nothing, who means even less. But Evangeline? She doesn't break. Not for him. Not for anyone. Because the power buried inside her was never meant to be found. The truth behind her blood could burn the entire pack system to the ground. And Ronan, no matter how hard he fights it.... can't stay away. Their bond is poisonous. Addictive. Dangerous. And when war creeps closer and secrets claw their way into the light, he'll have to make a brutal choice: Reject her... or ruin them both.
The night Claire Richards caught her husband cheating, she planned her revenge. She transferred billions in hidden assets, gathered undeniable proof of his affair, and destroyed the mistress's reputation. When Claire handed Lucas Bennett the divorce papers, he tore them to pieces. "Divorce? Not a chance!" Lucas snapped. But Claire only smiled. "The waiting period is over, Mr. Bennett. You're out." Sharp, stunning, and done playing nice, Claire steps into a world dominated by two powerful men: her furious ex-husband and the cold, mysterious CEO feared by all. But this time, she's calling the shots. Watch as a clear-headed woman takes control, turns heartbreak into strength, and brings the man who once cast her aside to his knees.
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