Mount Music by Martin Ross
Mount Music by Martin Ross
"Christian, dost them see them?" sang an elder brother, small enough to be brutal, large enough to hurt, while he twisted Christian's arm as though it were indeed the rope that it so much resembled.
"I won't say I saw them, because I didn't!" replied Christian, who had ceased to struggle, but was as far as ever from submission; "but if I had, you might twist my arm till it was like an old pig's tail and I wouldn't give in!"
Possibly John realised the truth of this defiance. He administered a final thump on what he believed to be Christian's biceps, and released her.
"Pretty rotten to spoil the game, and then tell lies," he said, with severity.
"I don't tell lies," said Christian, flitting like a gnat to the open window of the schoolroom. "You sang the wrong verse! It ought to have been 'hear them,' and I do!"
Having thus secured the last word, Miss Christian Talbot-Lowry, aged nine in years, and ninety in spirit, sprang upon the window-sill, leapt lightly into a flower-bed, and betook herself to the resort most favoured by her, the kennels of her father's hounds.
What person is there who, having attained to such maturity as is required for legible record, shall presume to reconstruct, either from memory or from observation, the mind of a child? Certain mental attitudes may be recalled, certain actions predicated in certain circumstances, but the stream of the mind, with its wayward currents, its secret eddies, flows underground, and its course can only be guessed at by tokens of speech and of action, that are like the rushes, and the yellow king-cups, and the emerald of the grass, that show where hidden waters run. Nothing more presumptuous than the gathering of a few of these tokens will here be attempted, and of these, only such as may help to explain the time when these children, emerging from childhood, began to play their parts in the scene destined to be theirs.
This history opens at a moment for Christian and her brethren when, possibly for the last time in their several careers, they asked nothing more of life. This was the beginning of the summer holidays; the sky was unclouded by a governess, the sunny air untainted by the whiff of a thought of a return to school. Anything might happen in seven weeks. The end of the world, for instance, might mercifully intervene, and, as this was Ireland, there was always a hope of a "rising," in which case it would be the boys' pleasing duty to stay at home and fight.
"Well, and Judith and I would fight, too," Christian would say, thinking darkly of the Indian knife that she had stolen from the smoking-room, for use in emergencies. She varied in her arrangements as to the emergency. Sometimes the foe was to be the Land Leaguers, who were much in the foreground at this time; sometimes she decided upon the English oppressors of a down-trodden Ireland, to whose slaughter, on the whole, her fancy most inclined. But whatever the occasion, she was quite determined she was not going to be outdone by the boys.
At nine years old, Christian was a little rag of a girl; a rag, but imbued with the spirit of the rag that is nailed to the mast, and flaunts, unconquered, until it is shot away. She had a small head, round and brown as a hazel-nut, and a thick mop of fine, bright hair, rebellious like herself, of the sort that goes with an ardent personality, waved and curled over her little poll, and generally ended the day in a tangle only less intricate than can be achieved by a skein of silk. Of her small oval face, people were accustomed to say it was all eyes, an unoriginal summarising, but one that forced itself inevitably upon those who met Christian's eyes, clear and shining, of the pale brown that the sun knows how to waken in a shallow pool in a hill-stream, set in a dark fringe of lashes that were like the rushes round the pool. Before she could speak, it was told of her eyes that they would quietly follow some visitor, invisible to others, but obvious to her. Occasionally, after the mysterious power of speech-that is almost as mysterious as the power of reading-had come to her, she had scared the nursery by broken conversation with viewless confederates, defined by the nursery-maid as "quare turns that'd take her, the Lord save us!" and by her mother, as "something that she will outgrow, and the less said about it the better, darlings. Remember, she is the youngest, and you must all be very wise and kind--" (a formula that took no heed of punctuation, and was practically invariable).
But as Christian grew older the confederates withdrew, either that, or the protecting shell of reserve that guards the growth of individuality, interposed, and her dealings with things unseen ceased to attract the attention of her elders. It was John, her senior by two years, who preserved an interest, of an inquisitorial sort, in what he had decided to call the Troops of Midian. There was a sacerdotal turn about John. He had early decided upon the Church as his vocation, and only hesitated between the r?les of Primate of Ireland and Pope of Rome. He had something of the poet and enthusiast about him, and something also of the bully, and it was quite possible that he might do creditably in either position, but at this stage of his development his ecclesiastical proclivities chiefly displayed themselves in a dramatic study, founded upon that well-known Lenten hymn that puts a succession of searching enquiries, of a personal character, to a typical Christian. A missionary lecture on West Africa had supplied some useful hints as to the treatment of witches, and Christian's name, and the occult powers with which she was credited, had indicated her as heroine of the piece.
On this particular afternoon the game had begun prosperously, with Christian as the Witch of Endor, and John as a blend of the Prophet Samuel and the Head Inquisitor of Spain. A smouldering saucer of sulphur, purloined by the witch herself from the kennels medicine-cupboard, gave a stimulating reality to the scene, even though it had driven the fox terriers, who habitually acted as the Witch's cats, to abandon their parts, and to hurry, sneezing and coughing indignantly, to the kitchen. The twins, Jimmy and Georgy, however, obligingly took their parts, and all was going according to ritual, when one of the sudden and annoying attacks of rebellion to which she was subject, came upon the Witch of Endor. The orthodox conclusion involved a penitential march through the kitchen regions, the Witch swathed in a sheet, and carrying lighted candles, while she was ceremonially flagellated by the Prophet with one of his father's hunting crops. This crowning moment was approaching, Christian had but to reply suitably to the intimidating riddles of the hymn, and the final act would open in all its solemnity. For, as has been said, the spirit of revolt whispered to her, and ingeniously persuaded her that the required recantation committed her to a falsehood.
As she told John, when the formal inquisition had passed through acrid dispute to torture, she didn't tell lies.
Caroline was rejected by her mate of four years, because she was scentless.A flaw no werewolf could accept. Her mate proposed to her cousin instead. That night, heartbroken and humiliated,she let her best friend drag her to a masquerade ball. She gave herself to a masked Alpha, mysterious and devastatingly handsome. They didn't exchange names. Just one wild night of hard kisses and rough touches. He pinned her against the wall, his powerful body grinding into hers while she moaned beneath his hungry mouth. What she thought would be a sweet one-night affair turned into an unexpected pregnancy. Three years later, Caroline has rebuilt her life in a new pack, hiding her past and raising her son. But her new boss, Alpha Draven, is ruthless, controlling, and dangerously attractive... Especially those violet eyes, the same ones she sees in her son every day. Alpha Draven torments her at work, yet she challenges him at every turn. He doesn't know she's the woman he's been searching for since that fated night. While he's still hunting for his true mate, He has no idea she's already in his office... and has been raising his heir.
Since she was ten, Noreen had been by Caiden's side, watching him rise from a young boy into a respected CEO. After two years of marriage, though, his visits home grew rare. Gossip among the wealthy said he despised her. Even his beloved mocked her hopes, and his circle treated her with scorn. People forgot about her decade of loyalty. She clung to memories and became a figure of ridicule, worn out from trying. They thought he'd won his freedom, but he dropped to his knees and begged, "Noreen, you're the only one I love." Leaving behind the divorce papers, she walked away.
Isabelle's love for Kolton held flawless for fifteen years-until the day she delivered their children and slipped into a coma. He leaned to her ear and whispered, "Don't wake up. You're worthless to me now." The twins later clutched another woman's hand and chirped, "Mommy," splintering Isabelle's heart. She woke, filed for divorce, and disappeared. Only then did Kolton notice her fingerprints on every habit. They met again: she emerged as the lead medical specialist, radiant and unmoved. But at her engagement gala, she leapt into a tycoon's arms. Jealous, he crushed a glass, blood wetting his palm. He believed as soon as he made a move, Isabelle would return to him. After all, she had loved him deeply.
After a year apart, Iris caught her husband, Caden, in what looked like an affair and made up her mind to file for divorce. Caden pinned her to the wall, his breath warm, his tone lazy and cold. "Divorce? Fine. But didn't we agree to have a child? Give me one, then we're done-assuming you can keep me interested long enough to want one. Until then, don't count on it." And so began her desperate, humiliating journey to get pregnant-not out of love, but for freedom. Later, the man who never begged cracked first, voice wrecked with tears. "Forget the kid. Just don't leave me."
The silence in St. Patrick's Cathedral wasn't peaceful; it was a physical weight on Stella's shoulders, heavier than her wedding dress. She stood alone at the altar, ready for her perfect life, when her phone vibrated with a text that shattered everything. Her fiancé, Bryce, messaged just moments before the vows: "I can't do this. Monica needs me. I'm sorry." Monica, her maid of honor, was the reason he fled. Bryce's mother then publicly shamed Stella, implying her career ambition drove him away. The betrayal of her sacrifices, her future, and her dignity ignited a white-hot rage. Stella ripped off her veil, grabbed the microphone, and exposed the groom and maid of honor's affair to the stunned guests before storming out. A furious wreck in her ruined gown, she stumbled on the cathedral steps, meeting Julian Sterling, the "Cursed Son" in a wheelchair. He offered no pity, only a detached assessment. In a defiant, adrenaline-fueled moment, Stella crouched and asked, "Are you single?" Julian, needing a strategic alliance against his family, agreed to a cold, transactional marriage of convenience. With the City Clerk's office hours ticking down, Stella tore her dress, determined to forge a new path of vengeance and desperate necessity.
In their previous lives, Gracie married Theo. Outwardly, they were the perfect academic couple, but privately, she became nothing more than a stepping stone for his ambition, and met a tragic end. Her younger sister Ellie wed Brayden, only to be abandoned for his true love, left alone and disgraced. This time, both sisters were reborn. Ellie rushed to marry Theo, chasing the success Gracie once had-unaware she was repeating the same heartbreak. Gracie instead entered a contract marriage with Brayden. But when danger struck, he defended her fiercely. Could fate finally rewrite their tragic endings?
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