Mount Music by Martin Ross
Mount Music by Martin Ross
"Christian, dost them see them?" sang an elder brother, small enough to be brutal, large enough to hurt, while he twisted Christian's arm as though it were indeed the rope that it so much resembled.
"I won't say I saw them, because I didn't!" replied Christian, who had ceased to struggle, but was as far as ever from submission; "but if I had, you might twist my arm till it was like an old pig's tail and I wouldn't give in!"
Possibly John realised the truth of this defiance. He administered a final thump on what he believed to be Christian's biceps, and released her.
"Pretty rotten to spoil the game, and then tell lies," he said, with severity.
"I don't tell lies," said Christian, flitting like a gnat to the open window of the schoolroom. "You sang the wrong verse! It ought to have been 'hear them,' and I do!"
Having thus secured the last word, Miss Christian Talbot-Lowry, aged nine in years, and ninety in spirit, sprang upon the window-sill, leapt lightly into a flower-bed, and betook herself to the resort most favoured by her, the kennels of her father's hounds.
What person is there who, having attained to such maturity as is required for legible record, shall presume to reconstruct, either from memory or from observation, the mind of a child? Certain mental attitudes may be recalled, certain actions predicated in certain circumstances, but the stream of the mind, with its wayward currents, its secret eddies, flows underground, and its course can only be guessed at by tokens of speech and of action, that are like the rushes, and the yellow king-cups, and the emerald of the grass, that show where hidden waters run. Nothing more presumptuous than the gathering of a few of these tokens will here be attempted, and of these, only such as may help to explain the time when these children, emerging from childhood, began to play their parts in the scene destined to be theirs.
This history opens at a moment for Christian and her brethren when, possibly for the last time in their several careers, they asked nothing more of life. This was the beginning of the summer holidays; the sky was unclouded by a governess, the sunny air untainted by the whiff of a thought of a return to school. Anything might happen in seven weeks. The end of the world, for instance, might mercifully intervene, and, as this was Ireland, there was always a hope of a "rising," in which case it would be the boys' pleasing duty to stay at home and fight.
"Well, and Judith and I would fight, too," Christian would say, thinking darkly of the Indian knife that she had stolen from the smoking-room, for use in emergencies. She varied in her arrangements as to the emergency. Sometimes the foe was to be the Land Leaguers, who were much in the foreground at this time; sometimes she decided upon the English oppressors of a down-trodden Ireland, to whose slaughter, on the whole, her fancy most inclined. But whatever the occasion, she was quite determined she was not going to be outdone by the boys.
At nine years old, Christian was a little rag of a girl; a rag, but imbued with the spirit of the rag that is nailed to the mast, and flaunts, unconquered, until it is shot away. She had a small head, round and brown as a hazel-nut, and a thick mop of fine, bright hair, rebellious like herself, of the sort that goes with an ardent personality, waved and curled over her little poll, and generally ended the day in a tangle only less intricate than can be achieved by a skein of silk. Of her small oval face, people were accustomed to say it was all eyes, an unoriginal summarising, but one that forced itself inevitably upon those who met Christian's eyes, clear and shining, of the pale brown that the sun knows how to waken in a shallow pool in a hill-stream, set in a dark fringe of lashes that were like the rushes round the pool. Before she could speak, it was told of her eyes that they would quietly follow some visitor, invisible to others, but obvious to her. Occasionally, after the mysterious power of speech-that is almost as mysterious as the power of reading-had come to her, she had scared the nursery by broken conversation with viewless confederates, defined by the nursery-maid as "quare turns that'd take her, the Lord save us!" and by her mother, as "something that she will outgrow, and the less said about it the better, darlings. Remember, she is the youngest, and you must all be very wise and kind--" (a formula that took no heed of punctuation, and was practically invariable).
But as Christian grew older the confederates withdrew, either that, or the protecting shell of reserve that guards the growth of individuality, interposed, and her dealings with things unseen ceased to attract the attention of her elders. It was John, her senior by two years, who preserved an interest, of an inquisitorial sort, in what he had decided to call the Troops of Midian. There was a sacerdotal turn about John. He had early decided upon the Church as his vocation, and only hesitated between the r?les of Primate of Ireland and Pope of Rome. He had something of the poet and enthusiast about him, and something also of the bully, and it was quite possible that he might do creditably in either position, but at this stage of his development his ecclesiastical proclivities chiefly displayed themselves in a dramatic study, founded upon that well-known Lenten hymn that puts a succession of searching enquiries, of a personal character, to a typical Christian. A missionary lecture on West Africa had supplied some useful hints as to the treatment of witches, and Christian's name, and the occult powers with which she was credited, had indicated her as heroine of the piece.
On this particular afternoon the game had begun prosperously, with Christian as the Witch of Endor, and John as a blend of the Prophet Samuel and the Head Inquisitor of Spain. A smouldering saucer of sulphur, purloined by the witch herself from the kennels medicine-cupboard, gave a stimulating reality to the scene, even though it had driven the fox terriers, who habitually acted as the Witch's cats, to abandon their parts, and to hurry, sneezing and coughing indignantly, to the kitchen. The twins, Jimmy and Georgy, however, obligingly took their parts, and all was going according to ritual, when one of the sudden and annoying attacks of rebellion to which she was subject, came upon the Witch of Endor. The orthodox conclusion involved a penitential march through the kitchen regions, the Witch swathed in a sheet, and carrying lighted candles, while she was ceremonially flagellated by the Prophet with one of his father's hunting crops. This crowning moment was approaching, Christian had but to reply suitably to the intimidating riddles of the hymn, and the final act would open in all its solemnity. For, as has been said, the spirit of revolt whispered to her, and ingeniously persuaded her that the required recantation committed her to a falsehood.
As she told John, when the formal inquisition had passed through acrid dispute to torture, she didn't tell lies.
Elena, once a pampered heiress, suddenly lost everything when the real daughter framed her, her fiancé ridiculed her, and her adoptive parents threw her out. They all wanted to see her fall. But Elena unveiled her true identity: the heiress of a massive fortune, famed hacker, top jewelry designer, secret author, and gifted doctor. Horrified by her glorious comeback, her adoptive parents demanded half her newfound wealth. Elena exposed their cruelty and refused. Her ex pleaded for a second chance, but she scoffed, “Do you think you deserve it?” Then a powerful magnate gently proposed, “Marry me?”
In her previous life, Kimberly endured the betrayal of her husband, the cruel machinations of an evil woman, and the endless tyranny of her in-laws. It culminated in the bankruptcy of her family, and ultimately, her death. After being reborn, she resolved to seek retribution against those who had wronged her, and ensure her family's prosperity. To her shock, the most unattainable man from her past suddenly set his sights on her. "You may have overlooked me before, but I shall capture your heart this time around."
Sophie stepped in for her sister and married a man known for his disfigured looks and reckless past. On their wedding day, his family turned their backs on him, and the town laughed behind their hands, certain the marriage would collapse. But Sophie's career soared, and their love only deepened. Later, during a high-profile event, the CEO of some conglomerate took off his mask, revealing Sophie's husband to be a global sensation. *** Adrian had no interest in his arranged wife and had disguised himself in hopes she would bail. But when Sophie tried to walk away, Adrian broke down and whispered, "Please, Sophie, don't go. One kiss, and I'll give you the world."
Katherine endured mistreatment for three years as Julian's wife, sacrificing everything for love. But when his sister drugged her and sent her to a client's bed, Katherine finally snapped. She left behind divorce papers, walking away from the toxic marriage. Years later, Katherine returned as a radiant star with the world at her feet. When Julian saw her again, he couldn't ignore the uncanny resemblance between her new love and himself. He had been nothing but a stand-in for someone else. Desperate to make sense of the past, Julian pressed Katherine, asking, "Did I mean nothing to you?"
Blinded in a crash, Cary was rejected by every socialite—except Evelina, who married him without hesitation. Three years later, he regained his sight and ended their marriage. "We’ve already lost so many years. I won’t let her waste another one on me." Evelina signed the divorce papers without a word. Everyone mocked her fall—until they discovered that the miracle doctor, jewelry mogul, stock genius, top hacker, and the President's true daughter… were all her. When Cary came crawling back, a ruthless tycoon had him kicked out. "She's my wife now. Get lost."
Alexander's coldness was laid bare before Florrie; he even asked her to buy morning-after pills for another woman. Enduring the pain became her routine, all because Alexander was a stand-in for Alec, her lost love. But one day, she tricked him into signing the divorce papers and said, "I never loved you." Devastation clung to him, his gaze clouded by despair. "You can't leave. I won't sign." Then Alec returned as a conglomerate heir. She searched his face for love and found none-until she turned away. He cracked, tears falling. "I'm sorry," he begged. "I love you."
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