Mount Music by Martin Ross
Mount Music by Martin Ross
"Christian, dost them see them?" sang an elder brother, small enough to be brutal, large enough to hurt, while he twisted Christian's arm as though it were indeed the rope that it so much resembled.
"I won't say I saw them, because I didn't!" replied Christian, who had ceased to struggle, but was as far as ever from submission; "but if I had, you might twist my arm till it was like an old pig's tail and I wouldn't give in!"
Possibly John realised the truth of this defiance. He administered a final thump on what he believed to be Christian's biceps, and released her.
"Pretty rotten to spoil the game, and then tell lies," he said, with severity.
"I don't tell lies," said Christian, flitting like a gnat to the open window of the schoolroom. "You sang the wrong verse! It ought to have been 'hear them,' and I do!"
Having thus secured the last word, Miss Christian Talbot-Lowry, aged nine in years, and ninety in spirit, sprang upon the window-sill, leapt lightly into a flower-bed, and betook herself to the resort most favoured by her, the kennels of her father's hounds.
What person is there who, having attained to such maturity as is required for legible record, shall presume to reconstruct, either from memory or from observation, the mind of a child? Certain mental attitudes may be recalled, certain actions predicated in certain circumstances, but the stream of the mind, with its wayward currents, its secret eddies, flows underground, and its course can only be guessed at by tokens of speech and of action, that are like the rushes, and the yellow king-cups, and the emerald of the grass, that show where hidden waters run. Nothing more presumptuous than the gathering of a few of these tokens will here be attempted, and of these, only such as may help to explain the time when these children, emerging from childhood, began to play their parts in the scene destined to be theirs.
This history opens at a moment for Christian and her brethren when, possibly for the last time in their several careers, they asked nothing more of life. This was the beginning of the summer holidays; the sky was unclouded by a governess, the sunny air untainted by the whiff of a thought of a return to school. Anything might happen in seven weeks. The end of the world, for instance, might mercifully intervene, and, as this was Ireland, there was always a hope of a "rising," in which case it would be the boys' pleasing duty to stay at home and fight.
"Well, and Judith and I would fight, too," Christian would say, thinking darkly of the Indian knife that she had stolen from the smoking-room, for use in emergencies. She varied in her arrangements as to the emergency. Sometimes the foe was to be the Land Leaguers, who were much in the foreground at this time; sometimes she decided upon the English oppressors of a down-trodden Ireland, to whose slaughter, on the whole, her fancy most inclined. But whatever the occasion, she was quite determined she was not going to be outdone by the boys.
At nine years old, Christian was a little rag of a girl; a rag, but imbued with the spirit of the rag that is nailed to the mast, and flaunts, unconquered, until it is shot away. She had a small head, round and brown as a hazel-nut, and a thick mop of fine, bright hair, rebellious like herself, of the sort that goes with an ardent personality, waved and curled over her little poll, and generally ended the day in a tangle only less intricate than can be achieved by a skein of silk. Of her small oval face, people were accustomed to say it was all eyes, an unoriginal summarising, but one that forced itself inevitably upon those who met Christian's eyes, clear and shining, of the pale brown that the sun knows how to waken in a shallow pool in a hill-stream, set in a dark fringe of lashes that were like the rushes round the pool. Before she could speak, it was told of her eyes that they would quietly follow some visitor, invisible to others, but obvious to her. Occasionally, after the mysterious power of speech-that is almost as mysterious as the power of reading-had come to her, she had scared the nursery by broken conversation with viewless confederates, defined by the nursery-maid as "quare turns that'd take her, the Lord save us!" and by her mother, as "something that she will outgrow, and the less said about it the better, darlings. Remember, she is the youngest, and you must all be very wise and kind--" (a formula that took no heed of punctuation, and was practically invariable).
But as Christian grew older the confederates withdrew, either that, or the protecting shell of reserve that guards the growth of individuality, interposed, and her dealings with things unseen ceased to attract the attention of her elders. It was John, her senior by two years, who preserved an interest, of an inquisitorial sort, in what he had decided to call the Troops of Midian. There was a sacerdotal turn about John. He had early decided upon the Church as his vocation, and only hesitated between the r?les of Primate of Ireland and Pope of Rome. He had something of the poet and enthusiast about him, and something also of the bully, and it was quite possible that he might do creditably in either position, but at this stage of his development his ecclesiastical proclivities chiefly displayed themselves in a dramatic study, founded upon that well-known Lenten hymn that puts a succession of searching enquiries, of a personal character, to a typical Christian. A missionary lecture on West Africa had supplied some useful hints as to the treatment of witches, and Christian's name, and the occult powers with which she was credited, had indicated her as heroine of the piece.
On this particular afternoon the game had begun prosperously, with Christian as the Witch of Endor, and John as a blend of the Prophet Samuel and the Head Inquisitor of Spain. A smouldering saucer of sulphur, purloined by the witch herself from the kennels medicine-cupboard, gave a stimulating reality to the scene, even though it had driven the fox terriers, who habitually acted as the Witch's cats, to abandon their parts, and to hurry, sneezing and coughing indignantly, to the kitchen. The twins, Jimmy and Georgy, however, obligingly took their parts, and all was going according to ritual, when one of the sudden and annoying attacks of rebellion to which she was subject, came upon the Witch of Endor. The orthodox conclusion involved a penitential march through the kitchen regions, the Witch swathed in a sheet, and carrying lighted candles, while she was ceremonially flagellated by the Prophet with one of his father's hunting crops. This crowning moment was approaching, Christian had but to reply suitably to the intimidating riddles of the hymn, and the final act would open in all its solemnity. For, as has been said, the spirit of revolt whispered to her, and ingeniously persuaded her that the required recantation committed her to a falsehood.
As she told John, when the formal inquisition had passed through acrid dispute to torture, she didn't tell lies.
The acrid smell of smoke still clung to Evelyn in the ambulance, her lungs raw from the penthouse fire. She was alive, but the world around her felt utterly destroyed, a feeling deepened by the small TV flickering to life. On it, her husband, Julian Vance, thousands of miles away, publicly comforted his mistress, Serena Holloway, shielding her from paparazzi after *her* "panic attack." Julian's phone went straight to voicemail. Alone in the hospital with second-degree burns, Evelyn watched news replays, her heart rate spiking. He protected Serena from camera flashes while Evelyn burned. When he finally called, he demanded she handle insurance, dismissing the fire; Serena's voice faintly heard. The shallow family ties and pretense of marriage evaporated. A searing injustice and cold anger replaced pain; Evelyn knew Julian had chosen to let her burn. "Evelyn Vance died in that fire," she declared, ripping out her IV. Armed with a secret fortune as "The Architect," Hollywood's top ghostwriter, she walked out. She would divorce Julian, reclaim her name, and finally step into the spotlight as an actress.
I went to the family lawyer for a routine travel clearance. Instead, I was handed a divorce decree. The ink was three years old. While I had been playing the role of the dutiful Capo's wife, Dante had secretly divorced me the day after our fifth anniversary. Twenty-four hours later, he legally married the nanny, Gia, and named her cruel-eyed son as his heir. I returned home to confront him, only for the boy to throw boiling tomato soup on me. Dante didn't check my burns. He cradled the boy and looked at me with pure, drug-fueled hatred, calling me a monster for upsetting his "son." The final blow came in a parking garage. A car sped toward us. Dante didn't pull me to safety. He shoved me into the vehicle's path, using my body as a human shield to protect his mistress. Lying broken on the asphalt, I realized Aria Vitiello was already dead to him. So, I decided to make it official. I arranged a private flight over the Atlantic and ensured there were no survivors. By the time Dante was weeping over the wreckage, realizing too late that he had been poisoned against me, I was already in France. The Canary was dead. The Reaper had risen.
I was at my own engagement party at the Sterling estate when the world started tilting. Victoria Sterling, my future mother-in-law, smiled coldly as she watched me struggle with a cup of tea that had been drugged to ruin me. Before I could find my fiancé, Ryan, a waiter dragged me into the forbidden West Wing and locked me in a room with Julian Sterling, the family’s "fallen titan" who had been confined to a wheelchair for years. The door burst open to a frenzy of camera flashes and theatrical screams. Victoria framed me as a seductress caught in the act, and Ryan didn't even try to listen to my pleas, calling me "cheap leftovers" before walking away with his pregnant mistress. When I turned to my own family for help, my father signed a document severing our relationship for a five-million-dollar payout from Julian. They traded me like a commodity without a second thought. I didn't understand why my own parents were so eager to sell me, or how Ryan could look at me with such disgust after promising me forever. I was a sacrifice, a pawn used to protect the family's offshore accounts, and I couldn't fathom how every person I loved had a price tag for my destruction. With nowhere left to go, I married Julian in a bleak ceremony at City Hall. He slid a heavy diamond onto my finger and whispered, "We have a war to start." That night, inside his secret penthouse, I watched the paralyzed man stand up from his wheelchair and activate a screen filled with the Sterling family's darkest secrets. The execution had officially begun.
For eight years, Cecilia Moore was the perfect Luna, loyal, and unmarked. Until the day she found her Alpha mate with a younger, purebred she-wolf in his bed. In a world ruled by bloodlines and mating bonds, Cecilia was always the outsider. But now, she's done playing by wolf rules. She smiles as she hands Xavier the quarterly financials-divorce papers clipped neatly beneath the final page. "You're angry?" he growls. "Angry enough to commit murder," she replies, voice cold as frost. A silent war brews under the roof they once called home. Xavier thinks he still holds the power-but Cecilia has already begun her quiet rebellion. With every cold glance and calculated step, she's preparing to disappear from his world-as the mate he never deserved. And when he finally understands the strength of the heart he broke... It may be far too late to win it back.
In the glittering world of high society and cutthroat ambition, a single sentence shatters a marriage: "Let's get a divorce." For three years, Claire Thompson has lived in exile, her marriage to the powerful Nelson Cooper a hollow shell existing only on paper. Shipped abroad on her wedding day and utterly forgotten, she returns only to be handed divorce papers. But Claire is no longer the timid, heartbroken girl she once was. Behind her quiet facade lies a woman transformed, secretly rejoicing at her newfound freedom. However, freedom comes with a price. As Claire signs the papers with relief, a chilling phone call reveals a dark truth: the threats she faced overseas were no accident, and the trail leads shockingly close to home-to the family that raised her and the husband who discarded her. Just as she prepares to sever all ties, a twist of fate pulls her back into the gilded cage. Nelson, for reasons unknown, suddenly stalls the divorce. Meanwhile, the family that disowned her and the fragile, manipulative sister who stole her life are determined to ruin her reputation and drive her out for good. But Claire is playing a different game now. With a mysterious new identity, powerful allies, and secrets of her own, she is no one's pawn. As hidden truths unravel and loyalties are tested, a stunning question emerges: In this high-stakes battle of love, betrayal, and revenge, who is truly trapping whom?
"I will marry you. Wait for me!" Mabel woke up. She had that dream again. In her dream, a man said he would marry her. Just a dream. Five years ago, she was set up by her stepsister and became pregnant out of wedlock. She lost everything, including her baby. Five years later, she was forced to marry her stepsister's fiance, Jayden, who was sick and going to pass away. Having no choice, Mabel decided to marry Jayden, not expecting that Jayden was the man...
© 2018-now CHANGDU (HK) TECHNOLOGY LIMITED
6/F MANULIFE PLACE 348 KWUN TONG ROAD KL
TOP
GOOGLE PLAY