John of the Woods by Abbie Farwell Brown
John of the Woods by Abbie Farwell Brown
It was late of a beautiful afternoon in May. In the hedges outside the village roses were blossoming, yellow and white. Overhead the larks were singing their happiest songs, because the sky was so blue. But nearer the village the birds were silent, marveling at the strange noises which echoed up and down the narrow, crooked streets.
"Tom-tom; tom-tom; tom-tom"; the hollow thud of a little drum sounded from the market-place. Boys and girls began to run thither, crying to one another:-
"The Tumblers! The Tumblers have come. Hurry, oh, hurry!"
Three little brothers, Beppo, Giovanni, and Paolo, who had been poking about the market at their mother's heels, pricked up their ears and scurried eagerly after the other children.
Jostling one another good-naturedly, the crowd surged up to the market-place, which stood upon a little hill. In the middle was a stone fountain, whence the whole village was wont to draw all the water it needed. In those long-ago days folk were more sparing in the use of water than they are to-day, especially for washing. Perhaps we should not be so clean, if we had to bring every bucket of water that we used from the City Square!
"Tom-tom; tom-tom; tom-tom"; the little drum sounded louder and louder as the crowd increased. Men and women craned their necks to see who was beating it. The children squirmed their way through the crowd.
On the highest step of the fountain stood a man dressed in red and yellow, with little bells hung from every point of his clothing, which tinkled with each movement he made. In his left hand he held a small drum, from which hung streamers of red and green and yellow ribbon. This drum he beat regularly with the palm of his skinny right hand. He was a lean, dark man, with evil little red-rimmed eyes and a hump between his shoulders.
"Ho! Men and women! Lads and lasses!" he cried in a shrill, cracked voice of strange accent. "Hither, hither quickly, and make ready to give your pennies. For the tumbling is about to begin,-the most wonderful tumbling in the whole round world!"
Stretching out his arm, he pointed to the group below him. The crowd pressed forward and stood on tiptoe to see better. Beppo and Giovanni and Paolo wriggled through the forest of legs and skirts and came out into the open space which had been left about the fountain. And then they saw what the backs of the butcher and baker and candlestick-maker had hidden from them.
From the back of a forlorn little donkey that was tethered behind the fountain a roll of carpet had been taken and spread out on the ground. Beside this stood the three tumblers. One of them was a thin, dark man, small and wicked-looking, dressed, like the drum-beater, in red and yellow. The second tumbler was a huge fellow more than six feet tall, with a shaggy mane of black hair. His muscles stood out in great knots under the suit of green tights which he wore.
"A Giant he is! Faith, he could toss me over his shoulder like a meal-bag!" muttered the Blacksmith, who stood with crossed arms looking over the heads of the crowd. "And the wicked face of him! Ugh! I would not wish a quarrel with him!"
But the little boys in the front row were most interested in the third tumbler, who stood between the other two, with his arms folded, ready to begin.
This also was a figure in green, with short trunks of tarnished cloth-of-gold. But beside the Giant, in the same dress, he looked like a pigmy or a fairy mite. This third tumbler was a little fellow of about eight, very slender and childish in form, but lithe and well-knit. Instead of being dark and gypsy-like, as were the other three of the wandering band, this boy was fair, with a shock of golden hair falling about his shoulders, and with a skin of unusual whiteness, despite his life of exposure to sun and hard weather. And the eyes that looked wistfully at the children in front of him were blue as the depths into which the skylarks were at that moment diving rapturously. On the upper eyelid of the boy's left eye was a brown spot as big as an apple-seed. And this gave him a strange expression which was hard to forget. When he was grave, as now, it made him seem about to cry. If he should smile, the spot would give the mischievous look of a wink. But Gigi so seldom smiled in those days that few perhaps had noted this. On his left cheek was a dark spot also. But this was only a bruise. Bruises Gigi always had. But they were not always in the same place.
"Oh, the sweet Cherub!" said a motherly voice in the crowd. "I wonder if they are good to him. They look like cut-throats and murderers, but he is like the image of the little Saint John in church. Wolves, with a lamb in their clutches! Save us all! Suppose it were my Beppo!"
At these words of his mother's, Beppo giggled, and the boy looked at him gravely. The Hunchback with the drum had heard, too, and darted a furious glance into the crowd where the woman stood. Then, giving a loud double beat on the drum, he signaled for the tumbling to begin.
The three kicked off the sandals which protected their feet, stepped upon the carpet, and saluted the spectators. The Giant stretched himself flat, and, seizing Gigi in his strong arms, tossed him up in the air as one would toss a rubber ball. Up, down, then back and forth between the elder tumblers, flew the little green figure, when he touched ground always landing upon his toe-tips, and finishing each trick with a somersault, easy and graceful. The boy seemed made of thistledown, so light he was, so easily he rebounded from what he touched. The children in the circle about him stared open-mouthed and admiring. Oh! they wished, if only they could do those things! They thought Gigi the most fortunate boy in the world.
But Gigi never smiled. At the end of one trick the Giant growled a word under his breath, and made a motion at which the boy cringed. Something had gone not quite right, and trouble threatened. He bit his lip, and the performance went on as before.
Now Gigi had to do the most difficult trick of all. With the Giant as the base, and Cecco, the other tumbler, above, Gigi made the top of a living pyramid that ran, turned, twisted, and capered as the great strength of the Giant willed. At a signal they managed somehow to reverse their positions. All stood upon their heads; Gigi, with his little green legs waving in the air, heard shouts of applause which always greeted this favorite act. But the sound gave him no pleasure. He was tired; he was sore from a beating of the previous night, and his head ached from the blow which had made that ugly mark on his cheek. Gigi grew dizzy-
Her fiance and her best friend worked together and set her up. She lost everything and died in the street. However, she was reborn. The moment she opened her eyes, her husband was trying to strangle her. Luckily, she survived that. She signed the divorce agreement without hesitation and was ready for her miserable life. To her surprise, her mother in this life left her a great deal of money. She turned the tables and avenged herself. Everything went well in her career and love when her ex-husband came to her.
After the divorce, she became the dream woman everyone longed for. James Ferguson saved Zelda Liamson and always did whatever she asked, making sure she had everything she could ever want. Zelda thought it was true love. After five years of marriage, she realized she was nothing more than his favourite pet, while he was her whole world. Then, the woman James truly loved came back, and Zelda demanded a divorce. James mocked her, saying, " You can't survive without me. What will you do without the Ferguson's name? " But Zelda did run away and never looked back, receiving marriage proposals every day. James lost his mind and returned, begging Zelda, "Please, come back to me. Give me another chance." His eyes were full of love and desperation.
I was at my own engagement party at the Sterling estate when the world started tilting. Victoria Sterling, my future mother-in-law, smiled coldly as she watched me struggle with a cup of tea that had been drugged to ruin me. Before I could find my fiancé, Ryan, a waiter dragged me into the forbidden West Wing and locked me in a room with Julian Sterling, the family’s "fallen titan" who had been confined to a wheelchair for years. The door burst open to a frenzy of camera flashes and theatrical screams. Victoria framed me as a seductress caught in the act, and Ryan didn't even try to listen to my pleas, calling me "cheap leftovers" before walking away with his pregnant mistress. When I turned to my own family for help, my father signed a document severing our relationship for a five-million-dollar payout from Julian. They traded me like a commodity without a second thought. I didn't understand why my own parents were so eager to sell me, or how Ryan could look at me with such disgust after promising me forever. I was a sacrifice, a pawn used to protect the family's offshore accounts, and I couldn't fathom how every person I loved had a price tag for my destruction. With nowhere left to go, I married Julian in a bleak ceremony at City Hall. He slid a heavy diamond onto my finger and whispered, "We have a war to start." That night, inside his secret penthouse, I watched the paralyzed man stand up from his wheelchair and activate a screen filled with the Sterling family's darkest secrets. The execution had officially begun.
Everyone in town knew Amelia had chased Jaxton for years, even etching his initials on her skin. When malicious rumors swarmed, he merely straightened his cuff links and ordered her to kneel before the woman he truly loved. Seething with realization, she slammed her engagement ring down on his desk and walked away. Not long after, she whispered "I do" to a billionaire, their wedding post crashing every feed. Panic cracked Jaxton. "She's using you to spite me," he spat. The billionaire just smiled. "Being her sword is my honor."
I was the spare daughter of the Vitiello crime family, born solely to provide organs for my golden sister, Isabella. Four years ago, under the codename "Seven," I nursed Dante Moretti, the Don of Chicago, back to health in a safe house. I was the one who held him in the dark. But Isabella stole my name, my credit, and the man I loved. Now, Dante looked at me with nothing but cold disgust, believing her lies. When a neon sign crashed down on the street, Dante used his body to shield Isabella, leaving me to be crushed under twisted steel. While Isabella sat in a VIP suite crying over a scratch, I lay broken, listening to my parents discuss if my kidneys were still viable for harvest. The final straw came at their engagement gala. When Dante saw me wearing the lava stone bracelet I had worn in the safe house, he accused me of stealing it from Isabella. He ordered my father to punish me. I took fifty lashes to my back while Dante covered Isabella's eyes, protecting her from the ugly truth. That night, the love in my heart finally died. On the morning of their wedding, I handed Dante a gift box containing a cassette tape—the only proof that I was Seven. Then, I signed the papers disowning my family, threw my phone out the car window, and boarded a one-way flight to Sydney. By the time Dante listens to that tape and realizes he married a monster, I will be thousands of miles away, never to return.
In their previous lives, Gracie married Theo. Outwardly, they were the perfect academic couple, but privately, she became nothing more than a stepping stone for his ambition, and met a tragic end. Her younger sister Ellie wed Brayden, only to be abandoned for his true love, left alone and disgraced. This time, both sisters were reborn. Ellie rushed to marry Theo, chasing the success Gracie once had-unaware she was repeating the same heartbreak. Gracie instead entered a contract marriage with Brayden. But when danger struck, he defended her fiercely. Could fate finally rewrite their tragic endings?
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