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Anne Beale was a popular Welsh novelist and poet. She was born in Somerset but lived at Llandeilo in Carmarthenshire from 1841, until she moved to London, where she died at 68 Belsize Road, South Hampstead.
Anne Beale was a popular Welsh novelist and poet. She was born in Somerset but lived at Llandeilo in Carmarthenshire from 1841, until she moved to London, where she died at 68 Belsize Road, South Hampstead.
It is an evening in June, and the skies that have been weeping of late, owing to some calamity best known to themselves, have suddenly dried their eyes, and called up a smile to enliven their gloomy countenances. The farmers, who have been shaking their heads at sight of the unmown grass, and predicting a bad hay-harvest, are beginning to brighten up with the weather, and to consult upon the propriety of mowing to-morrow. The barometer is gently tapped by many a sturdy hand, and the result is favourable; so that there are good prospects of a few weeks' sunshine to atone for the late clouds.
Sunshine: how gracious it is just now! Down yonder in the west, that ancient of days, the sun throws around him his evening glory, and right royally he does it. The rain-covered meadows glow beneath it, like so many lakes-the river looks up rejoicing, and the distant mountains are wrapped in garments dyed in the old king's own regal colours. The woods look as smooth and glossy as the braided locks of maidens prepared for conquests; and the roads and paths that wind here and there amongst the trees, are as gay as little streamlets in the sun's reflected light.
Suddenly a rainbow leaps, as it were, out of the river, and spans, with its mighty arch, the country scene before us.
'A rainbow at night
Is the shepherd's delight;'
so the proverbially-grumbling farmers will have another prognostic to clear their countenances.
Perchance the worthy man who inhabits the farm we have just reached, may be congratulating himself upon it, as he jogs home from market this Saturday evening. If he could look upon his homestead with our eyes, I feel sure he would cease to despond. How cheerily the wide, slated roof gleams forth from amongst the trees, and returns the warm glance of the sun with one almost as warm, albeit proceeding from a very moist eyelid! How gladly the white smoke arises once more, spirally, from the large chimneys, after having been so long depressed by the heavy atmosphere! and how the massive ivy that covers the gable end, responds to the songs of the birds that warble their evening gladness amongst its gleaming leaves! The face of the dwelling is as cheerful as are the sun, river, mountains and meads, that it looks down upon from its slight elevation. Every leaf of the vine and pyrus-japonica that covers its front, is bedecked with a diamond; and the roses, laburnums, nasturtiums, and other gay flowers in the garden, drop jewels more freely than the maiden in the fairy tale, as they glisten beneath the rainbow.
This is what we see from the hawthorn lane below the house; but walking up into the highroad at the back, the scene changes, and just as our sympathies with beautiful nature were called forth below, so are they instantaneously assailed by our fellow-creatures above.
We come to the substantial gate that is the entrance to the pretty farm, and a curious and a motley group is there. We see such groups almost daily, here in Carmarthenshire; but as all the counties of England and Wales are not thoroughfares for the Irish from their country to England, we will describe these poor people as graphically as we can. There is evidently a consultation going on amongst them, and the general attention is directed to one individual of their party.
This is a young girl of some seventeen or eighteen years of age. She is seated on the ground, and leans her back against the stone wall that flanks the substantial gate afore mentioned. To judge from her general appearance she can scarcely belong to the ragged set that surround her, for there is an attempt at neatness and cleanliness in her attire, though it is poor enough, that the rest cannot boast of. She wears a cotton gown, shawl, straw bonnet, and shoes and stockings, which were once respectable and seem to have been originally intended for her. True, they are all worn and shabby-looking. The gown is faded, the bonnet very brown, and the shoes have holes in them; but they indicate a mind, or station, at least a degree above those of her companions. Her head is so inclined upon her breast, that it is difficult to see more than a pale face underneath the bonnet; but a pair of thin white hands that rest listlessly upon her lap, still tend to induce the notion that the girl cannot quite belong to the wild-looking company with which she is mixed up.
Right in front of her, and looking alternately from her to a man to whom she is talking, stands a middle-aged woman of good-natured but terrified aspect. A checked and ragged handkerchief confines her black, rough hair-a torn red cloak covers a portion of her body, and a curious collection of rags and tatters makes a vain effort to shelter the rest. In the large hood of the red cloak a hardy-looking infant is tied up, its little head and hand being alone visible, which are engaged in munching and holding a crust of bread. At the feet of the woman are sundry articles, amongst which a bundle of rags, an iron pot, and a tin saucepan, are the most conspicuous. The man to whom she is talking is a tall, gaunt specimen of Irish poverty and famine. He holds a rake and pitchfork in his hand, and leans upon them for support. Gazing into his face is a rough, surly-looking youth, who seems cordially to agree with all that he says.
Leaning against the wall that flanks the gate on the side opposite that which supports the girl, are another man and woman, who cast from time to time pitying glances at the pale face beneath the straw bonnet. These are as raggedly picturesque in their attire as the rest-a short red petticoat, a blanket substituted for a shawl, and a bundle on the back, distinguish the female; a long great coat and short trousers the male. They are deep in conversation upon the common theme. A young man of more stalwart figure stands beside the girl, and failing to attract her attention, kneels down on one knee and speaks low to her. A little boy is seated at her feet, alternately stroking her hands, and stirring up a small puddle of water with a short stick. Two other children are engaged at a little distance in making a lean cur beg for a mouthful of bread, which the generous urchins would evidently rather share with the dog than eat alone.
The one prevailing feature of the party is rags, and how they hold together no tongue can tell.
At last there is a general movement, as well as general clamour of voices and much gesticulation. All, old and young, with the exception of the girl, gather round the woman in the red cloak, and seem to be urging her to do something that she does not like to do. They point to the girl, and the appeal is not in vain.
The woman moves slowly and somewhat sulkily towards one of the boys, takes him by the hand, and returning to the gate, opens it, and walks down the good broad road that leads to the farm, the boy trotting by her side. We watch the bright red cloak till it disappears amongst the trees that surround the house; and turn again to wonder what can be the matter with the girl. She neither moves nor speaks, although her kindly companions in turn endeavour to attract her attention.
In the course of a few minutes the red cloak is again seen coming up the road, closely followed by another figure. We soon hear sounds of earnest pleading, in a broad Irish brogue, from our friend of the red cloak. As they approach the gate sound distinctly the words,-
'It's all thrue, my leddy-as thrue as the blessed gospel. I'm afeered she's dyin' if yer honour's glory won't lend us a hand.'
'I don't know how to believe you, my good woman, for some of you come every week and deceive me with all kinds of stories.'
'An' she's Welsh, yer honour. She's come to find out her friends, my leddy! God bless ye, ye've a kind eye and a gintle voice,'
Red cloak spoke the truth. The woman who is now added to the group has truly 'a kind eye and a gintle voice.' She is short and small of form, of middle age and matronly appearance; neatly and even handsomely dressed, as becomes the mistress of one of the largest and wealthiest farms of a country where large farms are rare. She has a handsome, placid face, and looks as if the world had moved on quietly and happily ever since she had been on its surface. Her dark eyes, that must once have been bright and piercing, are softened down to gentleness by the quieting hand of time; and the black hair is slightly streaked with white by the same unsparing fingers. But for this, age would seem to have little to do with the comely dame who is now bending her neatly-attired head before the shabby-looking girl against the wall,
'What is the matter with you, my poor girl?' says the 'gintle voice,'
These kind words have a power that the equally kind ones of the rough friends around had not. The brown straw bonnet is raised from the breast, and we perceive that the girl is neither dead nor sleeping. We perceive something more-a pair of the most painfully melancholy, and beautiful violet eyes that we ever looked into, which are languidly uplifted to the farm-lady. With the words, 'I am very tired, ma'am,' the eyes reclose, and we see long black fringes of soft hair rest upon the pale, thin cheek. The ready tear of compassion springs to the matron's eyes, as she stoops still lower to feel the pulse in the wan hand.
'What is the matter with her?' she inquires, turning to the bystanders.
'Tis tiert all out she is, my leddy. We come by say from Watherford to Milford, and thin, yer honour, we come on foot all trough Pembrokeshire, and County Carmarthin, and now she's jist kilt.'
'But what is she going to do? Why do you come away from Ireland at all?'
'Och, my leddy, shure we're starvin' there. And we jist come to luk for the work in the harvest, an' we're goin' to Herefordshire to git it. An' plaase yer honour's glory, she come wid us to this counthry to luk for her mother's relations that's Welsh, my leddy, small blame to thim, seein' her mother married an Irishman, and come to live in our counthry.'
'I will give you a night's lodging, and that is all I can do for you,' says the gentle mistress of the farm.
'The Lord bless ye, my leddy, the holy angels keep ye, the blessed Vargin and all the saints-'
'Oh, hush! hush!' exclaims the good woman, highly shocked. 'Help the poor girl, and come with me.'
The woman went towards the girl, and trying to assist her to rise, said,-
'Now, Gladys, asthore! An' shure, my leddy, she's a thrue Welsh name. I'll help ye, my darlin', there! Och! an it's betther she is already, as soon as she heerd of a night's lodgin'.'
The young man who was kneeling by the girl just now, goes to her other side, and succeeds in supporting her by putting his arm round her waist, whilst the woman holds her by one arm; and thus they follow the good mistress of the farm, followed in their turn by the rest of the party.
They move slowly down the road, underneath the fine oak and ash trees that shelter the back of the farm, until they reach a large farm-yard, wherein some thirty fine cows, of Welsh, English, and Alderney breed, are yielding their rich milk at the hands of some three or four rough-looking men and women who are kneeling down to get it.
'Come here, Tom,' cries the mistress, authoritatively.
Tom gives a knowing wink to the nearest girl, mutters, 'Irish again,' and goes to his mistress.
'See if there is good clean straw spread in the barn, Tom, and make haste.'
Tom goes to a large building outside the farm-yard, whither his mistress and the rest follow him.
'Plenty of straw, ma'am, good enough for such folk,' says Tom.
'Spread some more, and shut the window in the loft.'
This is done in a slow grumbling way.
The barn is a large, clean, airy building, that must look like a palace to these ragged, way-worn people.
'Now you may sleep here to-night, provided you go off early and quietly to-morrow morning. There is a good pump down below, where you can get water to wash yourselves, and at eight o'clock I shall lock the barn door; my husband always insists upon that.' Thus speaks the mistress.
'Heaven bless his honour, we're all honest. We wouldn't harm a hair of your blessed heads. We heerd o' ye many a time, and o' the good lodgin' and supper-the sun shine upon ye-ye give to the poor Irish on their thravels.' Thus answers the Irishwoman.
'You tell one another then! And this is why we have more calls than any one else!'
'The Lord love ye, and why wouldn't we? 'Tis the good as always gets the blessin'.'
Whilst this little conversation is going on, the girl, Gladys, is laid upon the shawl-blanket of the woman who wears that singular attire, and a pillow, half rags, half straw, is contrived for her head. The bonnet is taken off to increase her comfort, and, as her head falls languidly back upon the rough pillow, a wan, thin face is disclosed, that, from the regular outline of the profile, must be pretty, under happier circumstances, and is interesting.
Whilst the guests prepare to make themselves comfortable in different ways, the kindly farm-lady leaves them, amid many and enthusiastic blessings, and returns to the house.
In less than half-an-hour she reappears, followed by a female servant, both carrying tokens of a true hospitality that expects no return. She goes towards the poor girl with a small basin of good broth and a plate of toasted bread, such as might tempt the palate of a more dainty invalid; whilst the servant places a can of real Welsh broth, smelling strongly of the country emblem, the leek, in the midst of the hungry crew who are scattered over the barn. To this she adds various scraps of coarse bread and hard cheese, which she draws from a capacious apron, and evidently considers too good for the luckless vagabonds before her. She is soon, however, as much interested as her mistress in the sick girl, to whom the latter is administering the warm restorative. Spoonful after spoonful is applied to her lips, and greedily swallowed though with evident effort. The toasted bread is soaked in a portion of the broth, and is also devoured as speedily as offered, with an avidity made still more painful by the difficulty of swallowing, occasioned by some obstruction in the throat.
'God help you, poor girl,' says the good Samaritan, as she puts the last mouthful to the lips of the patient.
The eyes unclose, and a tear falls upon the wan cheek, as a murmured, 'Thank you, my lady,' is faintly heard.
The 'lady' turns away with a heavy sigh, whilst the servant begins to arrange the blanket-shawl and rags more comfortably, and finally takes off her large linsey-woolsey apron to make a softer resting-place for the head and neck of the girl. The grateful friends that stand around now bless the servant as zealously as they blessed her mistress, and if she understood the language in which the warm Irish hearts express their gratitude, she would probably wonder who 'the Vargin and all the holy saints and angels' are, that are invoked for her sake.
Again the farm-lady goes away, and returns bearing a small bottle of medicine, that she bids the red-cloaked woman give the sick girl in about an hour. She then leaves her patient and motley guests to their supper and night's repose, followed by such prayers as the poor alone know how to utter, and perhaps how to feel.
* * *
On the day of their wedding anniversary, Joshua's mistress drugged Alicia, and she ended up in a stranger's bed. In one night, Alicia lost her innocence, while Joshua's mistress carried his child in her womb. Heartbroken and humiliated, Alicia demanded a divorce, but Joshua saw it as yet another tantrum. When they finally parted ways, she went on to become a renowned artist, sought out and admired by everyone. Consumed by regret, Joshua darkened her doorstep in hopes of reconciliation, only to find her in the arms of a powerful tycoon. "Say hello to your sister-in-law."
My husband was in the shower, the sound of water a familiar rhythm to our mornings. I was just placing a cup of coffee on his desk, a small ritual in our five years of what I thought was a perfect marriage. Then, an email notification flashed on his laptop: "You're invited to the Christening of Leo Thomas." Our last name. The sender: Hayden Cleveland, a social media influencer. An icy dread settled in. It was an invitation for his son, a son I didn't know existed. I went to the church, hidden in the shadows, and saw him holding a baby, a little boy with his dark hair and eyes. Hayden Cleveland, the mother, leaned on his shoulder, a picture of domestic bliss. They looked like a family. A perfect, happy family. My world crumbled. I remembered him refusing to have a baby with me, citing work pressure. All his business trips, the late nights-were they spent with them? The lie was so easy for him. How could I have been so blind? I called the Zurich Architectural Fellowship, a prestigious program I had deferred for him. "I' d like to accept the fellowship," I said, my voice eerily calm. "I can leave immediately."
"You never wanted me," Eva's voice trembled, but her gaze was steady as she glared at Maxmillan. "You were too blinded by your love for Sara to see the truth." Maximilian clenched his fists, his jaw tight. "You think I don't regret it? Every moment, Eva. Every moment I spent hurting you.." "Hurting me?" she cut him off, her eyes filled with anger. "You ruined me, Max. You let my sister and step mother destroy me, and when I needed you most, you turned your back on me, you made me go through hell." His chest tightened. "I was wrong. I know that now, but..." "But it's too late," she snapped. "I'm not the helpless girl you left behind. I've come back for what's mine." Max's voice softened, almost pleading. "And what if I'm part of what's yours?" Eva's lips curled into a bitter smile. "Maybe. Or maybe I'll destroy you the way you destroyed me." ******* Forced into a loveless marriage to save her family's business, Eva endures cruelty from her husband, Maximilian, who believes she manipulated his grandfather into choosing her as his bride. Blinded by his love for her sister, Sara, Maximilian made Eva go through hell. Eva endures not only Maximilian's abuse but also the hurt and betrayal from her own family. Eva is framed for a tragedy and sent to prison, she's rescued by a powerful and influencial figure who she never knew existed. Six years later, Eva returns. No longer the broken and helpless woman she once was, She is now a force to be reckoned with. She is back to seek revenge on all those who had made her life hell. Now, Maximilian regrets his mistakes and isn't ready to let her go. Eva hold a secret that will shatter Maxmillan's world. What is that secret? Will Eva choose love and forgiveness, or will revenge be the only thing that can heal her broken heart?
For four years Madelyn had been with Bryson, yet he never once claimed her in public. Barely a month after meeting that other girl, he surged from casual dates to announcing her as his fiancée. He lavished her with gifts and praise, going on about her innocence and simplicity-subtle digs meant for Madelyn's ears alone. She merely smiled, quietly planning her escape from his world. But when the other guy woke up, Bryson came to her doorstep, falling apart entirely. He clutched Madelyn's hand, his voice raw with panic. "Think you can run back to your ex? Dream on-you're mine, now and always."
Sold off for billions, Emilee was forced to wed Eric, a comatose tycoon, becoming the city's punch-line. While bolting from the sham, she caught her sleazy boyfriend tangled with her adoptive sister. Fury blazing, she slipped into the silk gown anyway, vowing to marry money and avenge herself. Following the wedding, gossip soared: the "useless bride" strode onstage to claim the global medical prize her impostor sister had stolen, then got back at her parents for all the wrongs they had done to her. When Eric awoke, he didn't discard her-he adored her, unveiling the dazzling secrets she'd kept hidden.
For three quiet, patient years, Christina kept house, only to be coldly discarded by the man she once trusted. Instead, he paraded a new lover, making her the punchline of every town joke. Liberated, she honed her long-ignored gifts, astonishing the town with triumph after gleaming triumph. Upon discovering she'd been a treasure all along, her ex-husband's regret drove him to pursue her. "Honey, let's get back together!" With a cold smirk, Christina spat, "Fuck off." A silken-suited mogul slipped an arm around her waist. "She's married to me now. Guards, get him the hell out of here!"
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