Contrary Mary by Temple Bailey
Contrary Mary by Temple Bailey
In Which Silken Ladies Ascend One Stairway, and a Lonely Wayfarer Ascends Another and Comes Face to Face With Old Friends.
The big house, standing on a high hill which overlooked the city, showed in the moonlight the grotesque outlines of a composite architecture. Originally it had been a square substantial edifice of Colonial simplicity. A later and less restrained taste had aimed at a castellated effect, and certain peaks and turrets had been added. Three of these turrets were excrescences stuck on, evidently, with an idea of adornment. The fourth tower, however, rounded out and enlarged a room on the third floor. This room was one of a suite, and the rooms were known as the Tower Rooms, and were held by those who had occupied them to be the most desirable in the barn-like building.
To-night the house had taken on an unwonted aspect of festivity. Its spaciousness was checkered by golden-lighted windows. Delivery wagons and automobiles came and went, some discharging loads of deliciousness at the back door, others discharging loads of loveliness at the front.
Following in the wake of one of the front door loads of fluttering femininity came a somewhat somber pedestrian. His steps lagged a little, so that when the big door opened, he was still at the foot of the terrace which led up to it. He waited until the door was shut before he again advanced. In the glimpse that he thus had of the interior, he was aware of a sort of pink effulgence, and in that shining light, lapped by it, and borne up, as it were, by it toward the wide stairway, he saw slender girls in faint-hued frocks-a shimmering celestial company.
As he reached the top of the terrace the door again flew open, and he gave a somewhat hesitating reason for his intrusion.
"I was told to ask for Miss Ballard-Miss Mary Ballard."
It seemed that he was expected, and that the guardian of the doorway understood the difference between his business and that of the celestial beings who had preceded him.
He was shown into a small room at the left of the entrance. It was somewhat bare, with a few law books and a big old-fashioned desk. He judged that the room might have been put to office uses, but to-night the desk was heaped with open boxes, and odd pieces of furniture were crowded together, so that there was left only a small oasis of cleared space. On the one chair in this oasis, the somber gentleman seated himself.
He had a fancy, as he sat there waiting, that neither he nor this room were in accord with the things that were going on in the big house. Outside of the closed door the radiant guests were still ascending the stairway on shining wings of light. He could hear the music of their laughter, and the deeper note of men's voices, rising and growing fainter in a sort of transcendent harmony.
When the door was finally opened, it was done quickly and was shut quickly, and the girl who had entered laughed breathlessly as she turned to him.
"Oh, you must forgive me-I've kept you waiting?"
If their meeting had been in Sherwood forest, he would have known her at once for a good comrade; if he had met her in the Garden of Biaucaire, he would have known her at once for more than that. But, being neither a hero of ballad nor of old romance, he knew only that here was a girl different from the silken ladies who had ascended the stairs. Here was an air almost of frank boyishness, a smile of pleasant friendliness, with just enough of flushing cheek to show womanliness and warm blood.
Even her dress was different. It was simple almost to the point of plainness. Its charm lay in its glimmering glistening sheen, like the inside of a shell. Its draperies were caught up to show slender feet in low-heeled slippers. A quaint cap of silver tissue held closely the waves of thick fair hair. Her eyes were like the sea in a storm-deep gray with a glint of green.
These things did not come to him at once. He was to observe them as she made her explanation, and as he followed her to the Tower Rooms. But first he had to set himself straight with her, so he said: "I was sorry to interrupt you. But you said-seven?"
"Yes. It was the only time that the rooms could be seen. My sister and I occupy them-and Constance is to be married-to-night."
This, then, was the reason for the effulgence and the silken ladies. It was the reason, too, for the loveliness of her dress.
"I am going to take you this way." She preceded him through a narrow passage to a flight of steps leading up into the darkness. "These stairs are not often used, but we shall escape the crowds in the other hall."
Her voice was lost as she made an abrupt turn, but, feeling his way, he followed her.
Up and up until they came to a third-floor landing, where she stopped him to say, "I must be sure no one is here. Will you wait until I see?"
She came back, presently, to announce that the coast was clear, and thus they entered the room which had been enlarged and rounded out by the fourth tower.
It was a big room, ceiled and finished in dark oak, The furniture was roomy and comfortable and of worn red leather. A strong square table held a copper lamp with a low spreading shade. There was a fireplace, and on the mantel above it a bust or two.
But it was not these things which at once caught the attention of Roger Poole.
Lining the walls were old books in stout binding, new books in cloth and fine leather-the poets, the philosophers, the seers of all ages. As his eyes swept the shelves, he knew that here was the living, breathing collection of a true book-lover-not a musty, fusty aggregation brought together through mere pride of intellect. The owner of this library had counted the heart-beats of the world.
"This is the sitting-room," his guide was telling him, "and the bedroom and bath open out from it." She had opened a connecting door. "This room is awfully torn up. But we have just finished dressing Constance. She is down-stairs now in the Sanctum. We'll pack her trunks to-morrow and send them, and then if you should care to take the rooms, we can put back the bedroom furniture that father had. He used this suite, and brought his books up after mother died."
He halted on the threshold of that inner room. If the old house below had seemed filled with rosy effulgence, this was the heart of the rose. Two small white beds were side by side in an alcove. Their covers were of pink overlaid with lace, and the chintz of the big couch and chairs reflected the same enchanting hue. With all the color, however, there was the freshness of simplicity. Two tall glass candlesticks on the dressing table, a few photographs in silver and ivory frames-these were the only ornaments.
Yet everywhere was lovely confusion-delicate things were thrown half-way into open trunks, filmy fabrics floated from unexpected places, small slippers were held by receptacles never designed for shoes, radiant hats bloomed in boxes.
On a chair lay a bridesmaid's bunch of roses. This bunch Mary Ballard picked up as she passed, and it was over the top of it that she asked, with some diffidence, "Do you think you'd care to take the rooms?"
Did he? Did the Peri outside the gates yearn to enter? Here within his reach was that from which he had been cut off for five years. Five years in boarding-houses and cheap hotels, and now the chance to live again-as he had once lived!
"I do want them-awfully-but the price named in your letter seems ridiculously small--"
"But you see it is all I shall need," she was as blissfully unbusinesslike as he. "I want to add a certain amount to my income, so I ask you to pay that," she smiled, and with increasing diffidence demanded, "Could you make up your mind-now? It is important that I should know-to-night."
She saw the question in his eyes and answered it, "You see-my family have no idea that I am doing this. If they knew, they wouldn't want me to rent the rooms-but the house is mine--I shall do as I please."
She seemed to fling it at him, defiantly.
"And you want me to be accessory to your-crime."
She gave him a startled glance. "Oh, do you look at it-that way? Please don't. Not if you like them."
For a moment, only, he wavered. There was something distinctly unusual in acquiring a vine and fig tree in this fashion. But then her advertisement had been unusual-it was that which had attracted him, and had piqued his interest so that he had answered it.
And the books! As he looked back into the big room, the rows of volumes seemed to smile at him with the faces of old friends.
Lonely, longing for a haven after the storms which had beaten him, what better could he find than this?
As for the family of Mary Ballard, what had he to do with it? His business was with Mary Ballard herself, with her frank laugh and her friendliness-and her arms full of roses!
"I like them so much that I shall consider myself most fortunate to get them."
"Oh, really?" She hesitated and held out her hand to him. "You don't know how you have helped me out-you don't know how you have helped me--"
Again she saw a question in his eyes, but this time she did not answer it. She turned and went into the other room, drawing back the curtains of the deep windows of the round tower.
"I haven't shown you the best of all," she said. Beneath them lay the lovely city, starred with its golden lights. From east to west the shadowy dimness of the Mall, beyond the shadows, a line of river, silver under the moonlight. A clock tower or two showed yellow faces; the great public buildings were clear-cut like cardboard.
Roger drew a deep breath. "If there were nothing else," he said, "I should take the rooms for this."
And now from the lower hall came the clamor of voices.
"Mary! Mary!"
"I must not keep you," he said at once.
"Mary!"
Poised for flight, she asked, "Can you find your way down alone? I'll go by the front stairs and head them off."
"Mary--!"
With a last flashing glance she was gone, and as he groped his way down through the darkness, it came to him as an amazing revelation that she had taken his coming as a thing to be thankful for, and it had been so many years since a door had been flung wide to welcome him.
She did not need a hat. It would have hidden her hair. George Dalton, watching her from the door, decided that he had never seen such hair, bronze, parted on the side, with a thick wave across the forehead, it shaded eyes which were clear wells of light.She was a little thing with a quality in her youth which made one think of the year at the spring, of the day at morn, of Botticelli's Simonetta, of Shelley's lark, of Wordsworth's daffodils, of Keats' Eve of St. Agnes—of all the lovely radiant things of which the poets of the world have sung—Of course Dalton did not think of her in quite that way. He knew something of Browning and little of Keats, but he had at least the wit to discern the rareness of her type.As for the rest, she wore faded blue, which melted into the blue of the mists, stubbed and shabby russet shoes and an air of absorption in her returned soldier. This absorption Dalton found himself subconsciously resenting. Following an instinctive urge, he emerged, therefore, from his chrysalis of ill-temper, and smiled upon a transformed universe.
Luna has tried her best to make her forced marriage to Xen work for the sake of their child. But with Riley and Sophia- Xen's ex-girlfriend and her son in the picture. She fights a losing battle. Ollie, Xen's son is neglected by his father for a very long time and he is also suffering from a mysterious sickness that's draining his life force. When his last wish to have his dad come to his 5th birthday party is dashed by his failure to show up, Ollie dies in an accident after seeing his father celebrate Riley's birthday with Sophia and it's displayed on the big advertising boards that fill the city. Ollie dies and Luna follows after, unable to bear the grief, dying in her mate's hands cursing him and begging for a second chance to save her son. Luna gets the opportunity and is woken up in the past, exactly one year to the day Sophia and Riley show up. But this time around, Luna is willing to get rid of everyone and anyone even her mate if he steps in her way to save her son.
I just got my billionaire husband to sign our divorce papers. He thinks it's another business document. Our marriage was a business transaction. I was his secretary by day, his invisible wife by night. He got a CEO title and a rebellion against his mother; I got the money to save mine. The only rule? Don't fall in love. I broke it. He didn't. So I'm cashing out. Thirty days from now, I'm gone. But now he's noticing me. Touching me. Claiming me. The same man who flaunts his mistresses is suddenly burning down a nightclub because another man insulted me. He says he'll never let me go. But he has no idea I'm already halfway out the door. How far will a billionaire go to keep a wife he never wanted until she tried to leave?
Marrying her best friend was a dream come true for Kelly, but everything truly has a limitation. Pierce is Kelly’s first love, but as his best friend, she knew well there was always another woman deep in his heart. Lexi Gilbert. The woman Pierce could never forget even if he had already been arranged to marry Kelly. *** Kelly finally realized their happy marriage of the last three years was just a beautiful dream when Pierce asked for a divorce just because Lexi returned. She could only be his best friend even if she was carrying his baby. *** Since their friendship had become a cage, Kelly chose to set him free, as well as the miserable herself. But why then, it was Pierce who became the one who refused to move on? To make matters worse, her devil stepbrother also domineeringly stepped in at the same time, asking her to be his. *** Her Prince Charming vs. Her Devil Stepbrother? How could Kelly save her heart in this battle of love and hate?
For eight years, Cecilia Moore was the perfect Luna, loyal, and unmarked. Until the day she found her Alpha mate with a younger, purebred she-wolf in his bed. In a world ruled by bloodlines and mating bonds, Cecilia was always the outsider. But now, she's done playing by wolf rules. She smiles as she hands Xavier the quarterly financials-divorce papers clipped neatly beneath the final page. "You're angry?" he growls. "Angry enough to commit murder," she replies, voice cold as frost. A silent war brews under the roof they once called home. Xavier thinks he still holds the power-but Cecilia has already begun her quiet rebellion. With every cold glance and calculated step, she's preparing to disappear from his world-as the mate he never deserved. And when he finally understands the strength of the heart he broke... It may be far too late to win it back.
I died on a Tuesday. It wasn't a quick death. It was slow, cold, and meticulously planned by the man who called himself my father. I was twenty years old. He needed my kidney to save my sister. The spare part for the golden child. I remember the blinding lights of the operating theater, the sterile smell of betrayal, and the phantom pain of a surgeon's scalpel carving into my flesh while my screams echoed unheard. I remember looking through the observation glass and seeing him-my father, Giovanni Vitiello, the Don of the Chicago Outfit-watching me die with the same detached expression he used when signing a death warrant. He chose her. He always chose her. And then, I woke up. Not in heaven. Not in hell. But in my own bed, a year before my scheduled execution. My body was whole, unscarred. The timeline had reset, a glitch in the cruel matrix of my existence, giving me a second chance I never asked for. This time, when my father handed me a one-way ticket to London-an exile disguised as a severance package-I didn't cry. I didn't beg. My heart, once a bleeding wound, was now a block of ice. He didn't know he was talking to a ghost. He didn't know I had already lived through his ultimate betrayal. He also didn't know that six months ago, during the city's brutal territory wars, I was the one who saved his most valuable asset. In a secret safe house, I stitched up the wounds of a blinded soldier, a man whose life hung by a thread. He never saw my face. He only knew my voice, the scent of vanilla, and the steady touch of my hands. He called me Sette. Seven. For the seven stitches I put in his shoulder. That man was Dante Moretti. The Ruthless Capo. The man my sister, Isabella, is now set to marry. She stole my story. She claimed my actions, my voice, my scent. And Dante, the man who could spot a lie from a mile away, believed the beautiful deception because he wanted it to be true. He wanted the golden girl to be his savior, not the invisible sister who was only ever good for her spare parts. So I took the ticket. In my past life, I fought them, and they silenced me on an operating table. This time, I will let them have their perfect, gilded lie. I will go to London. I will disappear. I will let Seraphina Vitiello die on that plane. But I will not be a victim. This time, I will not be the lamb led to slaughter. This time, from the shadows of my exile, I will be the one holding the match. And I will wait, with the patience of the dead, to watch their entire world burn. Because a ghost has nothing to lose, and a queen of ashes has an empire to gain.
Katherine endured mistreatment for three years as Julian's wife, sacrificing everything for love. But when his sister drugged her and sent her to a client's bed, Katherine finally snapped. She left behind divorce papers, walking away from the toxic marriage. Years later, Katherine returned as a radiant star with the world at her feet. When Julian saw her again, he couldn't ignore the uncanny resemblance between her new love and himself. He had been nothing but a stand-in for someone else. Desperate to make sense of the past, Julian pressed Katherine, asking, "Did I mean nothing to you?"
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