Will Warburton

This book is a replica, produced from digital images of the original. It was scanned at the University of Toronto Libraries and may contain defects, missing

The summer day in 1874 which closed the annual session of Whitelaw College was marked by a special ceremony, preceding the wonted distribution of academic rewards.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.

Novelist, born at Wakefield. In his novels he depicted the environment and struggles of the lower and lower middle classes with a somewhat pessimistic and depressing realism, although his last work, The Private Papers of Henry Ryecroft, seemed to usher in the dawn of a somewhat brighter outlook. His other novels include Demos [1886], Thyrza [1887], The Nether World [1889], New Grub Street [1891], Born in Exile [1892], In the Year of Jubilee [1894], and The Town Traveller [1898]. He died at St. Jean de Luz in the Pyrenees.

One of George Gissing's greatest strengths as a novelist was his ability to highlight differences between socioeconomic classes and all the advantages that a higher class standing can bestow. That's the idea at the center of the gripping epic Thyrza, which Gissing himself identified as one of his favorites from his own body of work. Working-class Thyrza Trent was born with beauty, brains, and ambition—but she doesn't have the social status necessary to be able to fully leverage these gifts.

Elena, once a pampered heiress, suddenly lost everything when the real daughter framed her, her fiancé ridiculed her, and her adoptive parents threw her out. They all wanted to see her fall. But Elena unveiled her true identity: the heiress of a massive fortune, famed hacker, top jewelry designer, secret author, and gifted doctor. Horrified by her glorious comeback, her adoptive parents demanded half her newfound wealth. Elena exposed their cruelty and refused. Her ex pleaded for a second chance, but she scoffed, "Do you think you deserve it?" Then a powerful magnate gently proposed, "Marry me?"

Camille Lewis was the forgotten daughter, the unloved wife, the woman discarded like yesterday's news. Betrayed by her husband, cast aside by her own family, and left for dead by the sister who stole everything, she vanished without a trace. But the weak, naive Camille died the night her car was forced off that bridge. A year later, she returns as Camille Kane, richer, colder, and more powerful than anyone could have imagined. Armed with wealth, intelligence, and a hunger for vengeance, she is no longer the woman they once trampled on. She is the storm that will tear their world apart. Her ex-husband begs for forgiveness. Her sister's perfect life crumbles. Her parents regret the daughter they cast aside. But Camille didn't come back for apologies, she came back to watch them burn. But as her enemies fall at her feet, one question remains: when the revenge is over, what's left? A mysterious trillionaire Alexander Pierce steps into her path, offering something she thought she lost forever, a future. But can a woman built on ashes learn to love again? She rose from the fire to destroy those who betrayed her. Now, she must decide if she'll rule alone... or let someone melt the ice in her heart.

Trigger/Content Warning: This story contains mature themes and explicit content intended for adult audiences(18+). Reader discretion is advised. It includes elements such as BDSM dynamics, explicit sexual content, toxic family relationships, occasional violence and strong language. This is not a fluffy romance. It is intense, raw and messy, and explores the darker side of desire. ***** "Take off your dress, Meadow." "Why?" "Because your ex is watching," he said, leaning back into his seat. "And I want him to see what he lost." ••••*••••*••••* Meadow Russell was supposed to get married to the love of her life in Vegas. Instead, she walked in on her twin sister riding her fiance. One drink at the bar turned to ten. One drunken mistake turned into reality. And one stranger's offer turned into a contract that she signed with shaking hands and a diamond ring. Alaric Ashford is the devil in a tailored Tom Ford suit. Billionaire CEO, brutal, possessive. A man born into an empire of blood and steel. He also suffers from a neurological condition-he can't feel. Not objects, not pain, not even human touch. Until Meadow touches him, and he feels everything. And now he owns her. On paper and in his bed. She wants him to ruin her. Take what no one else could have. He wants control, obedience... revenge. But what starts as a transaction slowly turns into something Meadow never saw coming. Obsession, secrets that were never meant to surface, and a pain from the past that threatens to break everything. Alaric doesn't share what's his. Not his company. Not his wife. And definitely not his vengeance.

A year into the marriage, Thea rushed home with radiant happiness-she was pregnant. Jerred barely glanced up. "She's back." The woman he'd never let go had returned, and he forgot he was a husband, spending every night at her hospital bed. Thea forced a smile. "Let's divorce." He snapped, "You're jealous of someone who's dying?" Because the woman was terminal, he excused every jab and made Thea endure. When love went cold, she left the papers and stormed off. He locked down the city and caught her at the airport, eyes red, dropping to his knees. "Honey, where are you going with our child?"

Abandoned as a child and orphaned by murder, Kathryn swore she'd reclaim every shred of her stolen birthright. When she returned, society called her an unpolished love-child, scoffing that Evan had lost his mind to marry her. Only Evan knew the truth: the quiet woman he cradled like porcelain hid secrets enough to set the city trembling. She doubled as a legendary healer, an elusive hacker, and the royal court's favorite perfumer. At meetings, the directors groaned at the lovey-dovey couple, "Does she really have to be here?" Evan shrugged. "Happy wife, happy life." Soon her masks fell, and those who sneered bowed in awe.

Elliana, the unfavored "ugly duckling" of her family, was humiliated by her stepsister, Paige, who everyone admired. Paige, engaged to the CEO Cole, was the perfect woman-until Cole married Elliana on the day of the wedding. Shocked, everyone wondered why he chose the "ugly" woman. As they waited for her to be cast aside, Elliana stunned everyone by revealing her true identity: a miracle healer, financial mogul, appraisal prodigy, and AI genius. When her mistreatment became known, Cole revealed Elliana's stunning, makeup-free photo, sending shockwaves through the media. "My wife doesn't need anyone's approval."