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A collection of stories by Thomas Hardy including: An Imaginative Woman, The Three Strangers, The Withered Arm, Fellow-Townsmen, Interlopers at the Knap, The Distracted Preacher.
A collection of stories by Thomas Hardy including: An Imaginative Woman, The Three Strangers, The Withered Arm, Fellow-Townsmen, Interlopers at the Knap, The Distracted Preacher.
It was an eighty-cow dairy, and the troop of milkers, regular and supernumerary, were all at work; for, though the time of year was as yet but early April, the feed lay entirely in water-meadows, and the cows were 'in full pail.' The hour was about six in the evening, and three-fourths of the large, red, rectangular animals having been finished off, there was opportunity for a little conversation.
'He do bring home his bride to-morrow, I hear. They've come as far as Anglebury to-day.'
The voice seemed to proceed from the belly of the cow called Cherry, but the speaker was a milking-woman, whose face was buried in the flank of that motionless beast.
'Hav' anybody seen her?' said another.
There was a negative response from the first. 'Though they say she's a rosy-cheeked, tisty-tosty little body enough,' she added; and as the milkmaid spoke she turned her face so that she could glance past her cow's tail to the other side of the barton, where a thin, fading woman of thirty milked somewhat apart from the rest.
'Years younger than he, they say,' continued the second, with also a glance of reflectiveness in the same direction.
'How old do you call him, then?'
'Thirty or so.'
'More like forty,' broke in an old milkman near, in a long white pinafore or 'wropper,' and with the brim of his hat tied down, so that he looked like a woman. ''A was born before our Great Weir was builded, and I hadn't man's wages when I laved water there.'
The discussion waxed so warm that the purr of the milk-streams became jerky, till a voice from another cow's belly cried with authority, 'Now then, what the Turk do it matter to us about Farmer Lodge's age, or Farmer Lodge's new mis'ess? I shall have to pay him nine pound a year for the rent of every one of these milchers, whatever his age or hers. Get on with your work, or 'twill be dark afore we have done. The evening is pinking in a'ready.' This speaker was the dairyman himself; by whom the milkmaids and men were employed.
Nothing more was said publicly about Farmer Lodge's wedding, but the first woman murmured under her cow to her next neighbour, ''Tis hard for she,' signifying the thin worn milkmaid aforesaid.
'O no,' said the second. 'He ha'n't spoke to Rhoda Brook for years.'
When the milking was done they washed their pails and hung them on a many-forked stand made of the peeled limb of an oak-tree, set upright in the earth, and resembling a colossal antlered horn. The majority then dispersed in various directions homeward. The thin woman who had not spoken was joined by a boy of twelve or thereabout, and the twain went away up the field also.
Their course lay apart from that of the others, to a lonely spot high above the water-meads, and not far from the border of Egdon Heath, whose dark countenance was visible in the distance as they drew nigh to their home.
'They've just been saying down in barton that your father brings his young wife home from Anglebury to-morrow,' the woman observed. 'I shall want to send you for a few things to market, and you'll be pretty sure to meet 'em.'
'Yes, mother,' said the boy. 'Is father married then?'
'Yes . . . You can give her a look, and tell me what's she's like, if you do see her.'
'Yes, mother.'
'If she's dark or fair, and if she's tall-as tall as I. And if she seems like a woman who has ever worked for a living, or one that has been always well off, and has never done anything, and shows marks of the lady on her, as I expect she do.'
'Yes.'
They crept up the hill in the twilight, and entered the cottage. It was built of mud-walls, the surface of which had been washed by many rains into channels and depressions that left none of the original flat face visible; while here and there in the thatch above a rafter showed like a bone protruding through the skin.
She was kneeling down in the chimney-corner, before two pieces of turf laid together with the heather inwards, blowing at the red-hot ashes with her breath till the turves flamed. The radiance lit her pale cheek, and made her dark eyes, that had once been handsome, seem handsome anew. 'Yes,' she resumed, 'see if she is dark or fair, and if you can, notice if her hands be white; if not, see if they look as though she had ever done housework, or are milker's hands like mine.'
The boy again promised, inattentively this time, his mother not observing that he was cutting a notch with his pocket-knife in the beech-backed chair.
That, however, was thirteen years ago, and, in respect of the first opinion, I venture to think that those who care to read the story now will be quite astonished at the scrupulous propriety observed therein on the relations of the sexes; ...
Jocelyn Pierston, celebrated sculptor, tries to create an image of his ideal woman - his imaginary "Well-Beloved" - in stone, just as he tries to find her in the flesh.
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
Dieses Werk ist Teil der Buchreihe TREDITION CLASSICS. Der Verlag tredition aus Hamburg ver??ffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Gro??teil vergriffen oder nur noch antiquarisch erh??ltlich. Mit der Buchreihe TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte B\u00fccher zu verlegen \u2013 und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und F??rderung der Kultur. Sie tr??gt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten.
Using the restoration of a castle as a framework, classic novelist Thomas Hardy (1840-1928) considers the ancient analogy between architecture and philosophy. "Laodicean" is a term for early Christians lukewarm in their beliefs. Hardy's character, passionate architect George Somerset finds himself captivated by "Laodicean" Paula Power, whose views on conventions of any kind are lukewarm at best.
Sunlit hours found their affection glimmering, while moonlit nights ignited reckless desire. But when Brandon learned his beloved might last only half a year, he coolly handed Millie divorce papers, murmuring, "This is all for appearances; we'll get married again once she's calmed down." Millie, spine straight and cheeks dry, felt her pulse go hollow. The sham split grew permanent; she quietly ended their unborn child and stepped into a new beginning. Brandon unraveled, his car tearing down the street, unwilling to let go of the woman he'd discarded, pleading for her to look back just once.
When I was eight, Dante Moretti pulled me from the fire that killed my family. For ten years, the powerful crime boss was my protector and my god. Then, he announced his engagement to another woman to unite two criminal empires. He brought her home and named her the future mistress of the Moretti family. In front of everyone, his fiancée forced a cheap metal collar around my neck, calling me their pet. Dante knew I was allergic. He just watched, his eyes cold, and ordered me to take it. That night, I listened through the walls as he took her to his bed. I finally understood the promise he’d made me as a child was a lie. I wasn't his family. I was his property. After a decade of devotion, my love for him finally turned to ash. So on his birthday, the day he celebrated his new future, I walked out of his gilded cage for good. A private jet was waiting to take me to my real father—his greatest enemy.
A year into the marriage, Thea rushed home with radiant happiness-she was pregnant. Jerred barely glanced up. "She's back." The woman he'd never let go had returned, and he forgot he was a husband, spending every night at her hospital bed. Thea forced a smile. "Let's divorce." He snapped, "You're jealous of someone who's dying?" Because the woman was terminal, he excused every jab and made Thea endure. When love went cold, she left the papers and stormed off. He locked down the city and caught her at the airport, eyes red, dropping to his knees. "Honey, where are you going with our child?"
In the eighteen years of her life, Brianna had endured relentless abuse from her family, living in constant fear. One fateful day, two dignified figures approached her and revealed a shocking truth: she was their long-lost daughter, heiress to the wealthiest family in the city-the Owens. Desperate for love and acceptance, Brianna hoped to escape her past. Instead, she fell victim to Cassie, a cunning impostor who manipulated their parents against her while feigning distress. Rather than forging a connection with her real family, Brianna found herself betrayed and isolated. When a car accident left Brianna in a vegetative state, she found herself able to listen to everything around her, though unable to respond. Bitterly, she realized her parents didn't care for her; they visited just once. A month later, Cassie visited, disconnecting the ventilator before leaning in to whisper coldly, "Goodbye, my dear sister. You shouldn't have come back. You are meant for that despicable, wretched family." Somehow, fate granted Brianna a second chance. Reborn and fueled by rage, she vowed to make everyone who had wronged her pay dearly. This time, she would seize the life that had been stolen from her.
Rena got into an entanglement with a big shot when she was drunk one night. She needed Waylen's help while he was drawn to her youthful beauty. As such, what was supposed to be a one-night stand progressed into something serious. All was well until Rena discovered that Waylen's heart belonged to another woman. When his first love returned, he stopped coming home, leaving Rena all alone for many nights. She put up with it until she received a check and farewell note one day. Contrary to how Waylen expected her to react, Rena had a smile on her face as she bid him farewell. "It was fun while it lasted, Waylen. May our paths never cross. Have a nice life." But as fate would have it, their paths crossed again. This time, Rena had another man by her side. Waylen's eyes burned with jealousy. He spat, "How the hell did you move on? I thought you loved only me!" "Keyword, loved!" Rena flipped her hair back and retorted, "There are plenty of fish in the sea, Waylen. Besides, you were the one who asked for a breakup. Now, if you want to date me, you have to wait in line." The next day, Rena received a credit alert of billions and a diamond ring. Waylen appeared again, got down on one knee, and uttered, "May I cut in line, Rena? I still want you."
"Please believe me. I didn't do anything!" Thalassa Thompson cried helplessly. "Take her away." Kris Miller, her husband, said coldly. He didn't care as she was humiliated for the whole world to see. What would you if the love of your life and the woman you considered your best friend betrayed you in the worse way possible? For Thalassa, the answer was only one; she's going to come back stronger and better and bring everyone who made her suffer to their knees. Let the games begin! ***** "I hate you." Kris gritted out, glaring into her eyes. Thalassa laughed. "Mr Miller, if you hate me so much, then why is your dick so hard?"
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