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Best-known for his beloved "Oz" stories, L. Frank Baum also fabricated other realms of fantasy for his young readers. In The Sea Fairies, he takes youngsters to visit one of those fascinating places — a kingdom deep beneath the sea. Leading the way are Trot, a very independent and immensely curious little girl, and Cap'n Bill, an old sailor who likes to tell tall tales.One day the two adventurers come upon a sea cave where they discover a school of bewitching mermaids who guide them beneath the waves to a magnificent palace. While touring this mysterious watery realm, Trot and Cap'n Bill meet an aristocratic codfish and a bashful octopus, attend an elegant banquet, are taken prisoner by an awesome sea monster, make a dash for freedom, and have loads of other adventures.Sure to tickle the curiosity and delight the imagination, this enchanting fantasy, enhanced with 78 of John R. Neill's imaginative original drawings, will charm Baum fans of all ages.
"Nobody," said Cap'n Bill solemnly, "ever sawr a mermaid an' lived to tell the tale."
"Why not?" asked Trot, looking earnestly up into the old sailor's face.
They were seated on a bench built around a giant acacia tree that grew just at the edge of the bluff. Below them rolled the blue waves of the great Pacific. A little way behind them was the house, a neat frame cottage painted white and surrounded by huge eucalyptus and pepper trees. Still farther behind that-a quarter of a mile distant but built upon a bend of the coast-was the village, overlooking a pretty bay.
Cap'n Bill and Trot came often to this tree to sit and watch the ocean below them. The sailor man had one "meat leg" and one "hickory leg," and he often said the wooden one was the best of the two. Once Cap'n Bill had commanded and owned the "Anemone," a trading schooner that plied along the coast; and in those days Charlie Griffiths, who was Trot's father, had been the Captain's mate. But ever since Cap'n Bill's accident, when he lost his leg, Charlie Griffiths had been the captain of the little schooner while his old master lived peacefully ashore with the Griffiths family.
This was about the time Trot was born, and the old sailor became very fond of the baby girl. Her real name was Mayre, but when she grew big enough to walk, she took so many busy little steps every day that both her mother and Cap'n Bill nicknamed her "Trot," and so she was thereafter mostly called.
It was the old sailor who taught the child to love the sea, to love it almost as much as he and her father did, and these two, who represented the "beginning and the end of life," became firm friends and constant companions.
"Why hasn't anybody seen a mermaid and lived?" asked Trot again.
"'Cause mermaids is fairies, an' ain't meant to be seen by us mortal folk," replied Cap'n Bill.
"But if anyone happens to see 'em, what then, Cap'n?"
"Then," he answered, slowly wagging his head, "the mermaids give 'em a smile an' a wink, an' they dive into the water an' gets drownded."
"S'pose they knew how to swim, Cap'n Bill?"
"That don't make any diff'rence, Trot. The mermaids live deep down, an' the poor mortals never come up again."
The little girl was thoughtful for a moment. "But why do folks dive in the water when the mermaids smile an' wink?" she asked.
"Mermaids," he said gravely, "is the most beautiful creatures in the world-or the water, either. You know what they're like, Trot, they's got a lovely lady's form down to the waist, an' then the other half of 'em's a fish, with green an' purple an' pink scales all down it."
"Have they got arms, Cap'n Bill?"
"'Course, Trot; arms like any other lady. An' pretty faces that smile an' look mighty sweet an' fetchin'. Their hair is long an' soft an' silky, an' floats all around 'em in the water. When they comes up atop the waves, they wring the water out'n their hair and sing songs that go right to your heart. If anybody is unlucky enough to be 'round jes' then, the beauty o' them mermaids an' their sweet songs charm 'em like magic; so's they plunge into the waves to get to the mermaids. But the mermaids haven't any hearts, Trot, no more'n a fish has; so they laughs when the poor people drown an' don't care a fig. That's why I says, an' I says it true, that nobody never sawr a mermaid an' lived to tell the tale."
"Nobody?" asked Trot.
"Nobody a tall."
"Then how do you know, Cap'n Bill?" asked the little girl, looking up into his face with big, round eyes.
Cap'n Bill coughed. Then he tried to sneeze, to gain time. Then he took out his red cotton handkerchief and wiped his bald head with it, rubbing hard so as to make him think clearer. "Look, Trot; ain't that a brig out there?" he inquired, pointing to a sail far out in the sea.
"How does anybody know about mermaids if those who have seen them never lived to tell about them?" she asked again.
"Know what about 'em, Trot?"
"About their green and pink scales and pretty songs and wet hair."
"They don't know, I guess. But mermaids jes' natcherly has to be like that, or they wouldn't be mermaids."
She thought this over. "Somebody MUST have lived, Cap'n Bill," she declared positively. "Other fairies have been seen by mortals; why not mermaids?"
"P'raps they have, Trot, p'raps they have," he answered musingly. "I'm tellin' you as it was told to me, but I never stopped to inquire into the matter so close before. Seems like folks wouldn't know so much about mermaids if they hadn't seen 'em; an' yet accordin' to all accounts the victim is bound to get drownded."
"P'raps," suggested Trot softly, "someone found a fotygraph of one of 'em."
"That might o' been, Trot, that might o' been," answered Cap'n Bill.
A nice man was Cap'n Bill, and Trot knew he always liked to explain everything so she could fully understand it. The aged sailor was not a very tall man, and some people might have called him chubby, or even fat. He wore a blue sailor shirt with white anchors worked on the corners of the broad, square collar, and his blue trousers were very wide at the bottom. He always wore one trouser leg over his wooden limb and sometimes it would flutter in the wind like a flag because it was so wide and the wooden leg so slender. His rough kersey coat was a pea-jacket and came down to his waistline. In the big pockets of his jacket he kept a wonderful jackknife, and his pipe and tobacco, and many bits of string, and matches and keys and lots of other things. Whenever Cap'n Bill thrust a chubby hand into one of his pockets, Trot watched him with breathless interest, for she never knew what he was going to pull out.
The old sailor's face was brown as a berry. He had a fringe of hair around the back of his head and a fringe of whisker around the edge of his face, running from ear to ear and underneath his chin. His eyes were light blue and kind in expression. His nose was big and broad, and his few teeth were not strong enough to crack nuts with.
Trot liked Cap'n Bill and had a great deal of confidence in his wisdom, and a great admiration for his ability to make tops and whistles and toys with that marvelous jackknife of his. In the village were many boys and girls of her own age, but she never had as much fun playing with them as she had wandering by the sea accompanied by the old sailor and listening to his fascinating stories.
She knew all about the Flying Dutchman, and Davy Jones' Locker, and Captain Kidd, and how to harpoon a whale or dodge an iceberg or lasso a seal. Cap'n Bill had been everywhere in the world, almost, on his many voyages. He had been wrecked on desert islands like Robinson Crusoe and been attacked by cannibals, and had a host of other exciting adventures. So he was a delightful comrade for the little girl, and whatever Cap'n Bill knew Trot was sure to know in time.
"How do the mermaids live?" she asked. "Are they in caves, or just in the water like fishes, or how?"
"Can't say, Trot," he replied. "I've asked divers about that, but none of 'em ever run acrost a mermaid's nest yet, as I've heard of."
"If they're fairies," she said, "their homes must be very pretty."
"Mebbe so, Trot, but damp. They are sure to be damp, you know."
"I'd like to see a mermaid, Cap'n Bill," said the child earnestly.
"What, an' git drownded?" he exclaimed.
"No, and live to tell the tale. If they're beautiful, and laughing, and sweet, there can't be much harm in them, I'm sure."
"Mermaids is mermaids," remarked Cap'n Bill in his most solemn voice. "It wouldn't do us any good to mix up with 'em, Trot."
"May-re! May-re!" called a voice from the house.
"Yes, Mamma!"
"You an' Cap'n Bill come in to supper."
Aunt Jane's Nieces in the Red Cross by L. Frank Baum
A baby is found by wood nymphs in the forest of Burzee. They raise him as their own and give him the name Neclaus. When he grows up, Neclaus has to leave the forest so he makes a home for himself in the laughing valley of Hohaha, where he lives amongst humans for the first time. He discovers there that many children are very poor and neglected so, to cheer them up, he whittles wooden toys as gifts. Eventually he makes presents for all the children and so the story of Santa Claus is born. Fashioned as a whimsical fairy tale, The Life and Adventures of Santa Claus was published in 1902, just two years after L. Frank Baum's masterpiece of the imagination, The Wonderful Wizard of Oz. This festive Macmillan Collector's Library edition of The Life and Adventures of Santa Claus features charming, original illustrations by Mary Cowles Clark and an afterword by writer and journalist Ned Halley.Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.
The Twinkle Tales is a 1905 series by L. Frank Baum, published under the pen name Laura Bancroft. The six stories were issued in separate booklets by Baum's publisher Reilly & Britton, with illustrations by Maginel Wright Enright. In 1911, the six eight-chapter stories were collected as Twinkle and Chubbins; Their Astonishing Adventures in Nature-Fairyland — which is a misnomer, since Chubbins appears in only two stories and few are set in "Nature-Fairyland". The book was followed by Policeman Bluejay, which was retitled Babes in Birdland for its second edition.
In the previous life, Maggie Johnson was so cowardly, gullible and stupid that she was coaxed by her fiance and stepsister and then broke her legs and lost everything including her fortune, love and even life. However, she was so lucky that she was reborn in the year before everything happened. Since her life restarted, how could she repeat a previous tragedy? Therefore, in this life, she took the opportunity to improve herself and take revenge on the ones who had ever insulted her. Facing the people who had humiliated her previously, she became smart and experienced to break their frames and tricks that had caused her to hurt in the previous life. Finally, no one could stop her pace to amaze the world any more.
For as long as Emily can remember, she has wanted to overcome her shyness and explore her sexuality. Still, everything changes when she receives an invitation to visit one of the town's most prestigious BDSM clubs, DESIRE'S DEN. On the day she chose to peruse the club, she noticed three men, all dressed in suits, standing on the upper level, near the railing. Despite her limited vision, she persisted in fixating on them. Their towering statues belied the toned bodies concealed by their sharply tailored suits-or so she could tell. The hair of two of them was short and dark, and the third had light brown-possibly blond-hair that reached the shoulders. The dark, crimson background incised their figures, exuding an air of mystery and strength. They stood in stark contrast to the unfiltered, primal energy that pulsed through the club. Shocked by the desires these men aroused in her, she was disappointed to learn that they were masters seeking a slave to divide and conquer. She couldn't afford the fee, and she also realized that they were outside her league. Emily hurriedly left the club, feeling disappointed and depressed, unaware that she had also caught the group's attention. A world of wicked pleasure, three handsome men. Over the years, they have lived a life of decadence, their lavish lair serving as a stage for their most sinister desires. But despite the unending parade of willing subjects, one woman sticks out. A mysterious stranger with white porcelain skin and a killer body, a slave, a name with no address, the first lady to attract their eye and they will go to any length to obtain her no matter the consequences.
When Zora was sick during the early days of her pregnancy, Ezrah was with his first love, Piper. When Zora got into an accident and called Ezrah, he said he was busy, when in actual fact, he was buying shoes for Piper. Zora lost her baby because of the accident, and throughout her stay at the hospital, Ezrah never showed up. She already knew that he didn't love her, but that was the last straw for the camel's back, and her fragile heart could not take it anymore. When Ezrah arrived home a few days after Zora was discharged from the hospital, he no longer met the woman who always greeted him with a smile and cared for him. Zora stood at the top of the stairs and yelled with a cold expression, "Good news, Ezrah! Our baby died in a car accident. There is nothing between us anymore, so let's get a divorce." The man who claimed not to have any feelings for Zora, being cold and distant towards her, and having asked her for a divorce twice, instantly panicked.
As far as everyone was concerned, William had married Renee under duress. Now that his one true love was back—and with child—they couldn’t wait for him to abandon Renee. Surprisingly, Renee was candid about the situation. "To be honest, I’m the one asking for a divorce every single day. I want it even more than any of you!" But they brushed off her remark as a paltry attempt to save face. Until William made a declaration himself. "Divorce is out of the question. Anyone who spreads false rumors shall face legal consequences!" Renee was at a loss. What was this crazy man up to now?
Natalie used to think she could melt Connor’s icy heart, but she was sorely mistaken. When at last she decided to leave, she discovered that she was pregnant. Even so, she chose to quietly leave his world, prompting Connor to mobilize all of his resources and expand his business to a global scale—all in a bid to find her. But there was no trace of Natalie. Connor slowly spiraled into madness, turning the city upside down and leaving chaos in his wake. Natalie finally surfaced years later, with wealth and power of her own, only to find herself entangled with Connor once again.
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.