Peter Knight flung himself into the decrepit arm-chair beside the center-table and growled:
Peter Knight flung himself into the decrepit arm-chair beside the center-table and growled:
Peter Knight flung himself into the decrepit arm-chair beside the center-table and growled:
"Isn't that just my luck? And me a Democrat for twenty years. There's nothing in politics, Jimmy."
His son James smiled crookedly, with a languid tolerance bespeaking amusement and contempt. James prided himself upon his forbearance, and it was rarely indeed that he betrayed more than a hint of the superiority which he felt toward his parent.
"Politics is all right, provided you're a good picker," he said, with all the assurance of twenty-two, "but you fell off the wrong side of the fence, and you're sore."
"Of course I am. Wouldn't anybody be sore?"
"These country towns always go in for the reform stuff, every so often.
If you'd listen to me and-"
His father interrupted harshly: "Now, cut that out. I don't want to go to New York, and I won't." Peter Knight tried to look forceful, but the expression did not fit his weak, complacent features. He was a plump man with red cheeks rounded by habitual good humor; his chin was short, and beneath it were other chins, distended and sagging as if from the weight of chuckles within. When he had succeeded in fixing a look of determination upon his countenance the result was an artificial scowl and a palpably false pout. Wearing such a front, he continued: "When I say 'no' I mean it, and the subject is closed. I like Vale, I know everybody here, and everybody knows me."
"That's why it's time to move," said Jim, with another unpleasant curl of his lip. "As long as they didn't know you you got past. But you'll never hold another office."
"Indeed! My record's open to inspection. I made the best sheriff in-"
"Two years. Don't kid yourself, pa. Your foot slipped when the trolley line went through."
"What do you know about the trolley line?" angrily demanded Mr. Knight.
"Well, I know as much as the county knows. And I know something about the big dam, too. You got into the mud, pa, but you didn't go deep enough to find the frogs. Fogarty got his, didn't he?"
Mr. Knight breathed deep with indignation.
"Senator Fogarty is my good friend. I won't let you question his honor, although you do presume to question mine."
"Of course he's your friend; that's why he's fixed you for this New York job. He's not like these Reubs; he remembers a good turn and blows back with another. He's a real politician."
"'Department of Water Supply, Gas, and Electricity,'" sneered Peter. "It sounds good, but the salary is fifteen hundred a year. A clerk-at my age!"
"Say, d'you suppose Tammany men live on their salaries?" Jimmy inquired. "Wake up! This is your chance to horn into the real herd. In New York politics is a vocation; up here it's a vacation-everybody tries it once, like music lessons. If you'd been hooked up with Tammany instead of the state machine you'd have been taken care of."
"I tell you I don't like cities. It's no place to raise kids."
At this James betrayed some irritation. "I'm of age, and Lorelei's a grown woman. If we don't get out of Vale I'll still be a brakeman on a soda-fountain when I'm your age."
"If you'd worked hard you'd have had an interest in the drug store now."
"Rats!"
At this juncture Mrs. Knight, having finished the supper dishes and set her bread to rise, entered the shoddy parlor. Jim turned to her, shrugging his shoulders with an air of washing his hands of a disagreeable subject. "Pa's weakened again," he explained. "He won't go."
"Me, a clerk-at my age!" mumbled Peter.
"I've been trying to tell him that he'd get a half-Nelson on Tammany inside of a year. He squeezed the sheriff's office till it squealed, and if he can pinch a dollar out of this burg he can-"
"You shut up! I don't like your way of saying things," snarled Mr.
Knight.
His wife spoke for the first time, with brief conclusiveness.
"I wrote and thanked Senator Fogarty for his offer and told him you'd accept."
"You-what?" Peter was dumfounded.
"Yes"-Mrs. Knight seemed oblivious of his wrath-"we're going to make a change."
Mrs. Knight was a large woman well advanced beyond that indefinite turning-point of middle age; in her unattractive face was none of the easy good nature so unmistakably stamped upon her husband's. Peter J. was inherently optimistic; his head was forever hidden in a roseate aura of hopefulness and expectation. Under easy living he had grayed and fattened; his eyes were small and colorless, his cheeks full and veined with tiny sprays Of purple, his hands soft and limber. What had once been a measure of good looks was hidden now behind a flabby, indefinite mediocrity which an unusual carefulness in dress could not disguise. He was big-hearted in little things; in big things he was small. He told an excellent story, but never imagined one, and his laugh was hearty though insincere. Men who knew him well laughed with him, but did not indorse his notes.
His wife was of a totally different stamp, showing evidence of unusual force. Her thin lips, her clean-cut nose betokened purpose; a pair of alert, unpleasant eyes spoke of a mental activity that was entirely lacking in her mate, and she was generally recognized as the source of what little prominence he had attained.
"Yes, we're going to make a change," she repeated. "I'm glad, too, for
I'm tired of housework."
"You don't have to do your own work. There's Lorelei to help."
"You know I wouldn't let her do it."
"Afraid it would spoil her hands, eh?" Mr. Knight snorted, disdainfully. "What are hands made for, anyhow? Honest work never hurt mine."
Jim stirred and smiled; the retort upon his lips was only too obvious.
"She's too pretty," said the mother. "You don't realize it; none of us do, but-she's beautiful. Where she gets her good looks from I don't know."
"What's the difference? It won't hurt her to wash dishes. She wouldn't have to keep it up forever, anyhow; she can have any fellow in the county."
"Yes, and she'll marry, sure, if we stay here."
Knight's colorless eyes opened. "Then what are you talking about going away to a strange place for? It ain't every girl that can have her pick."
Mrs. Knight began slowly, musingly: "You need some plain talk, Peter. I don't often tell you just what I think, but I'm going to now. You're past fifty; you've spent twenty years puttering around at politics, with business as a side issue, and what have you got to show for it? Nothing. The reformers are in at last, and you're out for good. You had your chance and you missed it. You were always expecting something big, some fat office with big profits, but it never came. Do you know why? Because YOU aren't big, that's why. You're little, Peter; you know it, and so does the party."
The object of this address swelled pompously; his cheeks deepened in hue and distended; but while he was summoning words for a defense his wife ran on evenly:
"The party used you just as long as you could deliver something, but you're down and out now, and they've thrown you over. Fogarty offers to pay his debt, and I'm not going to refuse his help."
"I suppose you think you could have done better if you'd been in my place," Peter grumbled. He was angry, yet the undeniable truth of his wife's words struck home. "That's the woman of it. You kick because we're poor, and then want me to take a fifteen-hundred-dollar job."
"Bother the salary! It will keep us going as long as necessary"
"Eh?" Mr. Knight looked blank.
"I'm thinking of Lorelei. She's going to give us our chance."
"Lorelei?"
"Yes. You wonder why I've never let her spoil her hands-why I've scrimped to give her pretty clothes, and taught her to take care of her figure, and made her go out with young people. Well, I knew what I was doing; it was part of her schooling. She's old enough now; and she has everything that any girl ever had, so far as looks go. She's going to do for us what you never have been and never will be able to do, Peter Knight. She's going to make us rich. But she can't do it in Vale."
"Ma's right," declared James. "New York's the place for pretty women; the town is full of them."
"If it's full of pretty women what chance has she got?" queried Peter.
"She can't break into society on my fifteen hundred-"
"She won't need to. She can go on the stage."
"Good Lord! What makes you think she can act?"
"Do you remember that Miss Donald who stopped at Myrtle Lodge last summer? She's an actress."
"No!" Mr. Knight was amazed.
"She told me a good deal about the show business. She said Lorelei wouldn't have the least bit of trouble getting a position. She gave me a note to a manager, too, and I sent him Lorelei's photograph. He wrote right back that he'd give her a place."
"Really?"
"Yes; he's looking for pretty girls with good figures. His name is
Bergman."
Jim broke in eagerly. "You've heard of Bergman's Revues, pa. We saw one last summer, remember? Bergman's a big fellow."
"THAT show? Why, that was-rotten. It isn't a very decent life, either."
"Don't worry about Sis," advised Jim. "She can take care of herself, and she'll grab a millionaire sure-with her looks. Other girls are doing it every day-why not her? Ma's got the right idea."
Impassively Mrs. Knight resumed her argument. "New York is where the money is-and the women that go with money. It's the market-place. The stage advertises a pretty girl and gives her chances to meet rich men. Here in Vale there's nobody with money, and, besides, people know us. The Stevens girls have been nasty to Lorelei all winter, and she's never invited to the golf-club dances any more."
At this intelligence Mr. Knight burst forth indignantly:
"They're putting on a lot of airs since the Interurban went through; but Ben Stevens forgets who helped him get the franchise. I could tell a lot of things-"
"Bergman writes," continued Mrs. Knight, "that Lorelei wouldn't have to go on the road at all if she didn't care to. The real pretty show-girls stay right in New York."
Jim added another word. "She's the best asset we've got, pa, and if we all work together we'll land her in the money, sure."
Peter Knight pinched his full red lips into a pucker and stared speculatively at his wife. It was not often that she openly showed her hand to him.
"It seems like an awful long chance," he said.
"Not so long, perhaps, as you think," his wife assured him. "Anyhow, it's our ONLY chance, and we're not popular in Vale."
"Have you talked to her about it?"
"A little. She'll do anything we ask. She's a good girl that way."
The three were still buried in discussion when Lorelei appeared at the door.
"I'm going over to Mabel's," she paused a moment to say. "I'll be back early, mother."
In Peter Knight's eyes, as he gazed at his daughter, there was something akin to shame; but Jim evinced only a hard, calculating appraisal. Both men inwardly acknowledged that the mother had spoken less than half the truth, for the girl was extravagantly, bewitchingly attractive. Her face and form would have been noticeable anywhere and under any circumstances; but now in contrast with the unmodified homeliness of her parents and brother her comeliness was almost startling. The others seemed to harmonize with their drab surroundings, with the dull, unattractive house and its furnishings, but Lorelei was in violent opposition to everything about her. She wore her beauty unconsciously, too, as a princess wears the purple of her rank. Neither in speech nor in look did she show a trace of her father's fatuous commonplaceness, and she gave no sign of her mother's coldly calculating disposition. Equally the girl differed from her brother, for Jim was anemic, underdeveloped, sallow; his only mark of distinction being his bright and impudent eye, while she was full-blooded, healthy, and clean. Splendidly distinctive, from her crown of warm amber hair to her shapely, slender feet, it seemed that all the hopes, all the aspirations, all the longings of bygone generations of Knights had flowered in her. As muddy waters purify themselves in running, so had the Knight blood, coming through unpleasant channels, finally clarified and sweetened itself in this girl. In the color of her eyes she resembled neither parent; Mrs. Knight's were close-set and hard; Peter's shallow, indefinite, weak. Lorelei's were limpid and of a twilight blue. Her single paternal inheritance was a smile perhaps a trifle too ready and too meaningless. Yet it was a pleasant smile, indicative of a disposition toward courtesy, if not self-depreciation.
But there all resemblance ceased. Lorelei Knight was mysteriously different from her kin; she might almost have sprung from a different strain, and except as one of those "throwbacks" which sometimes occur in a mediocre family, when an exotic offspring blooms like a delicate blossom in a bed of weeds, she was inexplicable. Simple living had made her strong, yet she remained exquisite; behind a natural and a deep reserve she was vibrant with youth and spirits.
In the doorway she hesitated an instant, favoring the group with her shadowy, impersonal smile. In her gaze there was a faint inquiry, for it was plain that she had interrupted a serious discussion. She came forward and rested a hand upon her father's thinly haired bullet-head. Peter reached up and took it in his own moist palm.
"We were just talking about you," he said.
"Yes?" The smile remained as the girl's touch lingered.
"Your ma thinks I'd better accept that New York offer on your account."
"On mine? I don't understand."
Peter stroked the hand in his clasp, and his weak, upturned face was wrinkled with apprehension. "She thinks you should see the world and-make something of yourself."
"That would be nice." Lorelei's lips were still parted as she turned toward her mother in some bewilderment.
"You'd like the city, wouldn't you?" Mrs. Knight inquired.
"Why, yes; I suppose so."
"We're poor-poorer than we've ever been. Jim will have to work, and so will you."
"I'll do what I can, of course; but-I don't know how to do anything.
I'm afraid I won't be much help at first."
"We'll see to that. Now, run along, dearie."
When she had gone Peter gave a grunt of conviction.
"She IS pretty," he acknowledged; "pretty as a picture, and you certainly dress her well. She'd ought to make a good actress."
Jim echoed him enthusiastically. "Pretty? I'll bet Bernhardt's got nothing on her for looks. She'll have a brownstone hut on Fifth Avenue and an air-tight limousine one of these days, see if she don't."
"When do you plan to leave?" faltered the father.
Mrs. Knight answered with some satisfaction: "Rehearsals commence in
May."
Young Pierce Phillips, green, naïve, self-assured and with little money, finds himself in Dyea, Alaska. He is soon parted from his money by smooth-talking gamblers. Now, penniless, hungry and with no means to reach the Klondike, he is forced to accept a job hauling supplies for other would-be prospectors over the perilous Chilkoot Pass. During one such expedition he meets Countess Courteau, who plays a major role in his future. His Yukon adventures change Pierce from youth to a man, a seasoned veteran who has learned that love can be a stronger desire than Gold Fever...
Her sister is marrying her ex. So she brings her best friend as her fake fiancé. What could possibly go wrong? Savannah Hart thought she was over Dean Archer-until her sister, Chloe announces she's marrying him. The same man Savannah never stopped loving. The man who left her heartbroken... and now belongs to her sister. A weeklong wedding in New Hope. One mansion full of guests. And a very bitter maid of honor. To survive it, Savannah brings a date-her charming, clean-cut best friend, Roman Blackwood. The one man who's always had her back. He owes her a favor, and pretending to be her fiancé? Easy. Until fake kisses start to feel real. Now Savannah's torn between keeping up the act... or risking everything for the one man she was never supposed to fall for.
For ten years, Daniela showered her ex-husband with unwavering devotion, only to discover she was just his biggest joke. Feeling humiliated yet determined, she finally divorced him. Three months later, Daniela returned in grand style. She was now the hidden CEO of a leading brand, a sought-after designer, and a wealthy mining mogul-her success unveiled at her triumphant comeback. Her ex-husband's entire family rushed over, desperate to beg for forgiveness and plead for another chance. Yet Daniela, now cherished by the famed Mr. Phillips, regarded them with icy disdain. "I'm out of your league."
I died on a Tuesday. It wasn't a quick death. It was slow, cold, and meticulously planned by the man who called himself my father. I was twenty years old. He needed my kidney to save my sister. The spare part for the golden child. I remember the blinding lights of the operating theater, the sterile smell of betrayal, and the phantom pain of a surgeon's scalpel carving into my flesh while my screams echoed unheard. I remember looking through the observation glass and seeing him-my father, Giovanni Vitiello, the Don of the Chicago Outfit-watching me die with the same detached expression he used when signing a death warrant. He chose her. He always chose her. And then, I woke up. Not in heaven. Not in hell. But in my own bed, a year before my scheduled execution. My body was whole, unscarred. The timeline had reset, a glitch in the cruel matrix of my existence, giving me a second chance I never asked for. This time, when my father handed me a one-way ticket to London-an exile disguised as a severance package-I didn't cry. I didn't beg. My heart, once a bleeding wound, was now a block of ice. He didn't know he was talking to a ghost. He didn't know I had already lived through his ultimate betrayal. He also didn't know that six months ago, during the city's brutal territory wars, I was the one who saved his most valuable asset. In a secret safe house, I stitched up the wounds of a blinded soldier, a man whose life hung by a thread. He never saw my face. He only knew my voice, the scent of vanilla, and the steady touch of my hands. He called me Sette. Seven. For the seven stitches I put in his shoulder. That man was Dante Moretti. The Ruthless Capo. The man my sister, Isabella, is now set to marry. She stole my story. She claimed my actions, my voice, my scent. And Dante, the man who could spot a lie from a mile away, believed the beautiful deception because he wanted it to be true. He wanted the golden girl to be his savior, not the invisible sister who was only ever good for her spare parts. So I took the ticket. In my past life, I fought them, and they silenced me on an operating table. This time, I will let them have their perfect, gilded lie. I will go to London. I will disappear. I will let Seraphina Vitiello die on that plane. But I will not be a victim. This time, I will not be the lamb led to slaughter. This time, from the shadows of my exile, I will be the one holding the match. And I will wait, with the patience of the dead, to watch their entire world burn. Because a ghost has nothing to lose, and a queen of ashes has an empire to gain.
"You don't belong here. Get out!" Hanna, the rightful Wheeler daughter, came back only to be expelled by her family. Her fiancé cheated on her with the fake daughter, her brothers looked down on her, and her father ignored her. Then, she crossed paths with Chris, the formidable leader of the Willis family and her fiancé's uncle. "Let's pretend it never happened." Despite Hanna's hope to part ways, Chris insisted she be responsible. He threatened to reveal Hanna's true talents as an outstanding doctor, a brilliant screenwriter, and the brains behind a famous design studio, forcing her into marriage. Chris was once asked to protect someone. Destiny reunited them in tricky circumstances. He had planned to keep his promise and provide a safe haven, only to find Hanna was far from the delicate woman she seemed. She was witty and cunning...
My husband Julian celebrated our five-year anniversary by sleeping with his mistress. He thought I was a clueless trophy wife, too dim to notice the vanilla and tuberose scent on his expensive suits. He was wrong. For years, I played Mrs. Vance, hiding my brilliance while Julian claimed my patents. An anonymous email confirmed his ultimate betrayal: photos of him and Scarlett Kensington in ecstasy. My heart didn't break; it solidified into ice at five years wasted. I activated "The Protocol" for a new identity and escape countdown. Playing the doting wife, I plotted his downfall, catching him with his mistress selling my work, and publicly snapping his credit card. His betrayals and stolen work ignited a cold, calculated fury. He had no idea the monster he'd created. I was dismantling his empire. I shredded his patent papers, stripping him of his ill-gotten gains. With a final tap, I initiated "Identity Erasure." Mrs. Vance was dead. Dr. Evelyn Thorne had just begun her counterattack.
In her previous life, Kimberly endured the betrayal of her husband, the cruel machinations of an evil woman, and the endless tyranny of her in-laws. It culminated in the bankruptcy of her family, and ultimately, her death. After being reborn, she resolved to seek retribution against those who had wronged her, and ensure her family's prosperity. To her shock, the most unattainable man from her past suddenly set his sights on her. "You may have overlooked me before, but I shall capture your heart this time around."
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