Frederick Marryat was a popular 19th century novelist best known for pioneering the genre of sea stories and for writing other action and adventure books. An acquaintance of Charles Dickens, Marryat's books are still read today.
Frederick Marryat was a popular 19th century novelist best known for pioneering the genre of sea stories and for writing other action and adventure books. An acquaintance of Charles Dickens, Marryat's books are still read today.
In which Mrs Easy, as usual, has her own way.
It was the fourth day after Mrs Easy's confinement that Mr Easy, who was sitting by her bedside in an easy chair, commenced as follows: "I have been thinking, my dear Mrs Easy, about the name I shall give this child."
"Name, Mr Easy! why, what name should you give it but your own?"
"Not so, my dear," replied Mr Easy; "they call all names proper names, but I think that mine is not. It is the very worst name in the calendar."
"Why, what's the matter with it, Mr Easy?"
"The matter affects me as well as the boy. Nicodemus is a long name to write at full length, and Nick is vulgar. Besides, as there will be two Nicks, they will naturally call my boy young Nick, and of course I shall be styled old Nick, which will be diabolical."
"Well, Mr Easy, at all events then let me choose the name."
"That you shall, my dear, and it was with this view that I have mentioned the subject so early."
"I think, Mr Easy, I will call the boy after my poor father-his name shall be Robert."
"Very well, my dear, if you wish it, it shall be Robert. You shall have your own way. But I think, my dear, upon a little consideration, you will acknowledge that there is a decided objection."
"An objection Mr Easy?"
"Yes, my dear; Robert may be very well, but you must reflect upon the consequences; he is certain to be called Bob."
"Well, my dear, and suppose they do call him Bob?"
"I cannot bear even the supposition, my dear. You forget the county in which we are residing, the downs covered with sheep."
"Why, Mr Easy, what can sheep have to do with a Christian name?"
"There it is; women never look to consequences. My dear, they have a great deal to do with the name of Bob. I will appeal to any farmer in the county, if ninety-nine shepherds' dogs out of one hundred are not called Bob. Now observe, your child is out of doors somewhere in the fields or plantations; you want and you call him. Instead of your child, what do you find? Why, a dozen curs at least, who come running up to you, all answering to the name of Bob, and wagging their stumps of tails. You see, Mrs Easy, it is a dilemma not to be got over. You level your only son to the brute creation by giving him a Christian name which, from its peculiar brevity, has been monopolised by all the dogs in the county. Any other name you please, my dear, but in this one instance you must allow me to lay my positive veto."
"Well, then, let me see-but I'll think of it, Mr Easy; my head aches very much just now."
"I will think for you, my dear. What do you say to John?"
"O no, Mr Easy, such a common name."
"A proof of its popularity, my dear. It is scriptural-we have the Apostle and the Baptist-we have a dozen Popes who were all Johns. It is royal-we have plenty of kings who were Johns-and moreover, it is short, and sounds honest and manly."
"Yes, very true, my dear; but they will call him Jack." "Well, we have had several celebrated characters who were Jacks. There was-let me see-Jack the Giant Killer, and Jack of the Bean Stock-and Jack-Jack-"
"Jack Spratt," replied Mrs Easy. "And Jack Cade, Mrs Easy, the great rebel-and Three-fingered Jack, Mrs Easy, the celebrated negro-and, above all, Jack Falstaff, ma'am, Jack Falstaff-honest Jack Falstaff-witty Jack Falstaff-"
"I thought, Mr Easy, that I was to be permitted to choose the name."
"Well, so you shall, my dear; I give it up to you. Do just as you please; but depend upon it that John is the right name. Is it not now, my dear?"
"It's the way you always treat me, Mr Easy; you say that you give it up, and that I shall have my own way, but I never do have it. I am sure that the child will be christened John."
"Nay, my dear, it shall be just what you please. Now I recollect it, there were several Greek emperors who were Johns; but decide for yourself, my dear."
"No, no," replied Mrs Easy, who was ill, and unable to contend any longer, "I give it up, Mr Easy. I know how it will be, as it always is: you give me my own way as people give pieces of gold to children, it's their own money, but they must not spend it. Pray call him John."
"There, my dear, did not I tell you you would be of my opinion upon reflection? I knew you would. I have given you your own way, and you tell me to call him John; so now we're both of the same mind, and that point is settled."
"I should like to go to sleep, Mr Easy; I feel far from well."
"You shall always do just as you like, my dear," replied the husband, "and have your own way in everything. It is the greatest pleasure I have when I yield to your wishes. I will walk in the garden. Good-bye, my dear."
Mrs Easy made no reply, and the philosopher quitted the room. As may easily be imagined, on the following day the boy was christened John.
Including a famous chapter starring a werewolf, Captain Marryat's 1839 supernatural sea saga retells the legend of The Flying Dutchman. Philip Vanderdecken is on a maritime quest to rescue his cursed father. Wearing a relic of the Holy Cross, Philip has a chance to lift the curse—if he can find the doomed wanderer.
Frederick Marryat was a popular 19th century novelist best known for pioneering the genre of sea stories and for writing other action and adventure books. An acquaintance of Charles Dickens, Marryat's books are still read today.
Frederick Marryat was a popular 19th century novelist best known for pioneering the genre of sea stories and for writing other action and adventure books. An acquaintance of Charles Dickens, Marryat's books are still read today.
A classic tale of historical adventure to be enjoyed by children and adults alike, set against the turbulent background of the English Civil War, as well as a charming coming-of-age storyIt was in the month of November in this year that King Charles, accompanied by Sir John Berkely, Ashburnham, and Legg, made his escape from Hampton Court, and rode as fast as the horses could carry them toward that part of Hampshire which led to the New Forest . . . It is 1647. Charles I has been defeated in the civil war, but has escaped captivity and is making for France. Parliamentary soldiers searching the New Forest decide to burn the house of Colonel Beverly, a royalist officer killed at the Battle of Naseby. His four children are rescued by their father's gamekeeper, Jacob, who takes them in. The children gradually shed their aristocratic sensibilities and adapt to the simple ways of the forest, working Jacob's farmstead and befriending other inhabitants of the woodland. But when Charles II raises an army and the specter of war returns to haunt the Beverly children, they realize they cannot hide from their true identity.
My Luna became an alpha after I rejected her : she was my Luna. I rejected her. Now she's stronger than ever and she has my son. Amelia's world shattered the day her daughter died-and her mate, Alpha Aiden of the Red Moon Pack, divorced her to reunite with his ex-girlfriend. Cast out, disgraced, and accused of poisoning her own child, Amelia was stripped of her title and driven from her pack. The next morning, her lifeless body was found at the border.They all believed she was dead.But she wasn't. Far from the ashes of betrayal, Amelia rebuilt herself-rising from rejection and ruin to become the first female Alpha of Velaris, the most powerful and respected pack in the realm. She also carried a secret Aiden never discovered:She was pregnant-with his son.Years later, fate brings them face to face once more. A deadly disease is spreading through the packs, and the only one who can stop it is the renowned doctor they thought had died. When Aiden sees the boy at her side-his eyes, his blood-he realizes the truth.He didn't just lose his Luna. He destroyed the mother of his child.And now, she's everything he's not-stronger, wiser, untouchable. Will she heal the pack that betrayed her?Will she ever let him near her heart again?Or is his punishment simply living with the consequences?
The rain assaulted the glass, mirroring the storm inside me. For three years, I, Vivian Sterling, played the perfect wife to Julian Kensington, draining my life. The antique clock ticked, a reminder of time lost. Then, I found it: a blonde hair on Julian's suit, reeking of Midnight Rose, and a text, ""Candy: You left your cufflinks on my nightstand. I'm already missing you."" My world shattered, revealing his betrayal. This was just the beginning. I exposed Julian's fraud and his family's violent plots, surviving assassination. But their malice stole my past. Then Alexander Vance, my protector, uncovered a terrifying truth: my birth mother was alive, held captive by a shadowy order. My life was a lie, built to shield me from my dangerous bloodline. I found strength and love with Alexander, the man who walked into fire for me. Yet, as I prepared to rescue my mother, a new life stirred within me, a secret threatening to complicate the impending war.
The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
I stood outside my husband's study, the perfect mafia wife, only to hear him mocking me as an "ice sculpture" while he entertained his mistress, Aria. But the betrayal went deeper than infidelity. A week later, my saddle snapped mid-jump, leaving me with a shattered leg. Lying in the hospital bed, I overheard the conversation that killed the last of my love. My husband, Alessandro, knew Aria had sabotaged my gear. He knew she could have killed me. Yet, he told his men to let it go. He called my near-death experience a "lesson" because I had bruised his mistress's ego. He humiliated me publicly, freezing my accounts to buy family heirlooms for her. He stood by while she threatened to leak our private tapes to the press. He destroyed my dignity to play the hero for a woman he thought was a helpless orphan. He had no idea she was a fraud. He didn't know I had installed micro-cameras throughout the estate while he was busy pampering her. He didn't know I had hours of footage showing his "innocent" Aria sleeping with his guards, his rivals, and even his staff, laughing about how easy he was to manipulate. At the annual charity gala, in front of the entire crime family, Alessandro demanded I apologize to her. I didn't beg. I didn't cry. I simply connected my drive to the main projector and pressed play.
Emma had agreed to pretend to be her boss's girlfriend at an event where his ex-wife planned to show up with the guy she had cheated with. "We'll see how this turns out."
I was sitting in the Presidential Suite of The Pierre, wearing a Vera Wang gown worth more than most people earn in a decade. It was supposed to be the wedding of the century, the final move to merge two of Manhattan's most powerful empires. Then my phone buzzed. It was an Instagram Story from my fiancé, Jameson. He was at Charles de Gaulle Airport in Paris with a caption that read: "Fuck the chains. Chasing freedom." He hadn't just gotten cold feet; he had abandoned me at the altar to run across the world. My father didn't come in to comfort me. He burst through the door roaring about a lost acquisition deal, telling me the Holland Group would strip our family for parts if the ceremony didn't happen by noon. My stepmother wailed about us becoming the laughingstock of the Upper East Side. The Holland PR director even suggested I fake a "panic attack" to make myself look weak and sympathetic to save their stock price. Then Jameson’s sleazy cousin, Pierce, walked in with a lopsided grin, offering to "step in" and marry me just to get his hands on my assets. I looked at them and realized I wasn't a daughter or a bride to anyone in that room. I was a failed asset, a bouncing check, a girl whose own father told her to go to Paris and "beg" the man who had just publicly humiliated her. The girl who wanted to be loved died in that mirror. I realized that if I was going to be sold to save a merger, I was going to sell myself to the one who actually controlled the money. I marched past my parents and walked straight into the VIP holding room. I looked the most powerful man in the room—Jameson’s cold, ruthless uncle, Fletcher Holland—dead in the eye and threw the iPad on the table. "Jameson is gone," I said, my voice as hard as stone. "Marry me instead."
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