The novel explains the tale of Hank Morgan, a 19th-century resident of Hartford, Connecticut who, after a blow to the head, awakens to find himself inexplicably transported back in time to early medieval England at the time of the legendary King Arthur. The story begins first person narrative in Warwick Castle, where a man details his recollection of a tale told to by an "interested stranger" who is personified as a knight through his simple language and familiarity with ancient armor. After a brief tale of Sir Launcelot of Camelot and his role in slaying two giants from the third-person narrative, the man named Hank Morgan enters and, after being given whiskey by the narrator, he is persuaded to reveal more of his story. Described through first-person narrative as a man familiar with the firearms and machinery trade, Hank is a man who had reached the level of superintendent due to his proficiency in firearms manufacturing, with two thousand subordinates. He describes the beginning of his tale by illustrating details of a disagreement with his subordinates, during which he sustained a head injury from a "crusher" to the head caused by a man named "Hercules" using a crowbar.After passing out from the blow, Hank describes waking up underneath an oak tree in a rural area of Camelot where a knight questions him for trespassing upon his land, and after establishing rapport, leads him towards Camelot castle. Upon recognizing that he has time-traveled to the sixth century, Hank realizes that he is the de facto smartest person on Earth, and with his knowledge he should soon be running things.
THE ungentle laws and customs touched upon in this tale are historical, and the episodes which are used to illustrate them are also historical. It is not pretended that these laws and customs existed in England in the sixth century; no, it is only pretended that inasmuch as they existed in the English and other civilizations of far later times, it is safe to consider that it is no libel upon the sixth century to suppose them to have been in practice in that day also.
One is quite justified in inferring that whatever one of these laws or customs was lacking in that remote time, its place was competently filled by a worse one.
The question as to whether there is such a thing as divine right of kings is not settled in this book. It was found too difficult. That the executive head of a nation should be a person of lofty character and extraordinary ability, was manifest and indisputable; that none but the Deity could select that head unerringly, was also manifest and indisputable; that the Deity ought to make that selection, then, was likewise manifest and indisputable; consequently, that He does make it, as claimed, was an unavoidable deduction. I mean, until the author of this book encountered the Pompadour, and Lady Castlemaine, and some other executive heads of that kind; these were found so difficult to work into the scheme, that it was judged better to take the other tack in this book (which must be issued this fall), and then go into training and settle the question in another book. It is, of course, a thing which ought to be settled, and I am not going to have anything particular to do next winter anyway.
MARK TWAIN.
Curl up with a collection of stories from the pen of one of the masters of American fiction and humor writing. This carefully curated volume of Twain's short stories represents a cross-section of some the author's finest work, including the title piece, which follows a stranger's plot to corrupt a purportedly honest community.
This is the second e-book in a five-volume electronic edition that includes the texts of every known letter written by Samuel L. Clemens (Mark Twain) from 1876 through 1880. The more than 700 letters published here have never before been gathered together and offered to the public in an easily accessible, organized fashion. Carefully transcribed and dated, they are presented here in a spare, unadorned manner, offering an unprecedented look at an important period in the life of this pre-eminent American author.
First published in 1873, The Gilded Age is both a biting satire and a revealing portrait of post-Civil War America--an age of corruption, of national optimism, and of crooked land speculators, ruthless bankers, and dishonest politicians voraciousiy taking advantage of that new optimism.
This volume spans the length of Mark Twains career, and contains some of his most famous shorter works, which all centre on the subject of Money. The Celebrated jumping frog of Calaveras County is the most perfect tall tale in the English language, three flawless pages about Jim Smiley and the bizarre sidelines he would investigate to win a bet, any bet, written in a miraculous mid-19th century California vernacular. If that isnt enough, Twain tops it with the best closing paragraph of any work I have ever read ever. The $1,000,000 Bank note is almost surreal, or Marxist, the story of a derelict made an unwitting guinea pig by two elderly millionaires, curious to see what would happen to an honest but poor man in the possession of such an impractible note. The frightening fetishistic power of currency structures a somewhat creepily benevolent narrative, and the opening paragraphs audaciously cram a novels worth of misfortune. I have taught this book at the college level for a few years now; it definitely sheds Twains unfortunate Americana image, and it reveals the darker genius of this beloved author. Twains greatest work, The Mysterious Stranger will enrage fundamentalist Christians, several of whom have dropped my course because of this novella. Asking people to think about what is real, what is behind existence, though, is no crime and should be inoffensive. Young people who are harmed by systematic thinking will react to this book like people being deprogrammed from a cult: they will hate it. But Twain, who was in anguish when he wrote this, had the honesty to ask difficult questions. Read The Mysterious Stranger as a guide to Twains futuristic thinking, his tribute to the mind above all other things.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."Is Shakespeare Dead?: From my autobiography" is one of Mark Twain's controversial books about Twain's own questioning of the authenticity of Shakespeare's works.
Short humorous novel. According to Wikipedia: "Samuel Langhorne Clemens (November 30, 1835 - April 21, 1910), better known by the pen name Mark Twain, was a humorist, satirist, lecturer and writer from the United States of America. Twain is most noted for his novels Adventures of Huckleberry Finn, which has since been called the Great American Novel, and The Adventures of Tom Sawyer. He is also known for his quotations. During his lifetime, Twain became a friend to presidents, artists, leading industrialists and European royalty. Twain enjoyed immense public popularity, and his keen wit and incisive satire earned him praise from both critics and peers. American author William Faulkner called Twain 'the father of American literature.'"
After a one-night stand with Gavin Russell, the Powerful and cold alpha CEO, Iris Green was smitten and she thought there could be something between them after realizing they were fated mates. Her hopes were crushed by his harsh words, "I don't eat the same food twice." Broken, she returned to her city to manage her family business but soon realized that a seed had been planted. Giving birth to a set of twins, she could not endure raising them alone, when they looked exactly like him. She sent one of them to Gavin with a note, "Dessert after supper." Gavin frowned when he received the parcel, from his son. He sent people to fetch that blondie but it was as if she disappeared from the face of the earth. Of course, the Green family was mysterious and she was the new head of the family. She only gets seen whenever she wants to be.
"Is it considered betrayal to develop feelings for your best friend's boyfriend? What about when fate intervenes, and he turns out to be your destined mate? You might think it's luck and thank the moon goddess for such a twist of fate. That's what I believed until the love of my life uttered those dreaded words: 'I want a divorce!' As I stared at the pregnancy test in my hands, I realized it was better to keep my secret to myself. My name is Violet, and this is my story."
As a simple assistant, messaging the CEO in the dead of night to request shares of adult films was a bold move. Bethany, unsurprisingly, didn't receive any films. However, the CEO responded that, while he had no films to share, he could offer a live demonstration. After a night filled with passion, Bethany was certain she'd lose her job. But instead, her boss proposed, "Marry me. Please consider it." "Mr. Bates, you're kidding me, right?"
Two years after her marriage, Ximena lost consciousness in a pool of her own blood during a difficult childbirth. She forgot that her ex-husband was actually getting married to someone else that day. "Let's get a divorce, but the baby stays with me." His words before their divorce was finalized still lingered in her head. He wasn't there for her, but he wanted full custody of their child. Ximena would rather die than see her child call someone else mother. As a result, she gave up the ghost on the operating table with two babies left in her belly. But that wasn't the end for her... Years later, fate caused them to meet again. Ramon was a changed man this time. He wanted to keep her to himself even though she was already a mother of two children. When he found out about her wedding, he stormed into the venue and created a scene. "Ramon, I died once before, so I don't mind dying again. But this time, I want us to die together," she yelled, glaring at him with hurt in her eyes. Ximena thought he didn't love her and was happy that she was finally out of his life. But what she didn't know was that the news of her unexpected death had shattered his heart. For a long time, he cried alone due to the pain and agony. He always wished he could turn back the hands of time or see her beautiful face once again. The drama that came later became too much for Ximena. Her life was filled with twists and turns. Soon, she was torn between getting back with her ex-husband or moving on with her life. What would she choose?
To the public, she was the CEO's executive secretary. Behind closed doors, she was the wife he never officially acknowledged. Jenessa was elated when she learned that she was pregnant. But that joy was replaced with dread as her husband, Ryan, showered his affections on his first love. With a heavy heart, she chose to set him free and leave. When they met again, Ryan's attention was caught by Jenessa's protruding belly. "Whose child are you carrying?!" he demanded. But she only scoffed. "It's none of your business, my dear ex-husband!"
Betrayed by her mate and sister on the eve of her wedding, Makenna was handed to the ruthless Lycan Princes as a lover, her indifferent father ignoring her plight. Determined to escape and seek revenge, she captured the interest of the three Lycan princes, who desired her exclusively amid many admirers. This complicated her plans, trapping her and making her a rival to the future Lycan queen. Entwined in jealousy and vindictiveness, could Makenna achieve her vengeance in the intricate dance with the three princes?