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George Meredith was both a novelist and poet. Born in Portsmouth, England , his work is used as a classic example of Victorian literature.
George Meredith was both a novelist and poet. Born in Portsmouth, England , his work is used as a classic example of Victorian literature.
Mr. Patrick O'Donnell drove up to the gates of Earlsfont notwithstanding these emotions, upon which light matter it is the habit of men of his blood too much to brood; though it is for our better future to have a capacity for them, and the insensible race is the oxenish.
But if he did so when alone, the second man residing in the Celt put that fellow by and at once assumed the social character on his being requested to follow his card into Mr. Adister's library. He took his impression of the hall that had heard her voice, the stairs she had descended, the door she had passed through, and the globes she had perchance laid hand on, and the old mappemonde, and the severely-shining orderly regiment of books breathing of her whether she had opened them or not, as he bowed to his host, and in reply to, 'So, sir! I am glad to see you,' said swimmingly that Earlsfont was the first house he had visited in this country: and the scenery reminded him of his part of Ireland: and on landing at Holyhead he had gone off straight to the metropolis by appointment to meet his brother Philip, just returned from Canada a full captain, who heartily despatched his compliments and respects, and hoped to hear of perfect health in this quarter of the world. And Captain Con the same, and he was very flourishing.
Patrick's opening speech concluded on the sound of a short laugh coming from Mr. Adister.
It struck the young Irishman's ear as injurious and scornful in relation to Captain Con; but the remark ensuing calmed him:
'He has no children.'
'No, sir; Captain Con wasn't born to increase the number of our clan,' Patrick rejoined; and thought: By heaven! I get a likeness of her out of you, with a dash of the mother mayhap somewhere. This was his Puck-manner of pulling a girdle round about from what was foremost in his head to the secret of his host's quiet observation; for, guessing that such features as he beheld would be slumped on a handsome family, he was led by the splendid severity of their lines to perceive an illimitable pride in the man likely to punish him in his offspring, who would inherit that as well; so, as is the way with the livelier races, whether they seize first or second the matter or the spirit of what they hear, the vivid indulgence of his own ideas helped him to catch the right meaning by the tail, and he was enlightened upon a domestic unhappiness, although Mr. Adister had not spoken miserably. The 'dash of the mother' was thrown in to make Adiante, softer, and leave a loophole for her relenting.
The master of Earlsfont stood for a promise of beauty in his issue, requiring to be softened at the mouth and along the brows, even in men. He was tall, and had clear Greek outlines: the lips were locked metal, thin as edges of steel, and his eyes, when he directed them on the person he addressed or the person speaking, were as little varied by motion of the lids as eyeballs of a stone bust. If they expressed more, because they were not sculptured eyes, it was the expression of his high and frigid nature rather than any of the diversities pertaining to sentiment and shades of meaning.
'You have had the bequest of an estate,' Mr. Adister said, to compliment him by touching on his affairs.
'A small one; not a quarter of a county,' said Patrick.
'Productive, sir?'
''Tis a tramp of discovery, sir, to where bog ends and cultivation begins.'
'Bequeathed to you exclusively over the head of your elder brother, I understand.'
Patrick nodded assent. 'But my purse is Philip's, and my house, and my horses.'
'Not bequeathed by a member of your family?'
'By a distant cousin, chancing to have been one of my godmothers.'
'Women do these things,' Mr. Adister said, not in perfect approbation of their doings.
'And I think too, it might have gone to the elder,' Patrick replied to his tone.
'It is not your intention to be an idle gentleman?'
'No, nor a vagrant Irishman, sir.'
'You propose to sit down over there?'
'When I've more brains to be of service to them and the land, I do.'
Mr. Adister pulled the arm of his chair. 'The professions are crammed. An Irish gentleman owning land might do worse. I am in favour of some degree of military training for all gentlemen. You hunt?'
Patrick's look was, 'Give me a chance'; and Mr. Adister continued: 'Good runs are to be had here; you shall try them. You are something of a shot, I suppose. We hear of gentlemen now who neither hunt nor shoot. You fence?'
'That's to say, I've had lessons in the art.'
'I am not aware that there is now an art of fencing taught in Ireland.'
'Nor am I,' said Patrick; 'though there's no knowing what goes on in the cabins.'
Mr. Adister appeared to acquiesce. Observations of sly import went by him like the whispering wind.
'Your priests should know,' he said.
To this Patrick thought it well not to reply. After a pause between them, he referred to the fencing.
'I was taught by a Parisian master of the art, sir.'
'You have been to Paris?'
'I was educated in Paris.'
'How? Ah!' Mr. Adister corrected himself in the higher notes of recollection. 'I think I have heard something of a Jesuit seminary.'
'The Fathers did me the service to knock all I know into me, and call it education, by courtesy,' said Patrick, basking in the unobscured frown of his host.
'Then you are accustomed to speak French?' The interrogation was put to extract some balm from the circumstance.
Patrick tried his art of fence with the absurdity by saying: 'All but like a native.'
'These Jesuits taught you the use of the foils?'
'They allowed me the privilege of learning, sir.'
After meditation, Mr. Adister said: 'You don't dance?' He said it speculating on the' kind of gentleman produced in Paris by the disciples of Loyola.
'Pardon me, sir, you hit on another of my accomplishments.'
'These Jesuits encourage dancing?'
'The square dance-short of the embracing: the valse is under interdict.'
Mr. Adister peered into his brows profoundly for a glimpse of the devilry in that exclusion of the valse.
What object had those people in encouraging the young fellow to be a perfect fencer and dancer, so that he should be of the school of the polite world, and yet subservient to them?
'Thanks to the Jesuits, then, you are almost a Parisian,' he remarked; provoking the retort:
'Thanks to them, I've stored a little, and Paris is to me as pure a place as four whitewashed walls:' Patrick added: 'without a shadow of a monk on them.' Perhaps it was thrown in for the comfort of mundane ears afflicted sorely, and no point of principle pertained to the slur on a monk.
Mr. Adister could have exclaimed, That shadow of the monk! had he been in an exclamatory mood. He said: 'They have not made a monk of you, then.'
Patrick was minded to explain how that the Jesuits are a religious order exercising worldly weapons. The lack of precise words admonished him of the virtue of silence, and he retreated-with a quiet negative: 'They have not.'
'Then, you are no Jesuit?' he was asked.
Thinking it scarcely required a response, he shrugged.
'You would not change your religion, sir?' said Mr. Adister in seeming anger.
Patrick thought he would have to rise: he half fancied himself summoned to change his religion or depart from the house.
'Not I,' said he.
'Not for the title of Prince?' he was further pressed, and he replied:
'I don't happen to have an ambition for the title of Prince.'
'Or any title!' interjected Mr. Adister, 'or whatever the devil can offer!-or,' he spoke more pointedly, 'for what fools call a brilliant marriage?'
'My religion?' Patrick now treated the question seriously and raised his head: 'I'd not suffer myself to be asked twice.'
The sceptical northern-blue eyes of his host dwelt on him with their full repellent stare.
The young Catholic gentleman expected he might hear a frenetic zealot roar out: Be off!
He was not immediately reassured by the words 'Dead or alive, then, you have a father!'
The spectacle of a state of excitement without a show of feeling was novel to Patrick. He began to see that he was not implicated in a wrath that referred to some great offender, and Mr. Adister soon confirmed his view by saying: 'You are no disgrace to your begetting, sir!'
With that he quitted his chair, and hospitably proposed to conduct his guest over the house and grounds.
George Meredith was both a novelist and poet. Born in Portsmouth, England , his work is used as a classic example of Victorian literature.
The Adventures of Harry Richmond, Complete by George Meredith
The Adventures of Harry Richmond, v5 by George Meredith
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Corinne devoted three years of her life to her boyfriend, only for it to all go to waste. He saw her as nothing more than a country bumpkin and left her at the altar to be with his true love. After getting jilted, Corinne reclaimed her identity as the granddaughter of the town's richest man, inherited a billion-dollar fortune, and ultimately rose to the top. But her success attracted the envy of others, and people constantly tried to bring her down. As she dealt with these troublemakers one by one, Mr. Hopkins, notorious for his ruthlessness, stood by and cheered her on. "Way to go, honey!"
Camille Lewis was the forgotten daughter, the unloved wife, the woman discarded like yesterday's news. Betrayed by her husband, cast aside by her own family, and left for dead by the sister who stole everything, she vanished without a trace. But the weak, naive Camille died the night her car was forced off that bridge. A year later, she returns as Camille Kane, richer, colder, and more powerful than anyone could have imagined. Armed with wealth, intelligence, and a hunger for vengeance, she is no longer the woman they once trampled on. She is the storm that will tear their world apart. Her ex-husband begs for forgiveness. Her sister's perfect life crumbles. Her parents regret the daughter they cast aside. But Camille didn't come back for apologies, she came back to watch them burn. But as her enemies fall at her feet, one question remains: when the revenge is over, what's left? A mysterious trillionaire Alexander Pierce steps into her path, offering something she thought she lost forever, a future. But can a woman built on ashes learn to love again? She rose from the fire to destroy those who betrayed her. Now, she must decide if she'll rule alone... or let someone melt the ice in her heart.
She spent ten years chasing after the right brother, only to fall for the wrong one in one weekend. ~~~ Sloane Mercer has been hopelessly in love with her best friend, Finn Hartley, since college. For ten long years, she's stood by him, stitching him back together every time Delilah Crestfield-his toxic on-and-off girlfriend-shattered his heart. But when Delilah gets engaged to another man, Sloane thinks this might finally be her chance to have Finn for herself. She couldn't be more wrong. Heartbroken and desperate, Finn decides to crash Delilah's wedding and fight for her one last time. And he wants Sloane by his side. Reluctantly, Sloane follows him to Asheville, hoping that being close to Finn will somehow make him see her the way she's always seen him. Everything changes when she meets Knox Hartley, Finn's older brother-a man who couldn't be more different from Finn. He's dangerously magnetic. Knox sees right through Sloane and makes it his mission to pull her into his world. What starts as a game-a twisted bet between them-soon turns into something deeper. Sloane is trapped between two brothers: one who's always broken her heart and another who seems hell-bent on claiming it... no matter the cost. CONTENT WARNING: This story is strongly 18+. It delves into dark romance themes such as obsession and lust with morally complex characters. While this is a love story, reader discretion is advised.
Katherine endured mistreatment for three years as Julian's wife, sacrificing everything for love. But when his sister drugged her and sent her to a client's bed, Katherine finally snapped. She left behind divorce papers, walking away from the toxic marriage. Years later, Katherine returned as a radiant star with the world at her feet. When Julian saw her again, he couldn't ignore the uncanny resemblance between her new love and himself. He had been nothing but a stand-in for someone else. Desperate to make sense of the past, Julian pressed Katherine, asking, "Did I mean nothing to you?"
Rumors had it that Dennis didn't do relationships because of a woman. Rumors also had it that Dennis was a merciless and indifferent man. Not knowing what kind of person Dennis is, Emmie signed her name beside his and received a marriage certificate with both their names on it. It was not until Emmie flash-married Dennis that she knew rumors cannot always be trusted. The man who clutched her in his arms was nothing like a ruthless CEO. On the first day of their marriage, Dennis warned Emmie, "I will provide you with anything but love." Three years later, when Emmie wants a divorce, the man tears the divorce agreement into pieces and begs, "Don't go. I can't live without you."
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