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Folk Tales of Breffny

Folk Tales of Breffny

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Many of the stories in this volume were told by an old man who said he had more and better learning nor the scholars. “The like of them,” he declared, “do be filled with conceit out of books, and the most of it only nonsense; ’tis myself has the real old knowledge was handed down from the ancient times.” The spread of education and cheap literature robbed him of audience: the boys read of adventure by land and sea, the girls interested themselves in the fate of heroes with marble-white complexion and coal-black moustache.

Contents

Folk Tales of Breffny INTRODUCTION

Many of the stories in this volume were told by an old man who said he had more and better learning nor the scholars. "The like of them," he declared, "do be filled with conceit out of books, and the most of it only nonsense; 'tis myself has the real old knowledge was handed down from the ancient times." The spread of education and cheap literature robbed him of audience: the boys read of adventure by land and sea, the girls interested themselves in the fate of heroes with marble-white complexion and coal-black moustache.

But it happened that the old man took a contract to break stones for lime, and a child with an insatiable desire for information came to watch him at work. "I promise you will walk the world, like a Queen of [6]ancient days, renowned for learning and wit," he assured her, delighted to find a listener at last. The child was only seven years old, and could not remember all she heard, so most of his lore died with him.

"The King's Daughter of France," "The Dark Oath," and "Nallagh's Child" were told by other friends.

The Folk Tale is essentially dramatic and loses much when it is written down; moreover it is often put into a form unsuited to the spirit of na?ve philosophy from whence it springs. The peasant of ancient race is more akin to the aristocratic type than the bourgeois can ever be-and the story told from generation to generation bears greater resemblance to the work of a poet than to that of the popular novelist, who is the bourgeois of literature. Superstition in a race is merely the proof of imagination, the people lacking fairy lore must also lack intelligence and wit.

B. HUNT.

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Folk Tales of Breffny
INTRODUCTION
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Folk Tales of Breffny
I THE KING’S DAUGHTER OF FRANCE
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Folk Tales of Breffny
II THE COW OF A WIDOW OF BREFFNY
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Folk Tales of Breffny
III KATE ELLEN’S WAKE
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Folk Tales of Breffny
IV THE DARK OATH
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Folk Tales of Breffny
V FAIRY GOLD
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Folk Tales of Breffny
VI M’CARTHY OF CONNACHT
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Folk Tales of Breffny
VII NALLAGH’S CHILD
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Folk Tales of Breffny
VIII THE ENCHANTED HARE
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Folk Tales of Breffny
IX THE BRIDGE OF THE KIST
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Folk Tales of Breffny
X THE CHILD AND THE FIDDLE
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Folk Tales of Breffny
XI THE CUTTING OF THE TREE
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Folk Tales of Breffny
XII THE LITTLE SETTLEMENT
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Folk Tales of Breffny
XIII THE TILLAGE IN THE FORT
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Folk Tales of Breffny
XIV THE NEW DECK OF CARDS
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Folk Tales of Breffny
XV THE LIFTING OF A CHILD
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Folk Tales of Breffny
XVI THE VOICE AT THE DOOR
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Folk Tales of Breffny
XVII THE EARL’S SON OF THE SEA
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Folk Tales of Breffny
XVIII THE GIRL AND THE FAIRIES
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Folk Tales of Breffny
XIX GOOD-NIGHT, MY BRAVE MICHAEL
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Folk Tales of Breffny
XX THE LAD AND THE OLD LASSIE’S SONG
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Folk Tales of Breffny
XXI THE BASKET OF EGGS
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Folk Tales of Breffny
XXII THE BROKEN BRANCH
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Folk Tales of Breffny
XXIII DIGGING FOR GOLD
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Folk Tales of Breffny
XXIV STORY OF A CHURN
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Folk Tales of Breffny
XXV THE GANKEYNOGUE IN THE OAK CHEST
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Folk Tales of Breffny
XXVI THE MAKER OF BROGUES
17/11/2017
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