ennette Lee (1860-1951) created Uncle William, a genial character who has a talent for confounding land sharks and ending up owning most of the property in sight.
ennette Lee (1860-1951) created Uncle William, a genial character who has a talent for confounding land sharks and ending up owning most of the property in sight.
"Yes, I'm shif'less. I'm gen'ally considered shif'less," said William Benslow. He spoke in a tone of satisfaction, and hitched his trousers skilfully into place by their one suspender.
His companion shifted his easel a little, squinting across the harbor at the changing light. There was a mysterious green in the water that he failed to find in his color-box.
William Benslow watched him patiently. "Kind o' ticklish business, ain't it?" he said.
The artist admitted that it was.
"I reckon I wouldn't ever 'a' done for a painter," said the old man, readjusting his legs. "It's settin'-work, and that's good; but you have to keep at it steady-like-keep a-daubin' and a-scrapin' and a-daubin' and a-scrapin', day in and day out. I shouldn't like it. Sailin' 's more in my line," he added, scanning the horizon. "You have to step lively when you do step, but there's plenty of off times when you can set and look and the boat just goes skimmin' along all o' herself, with the water and the sky all round you. I've been thankful a good many times the Lord saw fit to make a sailor of me."
The artist glanced a little quizzically at the tumble-down house on the cliff above them and then at the old boat, with its tattered maroon sail, anchored below. "There's not much money in it?" he suggested.
"Money? Dunno's there is," returned the other. "You don't reely need money if you're a sailor."
"No, I suppose not-no more than an artist."
"Don't you need money, either?" The old man spoke with cordial interest.
"Well, occasionally-not much. I have to buy canvas now and then, and colors-"
The old man nodded. "Same as me. Canvas costs a little, and color. I dye mine in magenta. You get it cheap in the bulk-"
The artist laughed out. "All right, Uncle William, all right," he said. "You teach me to trust in the Lord and I'll teach you art. You see that color out there,-deep green like shadowed grass-"
The old man nodded. "I've seen that a good many times," he said. "Cur'us, ain't it?-just the color of lobsters when you haul 'em."
The young man started. He glanced again at the harbor. "Hum-m!" he said under his breath. He searched in his color-box and mixed a fresh color rapidly on the palette, transferring it swiftly to the canvas. "Ah-h!" he said, again under his breath. It held a note of satisfaction.
Uncle William hitched up his suspender and came leisurely across the sand. He squinted at the canvas and then at the sliding water, rising and falling across the bay. "Putty good," he said approvingly. "You've got it just about the way it looks-"
"Just about," assented the young man, with quick satisfaction. "Just about. Thank you."
Uncle William nodded. "Cur'us, ain't it? there's a lot in the way you see a thing."
"There certainly is," said the painter. His brush moved in swift strokes across the canvas. "There certainly is. I've been studying that water for two hours. I never thought of lobsters." He laughed happily.
Uncle William joined him, chuckling gently. "That's nateral enough," he said kindly. "You hain't been seein' it every day for sixty year, the way I hev." He looked at it again, lovingly, from his height.
"What's the good of being an artist if I can't see things that you can't?" demanded the young man, swinging about on his stool.
"Well, what is the use? I dunno; do you?" said Uncle William, genially. "I've thought about that a good many times, too, when I've been sailin'," he went on-"how them artists come up here summer after summer makin' picters,-putty poor, most on 'em,-and what's the use? I can see better ones settin' out there in my boat, any day.-Not but that's better'n some," he added politely, indicating the half-finished canvas.
The young man laughed. "Thanks to you," he said. "Come on in and make a chowder. It's too late to do any more to-day-and that's enough." He glanced with satisfaction at the glowing canvas with its touch of green. He set it carefully to one side and gathered up his tubes and brushes.
Uncle William bent from his height and lifted the easel, knocking it apart and folding it with quick skill.
The artist looked up with a nod of thanks. "All right," he said, "go ahead."
Uncle William reached out a friendly hand for the canvas, but the artist drew it back quickly. "No, no," he said. "You'd rub it off."
"Like enough," returned the old man, placidly. "I gen'ally do get in a muss when there's fresh paint around. But I don't mind my clothes. They're ust to it-same as yourn."
The young man laughed anxiously. "I wouldn't risk it," he said. "Come on."
They turned to the path that zigzagged its way up the cliff, and with bent backs and hinged knees they mounted to the little house perched on its edge.
THE sunlight got in Uncle William’s eyes. He looked up from the map spread on the table before him. Then he got up slowly and crossed to the window and drew down the turkey-red curtain—a deep glow filled the room. Juno, on the lounge, stirred a little and stretched her daws, and drew them in and tucked her head behind them and went on sleeping.
Silvia lost everything in one night-her parents,her trust,and her mate. Coming home from their funeral,she found her "fated"partner,Zack,tangled with another she-wolf. "You'll always be my Luna... even if I need variety,"he said,smirking. Heartbroken but fierce,she rejected him-and turned to someone far more dangerous. "I need help,"she whispered. Sherman leaned closer,his voice like silk over steel. "I offer more than help,little wolf. I offer everything he couldn't give you." Now married to Zack's powerful half-brother,Silvia plays a deadly game of loyalty,vengeance,and survival. But Sherman Carter doesn't help for free-and as their bond deepens,truths unravel. Is Silvia just a pawn in Sherman's war? Or is she becoming the Queen who'll burn the whole pack down? When love,betrayal,and bloodlines collide,how far will one omega go to save her family-and destroy the mate who broke her soul?
Blinded in a crash, Cary was rejected by every socialite—except Evelina, who married him without hesitation. Three years later, he regained his sight and ended their marriage. "We’ve already lost so many years. I won’t let her waste another one on me." Evelina signed the divorce papers without a word. Everyone mocked her fall—until they discovered that the miracle doctor, jewelry mogul, stock genius, top hacker, and the President's true daughter… were all her. When Cary came crawling back, a ruthless tycoon had him kicked out. "She's my wife now. Get lost."
After hiding her true identity throughout her three-year marriage to Colton, Allison had committed wholeheartedly, only to find herself neglected and pushed toward divorce. Disheartened, she set out to rediscover her true self-a talented perfumer, the mastermind of a famous intelligence agency, and the heir to a secret hacker network. Realizing his mistakes, Colton expressed his regret. "I know I messed up. Please, give me another chance." Yet, Kellan, a once-disabled tycoon, stood up from his wheelchair, took Allison's hand, and scoffed dismissively, "You think she'll take you back? Dream on."
The roasted lamb was cold, a reflection of her marriage. On their third anniversary, Evelyn Vance waited alone in her Manhattan penthouse. Then her phone buzzed: Alexander, her husband, had been spotted leaving the hospital, holding his childhood sweetheart Scarlett Sharp's hand. Alexander arrived hours later, dismissing Evelyn's quiet complaint with a cold reminder: she was Mrs. Vance, not a victim. Her mother's demands reinforced this role, making Evelyn, a brilliant mind, feel like a ghost. A dangerous indifference replaced betrayal. The debt was paid; now, it was her turn. She drafted a divorce settlement, waiving everything. As Alexander's tender voice drifted from his study, speaking to Scarlett, Evelyn placed her wedding ring on his pillow, moved to the guest suite, and locked the door. The dull wife was gone; the Oracle was back.
My Luna became an alpha after I rejected her : she was my Luna. I rejected her. Now she's stronger than ever and she has my son. Amelia's world shattered the day her daughter died-and her mate, Alpha Aiden of the Red Moon Pack, divorced her to reunite with his ex-girlfriend. Cast out, disgraced, and accused of poisoning her own child, Amelia was stripped of her title and driven from her pack. The next morning, her lifeless body was found at the border.They all believed she was dead.But she wasn't. Far from the ashes of betrayal, Amelia rebuilt herself-rising from rejection and ruin to become the first female Alpha of Velaris, the most powerful and respected pack in the realm. She also carried a secret Aiden never discovered:She was pregnant-with his son.Years later, fate brings them face to face once more. A deadly disease is spreading through the packs, and the only one who can stop it is the renowned doctor they thought had died. When Aiden sees the boy at her side-his eyes, his blood-he realizes the truth.He didn't just lose his Luna. He destroyed the mother of his child.And now, she's everything he's not-stronger, wiser, untouchable. Will she heal the pack that betrayed her?Will she ever let him near her heart again?Or is his punishment simply living with the consequences?
For three years, Natalie gave everything to be the perfect wife and mother, believing her love and effort could finally earn her a place in their hearts. Yet her sacrifices were met with betrayal from her husband and cold rejection from her son. In their eyes, she was nothing but a manipulator, using vulnerability to get her way. Her husband turned his back, her son misunderstood her, and she never truly belonged. Heartbroken yet determined, Natalie left her old life behind. When her family finally begged for a second chance, she looked at them and said, "It's too late."
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