The Two Magics by Henry James
The Two Magics by Henry James
I remember the whole beginning as a succession of flights and drops, a little see-saw of the right throbs and the wrong. After rising, in town, to meet his appeal, I had at all events a couple of very bad days-found myself doubtful again, felt indeed sure I had made a mistake. In this state of mind I spent the long hours of bumping, swinging coach that carried me to the stopping-place at which I was to be met by a vehicle from the house. This convenience, I was told, had been ordered, and I found, toward the close of the June afternoon, a commodious fly in waiting for me.
Driving at that hour, on a lovely day, through a country to which the summer sweetness seemed to offer me a friendly welcome, my fortitude mounted afresh and, as we turned into the avenue, encountered a reprieve that was probably but a proof of the point to which it had sunk. I suppose I had expected, or had dreaded, something so melancholy that what greeted me was a good surprise. I remember as a most pleasant impression the broad, clear front, its open windows and fresh curtains and the pair of maids looking out; I remember the lawn and the bright flowers and the crunch of my wheels on the gravel and the clustered treetops over which the rooks circled and cawed in the golden sky. The scene had a greatness that made it a different affair from my own scant home, and there immediately appeared at the door, with a little girl in her hand, a civil person who dropped me as decent a curtsey as if I had been the mistress or a distinguished visitor. I had received in Harley Street a narrower notion of the place, and that, as I recalled it, made me think the proprietor still more of a gentleman, suggested that what I was to enjoy might be something beyond his promise.
I had no drop again till the next day, for I was carried triumphantly through the following hours by my introduction to the younger of my pupils. The little girl who accompanied Mrs. Grose appeared to me on the spot a creature so charming as to make it a great fortune to have to do with her. She was the most beautiful child I had ever seen, and I afterwards wondered that my employer had not told me more of her. I slept little that night-I was too much excited; and this astonished me too, I recollect, remained with me, adding to my sense of the liberality with which I was treated. The large, impressive room, one of the best in the house, the great state bed, as I almost felt it, the full, figured draperies, the long glasses in which, for the first time, I could see myself from head to foot, all struck me-like the extraordinary charm of my small charge-as so many things thrown in. It was thrown in as well, from the first moment, that I should get on with Mrs. Grose in a relation over which, on my way, in the coach, I fear I had rather brooded. The only thing indeed that in this early outlook might have made me shrink again was the clear circumstance of her being so glad to see me. I perceived within half an hour that she was so glad-stout, simple, plain, clean, wholesome woman-as to be positively on her guard against showing it too much. I wondered even then a little why she should wish not to show it, and that, with reflection, with suspicion, might of course have made me uneasy.
But it was a comfort that there could be no uneasiness in a connection with anything so beatific as the radiant image of my little girl, the vision of whose angelic beauty had probably more than anything else to do with the restlessness that, before morning, made me several times rise and wander about my room to take in the whole picture and prospect; to watch, from my open window, the faint summer dawn, to look at such portions of the rest of the house as I could catch, and to listen, while, in the fading dusk, the first birds began to twitter, for the possible recurrence of a sound or two, less natural and not without, but within, that I had fancied I heard. There had been a moment when I believed I recognised, faint and far, the cry of a child; there had been another when I found myself just consciously starting as at the passage, before my door, of a light footstep. But these fancies were not marked enough not to be thrown off, and it is only in the light, or the gloom, I should rather say, of other and subsequent matters that they now come back to me. To watch, teach, "form" little Flora would too evidently be the making of a happy and useful life. It had been agreed between us downstairs that after this first occasion I should have her as a matter of course at night, her small white bed being already arranged, to that end, in my room. What I had undertaken was the whole care of her, and she had remained, just this last time, with Mrs. Grose only as an effect of our consideration for my inevitable strangeness and her natural timidity. In spite of this timidity-which the child herself, in the oddest way in the world, had been perfectly frank and brave about, allowing it, without a sign of uncomfortable consciousness, with the deep, sweet serenity indeed of one of Raphael's holy infants, to be discussed, to be imputed to her and to determine us-I felt quite sure she would presently like me. It was part of what I already liked Mrs. Grose herself for, the pleasure I could see her feel in my admiration and wonder as I sat at supper with four tall candles and with my pupil, in a high chair and a bib, brightly facing me, between them, over bread and milk. There were naturally things that in Flora's presence could pass between us only as prodigious and gratified looks, obscure and roundabout allusions.
"And the little boy-does he look like her? Is he too so very remarkable?"
One wouldn't flatter a child. "Oh, Miss, most remarkable. If you think well of this one!"-and she stood there with a plate in her hand, beaming at our companion, who looked from one of us to the other with placid heavenly eyes that contained nothing to check us.
"Yes; if I do--?"
"You will be carried away by the little gentleman!"
"Well, that, I think, is what I came for-to be carried away. I'm afraid, however," I remember feeling the impulse to add, "I'm rather easily carried away. I was carried away in London!"
I can still see Mrs. Grose's broad face as she took this in. "In Harley Street?"
"In Harley Street."
"Well, Miss, you're not the first-and you won't be the last."
"Oh, I've no pretension," I could laugh, "to being the only one. My other pupil, at any rate, as I understand, comes back tomorrow?"
"Not tomorrow-Friday, Miss. He arrives, as you did, by the coach, under care of the guard, and is to be met by the same carriage."
I forthwith expressed that the proper as well as the pleasant and friendly thing would be therefore that on the arrival of the public conveyance I should be in waiting for him with his little sister; an idea in which Mrs. Grose concurred so heartily that I somehow took her manner as a kind of comforting pledge-never falsified, thank heaven!-that we should on every question be quite at one. Oh, she was glad I was there!
What I felt the next day was, I suppose, nothing that could be fairly called a reaction from the cheer of my arrival; it was probably at the most only a slight oppression produced by a fuller measure of the scale, as I walked round them, gazed up at them, took them in, of my new circumstances. They had, as it were, an extent and mass for which I had not been prepared and in the presence of which I found myself, freshly, a little scared as well as a little proud. Lessons, in this agitation, certainly suffered some delay; I reflected that my first duty was, by the gentlest arts I could contrive, to win the child into the sense of knowing me. I spent the day with her out of doors; I arranged with her, to her great satisfaction, that it should be she, she only, who might show me the place. She showed it step by step and room by room and secret by secret, with droll, delightful, childish talk about it and with the result, in half an hour, of our becoming immense friends. Young as she was, I was struck, throughout our little tour, with her confidence and courage with the way, in empty chambers and dull corridors, on crooked staircases that made me pause and even on the summit of an old machicolated square tower that made me dizzy, her morning music, her disposition to tell me so many more things than she asked, rang out and led me on. I have not seen Bly since the day I left it, and I dare say that to my older and more informed eyes it would now appear sufficiently contracted. But as my little conductress, with her hair of gold and her frock of blue, danced before me round corners and pattered down passages, I had the view of a castle of romance inhabited by a rosy sprite, such a place as would somehow, for diversion of the young idea, take all colour out of storybooks and fairy-tales. Wasn't it just a storybook over which I had fallen a-doze and a-dream? No; it was a big, ugly, antique, but convenient house, embodying a few features of a building still older, half replaced and half utilised, in which I had the fancy of our being almost as lost as a handful of passengers in a great drifting ship. Well, I was, strangely, at the helm!
In this masterful tale from Henry James, an American student living in Switzerland serves as the lens through which James explores one of his most frequently revisited themes: the various ways that Americans react to European culture. In this story, the student encounters two different American families and contrasts their diverging views of continental life.
Henry James' comic short novel from 1878 follows the European siblings Eugenia Munster and Felix Young as they move to New England.
Christopher Newman, an essentially good-hearted but rather gauche American businessman embarks on his first tour of Europe. As he falls in love with a young widow from an aristocratic Parisian family, he encounters both the beauty and the ugliness of Europe, and learns not to take either for granted.
When impoverished American sculptor Roderick Hudson creates what is described as a work of genius, he is sent to Rome, where he becomes the talk of the city. But Roderick soon loses his inspiration and falls in love with a woman he'll never be with. Now on a path to self-destruction, can he be saved from himself?One of Henry James' first novels, Roderick Hudson is a compelling depiction of an artist whose inflated ambition and temperament gets the better of him.
One of Henry James' specialties is the longish short story that delves into philosophical questions via detailed character studies, and Eugene Pickering is a perfect example of this. In it, James compares and contrasts two archetypes: a bookish scholar who has remained largely sheltered for most of his life and a streetwise "doer" who is deeply engaged with the world around him. Which of these approaches represents the best way to live? As always, James entrusts the final judgment to his readers.
It was in the early days of April; Bernard Longueville had been spending the winter in Rome. He had travelled northward with the consciousness of several social duties that appealed to him from the further side of the Alps, but he was under the charm of the Italian spring, and he made a pretext for lingering. He had spent five days at Siena, where he had intended to spend but two, and still it was impossible to continue his journey. He was a young man of a contemplative and speculative turn, and this was his first visit to Italy, so that if he dallied by the way he should not be harshly judged. He had a fancy for sketching, and it was on his conscience to take a few pictorial notes. There were two old inns at Siena, both of them very shabby and very dirty. The one at which Longueville had taken up his abode was entered by a dark, pestiferous arch-way, surmounted by a sign which at a distance might have been read by the travellers as the Dantean injunction to renounce all hope. The other was not far off, and the day after his arrival, as he passed it, he saw two ladies going in who evidently belonged to the large fraternity of Anglo-Saxon tourists, and one of whom was young and carried herself very well.
Eliana reunited with her family, now ruined by fate: Dad jailed, Mom deathly ill, six crushed brothers, and a fake daughter who'd fled for richer prey. Everyone sneered. But at her command, Eliana summoned the Onyx Syndicate. Bars opened, sickness vanished, and her brothers rose-one walking again, others soaring in business, tech, and art. When society mocked the "country girl," she unmasked herself: miracle doctor, famed painter, genius hacker, shadow queen. A powerful tycoon held her close. "Country girl? She's my fiancée!" Eliana glared at him. "Dream on." Resolutely, he vowed never to let go.
Linsey was stood up by her groom to run off with another woman. Furious, she grabbed a random stranger and declared, "Let's get married!" She had acted on impulse, realizing too late that her new husband was the notorious rascal, Collin. The public laughed at her, and even her runaway ex offered to reconcile. But Linsey scoffed at him. "My husband and I are very much in love!" Everyone thought she was delusional. Then Collin was revealed to be the richest man in the world. In front of everyone, he got down on one knee and held up a stunning diamond ring. "I look forward to our forever, honey."
Anna Green walks in on her boyfriend cheating, only to realize she's not the only witness. A mysterious man stands beside her, watching the same scene unfold. He leans in and murmurs, "Want revenge?" That night, she loses a boyfriend and picks up a husband. What begins as a deal between strangers soon turns into something far more complicated. She thought it was just about benefits. He gave her exclusive love. Now, tangled in a marriage she never expected, Anna wonders who's really in control, especially when the man she married refuses to play by the rules.
Arabella, a state-trained prodigy, won freedom after seven brutal years. Back home, she found her aunt basking in her late parents' mansion while her twin sister scrounged for scraps. Fury ignited her genius. She gutted the aunt's business overnight and enrolled in her sister's school, crushing the bullies. When cynics sneered at her "plain background," a prestigious family claimed her and the national lab hailed her. Reporters swarmed, influencers swooned, and jealous rivals watched their fortunes crumble. Even Asher-the rumored ruthless magnate-softened, murmuring, "Fixed your mess-now be mine."
Sophie stepped in for her sister and married a man known for his disfigured looks and reckless past. On their wedding day, his family turned their backs on him, and the town laughed behind their hands, certain the marriage would collapse. But Sophie's career soared, and their love only deepened. Later, during a high-profile event, the CEO of some conglomerate took off his mask, revealing Sophie's husband to be a global sensation. *** Adrian had no interest in his arranged wife and had disguised himself in hopes she would bail. But when Sophie tried to walk away, Adrian broke down and whispered, "Please, Sophie, don't go. One kiss, and I'll give you the world."
At my best friend's birthday party, I drank tainted wine and passed out. When I woke up, I heard the doctor say it could cause severe nerve damage. I teased my fiancé Cayden Hewitt, asking who I was and where I was. He hesitated, staring at me, then called my rival Liam Hewitt. "You're Julia. He's your fiancé. You're getting married soon." I froze, thinking he was joking too. My best friend, Vivian Green, slipped her arm through Cayden's, looking every bit like a couple in love. Eventually, I was about to marry Liam. But Cayden, with eyes red from emotion, stood in front of the car to stop it, pleading, "Julia, don't marry him. I've realized I can't let you go."
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