The Sword of Deborah by F. Tennyson Jesse
The Sword of Deborah by F. Tennyson Jesse
This world of initials ... in which the members of the British Expeditionary Force live and move-it is a bewildering place for the outsider. Particularly to one who, like the writer, has never been able to think in initials, any more than in dates or figures. The members of the B.E.F.-and that at least is a set of letters that conveys something to all of us-not only live amidst initials, but are themselves embodied initials.
To them the string of letters they reel off is no meaningless form, no mere abracadabra to impress the supplicant, but each is a living thing, coloured, definitely patterned, standing for something in flesh and blood, or stone and mortar; something concrete and present to the mind's eye at the mere mention.
Just as, to anyone who does not know New York, it seems as though all the streets must sound exactly alike, being merely numbered, while, to anyone who knows them, the words East Sixty First, say, are as distinct from East Twenty First, distinct with a whole vivid personality of their own, as Half Moon Street from Threadneedle Street-so, to the initiate in the game, the letters so lightly rattled off to designate this or that official or institution stand for vivid, real, colourable things.
But at first one is reminded forcibly of that scene in "Anna Karenina" where Levin proposes to Kitty for the second time by means of writing in chalk on a table the letters "W, y, t, m, i, c, n, b, d, t, m, n, o, t," and Kitty, with great intelligence, guesses that they mean "When you told me it could never be, did that mean never, or then?" Kitty, if you remember, replies in initials at almost equal length, and Levin displays an intelligence equal to hers. I had always found that scene hard of credence, but I have come to the conclusion that Levin and Kitty would have been invaluable at H.Q.B.R.C.S., A.P.O. 3, B.E.F.
And the fog of initials is symbolic in a double manner; for not only do the initials stand for what they represent to those who know, but in their very lack of meaning for those who do not, they typify with a peculiar aptness the fact that after all we at home in England, particularly we ladies of England who live at home in ease, know very little indeed of even what the letters B.E.F. stand for. We have hazy ideas on the subject. Vaguely we know, for instance, that there are women, lots of women, working out in France, though quite at what, beyond nursing, we don't seem to know. Motor drivers ... of course, yes, we have heard of them. There is a vague impression that they are having the time of their lives, probably being quite useful too ... but of the technique of the thing, so to speak, what do we know? About as much as we know when we first hear the clouds of initials rattling like shrapnel about our heads if we go over to France.
And if we at home know so little, how can other countries know, who have no inner working knowledge of English temperaments and training to go upon as a rough guide to at least the probable trend of things? How can we expect them to know? And yet knowledge of what every section of the working community is doing was never so vital as at the present moment, because never before has so much of the world been working together on the same job-and the biggest job in history.
It is always a good thing to know what other folk are doing, even when they are not your sort, and what they are doing does not affect you, because it teaches proportion and widens vision-how much more important, then, when what they are doing is what you are doing too, or what you may yet come to do?
Gentle reader-and even more especially ungentle reader-if in these pages I occasionally ask you to listen to my own personal confession both of faith and of unfaith-please realise that it is not because I imagine there is any particular interest in my way of seeing things, but simply because it is only so that I can make you see them too. You are looking through my window, that is all, and it is not even a window that I opened for myself, but that had to be opened for me. If you will realise that I went and saw all I did see, not as myself, but as you, it will give you the idea I am wishful to convey to you. Anything I feel is only valuable because my feeling of it may mean your feeling of it too. Therefore, when you read "I" in these pages, don't say "Here's this person talking of herself again ..." say "Here am I, myself. This person only saw these things so that I should see them."
If you don't it will be nine-tenths my fault and one-tenth your own.
Just as all the apparently endless combinations of initials in France are symbols of living realities to those who understand them, and of their ignorance to those who don't just as the very heading of "A.B.C." which I have given this chapter typifies both those combinations of initials and the fact that you and I are beginning at the very beginning-for no one could have been more blankly ignorant than I when I went over to France-so the letter "I" whenever it occurs in this book is a symbol for You.
* * *
Unlike her twin brother, Jackson, Jessa struggled with her weight and very few friends. Jackson was an athlete and the epitome of popularity, while Jessa felt invisible. Noah was the quintessential "It" guy at school-charismatic, well-liked, and undeniably handsome. To make matters worse, he was Jackson's best friend and Jessa's biggest bully. During their senior year, Jessa decides it was time for her to gain some self-confidence, find her true beauty and not be the invisible twin. As Jessa transformed, she begins to catch the eye of everyone around her, especially Noah. Noah, initially blinded by his perception of Jessa as merely Jackson's sister, started to see her in a new light. How did she become the captivating woman invading his thoughts? When did she become the object of his fantasies? Join Jessa on her journey from being the class joke to a confident, desirable young woman, surprising even Noah as she reveals the incredible person she has always been inside.
For three years, Natalie gave everything to be the perfect wife and mother, believing her love and effort could finally earn her a place in their hearts. Yet her sacrifices were met with betrayal from her husband and cold rejection from her son. In their eyes, she was nothing but a manipulator, using vulnerability to get her way. Her husband turned his back, her son misunderstood her, and she never truly belonged. Heartbroken yet determined, Natalie left her old life behind. When her family finally begged for a second chance, she looked at them and said, "It's too late."
Camille Lewis was the forgotten daughter, the unloved wife, the woman discarded like yesterday's news. Betrayed by her husband, cast aside by her own family, and left for dead by the sister who stole everything, she vanished without a trace. But the weak, naive Camille died the night her car was forced off that bridge. A year later, she returns as Camille Kane, richer, colder, and more powerful than anyone could have imagined. Armed with wealth, intelligence, and a hunger for vengeance, she is no longer the woman they once trampled on. She is the storm that will tear their world apart. Her ex-husband begs for forgiveness. Her sister's perfect life crumbles. Her parents regret the daughter they cast aside. But Camille didn't come back for apologies, she came back to watch them burn. But as her enemies fall at her feet, one question remains: when the revenge is over, what's left? A mysterious trillionaire Alexander Pierce steps into her path, offering something she thought she lost forever, a future. But can a woman built on ashes learn to love again? She rose from the fire to destroy those who betrayed her. Now, she must decide if she'll rule alone... or let someone melt the ice in her heart.
Kristine planned to surprise her husband with a helicopter for their fifth anniversary, then learned the marriage had been a setup from day one. The man she called a husband never loved her-it was all one hell of a lie. She dropped the act, shed a lot of weight, and rebuilt herself, ready to make every bastard eat their words. After an impulsive remarriage, she accidentally exposed who she really was: a star designer and heir to a billion-dollar empire. And the bodyguard she'd hired was him all along! Who would've known, the "college student" she married turned out to be a feared underworld kingpin.
The night Claire Richards caught her husband cheating, she planned her revenge. She transferred billions in hidden assets, gathered undeniable proof of his affair, and destroyed the mistress's reputation. When Claire handed Lucas Bennett the divorce papers, he tore them to pieces. "Divorce? Not a chance!" Lucas snapped. But Claire only smiled. "The waiting period is over, Mr. Bennett. You're out." Sharp, stunning, and done playing nice, Claire steps into a world dominated by two powerful men: her furious ex-husband and the cold, mysterious CEO feared by all. But this time, she's calling the shots. Watch as a clear-headed woman takes control, turns heartbreak into strength, and brings the man who once cast her aside to his knees.
Anna Green walks in on her boyfriend cheating, only to realize she's not the only witness. A mysterious man stands beside her, watching the same scene unfold. He leans in and murmurs, "Want revenge?" That night, she loses a boyfriend and picks up a husband. What begins as a deal between strangers soon turns into something far more complicated. She thought it was just about benefits. He gave her exclusive love. Now, tangled in a marriage she never expected, Anna wonders who's really in control, especially when the man she married refuses to play by the rules.
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