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The Sword of Deborah by F. Tennyson Jesse
The Sword of Deborah by F. Tennyson Jesse
This world of initials ... in which the members of the British Expeditionary Force live and move-it is a bewildering place for the outsider. Particularly to one who, like the writer, has never been able to think in initials, any more than in dates or figures. The members of the B.E.F.-and that at least is a set of letters that conveys something to all of us-not only live amidst initials, but are themselves embodied initials.
To them the string of letters they reel off is no meaningless form, no mere abracadabra to impress the supplicant, but each is a living thing, coloured, definitely patterned, standing for something in flesh and blood, or stone and mortar; something concrete and present to the mind's eye at the mere mention.
Just as, to anyone who does not know New York, it seems as though all the streets must sound exactly alike, being merely numbered, while, to anyone who knows them, the words East Sixty First, say, are as distinct from East Twenty First, distinct with a whole vivid personality of their own, as Half Moon Street from Threadneedle Street-so, to the initiate in the game, the letters so lightly rattled off to designate this or that official or institution stand for vivid, real, colourable things.
But at first one is reminded forcibly of that scene in "Anna Karenina" where Levin proposes to Kitty for the second time by means of writing in chalk on a table the letters "W, y, t, m, i, c, n, b, d, t, m, n, o, t," and Kitty, with great intelligence, guesses that they mean "When you told me it could never be, did that mean never, or then?" Kitty, if you remember, replies in initials at almost equal length, and Levin displays an intelligence equal to hers. I had always found that scene hard of credence, but I have come to the conclusion that Levin and Kitty would have been invaluable at H.Q.B.R.C.S., A.P.O. 3, B.E.F.
And the fog of initials is symbolic in a double manner; for not only do the initials stand for what they represent to those who know, but in their very lack of meaning for those who do not, they typify with a peculiar aptness the fact that after all we at home in England, particularly we ladies of England who live at home in ease, know very little indeed of even what the letters B.E.F. stand for. We have hazy ideas on the subject. Vaguely we know, for instance, that there are women, lots of women, working out in France, though quite at what, beyond nursing, we don't seem to know. Motor drivers ... of course, yes, we have heard of them. There is a vague impression that they are having the time of their lives, probably being quite useful too ... but of the technique of the thing, so to speak, what do we know? About as much as we know when we first hear the clouds of initials rattling like shrapnel about our heads if we go over to France.
And if we at home know so little, how can other countries know, who have no inner working knowledge of English temperaments and training to go upon as a rough guide to at least the probable trend of things? How can we expect them to know? And yet knowledge of what every section of the working community is doing was never so vital as at the present moment, because never before has so much of the world been working together on the same job-and the biggest job in history.
It is always a good thing to know what other folk are doing, even when they are not your sort, and what they are doing does not affect you, because it teaches proportion and widens vision-how much more important, then, when what they are doing is what you are doing too, or what you may yet come to do?
Gentle reader-and even more especially ungentle reader-if in these pages I occasionally ask you to listen to my own personal confession both of faith and of unfaith-please realise that it is not because I imagine there is any particular interest in my way of seeing things, but simply because it is only so that I can make you see them too. You are looking through my window, that is all, and it is not even a window that I opened for myself, but that had to be opened for me. If you will realise that I went and saw all I did see, not as myself, but as you, it will give you the idea I am wishful to convey to you. Anything I feel is only valuable because my feeling of it may mean your feeling of it too. Therefore, when you read "I" in these pages, don't say "Here's this person talking of herself again ..." say "Here am I, myself. This person only saw these things so that I should see them."
If you don't it will be nine-tenths my fault and one-tenth your own.
Just as all the apparently endless combinations of initials in France are symbols of living realities to those who understand them, and of their ignorance to those who don't just as the very heading of "A.B.C." which I have given this chapter typifies both those combinations of initials and the fact that you and I are beginning at the very beginning-for no one could have been more blankly ignorant than I when I went over to France-so the letter "I" whenever it occurs in this book is a symbol for You.
* * *
Sunlit hours found their affection glimmering, while moonlit nights ignited reckless desire. But when Brandon learned his beloved might last only half a year, he coolly handed Millie divorce papers, murmuring, "This is all for appearances; we'll get married again once she's calmed down." Millie, spine straight and cheeks dry, felt her pulse go hollow. The sham split grew permanent; she quietly ended their unborn child and stepped into a new beginning. Brandon unraveled, his car tearing down the street, unwilling to let go of the woman he'd discarded, pleading for her to look back just once.
Alexander's coldness was laid bare before Florrie; he even asked her to buy morning-after pills for another woman. Enduring the pain became her routine, all because Alexander was a stand-in for Alec, her lost love. But one day, she tricked him into signing the divorce papers and said, "I never loved you." Devastation clung to him, his gaze clouded by despair. "You can't leave. I won't sign." Then Alec returned as a conglomerate heir. She searched his face for love and found none-until she turned away. He cracked, tears falling. "I'm sorry," he begged. "I love you."
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
Isabelle Everett's perfect life crumbles when her billionaire husband, Damion Ryder, serves her divorce papers on their anniversary. Betrayal, heartbreak, and deceit propel her into a six-year journey of self-discovery. Now, with secrets exposed and old flames rekindled, Isabelle must choose between the man who broke her heart or her high school sweetheart, the one who's always loved her but has an ulterior motive. Will forgiveness transform their lives, or will the past destroy their future?
Elena, once a pampered heiress, suddenly lost everything when the real daughter framed her, her fiancé ridiculed her, and her adoptive parents threw her out. They all wanted to see her fall. But Elena unveiled her true identity: the heiress of a massive fortune, famed hacker, top jewelry designer, secret author, and gifted doctor. Horrified by her glorious comeback, her adoptive parents demanded half her newfound wealth. Elena exposed their cruelty and refused. Her ex pleaded for a second chance, but she scoffed, “Do you think you deserve it?” Then a powerful magnate gently proposed, “Marry me?”
After a one-night stand with a stranger, Roselyn woke up to find only a bank card without a PIN number. Still in a daze, she was detained on charges of theft. Just as the handcuffs were about to close, the mysterious man reappeared, holding her pregnancy report. "You're pregnant with my child," he said coldly. Shocked, Roselyn was whisked away in a helicopter to the presidential palace, where she learned the truth: the man from that night was none other than the country's most powerful and influential leader!
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