The Little Schoolmaster Mark by J. H. Shorthouse
The Little Schoolmaster Mark by J. H. Shorthouse
The Court Chaplain Eisenhart walked up the village street towards the schoolhouse. It was April, in the year 1750, and a soft west wind was blowing up the street, across the oak woods of the near forest. Between the forest and the village lay a valley of meadows, planted with thorn bushes and old birch trees with snow-white stems: the fresh green leaves trembled continually in the restless wind. On the other side of the street a lofty crag rose precipitously above a rushing mountain torrent.
This rock is the spur of other lofty hills, planted with oak and beech trees, through the openings of which a boy may frequently be seen, driving an ox or gathering firewood on his half-trodden path. Here and there in the distance the smoke of charcoal-burners ascends into the sky. Between the street and the torrent stand the houses of the village, with high thatched roofs and walls of timber and of mud, and, at the back, projecting stages and steps above the rushing water. A paradise in the late spring, in summer, and in autumn, these wild and romantic woods, traversed only by a few forest paths, are terrible in winter, and the contrast is part of their charm. The schoolhouse stands in the upper part of the village, on the opposite side of the street to the rest of the houses, looking across the valley to the western sun. Two large birch trees are before the open door. The Court Chaplain pauses before he goes in.
How it comes to pass that a Court Chaplain should be walking up the street of this forest village we shall see anon.
At first sight there does not seem to be much schoolwork going on. A boy, or we should rather say a child, of fifteen is seated at an open window looking over the forest. He is fair-haired and blue-eyed; but it is the deep blue of an angel's, not the cold gray blue of a courtier's eyes. Around him are seated several children, both boys and girls; and, far from teaching, he appears to be relating stories to them. The story, whatever it is, ceases as the Court Chaplain goes in, and both raconteur and audience rise.
"I have something to say to thee, schoolmaster," said the Chaplain, "send the children away. Thou wilt not teach them anything more to-day, I suspect."
The children went away lingeringly, not at all like children just let loose from school.
When they were gone the expression of the Chaplain's face changed-he looked at the little schoolmaster very kindly, and sat down on one of the benches, which were black and worn with age.
"Last year, little one," he said, "when the Herr Rector took thee away from the Latin school and from thy father's tailoring, and confirmed thee, and thou tookest thy first communion, and he made thee schoolmaster here, many wise people shook their heads. I do not think," he continued, with a smile, "that they have ceased shaking them when they have seen in how strange a manner thou keepest school."
"Ah, your Reverence," said the boy, eagerly, "the good people are satisfied enough when they see that their children learn without receiving much correction; and many of them even take pleasure in the beautiful tales which I relate to the children, and which they repeat to them. Every morning, as soon as the children enter the school, I pray with them, and catechise them in the principles of our holy religion, as God teaches me, for I use no book. Then I set the children to read and to write, and promise them these charming tales if they learn well. It is impossible to express with what zeal the children learn. When they are perverse or not diligent I do not relate my histories, but I read to myself."
"Well, little one," said the Court Chaplain, "it is a strange system of education, but I am far from saying that it is a bad one. Nevertheless it will not last. The Herr Rector has his eye upon thee, and will send thee back to thy tailoring very soon."
The tears came into the little schoolmaster's eyes, and he turned very pale.
"Well, do not be sad," said the Chaplain. "I have been thinking and working for thee. Thou hast heard of the Prince, though thou hast, I think, never seen the pleasure palace, Joyeuse, though it is so near."
"I have seen the iron gates with the golden scrolls," said the boy. "They are like the heavenly Jerusalem; every several gate is one pearl."
The Chaplain did not notice the confused metaphor of this description.
"Well," he said, "I have been speaking to the Prince of thee. Thou knowest nothing of these things, but the Prince has lived for many years in Italy, a country where they do nothing but sing and dance. He has come back, as thou knowest, and has married a wife, according to the traditions of his race. Since he came back to Germany he has taken a fancy to this forest-lodge, for at first it was little more, and has garnished it and enlarged it according to his southern fancies; that is why he likes it better than his princely cities. He has two children-a boy and a girl-eight and nine, or thereabouts. The Princess is not a good woman. She neglects her children, and she prefers the princely cities to her husband, to her little ones, and to the beautiful forests and hills."
The little schoolmaster listened with open eyes. Then he said, beneath his breath:
"How Satanic that must be!"
"The Prince," continued the Court Chaplain, "is a beautiful soul 'manqué,' which means spoilt. His sister, the Princess Isoline von Isenberg-Wertheim, is such a soul. She has joined herself to a company of pious people who have taken an old manor-house belonging to the Prince on the farther side of the palace gardens, where they devote themselves to prayer, to good works, and to the manufacture of half-silk stuffs, by which they maintain themselves and give to the poor. The Prince himself knows something of such feelings. He indeed knows the way of piety, though he does not follow it. He acknowledges the grace of refinement which piety gives, even to the most highly bred. He is particularly desirous that his children should possess this supreme touch. Something that I told him of thee pleased his fancy. Thy strange way of keeping school seemed to him very new; more especially was he delighted with that infancy story of thee and old Father Stalher. The old man, I told the Prince, came into thy father's for his new coat and found thee reading. Reading, in any one, seemed to Father Stalher little short of miraculous; but in a child of eight it was more-it was elfish.
"'What are you doing there, child?' said Father Stalher.
"'I am reading.'
"'Canst thou read already?'
"'That is a foolish question, for I am a human being,' said the child, and began to read with ease, proper emphasis, and due distinction.
"Stalher was amazed, and said:
"'The devil fetch me, I have never seen the like in all my life.'
"Then little Mark jumped up and looked timidly and carefully round the room. When he saw that the devil did not come, he went down on his knees in the middle of the floor and said:
"'O God! how gracious art thou.'
"Then, standing up boldly before old Stalher, he said:
"'Man, hast thou ever seen Satan?'
"'No.'
"'Then call upon him no more.'
"And the child went quietly into another room.
"And I told the Prince what thy old grandfather used to say to me.
"'The lad is soaring away from us; we must pray that God will guide him by His good Spirit.'
"When I told all this to the Prince, he said:
"'I will have this boy. He shall teach my children as he does the village ones. None can teach children as can such a child as this.'"
The little schoolmaster had been looking before him all the time the Chaplain had been speaking, as though in something of a maze. He evidently saw nothing to wonder at in the story of himself and old Stalher. It seemed to him commonplace and obvious enough.
"I shall send up a tailor from Joyeuse to-morrow," said the Chaplain; "a court tailor, such as thou never saw'st, nor thy father either. He must measure thee for a court-suit of black. Then we will go together, and I will present thee to the Prince."
* * *
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
For three quiet, patient years, Christina kept house, only to be coldly discarded by the man she once trusted. Instead, he paraded a new lover, making her the punchline of every town joke. Liberated, she honed her long-ignored gifts, astonishing the town with triumph after gleaming triumph. Upon discovering she'd been a treasure all along, her ex-husband's regret drove him to pursue her. "Honey, let's get back together!" With a cold smirk, Christina spat, "Fuck off." A silken-suited mogul slipped an arm around her waist. "She's married to me now. Guards, get him the hell out of here!"
After two years of marriage, Sadie was finally pregnant. Filled with hope and joy, she was blindsided when Noah asked for a divorce. During a failed attempt on her life, Sadie found herself lying in a pool of blood, desperately calling Noah to ask him to save her and the baby. But her calls went unanswered. Shattered by his betrayal, she left the country. Time passed, and Sadie was about to be wed for a second time. Noah appeared in a frenzy and fell to his knees. "How dare you marry someone else after bearing my child?"
Aurora woke up to the sterile chill of her king-sized bed in Sterling Thorne's penthouse. Today was the day her husband would finally throw her out like garbage. Sterling walked in, tossed divorce papers at her, and demanded her signature, eager to announce his "eligible bachelor" status to the world. In her past life, the sight of those papers had broken her, leaving her begging for a second chance. Sterling's sneering voice, calling her a "trailer park girl" undeserving of his name, had once cut deeper than any blade. He had always used her humble beginnings to keep her small, to make her grateful for the crumbs of his attention. She had lived a gilded cage, believing she was nothing without him, until her life flatlined in a hospital bed, watching him give a press conference about his "grief." But this time, she felt no sting, no tears. Only a cold, clear understanding of the mediocre man who stood on a pedestal she had painstakingly built with her own genius. Aurora signed the papers, her name a declaration of independence. She grabbed her old, phoenix-stickered laptop, ready to walk out. Sterling Thorne was about to find out exactly how expensive "free" could be.
Maia grew up a pampered heiress-until the real daughter returned and framed her, sending Maia to prison with help from her fiancé and family. Four years later, free and married to Chris, a notorious outcast, everyone assumed Maia was finished. They soon discovered she was secretly a famed jeweler, elite hacker, celebrity chef, and top game designer. As her former family begged for help, Chris smiled calmly. "Honey, let's go home." Only then did Maia realize her "useless" husband was a legendary tycoon who'd adored her from the start.
Rain hammered against the asphalt as my sedan spun violently into the guardrail on the I-95. Blood trickled down my temple, stinging my eyes, while the rhythmic slap of the windshield wipers mocked my panic. Trembling, I dialed my husband, Clive. His executive assistant answered instead, his voice professional and utterly cold. "Mr. Wilson says to stop the theatrics. He said, and I quote, 'Hang up. Tell her I don’t have time for her emotional blackmail tonight.'" The line went dead while I was still trapped in the wreckage. At the hospital, I watched the news footage of Clive wrapping his jacket around his "fragile" ex-girlfriend, Angelena, shielding her from the storm I was currently bleeding in. When I returned to our penthouse, I found a prenatal ultrasound in his suit pocket, dated the day he claimed to be on a business trip. Instead of an apology, Clive met me with a sneer. He told me I was nothing but an "expensive decoration" his father bought to make him look stable. He froze my bank accounts and cut off my cards, waiting for the hunger to drive me back to his feet. I stared at the man I had loved for four years, realizing he didn't just want a wife; he wanted a prop he could switch off. He thought he could starve me into submission while he played father to another woman's child. But Clive forgot one thing. Before I was his trophy wife, I was Starfall—the legendary voice actress who vanished at the height of her fame. "I'm not jealous, Clive. I'm done." I grabbed my old microphone and walked out. I’m not just leaving him; I’m taking the lead role in the biggest saga in Hollywood—the one Angelena is desperate for. This time, the "decoration" is going to burn his world down.
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