The Lady of the Aroostook by William Dean Howells
The Lady of the Aroostook by William Dean Howells
In the best room of a farm-house on the skirts of a village in the hills of Northern Massachusetts, there sat one morning in August three people who were not strangers to the house, but who had apparently assembled in the parlor as the place most in accord with an unaccustomed finery in their dress.
One was an elderly woman with a plain, honest face, as kindly in expression as she could be perfectly sure she felt, and no more; she rocked herself softly in the haircloth arm-chair, and addressed as father the old man who sat at one end of the table between the windows, and drubbed noiselessly upon it with his stubbed fingers, while his lips, puckered to a whistle, emitted no sound. His face had that distinctly fresh-shaven effect which once a week is the advantage of shaving no oftener: here and there, in the deeper wrinkles, a frosty stubble had escaped the razor. He wore an old-fashioned, low black satin stock, over the top of which the linen of his unstarched collar contrived with difficulty to make itself seen; his high-crowned, lead-colored straw hat lay on the table before him. At the other end of the table sat a young girl, who leaned upon it with one arm, propping her averted face on her hand. The window was open beside her, and she was staring out upon the door-yard, where the hens were burrowing for coolness in the soft earth under the lilac bushes; from time to time she put her handkerchief to her eyes.
"I don't like this part of it, father," said the elderly woman,-"Lyddy's seeming to feel about it the way she does right at the last moment, as you may say." The old man made a noise in his throat as if he might speak; but he only unpuckered his mouth, and stayed his fingers, while the other continued: "I don't want her to go now, no more than ever I did. I ain't one to think that eatin' up everything on your plate keeps it from wastin', and I never was; and I say that even if you couldn't get the money back, it would cost no more to have her stay than to have her go."
"I don't suppose," said the old man, in a high, husky treble, "but what I could get some of it back from the captain; may be all. He didn't seem any ways graspin'. I don't want Lyddy should feel, any more than you do, Maria, that we're glad to have her go. But what I look at is this: as long as she has this idea-Well, it's like this-I d'know as I can express it, either." He relapsed into the comfort people find in giving up a difficult thing.
"Oh, I know!" returned the woman. "I understand it's an opportunity; you might call it a leadin', almost, that it would be flyin' in the face of Providence to refuse. I presume her gifts were given her for improvement, and it would be the same as buryin' them in the ground for her to stay up here. But I do say that I want Lyddy should feel just so about goin', or not go at all. It ain't like goin' among strangers, though, if it is in a strange land. They're her father's own kin, and if they're any ways like him they're warm-hearted enough, if that's all you want. I guess they'll do what's right by Lyddy when she gets there. And I try to look at it this way: that long before that maple by the gate is red she'll be with her father's own sister; and I for one don't mean to let it worry me." She made search for her handkerchief, and wiped away the tears that fell down her cheeks.
"Yes," returned the old man; "and before the leaves are on the ground we shall more'n have got our first letter from her. I declare for't," he added, after a tremulous pause, "I was goin' to say how Lyddy would enjoy readin' it to us! I don't seem to get it rightly into my head that she's goin' away."
"It ain't as if Lyddy was leavin' any life behind her that's over and above pleasant," resumed the woman. "She's a good girl, and I never want to see a more uncomplainin'; but I know it's duller and duller here all the while for her, with us two old folks, and no young company; and I d'know as it's been any better the two winters she's taught in the Mill Village. That's what reconciles me, on Lyddy's account, as much as anything. I ain't one to set much store on worldly ambition, and I never was; and I d'know as I care for Lyddy's advancement, as you may call it. I believe that as far forth as true happiness goes she'd be as well off here as there. But I don't say but what she would be more satisfied in the end, and as long as you can't have happiness, in this world, I say you'd better have satisfaction. Is that Josiah Whitman's hearse goin' past?" she asked, rising from her chair, and craning forward to bring her eyes on a level with the window, while she suspended the agitation of the palm-leaf fan which she had not ceased to ply during her talk; she remained a moment with the quiescent fan pressed against her bosom, and then she stepped out of the door, and down the walk to the gate. "Josiah!" she called, while the old man looked and listened at the window. "Who you be'n buryin'?"
The man halted his hearse, and answered briefly, "Mirandy Holcomb."
"Why, I thought the funeral wa'n't to be till tomorrow! Well, I declare," said the woman, as she re?ntered the room and sat down again in her rocking-chair, "I didn't ask him whether it was Mr. Goodlow or Mr. Baldwin preached the sermon. I was so put out hearin' it was Mirandy, you might say I forgot to ask him anything. Mirandy was always a well woman till they moved down to the Mill Village and began takin' the hands to board,-so many of 'em. When I think of Lyddy's teachin' there another winter,-well, I could almost rejoice that she was goin' away. She ain't a mite too strong as it is."
Here the woman paused, and the old man struck in with his quaint treble while she fanned herself in silence: "I do suppose the voyage is goin' to be everything for her health. She'll be from a month to six weeks gettin' to Try-East, and that'll be a complete change of air, Mr. Goodlow says. And she won't have a care on her mind the whole way out. It'll be a season of rest and quiet. I did wish, just for the joke of the thing, as you may say, that the ship had be'n goin' straight to Venus, and Lyddy could 'a' walked right in on 'em at breakfast, some morning. I should liked it to be'n a surprise. But there wa'n't any ship at Boston loadin' for Venus, and they didn't much believe I'd find one at New York. So I just took up with the captain of the Aroostook's offer. He says she can telegraph to her folks at Venus as soon as she gets to Try-East, and she's welcome to stay on the ship till they come for her. I didn't think of their havin' our mod'n improvements out there; but he says they have telegraphs and railroads everywheres, the same as we do; and they're real kind and polite when you get used to 'em. The captain, he's as nice a man as I ever see. His wife's be'n two or three voyages with him in the Aroostook, and he'll know just how to have Lyddy's comfort looked after. He showed me the state-room she's goin' to have. Well, it ain't over and above large, but it's pretty as a pink: all clean white paint, with a solid mahogany edge to the berth, and a mahogany-framed lookin'-glass on one side, and little winders at the top, and white lace curtains to the bed. He says he had it fixed up for his wife, and he lets Lyddy have it all for her own. She can set there and do her mendin' when she don't feel like comin' into the cabin. The cabin-well, I wish you could see that cabin, Maria! The first mate is a fine-appearing man, too. Some of the sailors looked pretty rough; but I guess it was as much their clothes as anything; and I d'know as Lyddy'd have a great deal to do with them, any way." The old man's treble ceased, and at the same moment the shrilling of a locust in one of the door-yard maples died away; both voices, arid, nasal, and high, lapsed as one into a common silence.
The woman stirred impatiently in her chair, as if both voices had been repeating something heard many times before. They seemed to renew her discontent. "Yes, I know; I know all that, father. But it ain't the mahogany I think of. It's the child's gettin' there safe and well."
"Well," said the old man, "I asked the captain about the seasickness, and he says she ain't nigh so likely to be sick as she would on the steamer; the motion's more regular, and she won't have the smell of the machinery. That's what he said. And he said the seasickness would do her good, any way. I'm sure I don't want her to be sick any more than you do, Maria." He added this like one who has been unjustly put upon his defense.
They now both remained silent, the woman rocking herself and fanning, and the old man holding his fingers suspended from their drubbing upon the table, and looking miserably from the woman in the rocking-chair to the girl at the window, as if a strict inquiry into the present situation might convict him of it in spite of his innocence. The girl still sat with her face turned from them, and still from time to time she put her handkerchief to her eyes and wiped away the tears. The locust in the maple began again, and shrilled inexorably. Suddenly the girl leaped to her feet.
"There's the stage!" she cried, with a tumult in her voice and manner, and a kind of choking sob. She showed, now that she stood upright, the slim and elegant shape which is the divine right of American girlhood, clothed with the stylishness that instinctive taste may evoke, even in a hill town, from study of paper patterns, Harper's Bazar, and the costume of summer boarders. Her dress was carried with spirit and effect.
"Lydia Blood!" cried the other woman, springing responsively to her feet, also, and starting toward the girl, "don't you go a step without you feel just like it! Take off your things this minute and stay, if you wouldn't jus' as lives go. It's hard enough to have you go, child, without seemin' to force you!"
"Oh, aunt Maria," answered the girl, piteously, "it almost kills me to go; but I'm doing it, not you. I know how you'd like to have me stay. But don't say it again, or I couldn't bear up; and I'm going now, if I have to be carried."
The old man had risen with the others; he was shorter than either, and as he looked at them he seemed half awed, half bewildered, by so much drama. Yet it was comparatively very little. The girl did not offer to cast herself upon her aunt's neck, and her aunt did not offer her an embrace, it was only their hearts that clung together as they simply shook hands and kissed each other. Lydia whirled away for her last look at herself in the glass over the table, and her aunt tremulously began to put to rights some slight disorder in the girl's hat.
"Father," she said sharply, "are Lyddy's things all ready there by the door, so's not to keep Ezra Perkins waitin'? You know he always grumbles so. And then he gets you to the cars so't you have to wait half an hour before they start." She continued to pin and pull at details of Lydia's dress, to which she descended from her hat. "It sets real nice on you, Lyddy. I guess you'll think of the time we had gettin' it made up, when you wear it out there." Miss Maria Latham laughed nervously.
With a harsh banging and rattling, a yellow Concord coach drew up at the gate where Miss Maria had stopped the hearse. The driver got down, and without a word put Lydia's boxes and bags into the boot, and left two or three light parcels for her to take into the coach with her.
Miss Maria went down to the gate with her father and niece. "Take the back seat, father!" she said, as the old man offered to take the middle place. "Let them that come later have what's left. You'll be home to-night, father; I'll set up for you. Good-by again, Lyddy." She did not kiss the girl again, or touch her hand. Their decent and sparing adieux had been made in the house. As Miss Maria returned to the door, the hens, cowering conscience-stricken under the lilacs, sprang up at sight of her with a screech of guilty alarm, and flew out over the fence.
"Well, I vow," soliloquized Miss Maria, "from where she set Lyddy must have seen them pests under the lilacs the whole time, and never said a word." She pushed the loosened soil into place with the side of her ample slipper, and then went into the house, where she kindled a fire in the kitchen stove, and made herself a cup of Japan tea: a variety of the herb which our country people prefer, apparently because it affords the same stimulus with none of the pleasure given by the Chinese leaf.
Their Silver Wedding Journey, Part I. by William Dean Howells
The March Family Trilogy, Complete by William Dean Howells
Rumors said that Lucas married an unattractive woman with no background. In the three years they were together, he remained cold and distant to Belinda, who endured in silence. Her love for him forced her to sacrifice her self-worth and her dreams. When Lucas' true love reappeared, Belinda realized that their marriage was a sham from the start, a ploy to save another woman's life. She signed the divorce papers and left. Three years later, Belinda returned as a surgical prodigy and a maestro of the piano. Lost in regret, Lucas chased her in the rain and held her tightly. "You are mine, Belinda."
Vesper's marriage to Julian Sterling was a gilded cage. One morning, she woke naked beside Damon Sterling, Julian's terrifying brother, then found a text: Julian's mistress was pregnant. Her world shattered, but the real nightmare had just begun. Julian's abuse escalated, gaslighting Vesper, funding his secret life. Damon, a germaphobic billionaire, became her unsettling anchor amidst his chaos. As "Iris," Vesper exposed Julian's mistress, Serena Sharp, sparking brutal war: poisoned drinks, a broken leg, and the horrifying truth-Julian murdered her parents, trapping Vesper in marriage. The man she married was a killer. Broken and betrayed, Vesper was caught between monstrous brothers, burning with injustice. Refusing victimhood, Vesper reclaimed her identity. Fueled by vengeance, she allied with Damon, who vowed to burn his empire for her. Julian faced justice, but matriarch Eleanor's counterattack forced Vesper's choice as a hitman aimed for her.
Being second best is practically in my DNA. My sister got the love, the attention, the spotlight. And now, even her damn fiancé. Technically, Rhys Granger was my fiancé now-billionaire, devastatingly hot, and a walking Wall Street wet dream. My parents shoved me into the engagement after Catherine disappeared, and honestly? I didn't mind. I'd crushed on Rhys for years. This was my chance, right? My turn to be the chosen one? Wrong. One night, he slapped me. Over a mug. A stupid, chipped, ugly mug my sister gave him years ago. That's when it hit me-he didn't love me. He didn't even see me. I was just a warm-bodied placeholder for the woman he actually wanted. And apparently, I wasn't even worth as much as a glorified coffee cup. So I slapped him right back, dumped his ass, and prepared for disaster-my parents losing their minds, Rhys throwing a billionaire tantrum, his terrifying family plotting my untimely demise. Obviously, I needed alcohol. A lot of alcohol. Enter him. Tall, dangerous, unfairly hot. The kind of man who makes you want to sin just by existing. I'd met him only once before, and that night, he just happened to be at the same bar as my drunk, self-pitying self. So I did the only logical thing: I dragged him into a hotel room and ripped off his clothes. It was reckless. It was stupid. It was completely ill-advised. But it was also: Best. Sex. Of. My. Life. And, as it turned out, the best decision I'd ever made. Because my one-night stand isn't just some random guy. He's richer than Rhys, more powerful than my entire family, and definitely more dangerous than I should be playing with. And now, he's not letting me go.
I was dying at the banquet, coughing up black blood while the pack celebrated my step-sister Lydia’s promotion. Across the room, Caleb, the Alpha and my Fated Mate, didn't look concerned. He looked annoyed. "Stop it, Elena," his voice boomed in my head. "Don't ruin this night with your attention-seeking lies." I begged him, telling him it was poison, but he just ordered me to leave his Pack House so I wouldn't dirty the floor. Heartbroken, I publicly demanded the Severing Ceremony to break our bond and left to die alone in a cheap motel. Only after I took my last breath did the truth come out. I sent Caleb the medical records proving Lydia had been poisoning my tea with wolfsbane for ten years. He went mad with grief, realizing he had protected the murderer and rejected his true mate. He tortured Lydia, but his regret couldn't bring me back. Or so he thought. In the afterlife, the Moon Goddess showed me my reflection. I wasn't a wolfless weakling. I was a White Wolf, the rarest and most powerful of all, suppressed by poison. "You can stay here in peace," the Goddess said. "Or you can go back." I looked at the life they stole from me. I looked at the power I never got to use. "I want to go back," I said. "Not for his love. But for revenge." I opened my eyes, and for the first time in my life, my wolf roared.
Luna has tried her best to make her forced marriage to Xen work for the sake of their child. But with Riley and Sophia- Xen's ex-girlfriend and her son in the picture. She fights a losing battle. Ollie, Xen's son is neglected by his father for a very long time and he is also suffering from a mysterious sickness that's draining his life force. When his last wish to have his dad come to his 5th birthday party is dashed by his failure to show up, Ollie dies in an accident after seeing his father celebrate Riley's birthday with Sophia and it's displayed on the big advertising boards that fill the city. Ollie dies and Luna follows after, unable to bear the grief, dying in her mate's hands cursing him and begging for a second chance to save her son. Luna gets the opportunity and is woken up in the past, exactly one year to the day Sophia and Riley show up. But this time around, Luna is willing to get rid of everyone and anyone even her mate if he steps in her way to save her son.
For three years, I was the perfect, invisible wife. My husband, Jaden, called the songs I poured my soul into "trash," then secretly fed them to his pop-star mistress to make her famous. Then one night, after being drugged at a gala, I woke up in a stranger's bed. It wasn't just the betrayal that shattered me; it was the soul-deep certainty that this powerful, dangerous man was my true fated mate. I fled home in a panic, only to find a message on Jaden's phone confirming my worst fears. His mistress, the woman singing my songs on the radio, was pregnant with the baby he'd always told me I was too weak to carry. The nightmare deepened when I learned the identity of the man from the hotel. He was Carter Mcclain, the ruthless Alpha King-and my husband's older brother. He looked at me with eyes that knew my secret, his cruel smirk promising that my life was now a game for his amusement. Jaden had stolen my music, my dream of a family, and my future, leaving me trapped between his betrayal and his terrifying brother. He thought he had broken me, leaving me with nothing. He forgot he left me with the rage that wrote the songs. And I was about to write their final, brutal verse.
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