The Kasidah of Haji Abdu El-Yezdi by Richard F. Burton
The Kasidah of Haji Abdu El-Yezdi by Richard F. Burton
The hour is nigh; the waning Queen
walks forth to rule the later night;
Crownd with the sparkle of a Star,
and throned on orb of ashen light:
The Wolf-tail* sweeps the paling East
to leave a deeper gloom behind,
And Dawn uprears her shining head,
sighing with semblance of a wind:
* The false dawn.
The highlands catch yon Orient gleam,
while purpling still the lowlands lie;
And pearly mists, the morning-pride,
soar incense-like to greet the sky.
The horses neigh, the camels groan,
the torches gleam, the cressets flare;
The town of canvas falls, and man
with din and dint invadeth air:
The Golden Gates swing right and left;
up springs the Sun with flamy brow;
The dew-cloud melts in gush of light;
brown Earth is bathed in morning-glow.
Slowly they wind athwart the wild,
and while young Day his anthem swells,
Sad falls upon my yearning ear
the tinkling of the Camel-bells:
Oer fiery wastes and frozen wold,
oer horrid hill and gloomy glen,
The home of grisly beast and Ghoul,*
the haunts of wilder, grislier men;
* The Demon of the Desert.
With the brief gladness of the Palms,
that tower and sway oer seething plain,
Fraught with the thoughts of rustling shade,
and welling spring, and rushing rain;
With the short solace of the ridge,
by gentle zephyrs played upon,
Whose breezy head and bosky side
front seas of cooly celadon;
Tis theirs to pass with joy and hope,
whose souls shall ever thrill and fill
Dreams of the Birthplace and the Tomb,
visions of Allahs Holy Hill.*
* Arafat, near Mecca.
But we? Another shift of scene,
another pang to rack the heart;
Why meet we on the bridge of Time
to change one greeting and to part?
We meet to part; yet asks my sprite,
Part we to meet? Ah! is it so?
Mans fancy-made Omniscience knows,
who made Omniscience nought can know.
Why must we meet, why must we part,
why must we bear this yoke of MUST,
Without our leave or askt or given,
by tyrant Fate on victim thrust?
That Eve so gay, so bright, so glad,
this Morn so dim, and sad, and grey;
Strange that lifes Registrar should write
this day a day, that day a day!
Mine eyes, my brain, my heart, are sad,
sad is the very core of me;
All wearies, changes, passes, ends;
alas! the Birthdays injury!
Friends of my youth, a last adieu!
haply some day we meet again;
Yet neer the self-same men shall meet;
the years shall make us other men:
The light of morn has grown to noon,
has paled with eve, and now farewell!
Go, vanish from my Life as dies
the tinkling of the Camels bell.
Everyone in town knew Amelia had chased Jaxton for years, even etching his initials on her skin. When malicious rumors swarmed, he merely straightened his cuff links and ordered her to kneel before the woman he truly loved. Seething with realization, she slammed her engagement ring down on his desk and walked away. Not long after, she whispered "I do" to a billionaire, their wedding post crashing every feed. Panic cracked Jaxton. "She's using you to spite me," he spat. The billionaire just smiled. "Being her sword is my honor."
After hiding her true identity throughout her three-year marriage to Colton, Allison had committed wholeheartedly, only to find herself neglected and pushed toward divorce. Disheartened, she set out to rediscover her true self-a talented perfumer, the mastermind of a famous intelligence agency, and the heir to a secret hacker network. Realizing his mistakes, Colton expressed his regret. "I know I messed up. Please, give me another chance." Yet, Kellan, a once-disabled tycoon, stood up from his wheelchair, took Allison's hand, and scoffed dismissively, "You think she'll take you back? Dream on."
My wealthy husband, Nathaniel, stormed in, demanding a divorce to be with his "dying" first love, Julia. He expected tears, pleas, even hysteria. Instead, I calmly reached for a pen, ready to sign away our life for a fortune. For two years, I played the devoted wife in our sterile penthouse. That night, Nathaniel shattered the facade, tossing divorce papers. "Julia's back," he stated, "she needs me." He expected me to crumble. But my calm "Okay" shocked him. I coolly demanded his penthouse, shares, and a doubled stipend, letting him believe I was a greedy gold digger. He watched, disgusted, convinced I was a monster. He couldn't fathom my indifference or ruthless demands. He saw avarice, not a carefully constructed facade. His betrayal had awakened something far more dangerous. The second the door closed, the dutiful wife vanished. I retrieved a burner phone and a Glock, ready to expose the elaborate lie he and Julia had built.
Rain hammered against the asphalt as my sedan spun violently into the guardrail on the I-95. Blood trickled down my temple, stinging my eyes, while the rhythmic slap of the windshield wipers mocked my panic. Trembling, I dialed my husband, Clive. His executive assistant answered instead, his voice professional and utterly cold. "Mr. Wilson says to stop the theatrics. He said, and I quote, 'Hang up. Tell her I don’t have time for her emotional blackmail tonight.'" The line went dead while I was still trapped in the wreckage. At the hospital, I watched the news footage of Clive wrapping his jacket around his "fragile" ex-girlfriend, Angelena, shielding her from the storm I was currently bleeding in. When I returned to our penthouse, I found a prenatal ultrasound in his suit pocket, dated the day he claimed to be on a business trip. Instead of an apology, Clive met me with a sneer. He told me I was nothing but an "expensive decoration" his father bought to make him look stable. He froze my bank accounts and cut off my cards, waiting for the hunger to drive me back to his feet. I stared at the man I had loved for four years, realizing he didn't just want a wife; he wanted a prop he could switch off. He thought he could starve me into submission while he played father to another woman's child. But Clive forgot one thing. Before I was his trophy wife, I was Starfall—the legendary voice actress who vanished at the height of her fame. "I'm not jealous, Clive. I'm done." I grabbed my old microphone and walked out. I’m not just leaving him; I’m taking the lead role in the biggest saga in Hollywood—the one Angelena is desperate for. This time, the "decoration" is going to burn his world down.
The acrid smell of smoke still clung to Evelyn in the ambulance, her lungs raw from the penthouse fire. She was alive, but the world around her felt utterly destroyed, a feeling deepened by the small TV flickering to life. On it, her husband, Julian Vance, thousands of miles away, publicly comforted his mistress, Serena Holloway, shielding her from paparazzi after *her* "panic attack." Julian's phone went straight to voicemail. Alone in the hospital with second-degree burns, Evelyn watched news replays, her heart rate spiking. He protected Serena from camera flashes while Evelyn burned. When he finally called, he demanded she handle insurance, dismissing the fire; Serena's voice faintly heard. The shallow family ties and pretense of marriage evaporated. A searing injustice and cold anger replaced pain; Evelyn knew Julian had chosen to let her burn. "Evelyn Vance died in that fire," she declared, ripping out her IV. Armed with a secret fortune as "The Architect," Hollywood's top ghostwriter, she walked out. She would divorce Julian, reclaim her name, and finally step into the spotlight as an actress.
I died on a Tuesday. It wasn't a quick death. It was slow, cold, and meticulously planned by the man who called himself my father. I was twenty years old. He needed my kidney to save my sister. The spare part for the golden child. I remember the blinding lights of the operating theater, the sterile smell of betrayal, and the phantom pain of a surgeon's scalpel carving into my flesh while my screams echoed unheard. I remember looking through the observation glass and seeing him-my father, Giovanni Vitiello, the Don of the Chicago Outfit-watching me die with the same detached expression he used when signing a death warrant. He chose her. He always chose her. And then, I woke up. Not in heaven. Not in hell. But in my own bed, a year before my scheduled execution. My body was whole, unscarred. The timeline had reset, a glitch in the cruel matrix of my existence, giving me a second chance I never asked for. This time, when my father handed me a one-way ticket to London-an exile disguised as a severance package-I didn't cry. I didn't beg. My heart, once a bleeding wound, was now a block of ice. He didn't know he was talking to a ghost. He didn't know I had already lived through his ultimate betrayal. He also didn't know that six months ago, during the city's brutal territory wars, I was the one who saved his most valuable asset. In a secret safe house, I stitched up the wounds of a blinded soldier, a man whose life hung by a thread. He never saw my face. He only knew my voice, the scent of vanilla, and the steady touch of my hands. He called me Sette. Seven. For the seven stitches I put in his shoulder. That man was Dante Moretti. The Ruthless Capo. The man my sister, Isabella, is now set to marry. She stole my story. She claimed my actions, my voice, my scent. And Dante, the man who could spot a lie from a mile away, believed the beautiful deception because he wanted it to be true. He wanted the golden girl to be his savior, not the invisible sister who was only ever good for her spare parts. So I took the ticket. In my past life, I fought them, and they silenced me on an operating table. This time, I will let them have their perfect, gilded lie. I will go to London. I will disappear. I will let Seraphina Vitiello die on that plane. But I will not be a victim. This time, I will not be the lamb led to slaughter. This time, from the shadows of my exile, I will be the one holding the match. And I will wait, with the patience of the dead, to watch their entire world burn. Because a ghost has nothing to lose, and a queen of ashes has an empire to gain.
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