The House on the Moor, v. 2/3 by Mrs. Oliphant
The House on the Moor, v. 2/3 by Mrs. Oliphant
(etext transcriber's note)
THE HOUSE ON THE MOOR
BY
THE AUTHOR OF
"MARGARET MAITLAND," "ADAM GRAEME,"
"THE LAIRD OF NORLAW,"
&c., &c.
IN THREE VOLUMES.
VOL. II.
LONDON:
HURST AND BLACKETT, PUBLISHERS,
SUCCESSORS TO HENRY COLBURN,
13, GREAT MARLBOROUGH STREET.
Margaret Oliphant was one of the most prolific and popular writers of her day. Her domestic novels are steeped in the broad social, political, and religious worlds of the Victorian era, and her Chronicles of Carlingford series stands as an insightful portrait of English life. 'Phoebe ,Junior', the last of this series, examines Victorian class dynamics by following the social mobility of one family and the effects of this mobility on the daughter, Phoebe.
OUT of the darkest depths of life, where vice and crime and misery abound, comes the Byron of the twentieth century, the poet of the vagabond and the proletariat, Maxim Gorky. Not like the beggar, humbly imploring for a crust in the name of the Lord, nor like the jeweller displaying his precious stones to dazzle and tempt the eye, he comes to the world,— nay, in accents of Tyrtaeus this commoner of Nizhni Novgorod spurs on his troops of freedom-loving heroes to conquer, as it were, the placid, self- satisfied literatures of to-day, and bring new life to pale, bloodless frames.
These words were spoken in the garden of Dinglefield Rectory on a very fine summer day a few years ago. The speaker was Mr. Damerel, the rector, a middle-aged man with very fine, somewhat worn features, a soft benignant smile, and, as everybody said who knew him, the most charming manners in the world. He was a man of very elegant mind as well as manners. He did not preach often, but when he did preach all the educated persons in his congregation felt that they had very choice fare indeed set before them. I am afraid the poor folk liked the curate best, but then the curate liked them best, and it mattered very little to any man or woman of refinement what sentiment existed between the cottagers and the curate. Mr. Damerel was perfectly kind and courteous to everybody, gentle and simple, who came in his way, but he was not fond of poor people in the abstract.
I THOUGHT I heard a slight rustle, as if Sarah had taken off her spectacles, but I was really so interested in the matter which I was then discussing with Mr. Cresswell, our solicitor, that I did not look round, as I certainly should have done in any other circumstances; but imagine my utter amazement and the start which Mr. Cresswell gave, nearly upsetting the ink on the drab table-cover, which never could have got the better of it, when my sister Sarah, who never speaks except to me, and then only in a whisper, pronounced distinctly, loud out, the following words: “His Christian name was Richard Arkwright; he was called after the cotton-spinner; that was the chief thing against him in my father’s days.”
The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
Aurora woke up to the sterile chill of her king-sized bed in Sterling Thorne's penthouse. Today was the day her husband would finally throw her out like garbage. Sterling walked in, tossed divorce papers at her, and demanded her signature, eager to announce his "eligible bachelor" status to the world. In her past life, the sight of those papers had broken her, leaving her begging for a second chance. Sterling's sneering voice, calling her a "trailer park girl" undeserving of his name, had once cut deeper than any blade. He had always used her humble beginnings to keep her small, to make her grateful for the crumbs of his attention. She had lived a gilded cage, believing she was nothing without him, until her life flatlined in a hospital bed, watching him give a press conference about his "grief." But this time, she felt no sting, no tears. Only a cold, clear understanding of the mediocre man who stood on a pedestal she had painstakingly built with her own genius. Aurora signed the papers, her name a declaration of independence. She grabbed her old, phoenix-stickered laptop, ready to walk out. Sterling Thorne was about to find out exactly how expensive "free" could be.
In her previous life, Kimberly endured the betrayal of her husband, the cruel machinations of an evil woman, and the endless tyranny of her in-laws. It culminated in the bankruptcy of her family, and ultimately, her death. After being reborn, she resolved to seek retribution against those who had wronged her, and ensure her family's prosperity. To her shock, the most unattainable man from her past suddenly set his sights on her. "You may have overlooked me before, but I shall capture your heart this time around."
Unlike her twin brother, Jackson, Jessa struggled with her weight and very few friends. Jackson was an athlete and the epitome of popularity, while Jessa felt invisible. Noah was the quintessential "It" guy at school-charismatic, well-liked, and undeniably handsome. To make matters worse, he was Jackson's best friend and Jessa's biggest bully. During their senior year, Jessa decides it was time for her to gain some self-confidence, find her true beauty and not be the invisible twin. As Jessa transformed, she begins to catch the eye of everyone around her, especially Noah. Noah, initially blinded by his perception of Jessa as merely Jackson's sister, started to see her in a new light. How did she become the captivating woman invading his thoughts? When did she become the object of his fantasies? Join Jessa on her journey from being the class joke to a confident, desirable young woman, surprising even Noah as she reveals the incredible person she has always been inside.
Five years of devotion ended when Brynn was left at the altar, watching Richard rush to his true love. Knowing she could never thaw his cold heart, Brynn walked away, ready to start over. After a night of drinking, she woke beside the last man she should ever cross-Nolan, her brother's arch-enemy. As she tried to escape, he caught her, murmuring, "You kissed me all night. Leaving isn't an option." The world saw Nolan as cold and distant, but with Brynn, he indulged her every desire. He even bought her a whole village and held her close, his voice low, deep, and endlessly tempting, his robe falling open to reveal his toned abs. "Want to feel it?"
My wealthy husband, Nathaniel, stormed in, demanding a divorce to be with his "dying" first love, Julia. He expected tears, pleas, even hysteria. Instead, I calmly reached for a pen, ready to sign away our life for a fortune. For two years, I played the devoted wife in our sterile penthouse. That night, Nathaniel shattered the facade, tossing divorce papers. "Julia's back," he stated, "she needs me." He expected me to crumble. But my calm "Okay" shocked him. I coolly demanded his penthouse, shares, and a doubled stipend, letting him believe I was a greedy gold digger. He watched, disgusted, convinced I was a monster. He couldn't fathom my indifference or ruthless demands. He saw avarice, not a carefully constructed facade. His betrayal had awakened something far more dangerous. The second the door closed, the dutiful wife vanished. I retrieved a burner phone and a Glock, ready to expose the elaborate lie he and Julia had built.
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