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The Gospel of Luke, An Exposition by Charles R. Erdman
1 Forasmuch as many have taken in hand to draw up a narrative concerning those matters which have been fulfilled among us, 2 even as they delivered them unto us, who from the beginning were eyewitnesses and ministers of the word, 3 it seemed good to me also, having traced the course of all things accurately from the first, to write unto thee in order, most excellent Theophilus; 4 that thou mightest know the certainty concerning the things wherein thou wast instructed.
This preface is a perfect gem of Greek art; even in the English Version it loses little, if anything, of its literary charm. As a prologue it is regarded as unsurpassed for brevity, modesty, and dignity. However, its value lies not in its beauty but in its testimony to the veracity of the writer and to the historic worth and absolute credibility of the gospel story. The fact of inspiration should not blind us to the human means by which the Spirit of God secured accuracy in the communication of truth and in the composition of the Holy Scriptures.
Here we are admitted to the study of a great historian. We see about him his tools and his material; we are informed as to his motives and methods in work, and are told of the qualifications he possesses for his great task. First of all, he has before him many written accounts of the ministry of Christ. He does not reject these as inaccurate but regards any one of them as inadequate. By comparing and combining them he secures valuable outlines for his more complete narrative.
Then, too, he intimates that he is living and writing amidst the scenes and in the very atmosphere of the events he is recording; only recently, as he indicates, have these "matters ... been fulfilled." Again, he has access to the testimony of men who were eyewitnesses of these events and who have been public teachers of the gospel.
Further, he assures us of the absolute accuracy with which he has investigated the incidents of the life and ministry of Christ, even from the earliest scenes; he has sifted [pg 018] his material and weighed the evidence and is to record only established facts.
These facts he is to relate "in order," that is, in the sequence of time, and further still, with the system and the careful regard to proportion and to completeness which should characterize a scientific, historical composition.
Then again he dedicates the book to Theophilus whose title, "most excellent," indicates that he is a man of rank and official position, one to whom an author would not venture to present hasty, imperfect, and inaccurate work, especially when the one addressed had been instructed already in reference to the matters related.
Thus this preface shows the supreme purpose of Luke was to confirm the belief of Theophilus, who is apparently his patron and friend, and to deepen his conviction of the truth of the gospel story. Surely, such an introduction must remind every reader that our Christian faith is based upon an impregnable foundation of historic fact.
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"Sign the divorce papers and get out!" Leanna got married to pay a debt, but she was betrayed by her husband and shunned by her in-laws. Seeing that her efforts were in vain, she agreed to divorce and claimed her half of the properties. With her purse plump from the settlement, Leanna enjoyed her newfound freedom. The constant harassment from her ex's mistress never fazed her. She took back her identities as top hacker, champion racer, medical professor, and renowned jewelry designer. Then someone discovered her secret. Matthew smiled. "Will you have me as your next husband?"
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Elena, once a pampered heiress, suddenly lost everything when the real daughter framed her, her fiancé ridiculed her, and her adoptive parents threw her out. They all wanted to see her fall. But Elena unveiled her true identity: the heiress of a massive fortune, famed hacker, top jewelry designer, secret author, and gifted doctor. Horrified by her glorious comeback, her adoptive parents demanded half her newfound wealth. Elena exposed their cruelty and refused. Her ex pleaded for a second chance, but she scoffed, “Do you think you deserve it?” Then a powerful magnate gently proposed, “Marry me?”
On the day of their wedding anniversary, Joshua's mistress drugged Alicia, and she ended up in a stranger's bed. In one night, Alicia lost her innocence, while Joshua's mistress carried his child in her womb. Heartbroken and humiliated, Alicia demanded a divorce, but Joshua saw it as yet another tantrum. When they finally parted ways, she went on to become a renowned artist, sought out and admired by everyone. Consumed by regret, Joshua darkened her doorstep in hopes of reconciliation, only to find her in the arms of a powerful tycoon. "Say hello to your sister-in-law."
“Drive this woman out!” "Throw this woman into the sea!” When he doesn’t know Debbie Nelson’s true identity, Carlos Hilton cold-shoulders her. “Mr. Hilton, she is your wife,” Carlos’ secretary reminded him. Hearing that, Carlos gives him a cold stare and complained, “why didn’t you tell me earlier?” From then on, Carlos spoils her rotten. Little did everyone expect that they would get a divorce.
Two years ago, Ricky found himself coerced into marrying Emma to protect the woman he cherished. From Ricky's perspective, Emma was despicable, resorting to underhanded schemes to ensure their marriage. He maintained a distant and cold attitude toward her, reserving his warmth for another. Yet, Emma remained wholeheartedly dedicated to Ricky for more than ten years. As she grew weary and considered relinquishing her efforts, Ricky was seized by a sudden fear. Only when Emma's life teetered on the edge, pregnant with Ricky's child, did he recognize-the love of his life had always been Emma.