"Whatever comes of it after this [in Russia] every one in the world should be plainly told of what took place in those first weeks. For it was a dazzling revelation of the deep, deep powers for brotherhood and friendliness that lie buried in mankind. I was no dreamer; I was a chemist, a scientist, used to dealing with facts. All my life I had smiled at social dreams as nothing but Utopias. But in those days I was wholly changed, for I could feel beneath my feet this brotherhood like solid ground. There is no end to what men can do—for there is no limit to their good will, if only they can be shown the way." Tarasov, in Ernest Poole's "The Village." "I am the way ..." Jesus Christ.
These stories are told in the words of Calliope Marsh. Wherever I have myself intruded a word, it is with apology to her. I chronicle her stories as faithfully as I am able, faults and all, and, through her, the affairs of the village, reflecting in its small pool the people and the stars.
And always I hear most clearly as her conclusion:
"Life is something other than that which we believe it to be."
Portage, Wisconsin, 1919.
Prince Tabnit's announcement was received by his guests in the silence of amazement. If they had been told that Miss Holland's father was secretly acting as King of England they could have been no more profoundly startled than to hear stated soberly that he had been for nearly a year the king of a cannibal island. For the cannibal phase of his experience seemed a foregone conclusion. To St. George, profoundly startled and most incredulous, the possible humour of the situation made first appeal. The picture of an American gentleman seated upon a gold throne in a leopard-skin coat, ordering "oysters and foes" for breakfast, was irresistible. "But he shaved with a shell when he chose, 'Twas the manner of Primitive Man" floated through his mind, and he brought himself up sharply. Clearly, somebody was out of his head, but it must not be he. "What?" cried Mrs. Hastings in two inelegant syllables, on the second of which her uncontrollable voice rose.
Zona Gale was born in Portage, Wisconsin on August 26, 1874. Educated at Wayland Academy in Beaver Dam, Wisconsin, and the University of Wisconsin–Madison, she received a Bachelor of Literature degree in 1895, and four years later a master's degree. After graduating she wrote for newspapers both in Milwaukee and New York for a number of years. A visit back home in 1903 proved pivotal in her writing advancement as her 'old world was full of new possibilities.' Zona had now settled on the material she needed for her writing, and returned to Portage in 1904 to concentrate full time on fiction. She published Romance Island, in 1906, and began the popular series of "Friendship Village" stories. In 1920, she published the novel Miss Lulu Bett, a brilliant realisation of life in the Midwestern United States. She adapted it as a play, and it was awarded the Pulitzer Prize for Drama in 1921. Zona was also an active supporter of progressive causes and a member of the National Women's Party, and she lobbied extensively for the 1921 Wisconsin Equal Rights Law. Her activism on behalf of women was her way to help solve "a problem she returned to repeatedly in her novels: women's frustration at their lack of opportunities." In 1928 at the age of fifty-four she married William L. Breese, also of Portage. Zona died of pneumonia in a Chicago hospital on December 27th 1938.
That is like Calliope. And that is like the village. Blunt and sometimes bitter speech there is, and now and again what we gently call “words”; but the faith of my experience is that these are facile, and need never trouble one. These are born of circumscription, of little areas, of teasing tasks, of lack of exercise, of that curious mingling which we call social life; but any one who takes seriously our faint feuds or even our narrow judgments does not know and love the Middle Western villages, nor understand that seeds and buds are not the norm of bloom. Instance, if you will, this case and that to show the contrary.
Although it is June, the Little Child about whom I shall sometimes write in these pages this morning brought me a few violets. June violets. They sound unconvincing and even sentimental. However, here they are in their vase; and they are all white but one.
The whispers said that out of bitter jealousy, Hadley shoved Eric's beloved down the stairs, robbing the unborn child of life. To avenge, Eric forced Hadley abroad and completely cut her off. Years later, she reemerged, and they felt like strangers. When they met again, she was the nightclub's star, with men ready to pay fortunes just to glimpse her elusive performance. Unable to contain himself, Eric blocked her path, asking, "Is this truly how you earn a living now? Why not come back to me?" Hadley's lips curved faintly. "If you’re eager to see me, you’d better join the queue, darling."
Julia and Evan were the perfect couple-or so she thought. But everything changed when Evan abruptly ended their relationship, leaving her heartbroken and unable to tell him she was carrying his child. Years later, Julia has built a life for herself and her son, Andy, while Evan has risen to unimaginable wealth and success. Their paths cross again at a chance meeting, but Julia soon discovers Evan has moved on with someone else. Julia is done with the pain. She's fought battles alone, raising a son who deserves the truth about his father, even if Evan doesn't deserve her forgiveness. When Julia told Evan years ago she had something to say, he didn't listen. Now, it's time for him to listen. But is it too late to reclaim what he lost? "We should break up," he'd said, the words cutting through her like glass. The pregnancy test in her pocket stayed hidden, just like the child they would never share. Now, it's Evan's turn to hear the truth-and to face his deepest regret.
In her previous life, Kimberly endured the betrayal of her husband, the cruel machinations of an evil woman, and the endless tyranny of her in-laws. It culminated in the bankruptcy of her family, and ultimately, her death. After being reborn, she resolved to seek retribution against those who had wronged her, and ensure her family's prosperity. To her shock, the most unattainable man from her past suddenly set his sights on her. "You may have overlooked me before, but I shall capture your heart this time around."
Yelena discovered that she wasn't her parents' biological child. After seeing through their ploy to trade her as a pawn in a business deal, she was sent away to her barren birthplace. There, she stumbled upon her true origins—a lineage of historic opulence. Her real family showered her with love and adoration. In the face of her so-called sister's envy, Yelena conquered every adversity and took her revenge, all while showcasing her talents. She soon caught the attention of the city's most eligible bachelor. He cornered Yelena and pinned her against the wall. “It's time to reveal your true identity, darling.”
“Drive this woman out!” "Throw this woman into the sea!” When he doesn’t know Debbie Nelson’s true identity, Carlos Hilton cold-shoulders her. “Mr. Hilton, she is your wife,” Carlos’ secretary reminded him. Hearing that, Carlos gives him a cold stare and complained, “why didn’t you tell me earlier?” From then on, Carlos spoils her rotten. Little did everyone expect that they would get a divorce.
Joelle thought she could change Adrian's heart after three years of marriage, but she realized too late that it already belonged to another woman. "Give me a baby, and I'll set you free." The day Joelle went into labor, Adrian was traveling with his mistress on his private jet. "I don't care whom you love. My debt is paid. From now on, we have nothing to do with each other." Not long after Joelle left, Adrian found himself begging on his knees. "Please come back to me."