The Escape of a Princess Pat by George Pearson
The Escape of a Princess Pat by George Pearson
Polygon Wood
Ypres and Hill 60-Preparing for the Gas-Why the Patricias Cheered-The Retirement-The Thin Red Line.
The Princess Patricias had lain in Polygon Wood since the twentieth of April, mid-way between the sanguinary struggles of St. Julien and Hill 60, spectators of both. Although subjected to constant alarm we had had a comparatively quiet time of it, with casualties that had only varied from five to fifty-odd each day.
By day and night the gun-fire of both battles had beat back upon us in great waves of sound. There were times when we had donned our water soaked handkerchiefs for the gas that always threatened but never came, so that the expectation might have shaken less steady troops. Quick on the heels of the first news of the gas the women of Britain, their tears scalding their needles, with one accord had laboured, sans rest, sans sleep, sans everything, so that shortly there had poured in to us here a steady stream of gauze pads for mouth and nostril. For the protection of our lungs against the poison of the gas they were at least better than the filthy rags we called handkerchiefs. We wore their gifts and in spirit bowed to the donors, as I think all still do. We soaked them with the foul water of the near-by graves and kept them always at our side, ready to tie on at each fresh alarm.
Once there had come word in a special army order of the day: "Our Belgian agent reports that all enemy troops on this front have been directed to enter their trenches to-night with fixed bayonets. All units are enjoined to exercise the closest watch on their front; the troops will stand to from the first appearance of darkness, with each man at his post prepared for all eventualities. Sleep will not be permitted under any circumstances."
The consequence had been that that night had been one of nervous expectation of an attack which did not materialise. We always carried fixed bayonets in the trenches but the Germans were better equipped with loopholes, as they were with most other things, and were forced to leave their bayonets off their rifles in order to avoid any danger of the latter sticking in their metal shields when needed in a hurry, to say nothing of the added attention they would draw in their exposed and stationary position at the mouth of a loophole. The "Stand-to" had come as a distinct relief that morning.
And always there had been the glowering fires of a score of villages. The greater mass of burning Ypres stood up amongst them like the warning finger of God. Occasionally the roaring burst of an ammunition dump flared up into a volcano of fiery sound. The earth under our feet trembled in convulsive shudders from a cannonade so vast that no one sound could be picked out of it and the walls of dug-outs slid in, burying sleeping men. But like the promise of God there came to us in every interval of quietness, as always, the full-throated song of many birds.
Our forces consisted of the French who held the left corner of the Ypres salient, then the Canadian division in the centre, next the 28th Division of the regular British Army and then our own, the 27th, with Hill 60 on our right flank. The enemy attacked both at Hill 60 and at the line of the Canadian Division and the French, and we held on to the horse-shoe shaped line until the last possible moment when one more shake of the tree would have thrown us like ripe fruit into the German lap.
So near had the converging German forces approached to one another that the weakened battery behind our own trenches had been at the last, turned around the other way and fired in the opposite direction without a shift in its own position. For our own protection we had nothing. And later still these and all other guns left us to seek new positions in the rear so that only we of the infantry remained.
Daily there had come orders to "Stand-to" in full marching order, to evacuate; at which all ranks expostulated angrily. And then perhaps another order-to stick it another day; at which we cheered and slapped one another boisterously on the back so that the stolid Germans over yonder must have wondered, knowing what they did of our desperate situation.
But the dreaded order came at last and was confirmed, so that under protest and like the beaten men that we knew we were not, we slunk away under cover of darkness on the night of the third of May to trenches three miles in the rear, and with us went the troops on ten more miles of British front.
The movement as executed was in reality a feat of no mean importance on the part of the higher command. Faced by an overwhelmingly superior force, our badly depleted three divisions had barely escaped being bagged in the net of which the enemy had all but drawn the noose in a strategetic surrounding movement.
In detail, the movement had consisted of withdrawing under cover of darkness with all that we could carry of our trench material, both to prevent it falling into hostile hands and equally to strengthen our new position. A small rearguard of fifteen men to the regiment had held our front for the few hours necessary for us to "shake down" in the new position. Their task was to remain behind and to give a continuous rapid-fire from as many different spots as possible in a given time, thereby keeping up the illusion of a heavily manned trench. Then, they too had faded quietly away, following us.
Our new trenches were three miles behind those we had just evacuated in Polygon Wood. Zillebeke lay just to the left and beyond that, Hooge. We were in the open, with Belle-waarde Wood and Lake behind us.
We continued to face vastly superior forces. To make matters worse the trenches were assuredly a mockery of their kind and there was even less of adequate support than before. And at that the drafts arrived each day-if they were lucky enough to break through the curtains of fire with which the enemy covered our rear for that very purpose, as well as for the further one of curtailing the arrival of all necessary supplies of food and ammunition.
Every camp and hospital from Ypres to Rouen and the sea and from Land's End to John O' Groat was combed and scraped for every eligible casualty, every overconfident office holder of a "cushy" job, and in short, for all those who could by hook or crook hold a rifle to help stem this threatening tide. And in our own lot, even those wasteful luxuries, the petted officers' servants were amongst us, doing fighting duty for the first time, so that we almost welcomed the desperate occasion which furnished so rare and sweet a sight.
* * *
"Let's get married," Mia declares, her voice trembling despite her defiant gaze into Stefan's guarded brown eyes. She needs this, even if he seems untouchable. Stefan raises a skeptical brow. "And why would I do that?" His voice was low, like a warning, and it made her shiver even though she tried not to show it. "We both have one thing in common," Mia continues, her gaze unwavering. "Shitty fathers. They want to take what's ours and give it to who they think deserves it." A pointed pause hangs in the air. "The only difference between us is that you're an illegitimate child, and I'm not." Stefan studies her, the heiress in her designer armor, the fire in her eyes that matches the burn of his own rage. "That's your solution? A wedding band as a weapon?" He said ignoring the part where she just referred to him as an illegitimate child. "The only weapon they won't see coming." She steps closer, close enough for him to catch the scent of her perfume, gunpowder and jasmine. "Our fathers stole our birthrights. The sole reason they betrayed us. We join forces, create our own empire that'll bring down theirs." A beat of silence. Then, Stefan's mouth curves into something sharp. "One condition," he murmurs, closing the distance. "No divorces. No surrenders. If we're doing this, it's for life" "Deal" Mia said without missing a beat. Her father wants to destroy her life. She wouldn't give him the pleasure, she would destroy her life as she seems fit. ................ Two shattered heirs. One deadly vow. A marriage built on revenge. Mia Meyers was born to rule her father's empire (so she thought), until he named his bastard son heir instead. Stefan Sterling knows the sting of betrayal too. His father discarded him like trash. Now the rivals' disgraced children have a poisonous proposal: Marry for vengeance. Crush their fathers' legacies. Never speak of divorce. Whoever cracks first loses everything. Can these two rivals, united by their vengeful hearts, pull off a marriage of convenience to reclaim what they believe is rightfully theirs? Or will their fathers' animosity, and their own complicated pasts tear their fragile alliance apart?
I watched my husband sign the papers that would end our marriage while he was busy texting the woman he actually loved. He didn't even glance at the header. He just scribbled the sharp, jagged signature that had signed death warrants for half of New York, tossed the file onto the passenger seat, and tapped his screen again. "Done," he said, his voice devoid of emotion. That was Dante Moretti. The Underboss. A man who could smell a lie from a mile away but couldn't see that his wife had just handed him an annulment decree disguised beneath a stack of mundane logistics reports. For three years, I scrubbed his blood out of his shirts. I saved his family's alliance when his ex, Sofia, ran off with a civilian. In return, he treated me like furniture. He left me in the rain to save Sofia from a broken nail. He left me alone on my birthday to drink champagne on a yacht with her. He even handed me a glass of whiskey—her favorite drink—forgetting that I despised the taste. I was merely a placeholder. A ghost in my own home. So, I stopped waiting. I burned our wedding portrait in the fireplace, left my platinum ring in the ashes, and boarded a one-way flight to San Francisco. I thought I was finally free. I thought I had escaped the cage. But I underestimated Dante. When he finally opened that file weeks later and realized he had signed away his wife without looking, the Reaper didn't accept defeat. He burned down the world to find me, obsessed with reclaiming the woman he had already thrown away.
The rain assaulted the glass, mirroring the storm inside me. For three years, I, Vivian Sterling, played the perfect wife to Julian Kensington, draining my life. The antique clock ticked, a reminder of time lost. Then, I found it: a blonde hair on Julian's suit, reeking of Midnight Rose, and a text, ""Candy: You left your cufflinks on my nightstand. I'm already missing you."" My world shattered, revealing his betrayal. This was just the beginning. I exposed Julian's fraud and his family's violent plots, surviving assassination. But their malice stole my past. Then Alexander Vance, my protector, uncovered a terrifying truth: my birth mother was alive, held captive by a shadowy order. My life was a lie, built to shield me from my dangerous bloodline. I found strength and love with Alexander, the man who walked into fire for me. Yet, as I prepared to rescue my mother, a new life stirred within me, a secret threatening to complicate the impending war.
Luna has tried her best to make her forced marriage to Xen work for the sake of their child. But with Riley and Sophia- Xen's ex-girlfriend and her son in the picture. She fights a losing battle. Ollie, Xen's son is neglected by his father for a very long time and he is also suffering from a mysterious sickness that's draining his life force. When his last wish to have his dad come to his 5th birthday party is dashed by his failure to show up, Ollie dies in an accident after seeing his father celebrate Riley's birthday with Sophia and it's displayed on the big advertising boards that fill the city. Ollie dies and Luna follows after, unable to bear the grief, dying in her mate's hands cursing him and begging for a second chance to save her son. Luna gets the opportunity and is woken up in the past, exactly one year to the day Sophia and Riley show up. But this time around, Luna is willing to get rid of everyone and anyone even her mate if he steps in her way to save her son.
I was once the heiress to the Solomon empire, but after it crumbled, I became the "charity case" ward of the wealthy Hyde family. For years, I lived in their shadows, clinging to the promise that Anson Hyde would always be my protector. That promise shattered when Anson walked into the ballroom with Claudine Chapman on his arm. Claudine was the girl who had spent years making my life a living hell, and now Anson was announcing their engagement to the world. The humiliation was instant. Guests sneered at my cheap dress, and a waiter intentionally sloshed champagne over me, knowing I was a nobody. Anson didn't even look my way; he was too busy whispering possessively to his new fiancée. I was a ghost in my own home, watching my protector celebrate with my tormentor. The betrayal burned. I realized I wasn't a ward; I was a pawn Anson had kept on a shelf until he found a better trade. I had no money, no allies, and a legal trust fund that Anson controlled with a flick of his wrist. Fleeing to the library, I stumbled into Dallas Koch—a titan of industry and my best friend’s father. He was a wall of cold, absolute power that even the Hydes feared. "Marry me," I blurted out, desperate to find a shield Anson couldn't climb. Dallas didn't laugh. He pulled out a marriage agreement and a heavy fountain pen. "Sign," he commanded, his voice a low rumble. "But if you walk out that door with me, you never go back." I signed my name, trading my life for the only man dangerous enough to keep me safe.
For three years, I was the perfect, invisible wife. My husband, Jaden, called the songs I poured my soul into "trash," then secretly fed them to his pop-star mistress to make her famous. Then one night, after being drugged at a gala, I woke up in a stranger's bed. It wasn't just the betrayal that shattered me; it was the soul-deep certainty that this powerful, dangerous man was my true fated mate. I fled home in a panic, only to find a message on Jaden's phone confirming my worst fears. His mistress, the woman singing my songs on the radio, was pregnant with the baby he'd always told me I was too weak to carry. The nightmare deepened when I learned the identity of the man from the hotel. He was Carter Mcclain, the ruthless Alpha King-and my husband's older brother. He looked at me with eyes that knew my secret, his cruel smirk promising that my life was now a game for his amusement. Jaden had stolen my music, my dream of a family, and my future, leaving me trapped between his betrayal and his terrifying brother. He thought he had broken me, leaving me with nothing. He forgot he left me with the rage that wrote the songs. And I was about to write their final, brutal verse.
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