/0/15689/coverbig.jpg?v=9875d7b876afba382364fc5f7ac7cd79)
The Collected Works of Ambrose Bierce, Volume 8 by Ambrose Bierce
It is deserving of remark and censure that American literature is become shockingly moral. There is not a doubt of it; our writers, if accused, would make explicit confession that morality is their only fault-morality in the strict and specific sense. Far be it from me to disparage and belittle this decent tendency to ignore the largest side of human nature, and liveliest element of literary interest. It has an eminence of its own; if it is not great art, it is at least great folly-a superior sort of folly to which none of the masters of letters has ever attained.
Not Shakspeare, nor Cervantes, nor Goethe, nor Molière, nor-no, not even Rabelais-ever achieved that shining pinnacle of propriety to which the latter-day American has aspired, by turning his back upon nature's broad and fruitful levels and his eyes upon the passionate altitudes where, throned upon congenial ice, Miss Nancy sits to censure letters, putting the Muses into petticoats and affixing a fig-leaf upon Truth. Ours are an age and country of expurgated editions, emasculated art, and social customs that look over the top of a fan.
Lo! prude-eyed Primdimity, mother of Gush,
Sex-conscious, invoking the difficult blush;
At vices that plague us and sins that beset
Sternly directing her private lorgnette,
Whose lenses, self-searching instinctive for sin,
Make image without of the fancies within.
Itself, if examined, would show us, alas!
A tiny transparency (French) on each glass.
Now, prudery in letters, if it would but have the goodness not to coexist with prudery in life, might be suffered with easy fortitude, inasmuch as one needs not read what one does not like; and between the license of the dear old bucks above mentioned, and the severities of Miss Nancy Howells, and Miss Nancy James, Jr., of t'other school, there is latitude for gratification of individual taste. But it occurs that a literature rather accurately reflects all the virtues and other vices of its period and country, and its tendencies are but the matchings of thought with action. Hence, we may reasonably expect to find-and indubitably shall find-certain well-marked correspondences between the literary faults which it pleases our writers to commit and the social crimes which it pleases the Adversary to see their readers commit. Within the current lustrum the prudery which had already, for some seasons, been achieving a vinegar-visaged and corkscrew-curled certain age in letters, has invaded the ball-room, and is infesting it in quantity. Supportable, because evitable, in letters, it is here, for the contrary reason, insufferable; for one must dance and enjoy one's self whether one like it or not. Pleasure, I take it, is a duty not to be shirked at the command of disinclination. Youth, following the bent of inherited instinct, and loyally conforming himself to the centuries, must shake a leg in the dance, and Age, from emulation and habit, and for denial of rheumatic incapacity, must occasionally twist his heel though he twist it off in the performance. Dance we must, and dance we shall; that is settled; the question of magnitude is, Shall we caper jocundly with the good grace of an easy conscience, or submit to shuffle half-heartedly with a sense of shame, wincing under the slow stroke of our own rebuking eye? To this momentous question let us now intelligently address our minds, sacredly pledged, as becomes lovers of truth, to its determination in the manner most agreeable to our desires; and if, in pursuance of this laudable design, we have the unhappiness to bother the bunions decorating the all-pervading feet of the good people whose deprecations are voiced in The Dance of Death and the clamatory literature of which that blessed volume was the honored parent, upon their own corns be it; they should not have obtruded these eminences
when youth and pleasure meet
To chase the glowing hours with flying feet.
What, therefore, whence, and likewise why, is dancing? From what flower of nature, fertilized by what pollen of circumstance or necessity, is it the fruit? Let us go to the root of the matter.
* * *
The Shadow On The Dial, and Other Essays by Ambrose Bierce
Ambrose Bierce was an American writer who is best known for his realism. Often compared to Poe for the dark, realistic nature of his short stories, Bierce drew upon his Civil War experience as a soldier to write on a wide variety of subjects, and stories like An Occurrence at Owl Creek Bridge are still widely read.
Ambrose Bierce was an American writer who is best known for his realism. Often compared to Poe for the dark, realistic nature of his short stories, Bierce drew upon his Civil War experience as a soldier to write on a wide variety of subjects, and stories like An Occurrence at Owl Creek Bridge are still widely read.
Though he is today best remembered for his acerbic satire, American writer Ambrose Bierce had a surprisingly broad range as a writer. Black Beetles in Amber is a collection of Bierce's poetry, which ranges from humorous verse to hauntingly tender lyrics.
Ambrose Gwinnett Bierce (1842-1914) was an American editorialist, journalist, short-story writer and satirist, today best known for his The Devil's Dictionary (1911). He wrote some of his books under the pseudonyms Dod Grile and J. Milton Sloluck. Bierce's lucid, unsentimental style has kept him popular when many of his contemporaries have been consigned to oblivion. His dark, sardonic views and vehemence as a critic earned him the nickname, "Bitter Bierce." Such was his reputation that it was said his judgment on any piece of prose or poetry could make or break a writer's career. His short stories are considered among the best of the 19th century, providing a popular following based on his roots. He wrote realistically of the terrible things he had seen in the war in such stories as An Occurrence at Owl Creek Bridge, Killed at Resaca, and Chickamauga. His works include: The Fiend's Delight (1873), Cobwebs from an Empty Skull (1874), Black Beetles in Amber (1892), Fantastic Fables (1899), Shapes of Clay (1903), A Son of the Gods, and A Horseman in the Sky (1907), Write It Right (1909) and A Cynic Looks at Life (1912).
In her previous life, Kimberly endured the betrayal of her husband, the cruel machinations of an evil woman, and the endless tyranny of her in-laws. It culminated in the bankruptcy of her family, and ultimately, her death. After being reborn, she resolved to seek retribution against those who had wronged her, and ensure her family's prosperity. To her shock, the most unattainable man from her past suddenly set his sights on her. "You may have overlooked me before, but I shall capture your heart this time around."
P-please, I beg you. Come let's go tell Christian I had no hand in whatever happened, p-please." I clutched the lapel of his jacket desperately. "Let's go. You need to tell my husband you were paid." "Young lady, you're harassing me." His tone was cold and his stare granite. But I could care less. "You harassed me first! You had sex with me without my consent, my husband knows and now I'm pregnant with this child he doesn't want. You ruined my marriage! I-I hate you!" ************************************ Caught by her husband with another man on their matrimonial bed the morning after her birthday, Hailey Codza could not defend herself. As though it's not enough, she gets pregnant. Her enraged husband decides to pay her back for her infidelity by having an affair with his ex-girlfriend - Denise Kellers, the family Hailey never knew she had. Losing her family's wealth and company to her husband and his ex (now girlfriend), she is devastated, homeless and penniless as all her credit cards are blocked by her husband. She sees the man who is responsible for her pregnancy. The man she has no idea how he'd found his way to her matrimonial bed - Jared Johnson. Jared is annoyed when this strange woman disrupts his meeting and accuses him of ruining her life, marriage and impregnating her. It affects his business deals and having no choice, he marries her to calm the public whilst engaged to someone else. But he loathes her and allows his family treats her badly. Hailey who has fallen in love with Jared is broken when she can no longer take the humiliation. She signs the divorce papers and leaves, only to arrive six years later to the country as a self-made, secret billionaire and a mother of twins. Now her two ex-husbands are begging to have her back...
Joelle thought she could change Adrian's heart after three years of marriage, but she realized too late that it already belonged to another woman. "Give me a baby, and I'll set you free." The day Joelle went into labor, Adrian was traveling with his mistress on his private jet. "I don't care whom you love. My debt is paid. From now on, we have nothing to do with each other." Not long after Joelle left, Adrian found himself begging on his knees. "Please come back to me."
Janet was adopted when she was a kid -- a dream come true for orphans. However, her life was anything but happy. Her adoptive mother taunted and bullied her all her life. Janet got the love and affection of a parent from the old maid who raised her. Unfortunately, the old woman fell ill, and Janet had to marry a worthless man in place of her parents' biological daughter to meet the maid's medical expenses. Could this be a Cinderella's tale? But the man was far from a prince, except for his handsome appearance. Ethan was the illegitimate son of a wealthy family who lived a reckless life and barely made ends meet. He got married to fulfill his mother's last wish. However, on his wedding night, he had an inkling that his wife was different from what he had heard about her. Fate had united the two people with deep secrets. Was Ethan truly the man we thought he was? Surprisingly, he bore an uncanny resemblance to the impenetrable wealthiest man in the city. Would he find out that Janet married him in place of her sister? Would their marriage be a romantic tale or an utter disaster? Read on to unravel Janet and Ethan's journey.
Betrayed by her mate and sister on the eve of her wedding, Makenna was handed to the ruthless Lycan Princes as a lover, her indifferent father ignoring her plight. Determined to escape and seek revenge, she captured the interest of the three Lycan princes, who desired her exclusively amid many admirers. This complicated her plans, trapping her and making her a rival to the future Lycan queen. Entwined in jealousy and vindictiveness, could Makenna achieve her vengeance in the intricate dance with the three princes?
Linsey was stood up by her groom to run off with another woman. Furious, she grabbed a random stranger and declared, "Let's get married!" She had acted on impulse, realizing too late that her new husband was the notorious rascal, Collin. The public laughed at her, and even her runaway ex offered to reconcile. But Linsey scoffed at him. "My husband and I are very much in love!" Everyone thought she was delusional. Then Collin was revealed to be the richest man in the world. In front of everyone, he got down on one knee and held up a stunning diamond ring. "I look forward to our forever, honey."