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The Christmas Kalends of Provence by Thomas A. Janvier
The Christmas Kalends of Provence by Thomas A. Janvier
Fancy you've journeyed down the Rh?ne,
Fancy you've passed Vienne, Valence,
Fancy you've skirted Avignon-
And so are come en pleine Provence.
Fancy a mistral cutting keen
Across the sunlit wintry fields,
Fancy brown vines, and olives green,
And blustered, swaying, cypress shields.
Fancy a widely opened door,
Fancy an eager outstretched hand,
Fancy-nor need you ask for more-
A heart-sped welcome to our land.
Fancy the peal of Christmas chimes,
Fancy that some long-buried year
Is born again of ancient times-
And in Provence take Christmas cheer!
In my own case, this journey and this welcome were not fancies but realities. I had come to keep Christmas with my old friend Monsieur de Vièlmur according to the traditional Proven?al rites and ceremonies in his own entirely Proven?al home: an ancient dwelling which stands high up on the westward slope of the Alpilles, overlooking Arles and Tarascon and within sight of Avignon, near the Rh?ne margin of Provence.
The Vidame-such is Monsieur de Vièlmur's ancient title: dating from the vigorous days when every proper bishop, himself not averse to taking a breather with sword and battle-axe should fighting matters become serious, had his vice dominus to lead his forces in the field-is an old-school country gentleman who is amiably at odds with modern times. While tolerant of those who have yielded to the new order, he himself is a great stickler for the preservation of antique forms and ceremonies: sometimes, indeed, pushing his fancies to lengths that fairly would lay him open to the charge of whimsicality, were not even the most extravagant of his crotchets touched and mellowed by his natural goodness of heart. In the earlier stages of our acquaintance I was disposed to regard him as an eccentric; but a wider knowledge of Proven?al matters has convinced me that he is a type. Under his genial guidance it has been my privilege to see much of the inner life of the Proven?aux, and his explanations have enabled me to understand what I have seen: the Vidame being of an antiquarian and bookish temper, and never better pleased than when I set him to rummaging in his memory or his library for the information which I require to make clear to me some curious phase of Proven?al manners or ways.
The Chateau de Vièlmur has remained so intimately a part of the Middle Ages that the subtle essence of that romantic period still pervades it, and gives to all that goes on there a quaintly archaic tone. The donjon, a prodigiously strong square tower dating from the twelfth century, partly is surrounded by a dwelling in the florid style of two hundred years back-the architectural flippancies of which have been so tousled by time and weather as to give it the look of an old beau caught unawares by age and grizzled in the midst of his affected youth.
In the rear of these oddly coupled structures is a farm-house with a dependent rambling collection of farm-buildings; the whole enclosing a large open court to which access is had by a vaulted passage-way, that on occasion may be closed by a double set of ancient iron-clamped doors. As the few exterior windows of the farm-house are grated heavily, and as from each of the rear corners of the square there projects a crusty tourelle from which a raking fire could be kept up along the walls, the place has quite the air of a testy little fortress-and a fortress it was meant to be when it was built three hundred years and more ago (the date, 1561, is carved on the keystone of the arched entrance) in the time of the religious wars.
But now the iron-clamped doors stand open on rusty hinges, and the court-yard has that look of placid cheerfulness which goes with the varied peaceful activities of farm labour and farm life. Chickens and ducks wander about it chattering complacently, an aged goat of a melancholy humour stands usually in one corner lost in misanthropic thought, and a great flock of extraordinarily tame pigeons flutters back and forth between the stone dove-cote rising in a square tower above the farm-house and the farm well.
AT THE WELL
This well-enclosed in a stone well-house surmounted by a very ancient crucifix-is in the centre of the court-yard, and it also is the centre of a little domestic world. To its kerb come the farm animals three times daily; while as frequently, though less regularly, most of the members of the two households come there too; and there do the humans-notably, I have observed, if they be of different sexes-find it convenient to rest for a while together and take a dish of friendly talk. From the low-toned chattering and the soft laughter that I have heard now and then of an evening I have inferred that these nominally chance encounters are not confined wholly to the day.
By simple machinery (of which the motive-power is an aged patient horse, who is started and left then to his own devices; and who works quite honestly, save that now and then he stops in his round and indulges himself in a little doze) the well-water is raised continuously into a long stone trough. Thence the overflow is led away to irrigate the garden of the Chateau: an old-fashioned garden, on a slope declining southward and westward, abounding in balustraded terraces and stone benches stiffly ornate, and having here and there stone nymphs and goddesses over which in summer climbing roses kindly (and discreetly) throw a blushing veil.
The dependent estate is a large one: lying partly on the flanks of the Alpilles, and extending far outward from the base of the range over the level region where the Rh?ne valley widens and merges into the valley of the Durance. On its highest slopes are straggling rows of almond trees, which in the early spring time belt the grey mountains with a broad girdle of delicate pink blossoms; a little lower are terraced olive-orchards, a pale shimmering green the year round-the olive continuously casting and renewing its leaves; and the lowest level, the wide fertile plain, is given over to vineyards and wheat-fields and fields of vegetables (grown for the Paris market), broken by plantations of fruit-trees and by the long lines of green-black cypress which run due east and west across the landscape and shield the tender growing things from the north wind, the mistral.
The Chateau stands, as I have said, well up on the mountain-side; and on the very spot (I must observe that I am here quoting its owner) where was the camp in which Marius lay with his legions until the time was ripe for him to strike the blow that secured Southern Gaul to Rome. This matter of Marius is a ticklish subject to touch on with the Vidame: since the fact must be admitted that other antiquaries are not less firm in their convictions, nor less hot in presenting them, that the camp of the Roman general was variously elsewhere-and all of them, I regret to add, display a lamentable acerbity of temper in scouting each other's views. Indeed, the subject is of so irritating a complexion that the mere mention of it almost surely will throw my old friend-who in matters not antiquarian has a sweetness of nature rarely equalled-into a veritable fuming rage.
But even the antiquaries are agreed that, long before the coming of the Romans, many earlier races successively made on this mountain promontory overlooking the Rh?ne delta their fortified home: for here, as on scores of other defensible heights throughout Provence, the merest scratching of the soil brings to light flints and potshards which tell of varied human occupancy in very far back times. And the antiquaries still farther are agreed that precisely as these material relics (only a little hidden beneath the present surface of the soil) tell of diverse ancient dwellers here, so do the surviving fragments of creeds and customs (only a little hidden beneath the surface of Proven?al daily life) tell in a more sublimate fashion of those same vanished races which marched on into Eternity in the shadowy morning of Time.
For this is an old land, where many peoples have lived their spans out and gone onward-yet have not passed utterly away. Far down in the popular heart remnants of the beliefs and of the habits of those ancients survive, entranced: yet not so numbed but that, on occasion, they may be aroused into a life that still in part is real. Even now, when the touch-stone is applied-when the thrilling of some nerve of memory or of instinct brings the present into close association with the past-there will flash into view still quick particles of seemingly long-dead creeds or customs rooted in a deep antiquity: the faiths and usages which of old were cherished by the Kelto-Ligurians, Ph?nicians, Grecians, Romans, Goths, Saracens, whose blood and whose beliefs are blended in the Christian race which inhabits Provence to-day.
There was only one man in Raegan's heart, and it was Mitchel. In the second year of her marriage to him, she got pregnant. Raegan's joy knew no bounds. But before she could break the news to her husband, he served her divorce papers because he wanted to marry his first love. After an accident, Raegan lay in the pool of her own blood and called out to Mitchel for help. Unfortunately, he left with his first love in his arms. Raegan escaped death by the whiskers. Afterward, she decided to get her life back on track. Her name was everywhere years later. Mitchel became very uncomfortable. For some reason, he began to miss her. His heart ached when he saw her all smiles with another man. He crashed her wedding and fell to his knees while she was at the altar. With bloodshot eyes, he queried, "I thought you said your love for me is unbreakable? How come you are getting married to someone else? Come back to me!"
Alexander's coldness was laid bare before Florrie; he even asked her to buy morning-after pills for another woman. Enduring the pain became her routine, all because Alexander was a stand-in for Alec, her lost love. But one day, she tricked him into signing the divorce papers and said, "I never loved you." Devastation clung to him, his gaze clouded by despair. "You can't leave. I won't sign." Then Alec returned as a conglomerate heir. She searched his face for love and found none-until she turned away. He cracked, tears falling. "I'm sorry," he begged. "I love you."
After five years of playing the perfect daughter, Rylie was exposed as a stand-in. Her fiancé bolted, friends scattered, and her adoptive brothers shoved her out, telling her to grovel back to her real family. Done with humiliation, she swore to claw back what was hers. Shock followed: her birth family ruled the town's wealth. Overnight, she became their precious girl. The boardroom brother canceled meetings, the genius brother ditched his lab, the musician brother postponed a tour. As those who spurned her begged forgiveness, Admiral Brad Morgan calmly declared, "She's already taken."
Kaelyn devoted three years tending to her husband after a terrible accident. But once he was fully recovered, he cast her aside and brought his first love back from abroad. Devastated, Kaelyn decided on a divorce as people mocked her for being discarded. She went on to reinvent herself, becoming a highly sought-after doctor, a champion racer, and an internationally renowned architectural designer. Even then, the traitors sneered in disdain, believing Kaelyn would never find someone. But then the ex-husband’s uncle, a powerful warlord, returned with his army to ask for Kaelyn’s hand in marriage.
Everyone in town knew Amelia had chased Jaxton for years, even etching his initials on her skin. When malicious rumors swarmed, he merely straightened his cuff links and ordered her to kneel before the woman he truly loved. Seething with realization, she slammed her engagement ring down on his desk and walked away. Not long after, she whispered "I do" to a billionaire, their wedding post crashing every feed. Panic cracked Jaxton. "She's using you to spite me," he spat. The billionaire just smiled. "Being her sword is my honor."
For three quiet, patient years, Christina kept house, only to be coldly discarded by the man she once trusted. Instead, he paraded a new lover, making her the punchline of every town joke. Liberated, she honed her long-ignored gifts, astonishing the town with triumph after gleaming triumph. Upon discovering she'd been a treasure all along, her ex-husband's regret drove him to pursue her. "Honey, let's get back together!" With a cold smirk, Christina spat, "Fuck off." A silken-suited mogul slipped an arm around her waist. "She's married to me now. Guards, get him the hell out of here!"
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