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Wilkie Collins was a British author best known for his mystery novels. Some of Collins' classics include The Moonstone, Armadale, and No Name. This edition of The New Magdalen includes a table of contents.
Wilkie Collins was a British author best known for his mystery novels. Some of Collins' classics include The Moonstone, Armadale, and No Name. This edition of The New Magdalen includes a table of contents.
IT was a dark night. The rain was pouring in torrents.
Late in the evening a skirmishing party of the French and a skirmishing party of the Germans had met, by accident, near the little village of Lagrange, close to the German frontier. In the struggle that followed, the French had (for once) got the better of the enemy. For the time, at least, a few hundreds out of the host of the invaders had been forced back over the frontier. It was a trifling affair, occurring not long after the great German victory of Weissenbourg, and the newspapers took little or no notice of it.
Captain Arnault, commanding on the French side, sat alone in one of the cottages of the village, inhabited by the miller of the district. The Captain was reading, by the light of a solitary tallow-candle, some intercepted dispatches taken from the Germans. He had suffered the wood fire, scattered over the large open grate, to burn low; the red embers only faintly illuminated a part of the room. On the floor behind him lay some of the miller's empty sacks. In a corner opposite to him was the miller's solid walnut-wood bed. On the walls all around him were the miller's colored prints, representing a happy mixture of devotional and domestic subjects. A door of communication leading into the kitchen of the cottage had been torn from its hinges, and used to carry the men wounded in the skirmish from the field. They were now comfortably laid at rest in the kitchen, under the care of the French surgeon and the English nurse attached to the ambulance. A piece of coarse canvas screened the opening between the two rooms in place of the door. A second door, leading from the bed-chamber into the yard, was locked; and the wooden shutter protecting the one window of the room was carefully barred. Sentinels, doubled in number, were placed at all the outposts. The French commander had neglected no precaution which could reasonably insure for himself and for his men a quiet and comfortable night.
Still absorbed in his perusal of the dispatches, and now and then making notes of what he read by the help of writing materials placed at his side, Captain Arnault was interrupted by the appearance of an intruder in the room. Surgeon Surville, entering from the kitchen, drew aside the canvas screen, and approached the little round table at which his superior officer was sitting.
"What is it?" said the captain, sharply.
"A question to ask," replied the surgeon. "Are we safe for the night?"
"Why do you want to know?" inquired the captain, suspiciously.
The surgeon pointed to the kitchen, now the hospital devoted to the wounded men.
"The poor fellows are anxious about the next few hours," he replied. "They dread a surprise, and they ask me if there is any reasonable hope of their having one night's rest. What do you think of the chances?"
The captain shrugged his shoulders. The surgeon persisted.
"Surely you ought to know?" he said.
"I know that we are in possession of the village for the present," retorted Captain Arnault, "and I know no more. Here are the papers of the enemy." He held them up and shook them impatiently as he spoke. "They give me no information that I can rely on. For all I can tell to the contrary, the main body of the Germans, outnumbering us ten to one, may be nearer this cottage than the main body of the French. Draw your own conclusions. I have nothing more to say."
Having answered in those discouraging terms, Captain Arnault got on his feet, drew the hood of his great-coat over his head, and lit a cigar at the candle.
"Where are you going?" asked the surgeon.
"To visit the outposts."
"Do you want this room for a little while?"
"Not for some hours to come. Are you thinking of moving any of your wounded men in here?"
"I was thinking of the English lady," answered the surgeon. "The kitchen is not quite the place for her. She would be more comfortable here; and the English nurse might keep her company."
Captain Arnault smiled, not very pleasantly. "They are two fine women," he said, "and Surgeon Surville is a ladies' man. Let them come in, if they are rash enough to trust themselves here with you." He checked himself on the point of going out, and looked back distrustfully at the lighted candle. "Caution the women," he said, "to limit the exercise of their curiosity to the inside of this room."
"What do you mean?"
The captain's forefinger pointed significantly to the closed window-shutter.
"Did you ever know a woman who could resist looking out of window?" he asked. "Dark as it is, sooner or later these ladies of yours will feel tempted to open that shutter. Tell them I don't want the light of the candle to betray my headquarters to the German scouts. How is the weather? Still raining?"
"Pouring."
"So much the better. The Germans won't see us." With that consolatory remark he unlocked the door leading into the yard, and walked out.
The surgeon lifted the canvas screen and called into the kitchen:
"Miss Merrick, have you time to take a little rest?"
"Plenty of time," answered a soft voice with an underlying melancholy in it, plainly distinguishable though it had only spoken three words.
"Come in, then," continued the surgeon, "and bring the English lady with you. Here is a quiet room all to yourselves."
He held back the canvas, and the two women appeared.
The nurse led the way-tall, lithe, graceful-attired in her uniform dress of neat black stuff, with plain linen collar and cuffs, and with the scarlet cross of the Geneva Convention embroidered on her left shoulder. Pale and sad, her expression and manner both eloquently suggestive of suppressed suffering and sorrow, there was an innate nobility in the carriage of this woman's head, an innate grandeur in the gaze of her large gray eyes and in the lines of her finely proportioned face, which made her irresistibly striking and beautiful, seen under any circumstances and clad in any dress. Her companion, darker in complexion and smaller in stature, possessed attractions which were quite marked enough to account for the surgeon's polite anxiety to shelter her in the captain's room. The common consent of mankind would have declared her to be an unusually pretty woman. She wore the large gray cloak that covered her from head to foot with a grace that lent its own attractions to a plain and even a shabby article of dress. The languor in her movements, and the uncertainty of tone in her voice as she thanked the surgeon suggested that she was suffering from fatigue. Her dark eyes searched the dimly-lighted room timidly, and she held fast by the nurse's arm with the air of a woman whose nerves had been severely shaken by some recent alarm.
"You have one thing to remember, ladies," said the surgeon. "Beware of opening the shutter, for fear of the light being seen through the window. For the rest, we are free to make ourselves as comfortable here as we can. Compose yourself, dear madam, and rely on the protection of a Frenchman who is devoted to you!" He gallantly emphasized his last words by raising the hand of the English lady to his lips. At the moment when he kissed it the canvas screen was again drawn aside. A person in the service of the ambulance appeared, announcing that a bandage had slipped, and that one of the wounded men was to all appearance bleeding to death. The surgeon, submitting to destiny with the worst possible grace, dropped the charming Englishwoman's hand, and returned to his duties in the kitchen. The two ladies were left together in the room.
"Will you take a chair, madam?" asked the nurse.
"Don't call me 'madam,'" returned the young lady, cordially. "My name is Grace Roseberry. What is your name?"
The nurse hesitated. "Not a pretty name, like yours," she said, and hesitated again. "Call me 'Mercy Merrick,'" she added, after a moment's consideration.
Had she given an assumed name? Was there some unhappy celebrity attached to her own name? Miss Roseberry did not wait to ask herself these questions. "How can I thank you," she exclaimed, gratefully, "for your sisterly kindness to a stranger like me?"
"I have only done my duty," said Mercy Merrick, a little coldly. "Don't speak of it."
"I must speak of it. What a situation you found me in when the French soldiers had driven the Germans away! My traveling-carriage stopped; the horses seized; I myself in a strange country at nightfall, robbed of my money and my luggage, and drenched to the skin by the pouring rain! I am indebted to you for shelter in this place-I am wearing your clothes-I should have died of the fright and the exposure but for you. What return can I make for such services as these?"
Mercy placed a chair for her guest near the captain's table, and seated herself, at some little distance, on an old chest in a corner of the room. "May I ask you a question?" she said, abruptly.
"A hundred questions," cried Grace, "if you like." She looked at the expiring fire, and at the dimly visible figure of her companion seated in the obscurest corner of the room. "That wretched candle hardly gives any light," she said, impatiently. "It won't last much longer. Can't we make the place more cheerful? Come out of your corner. Call for more wood and more lights."
Mercy remained in her corner and shook her head. "Candles and wood are scarce things here," she answered. "We must be patient, even if we are left in the dark. Tell me," she went on, raising her quiet voice a little, "how came you to risk crossing the frontier in wartime?"
Grace's voice dropped when she answered the question. Grace's momentary gayety of manner suddenly left her.
"I had urgent reasons," she said, "for returning to England."
"Alone?" rejoined the other. "Without any one to protect you?"
Grace's head sank on her bosom. "I have left my only protector-my father-in the English burial-ground at Rome," she answered simply. "My mother died, years since, in Canada."
The shadowy figure of the nurse suddenly changed its position on the chest. She had started as the last word passed Miss Roseberry's lips.
"Do you know Canada?" asked Grace.
"Well," was the brief answer-reluctantly given, short as it was.
"Were you ever near Port Logan?"
"I once lived within a few miles of Port Logan."
"When?"
"Some time since." With those words Mercy Merrick shrank back into her corner and changed the subject. "Your relatives in England must be very anxious about you," she said.
Grace sighed. "I have no relatives in England. You can hardly imagine a person more friendless than I am. We went away from Canada, when my father's health failed, to try the climate of Italy, by the doctor's advice. His death has left me not only friendless but poor." She paused, and took a leather letter-case from the pocket of the large gray cloak which the nurse had lent to her. "My prospects in life," she resumed, "are all contained in this little case. Here is the one treasure I contrived to conceal when I was robbed of my other things."
Mercy could just see the letter-case as Grace held it up in the deepening obscurity of the room. "Have you got money in it?" she asked.
"No; only a few family papers, and a letter from my father, introducing me to an elderly lady in England-a connection of his by marriage, whom I have never seen. The lady has consented to receive me as her companion and reader. If I don't return to England soon, some other person may get the place."
"Have you no other resource?"
"None. My education has been neglected-we led a wild life in the far West. I am quite unfit to go out as a governess. I am absolutely dependent on this stranger, who receives me for my father's sake." She put the letter-case back in the pocket of her cloak, and ended her little narrative as unaffectedly as she had begun it. "Mine is a sad story, is it not?" she said.
The voice of the nurse answered her suddenly and bitterly in these strange words:
"There are sadder stories than yours. There are thousands of miserable women who would ask for no greater blessing than to change places with you."
Grace started. "What can there possibly be to envy in such a lot as mine?"
"Your unblemished character, and your prospect of being established honorably in a respectable house."
Grace turned in her chair, and looked wonderingly into the dim corner of the room.
"How strangely you say that!" she exclaimed. There was no answer; the shadowy figure on the chest never moved. Grace rose impulsively, and drawing her chair after her, approached the nurse. "Is there some romance in your life?" she asked. "Why have you sacrificed yourself to the terrible duties which I find you performing here? You interest me indescribably. Give me your hand."
Mercy shrank back, and refused the offered hand.
"Are we not friends?" Grace asked, in astonishment.
"We can never be friends."
"Why not?"
The nurse was dumb. Grace called to mind the hesitation that she had shown when she had mentioned her name, and drew a new conclusion from it. "Should I be guessing right," she asked, eagerly, "if I guessed you to be some great lady in disguise?"
Mercy laughed to herself-low and bitterly. "I a great lady!" she said, contemptuously. "For Heaven's sake, let us talk of something else!"
Grace's curiosity was thoroughly roused. She persisted. "Once more," she whispered, persuasively, "let us be friends." She gently laid her hand as she spoke on Mercy's shoulder. Mercy roughly shook it off. There was a rudeness in the action which would have offended the most patient woman living. Grace drew back indignantly. "Ah!" she cried, "you are cruel."
"I am kind," answered the nurse, speaking more sternly than ever.
"Is it kind to keep me at a distance? I have told you my story."
The nurse's voice rose excitedly. "Don't tempt me to speak out," she said; "you will regret it."
Grace declined to accept the warning. "I have placed confidence in you," she went on. "It is ungenerous to lay me under an obligation, and then to shut me out of your confidence in return."
"You will have it?" said Mercy Merrick. "You shall have it! Sit down again." Grace's heart began to quicken its beat in expectation of the disclosure that was to come. She drew her chair closer to the chest on which the nurse was sitting. With a firm hand Mercy put the chair back to a distance from her. "Not so near me!" she said, harshly.
"Why not?"
"Not so near," repeated the sternly resolute voice. "Wait till you have heard what I have to say."
Grace obeyed without a word more. There was a momentary silence. A faint flash of light leaped up from the expiring candle, and showed Mercy crouching on the chest, with her elbows on her knees, and her face hidden in her hands. The next instant the room was buried in obscurity. As the darkness fell on the two women the nurse spoke.
The Law and the Lady is a detective story. Valeria Brinton marries Eustace Woodville despite objections from Woodville's family leading to disquiet for Valeria's own family and friends. Just a few days after the wedding, various incidents lead Valeria to suspect her husband is hiding a dark secret in his past. Wilkie Collins (1824 – 1889) was an English novelist, playwright, and author of short stories. His best-known works are The Woman in White, No Name, Armadale, and The Moonstone.
Looking for a short but thoroughly enjoyable read? Check out My Lady's Money by Wilkie Collins, who was a collaborator with Charles Dickens and one of the most popular storytellers of the late nineteenth century. With elements of mystery, adventure, romance, and a heroic canine companion, this engaging story is a great way to while away an afternoon.
A delightful tale of thwarted ambition and forbidden love, A Rogue’s Life follows the fortunes of an endearing young man. Proffering his own take on picaresque storytelling—and with many a grain of truth for twenty-somethings today—this is Wilkie Collins at his entertaining best. Propelled into society by his ever-hopeful father, Frank Softly is introduced to a variety of professions in order to make his fortune. Not industrious by nature, however, Frank finds working life a challenge, and by his 25th birthday, he has failed medicine, portrait-painting, caricaturing, and even forgery. Disenchanted with life, he despairs of ever finding something to commit to—until he meets Alicia Dulcifer and her inexplicably wealthy father. The author of The Woman in White and The Moonstone, Wilkie Collins is widely regarded as the originator of the detective novel.
Dante slowed his pace, withdrawing until only the tip was still inside her before thrusting his hips once,eliciting a sharp gasp from her lips. He brought his mouth down to hover over hers. "Can you feel me,my love?"He rasped. Renee angled her head,nipping at his lips."Yes,I feel you." ------------ To save her family from a loanshark,Renee Gallo agrees to be married to Dante Moretti, a man who has been called many names. He has been labeled as a devil,as a hideous-looking demon,the notorious son of Gustavo Moretti. But it turns out that this man who is cruel to the world loves and pampers her more than she had ever imagined.
Maria was betrayed and turned into a murderer in front of everyone's eyes. Overwhelmed by hatred, she divorced her husband, James, and left town. However, six years later, she came back with her ex-husband's most prominent rival. Rising like a phoenix from the ashes, she swore to make everyone pay for what they had done to her. She only accepted working with him to have her revenge, but little did she know that she had already become his prey. In a game between love and desire, neither of them could tell which would win in the end.
Looking at the divorce papers my lips curled up into a mocking smile. 'How big fool I am? How can I think that he will give a chance to this marriage? How can I forget that I was nothing more a tool in his eyes to vent his anger until his beloved Tara is back. Since, she was back, how can he let me stay there?' "After you will sign these papers, you will receive 100 million dollars as alimony." the lawyer added. Because of his words, I came back to my senses took the pen from him, and signed the name. I have also gotten exhausted from this marriage both physically and mentally. Even though I had wanted my child to be born into a complete family, I didn't want my child to have a stepmother and live miserably like me for the rest of his life. After taking the papers from my hand, the lawyer gave me the bank card, turned around, and was about to leave when he paused at the door. He then turned around and added, "Mr. Carter said that he hoped that you won't pester him, or you have to bear the consequences." The lawyer's words were like a knife stabbing in my heart, but I still nodded. Anyway, I also don't plan to have anything to do with him anymore. I just want to live a good life with my children. After the lawyer left, the ward fell into silence. I placed my hand on my belly and said to my children, "Baby, I am sorry, Mommy can't give you a complete family! But I promise you, I will do my best to give the love of both mother and father." 'As for giving one of my child, I will never do that. They are my babies and my alone. I and I will give birth to all of them and raise them no matter what.' Four Years Later... Anya came back to the country with her three kids, to inherit the company left by his grandfather...
Maia grew up a pampered heiress-until the real daughter returned and framed her, sending Maia to prison with help from her fiancé and family. Four years later, free and married to Chris, a notorious outcast, everyone assumed Maia was finished. They soon discovered she was secretly a famed jeweler, elite hacker, celebrity chef, and top game designer. As her former family begged for help, Chris smiled calmly. "Honey, let's go home." Only then did Maia realize her "useless" husband was a legendary tycoon who'd adored her from the start.
In order to fulfill her grandfather's last wish, Stella entered into a hasty marriage with an ordinary man she had never met before. However, even after becoming husband and wife on paper, they each led separate lives, barely crossing paths. A year later, Stella returned to Seamarsh City, hoping to finally meet her mysterious husband. To her astonishment, he sent her a text message, unexpectedly pleading for a divorce without ever having met her in person. Gritting her teeth, Stella replied, "So be it. Let’s get a divorce!" Following that, Stella made a bold move and joined the Prosperity Group, where she became a public relations officer that worked directly for the company’s CEO, Matthew. The handsome and enigmatic CEO was already bound in matrimony, and was known to be unwaveringly devoted to his wife in private. Unbeknownst to Stella, her mysterious husband was actually her boss, in his alternate identity! Determined to focus on her career, Stella deliberately kept her distance from the CEO, although she couldn't help but notice his deliberate attempts to get close to her. As time went on, her elusive husband had a change of heart. He suddenly refused to proceed with the divorce. When would his alternate identity be uncovered? Amidst a tumultuous blend of deception and profound love, what destiny awaited them?
PERMISSION IS TAKEN FRIM THE ORIGINAL, BE WARNED!! Do you believe in Myths? Just when she thinks it can't get any worse, it does. Lucy lost everything four years ago in a rogue attack. She's been abused, starved, rejected, and broken. As her eighteenth birthday approaches, strange things start to happen, things that only happen once every century. She finds friendship in the most unlikely place and escapes to find her true self with the help of the most dangerous Alpha. Warning: This werewolf trilogy is not intended for anyone under the age of 18 or anyone who doesn't enjoy a good spanking. It will take you on adventures around the world, make you laugh, fall in love, crush your heart and possibly leave you drooling.
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