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The Bible for Young People by Anonymous
The Bible for Young People by Anonymous
Genesis 1
IN the beginning God created the heaven and the earth. And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters. And God said, Let there be light: and there was light. And God saw the light, that it was good: and God divided the light from the darkness. And God called the light Day, and the darkness he called Night. And the evening and the morning were the first day.
And God said, Let there be a firmament in the midst of the waters, and let it divide the waters from the waters. And God made the firmament, and divided the waters which were under the firmament from the waters which were above the firmament: and it was so. And God called the firmament Heaven. And the evening and the morning were the second day.
And God said, Let the waters under the heaven be gathered together unto one place, and let the dry land appear: and it was so. And God called the dry land Earth; and the gathering together of the waters called he Seas: and God saw that it was good. And God said, Let the earth bring forth grass, the herb yielding seed, and the fruit tree yielding fruit after his kind, whose seed is in itself, upon the earth: and it was so. And the earth brought forth grass, and herb yielding seed after his kind, and the tree yielding fruit, whose seed was in itself, after his kind: and God saw that it was good. And the evening and the morning were the third day.
And God said, Let there be lights in the firmament of the heaven to divide the day from the night; and let them be for signs, and for seasons, and for days, and years: and let them be for lights in the firmament of the heaven to give light upon the earth: and it was so. And God made two great lights; the greater light to rule the day, and the lesser light to rule the night: he made the stars also. And God set them in the firmament of the heaven to give light upon the earth, and to rule over the day and over the night, and to divide the light from the darkness: and God saw that it was good. And the evening and the morning were the fourth day.
And God said, Let the waters bring forth abundantly the moving creature that hath life, and fowl that may fly above the earth in the open firmament of heaven. And God created great whales, and every living creature that moveth, which the waters brought forth abundantly, after their kind, and every winged fowl after his kind: and God saw that it was good. And God blessed them, saying, Be fruitful, and multiply, and fill the waters in the seas, and let fowl multiply in the earth. And the evening and the morning were the fifth day.
And God said, Let the earth bring forth the living creature after his kind, cattle, and creeping thing, and beast of the earth after his kind: and it was so. And God made the beast of the earth after his kind, and cattle after their kind, and every thing that creepeth upon the earth after his kind: and God saw that it was good. And God said, Let us make man in our image, after our likeness: and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth. So God created man in his own image, in the image of God created he him; male and female created he them. And God blessed them, and God said unto them, Be fruitful, and multiply, and replenish the earth, and subdue it: and have dominion over the fish of the sea, and over the fowl of the air, and over every living thing that moveth upon the earth. And God said, Behold, I have given you every herb bearing seed, which is upon the face of all the earth, and every tree, in the which is the fruit of a tree yielding seed; to you it shall be for meat. And to every beast of the earth, and to every fowl of the air, and to every thing that creepeth upon the earth, wherein there is life, I have given every green herb for meat: and it was so. And God saw every thing that he had made, and, behold, it was very good. And the evening and the morning were the sixth day.
Genesis 2
Thus the heavens and the earth were finished, and all the host of them. And on the seventh day God ended his work which he had made; and he rested on the seventh day from all his work which he had made. And God blessed the seventh day, and sanctified it: because that in it he had rested from all his work which God created and made.
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A complete study of escapements in watchmaking, as well as a short account of the history and development of the escapement in horology. With helpful diagrams and a wealth of fascinating information, this volume is highly recommended for those with an interest in clockmaking and horology in general. Contents include: "The Detaches Lever Escapement," "The Cylinder Escapement," "The Chronometer Escapement," "History of Escapements," and "Putting in a New Cylinder." Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern edition complete with a specially commissioned new introduction. First published in 1904.
Aristotle's Masterpiece, also known as The Works of Aristotle, the Famous Philosopher, is a sex manual and a midwifery book that was popular in England from the early modern period through to the 19th century. It was first published in 1684 and written by an unknown author who falsely claimed to be Aristotle. As a consequence the author is now described as a Pseudo-Aristotle, the collective name for unidentified authors who masqueraded as Aristotle. It is claimed that the book was banned in Britain until the 1960s, although there was no provision in the UK for "banning" books as such. However reputable publishers and booksellers might have been cautious about vending Aristotle's Masterpiece, at least in the wake of the 1857 Obscene Publications Act. After Nicholas Culpeper's Directory for Midwives had been published in 1651, other writers and booksellers sought to emulate its great success. Aristotle's Masterpiece was among the two dozen works in the genre which were published in the following decades. This was in sharp contrast to the three titles which had been published on the subject in the previous century. Through the seventeenth and eighteenth century, the work was published in three different versions in 9, 20 and 78 editions respectively. It was probably the most widely reprinted book on a medical subject in the eighteenth and early nineteenth century. The first version borrowed most of its content from two earlier works, the Secret Miracles of Nature by Levinus Lemnius and the anonymous Complete Midwives Practice Enlarged. The latter had been a successful work by itself, coming second only to Culpeper's Directory for Midwives in number of seventeenth century editions.[1] A second version was released by publisher Benjamin Harris in 1697. The first half contained most of the first version and the second half was borrowed from John Sadler's A Sick Women's Private Looking-Glas, which was published in 1636. The third version was published around 1710 was more different from the previous versions, but again copied material from other works on the subject. These included the Directory for Midwives, John Pechey's 1698 version of the Compleate Midwive's Practice Enlarged and other popular books on sex and reproduction available at the time.[The third version was still printed and sold to a general audience in the early twentieth century. It remained unchanged from the eighteenth century editions because scientifically superior information on sexuality had not yet become available. Because the book was still based on the ancient theory of humorism it provided some misinformation, in particular on the home remedies it prescribed. Nevertheless, it was in fact more accurate and less harmful than some popular works on sexuality dating from the late nineteenth century. The title of the work was possibly chosen because Aristotle was seen as a sex expert in early modern England. Another popular pseudo-Aristotelian text which covered sex and reproduction, Aristotle's Problems (1595), had been responsible for this reputation. The real Aristotle had also written works about the reproduction of animals (such as History of Animals and Generation of Animals) and was considered an authority on scientific matters in general. The third version is divided in two parts. The first part covers anatomy, sexual intercourse and marriage. The second part was intended for married women and explains pregnancy and midwifery. The first part starts with a description of the male and female sex organs in the first chapter. The second chapter advocates sexual intercourse in monogamous relationships and warns against polygamy and adultery because it is forbidden by Christian doctrine. It finishes with an explanation of when the reproductive age begins and ends. The third chapter explores virginity. It correctly states that a torn hymen does not mean a woman is not a virgin
She spent ten years chasing after the right brother, only to fall for the wrong one in one weekend. ~~~ Sloane Mercer has been hopelessly in love with her best friend, Finn Hartley, since college. For ten long years, she's stood by him, stitching him back together every time Delilah Crestfield-his toxic on-and-off girlfriend-shattered his heart. But when Delilah gets engaged to another man, Sloane thinks this might finally be her chance to have Finn for herself. She couldn't be more wrong. Heartbroken and desperate, Finn decides to crash Delilah's wedding and fight for her one last time. And he wants Sloane by his side. Reluctantly, Sloane follows him to Asheville, hoping that being close to Finn will somehow make him see her the way she's always seen him. Everything changes when she meets Knox Hartley, Finn's older brother-a man who couldn't be more different from Finn. He's dangerously magnetic. Knox sees right through Sloane and makes it his mission to pull her into his world. What starts as a game-a twisted bet between them-soon turns into something deeper. Sloane is trapped between two brothers: one who's always broken her heart and another who seems hell-bent on claiming it... no matter the cost. CONTENT WARNING: This story is strongly 18+. It delves into dark romance themes such as obsession and lust with morally complex characters. While this is a love story, reader discretion is advised.
Season 1: Esther Davenier has spent her life proving she belongs-first to the elite family who raised her, then to a society that values bloodlines over loyalty. But when a long-lost "real" daughter is found, Esther is discarded like yesterday's scandal-her name erased, her face mocked, her engagement stolen. They thought they could bury her. But Esther doesn't go quietly. Armed with multiple powerful hidden identities and a dangerous new ally-CEO Evander Westvale, the man they said she could never have-Esther steps back into the limelight not to reclaim what was stolen, but to take what was never offered. Now she's more than ready to turn the game upside down. Season 2: When the powerful Davenier family reunites, Victor Davenier moves the Victory Group back to their homeland to spend more time with his daughter-Esther Davenier. Because of this, Roger Davenier, Esther's twin brother, finds himself buried in responsibilities, leaving no time for love-until a beautiful secretary, Alexandra, walks into his life uninvited and slowly pulls him closer. But Alexandra is caught between a protective mother hiding a dark past, a jealous rival determined to humiliate her, and a powerful client who sees her as more than just a secretary. Drawn into a dangerous game of power, desire, and betrayal, she must find her strength to survive. And Roger? He's no longer sure if he's protecting his secretary... or falling hopelessly in love with her.
After three loveless years, Neil's betrayal deeply wounded Katelyn. She wasted no time in getting rid of that scoundrel! After the divorce, she devoted herself to career pursuits. Rising to prominence as a top designer, skilled doctor, and brilliant hacker, she became a revered icon. Neil, realizing his grave mistake, tried in vain to win her back, only to witness her magnificent wedding to another. As their vows were broadcast on the world's largest billboard, Vincent slid a ring onto Katelyn's finger and declared, "Katelyn is now my wife, a priceless treasure. Let all who covet her beware!"
For financial gain, Isla's father married her to Theodore, a comatose heir. Unconscious, he duped her; awake, he claimed she'd groped him and flirted nonstop. When she discovered she was pregnant, his "lost love" appeared, and he slid divorce papers across the bed. Isla slapped his hush money back and left. They crossed paths again, with Isla lauded as a hacker, race champ, composer, and screenwriter-and the elusive doctor Theodore coveted. He begged, "One more chance." She said, "Prove it with your life." He did, but what he didn't know was that she always knew the "lost love" was only a decoy.
After five years of playing the perfect daughter, Rylie was exposed as a stand-in. Her fiancé bolted, friends scattered, and her adoptive brothers shoved her out, telling her to grovel back to her real family. Done with humiliation, she swore to claw back what was hers. Shock followed: her birth family ruled the town's wealth. Overnight, she became their precious girl. The boardroom brother canceled meetings, the genius brother ditched his lab, the musician brother postponed a tour. As those who spurned her begged forgiveness, Admiral Brad Morgan calmly declared, "She's already taken."
Noelle was the long-lost daughter everyone had been searched for, yet the family brushed her off and fawned over her stand-in. Tired of scorn, she walked away and married a man whose influence could shake the country. Dance phenom, street-race champ, virtuoso composer, master restorer-each secret triumph hit the headlines, and her family's smug smiles cracked. Father charged back from abroad, mother wept for a hug, and five brothers knelt in the rain begging. Beneath the jeweled night sky, her husband pulled her close, his voice a velvet promise. "They're not worth it. Come on, let's just go home."
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