The Attache by Thomas Chandler Haliburton
The Attache by Thomas Chandler Haliburton
We left New York in the afternoon of - day of May, 184-, and embarked on board of the good Packet ship "Tyler" for England. Our party consisted of the Reverend Mr. Hopewell, Samuel Slick, Esq., myself, and Jube Japan, a black servant of the Attache.
I love brevity-I am a man of few words, and, therefore, constitutionally economical of them; but brevity is apt to degenerate into obscurity. Writing a book, however, and book-making, are two very different things: "spinning a yarn" is mechanical, and book-making savours of trade, and is the employment of a manufacturer. The author by profession, weaves his web by the piece, and as there is much competition in this branch of trade, extends it over the greatest possible surface, so as to make the most of his raw material. Hence every work of fancy is made to reach to three volumes, otherwise it will not pay, and a manufacture that does not requite the cost of production, invariably and inevitably terminates in bankruptcy. A thought, therefore, like a pound of cotton, must be well spun out to be valuable. It is very contemptuous to say of a man, that he has but one idea, but it is the highest meed of praise that can be bestowed on a book. A man, who writes thus, can write for ever.
Now, it is not only not my intention to write for ever, or as Mr. Slick would say "for everlastinly;" but to make my bow and retire very soon from the press altogether. I might assign many reasons for this modest course, all of them plausible, and some of them indeed quite dignified. I like dignity: any man who has lived the greater part of his life in a colony is so accustomed to it, that he becomes quite enamoured of it, and wrapping himself up in it as a cloak, stalks abroad the "observed of all observers." I could undervalue this species of writing if I thought proper, affect a contempt for idiomatic humour, or hint at the employment being inconsistent with the grave discharge of important official duties, which are so distressingly onerous, as not to leave me a moment for recreation; but these airs, though dignified, will unfortunately not avail me. I shall put my dignity into my pocket, therefore, and disclose the real cause of this diffidence.
In the year one thousand eight hundred and fourteen, I embarked at Halifax on board the Buffalo store-ship for England. She was a noble teak built ship of twelve or thirteen hundred tons burden, had excellent accommodation, and carried over to merry old England, a very merry party of passengers, quorum parva pars fui, a youngster just emerged from college.
On the banks of Newfoundland we were becalmed, and the passengers amused themselves by throwing overboard a bottle, and shooting at it with ball. The guns used for this occasion, were the King's muskets, taken from the arm-chest on the quarter-deck. The shooting was execrable. It was hard to say which were worse marksmen, the officers of the ship, or the passengers. Not a bottle was hit: many reasons were offered for this failure, but the two principal ones were, that the muskets were bad, and that it required great skill to overcome the difficulty occasioned by both, the vessel and the bottle being in motion at the same time, and that motion dissimilar.
I lost my patience. I had never practised shooting with ball; I had frightened a few snipe, and wounded a few partridges, but that was the extent of my experience. I knew, however, that I could not by any possibility shoot worse than every body else had done, and might by accident shoot better.
"Give me a gun, Captain," said I, "and I will shew you how to uncork that bottle."
I took the musket, but its weight was beyond my strength of arm. I was afraid that I could not hold it out steadily, even for a moment, it was so very heavy-I threw it up with a desperate effort and fired. The neck of the bottle flew up in the air a full yard, and then disappeared. I was amazed myself at my success. Every body was surprised, but as every body attributed it to long practice, they were not so much astonished as I was, who knew it was wholly owing to chance. It was a lucky hit, and I made the most of it; success made me arrogant, and boy-like, I became a boaster.
"Ah," said I coolly, "you must be born with a rifle in your hand, Captain, to shoot well. Every body shoots well in America. I do not call myself a good shot. I have not had the requisite experience; but there are those who can take out the eye of a squirrel at a hundred yards."
"Can you see the eye of a squirrel at that distance?" said the Captain, with a knowing wink of his own little ferret eye.
That question, which raised a general laugh at my expense, was a puzzler. The absurdity of the story, which I had heard a thousand times, never struck me so forcibly. But I was not to be pat down so easily.
"See it!" said I, "why not? Try it and you will find your sight improve with your shooting. Now, I can't boast of being a good marksman myself; my studies" (and here I looked big, for I doubted if he could even read, much less construe a chapter in the Greek Testament) "did not leave me much time. A squirrel is too small an object for all but an experienced man, but a "large" mark like a quart bottle can easily be hit at a hundred yards-that is nothing."
"I will take you a bet," said he, "of a doubloon, you do not do it again?"
"Thank you," I replied with great indifference: "I never bet, and besides, that gun has so injured my shoulder, that I could not, if I would."
By that accidental shot, I obtained a great name as a marksman, and by prudence I retained it all the voyage. This is precisely my case now, gentle reader. I made an accidental hit with the Clockmaker: when he ceases to speak, I shall cease to write. The little reputation I then acquired, I do not intend to jeopardize by trying too many experiments. I know that it was chance-many people think it was skill. If they choose to think so, they have a right to their opinion, and that opinion is fame. I value this reputation too highly not to take care of it.
As I do not intend then to write often, I shall not wire-draw my subjects, for the mere purpose of filling my pages. Still a book should be perfect within itself, and intelligible without reference to other books. Authors are vain people, and vanity as well as dignity is indigenous to a colony. Like a pastry-cook's apprentice, I see so much of both their sweet things around me daily, that I have no appetite for either of them.
I might perhaps be pardoned, if I took it for granted, that the dramatis personae of this work were sufficiently known, not to require a particular introduction. Dickens assumed the fact that his book on America would travel wherever the English language was spoken, and, therefore, called it "Notes for General Circulation." Even Colonists say, that this was too bad, and if they say so, it must be so. I shall, therefore, briefly state, who and what the persons are that composed our travelling party, as if they were wholly unknown to fame, and then leave them to speak for themselves.
The Reverend Mr. Hopewell is a very aged clergyman of the Church of England, and was educated at Cambridge College, in Massachusetts. Previously to the revolution, he was appointed rector of a small parish in Connecticut. When the colonies obtained their independence, he remained with his little flock in his native land, and continued to minister to their spiritual wants until within a few years, when his parishioners becoming Unitarians, gave him his dismissal. Affable in his manners and simple in his habits, with a mind well stored with human lore, and a heart full of kindness for his fellow-creatures, he was at once an agreeable and an instructive companion. Born and educated in the United States, when they were British dependencies, and possessed of a thorough knowledge of the causes which led to the rebellion, and the means used to hasten the crisis, he was at home on all colonial topics; while his great experience of both monarchical and democratical governments, derived from a long residence in both, made him a most valuable authority on politics generally.
Mr. Samuel Slick is a native of the same parish, and received his education from Mr. Hopewell. I first became acquainted with him while travelling in Nova Scotia. He was then a manufacturer and vendor of wooden clocks. My first impression of him was by no means favourable. He forced himself most unceremoniously into my company and conversation. I was disposed to shake him off, but could not. Talk he would, and as his talk was of that kind, which did not require much reply on my part, he took my silence for acquiescence, and talked on. I soon found that he was a character; and, as he knew every part of the lower colonies, and every body in them, I employed him as my guide.
I have made at different times three several tours with him, the results of which I have given in three several series of a work, entitled the "Clockmaker, or the Sayings and Doings of Mr. Samuel Slick." Our last tour terminated at New York, where, in consequence of the celebrity he obtained from these "Sayings and Doings" he received the appointment of Attache to the American Legation at the Court of St. James's. The object of this work is to continue the record of his observations and proceedings in England.
The third person of the party, gentle reader, is your humble servant, Thomas Poker, Esquire, a native of Nova Scotia, and a retired member of the Provincial bar. My name will seldom appear in these pages, as I am uniformly addressed by both my companions as "Squire," nor shall I have to perform the disagreeable task of "reporting my own speeches," for naturally taciturn, I delight in listening rather than talking, and modestly prefer the duties of an amanuensis, to the responsibilities of original composition.
The last personage is Jube Japan, a black servant of the Attache.
Such are the persons who composed the little party that embarked at New York, on board the Packet ship "Tyler," and sailed on the - of May, 184-, for England.
The motto prefixed to this work
(Greek Text)
sufficiently explains its character. Classes and not individuals have been selected for observation. National traits are fair subjects for satire or for praise, but personal peculiarities claim the privilege of exemption in right of that hospitality, through whose medium they have been alone exhibited. Public topics are public property; every body has a right to use them without leave and without apology. It is only when we quit the limits of this "common" and enter upon "private grounds," that we are guilty of "a trespass." This distinction is alike obvious to good sense and right feeling. I have endeavoured to keep it constantly in view; and if at any time I shall be supposed to have erred (I say "supposed," for I am unconscious of having done so) I must claim the indulgence always granted to involuntary offences.
Now the patience of my reader may fairly be considered a "private right." I shall, therefore, respect its boundaries and proceed at once with my narrative, having been already quite long enough about "uncorking a bottle."
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
My marriage to Joshua Caldwell was a prison sentence. I was a Hartman trophy, sold to the powerful family who had destroyed mine. Then I discovered he was cheating. His mistress was pregnant with the child he denied me, and he was stealing my secret song lyrics to build her career. When I confronted him, he called me a spineless liability and threatened to destroy what was left of my family. To make matters worse, a one-night stand with a stranger turned out to be with my husband's brother, Anthony Caldwell-the Don of the city. He knew all of Joshua's secrets and used them to trap me in a twisted game, seeing me as nothing more than an asset. They both thought I was a broken doll they could control. I wrote a song for his mistress, a beautiful execution with a single, impossible note I knew would destroy her voice. She sang it, and now her career is over. Now the Don has summoned me to Chicago, not knowing the woman he thinks is his asset is the one who just burned his brother's world to the ground.
"Stella once savored Marc's devotion, yet his covert cruelty cut deep. She torched their wedding portrait at his feet while he sent flirty messages to his mistress. With her chest tight and eyes blazing, Stella delivered a sharp slap. Then she deleted her identity, signed onto a classified research mission, vanished without a trace, and left him a hidden bombshell. On launch day she vanished; that same dawn Marc's empire crumbled. All he unearthed was her death certificate, and he shattered. When they met again, a gala spotlighted Stella beside a tycoon. Marc begged. With a smirk, she said, ""Out of your league, darling."
My Luna became an alpha after I rejected her : she was my Luna. I rejected her. Now she's stronger than ever and she has my son. Amelia's world shattered the day her daughter died-and her mate, Alpha Aiden of the Red Moon Pack, divorced her to reunite with his ex-girlfriend. Cast out, disgraced, and accused of poisoning her own child, Amelia was stripped of her title and driven from her pack. The next morning, her lifeless body was found at the border.They all believed she was dead.But she wasn't. Far from the ashes of betrayal, Amelia rebuilt herself-rising from rejection and ruin to become the first female Alpha of Velaris, the most powerful and respected pack in the realm. She also carried a secret Aiden never discovered:She was pregnant-with his son.Years later, fate brings them face to face once more. A deadly disease is spreading through the packs, and the only one who can stop it is the renowned doctor they thought had died. When Aiden sees the boy at her side-his eyes, his blood-he realizes the truth.He didn't just lose his Luna. He destroyed the mother of his child.And now, she's everything he's not-stronger, wiser, untouchable. Will she heal the pack that betrayed her?Will she ever let him near her heart again?Or is his punishment simply living with the consequences?
I was once the heiress to the Solomon empire, but after it crumbled, I became the "charity case" ward of the wealthy Hyde family. For years, I lived in their shadows, clinging to the promise that Anson Hyde would always be my protector. That promise shattered when Anson walked into the ballroom with Claudine Chapman on his arm. Claudine was the girl who had spent years making my life a living hell, and now Anson was announcing their engagement to the world. The humiliation was instant. Guests sneered at my cheap dress, and a waiter intentionally sloshed champagne over me, knowing I was a nobody. Anson didn't even look my way; he was too busy whispering possessively to his new fiancée. I was a ghost in my own home, watching my protector celebrate with my tormentor. The betrayal burned. I realized I wasn't a ward; I was a pawn Anson had kept on a shelf until he found a better trade. I had no money, no allies, and a legal trust fund that Anson controlled with a flick of his wrist. Fleeing to the library, I stumbled into Dallas Koch—a titan of industry and my best friend’s father. He was a wall of cold, absolute power that even the Hydes feared. "Marry me," I blurted out, desperate to find a shield Anson couldn't climb. Dallas didn't laugh. He pulled out a marriage agreement and a heavy fountain pen. "Sign," he commanded, his voice a low rumble. "But if you walk out that door with me, you never go back." I signed my name, trading my life for the only man dangerous enough to keep me safe.
Eliana reunited with her family, now ruined by fate: Dad jailed, Mom deathly ill, six crushed brothers, and a fake daughter who'd fled for richer prey. Everyone sneered. But at her command, Eliana summoned the Onyx Syndicate. Bars opened, sickness vanished, and her brothers rose-one walking again, others soaring in business, tech, and art. When society mocked the "country girl," she unmasked herself: miracle doctor, famed painter, genius hacker, shadow queen. A powerful tycoon held her close. "Country girl? She's my fiancée!" Eliana glared at him. "Dream on." Resolutely, he vowed never to let go.
I was at my own engagement party at the Sterling estate when the world started tilting. Victoria Sterling, my future mother-in-law, smiled coldly as she watched me struggle with a cup of tea that had been drugged to ruin me. Before I could find my fiancé, Ryan, a waiter dragged me into the forbidden West Wing and locked me in a room with Julian Sterling, the family’s "fallen titan" who had been confined to a wheelchair for years. The door burst open to a frenzy of camera flashes and theatrical screams. Victoria framed me as a seductress caught in the act, and Ryan didn't even try to listen to my pleas, calling me "cheap leftovers" before walking away with his pregnant mistress. When I turned to my own family for help, my father signed a document severing our relationship for a five-million-dollar payout from Julian. They traded me like a commodity without a second thought. I didn't understand why my own parents were so eager to sell me, or how Ryan could look at me with such disgust after promising me forever. I was a sacrifice, a pawn used to protect the family's offshore accounts, and I couldn't fathom how every person I loved had a price tag for my destruction. With nowhere left to go, I married Julian in a bleak ceremony at City Hall. He slid a heavy diamond onto my finger and whispered, "We have a war to start." That night, inside his secret penthouse, I watched the paralyzed man stand up from his wheelchair and activate a screen filled with the Sterling family's darkest secrets. The execution had officially begun.
© 2018-now CHANGDU (HK) TECHNOLOGY LIMITED
6/F MANULIFE PLACE 348 KWUN TONG ROAD KL
TOP
GOOGLE PLAY