Prince Lazybones and Other Stories

Of all the illustrious families who have shone like gems upon the earth's surface, none have been more distinguished in their way than the Lazybones family; and were I so disposed I might recount their virtues and trace their talents from a long-forgotten period. But interesting as the study might prove, it would be a difficult task, and the attention I crave for Prince Leo would be spent on his ancestors.

Of princely blood and proud birth, Leo was a youth most simple-minded. He knew that much was expected of him, and that he was destined to rule; yet so easily was he satisfied that his greatest happiness was to lie all day basking in the sun or dawdling through his father's park with his dog at his heels, the heels themselves in a very down-trodden state of humility, watching with languid gaze the movements of the world about him.

And the world just where he lived was very beautiful. On a fertile plain, surrounded by mountain-peaks of great height, threaded by silver streams, and so well watered that its vegetation was almost tropical, was the estate of Leo's father, Prince Morpheus Lazybones. It had been in the family for ages, and was so rich in timber and mineral resources that none of its owners had cared to cultivate the land. Timber was cut sparingly, however, because the market for it was too distant, and the minerals remained in their native beds for much the same reason.

The family throve, notwithstanding, and were well supplied with all manner of delicacies, for the servants were many, and there was never a lack of corn or wine.

Leo was most fair to see. To be sure, his drooping lids half concealed his azure eyes, and his golden locks sometimes hid his snowy forehead; but his smile was charming; his face had such an expression of calm satisfaction, such a patient tranquillity, that his smile was as the sudden sunshine on a placid lake. It was the smile of the family, an inherited feature, like the blue hood of a Spanish Don. And then it was given so freely: the beggar would have preferred it to be accompanied with the jingle of a coin, but as the coin never came and the smile did, he tried to think that it warmed his heart, though his wallet went empty.

There were those who said a smile cost nothing, else it would not have been bestowed. It had a peculiarity of its own which these same critics also objected to-it nearly always ended in a yawn.

But Leo heard none of these ill-natured remarks, and, if he had, would not have minded them any more than he did the burs which clung to his garments as he rambled through the woods. Poor fellow! he would gladly have shared his coppers with a beggar, but he had none to share.

Morpheus Lazybones never seemed to think his son required anything; so long as the boy made no demands, surely nothing could be wanting, and every one knew he was not equal to any exertion. For years he had lived the life of an invalid, shut up in his room most of the time, venturing from it only in the sunniest weather, and then with great caution. He had no particular malady except that he was a poet, but surely that was burden enough. To have to endure the common sights and sounds of this earth when one is composing poetry is indeed a trying and troublesome thing. So Morpheus found it, and therefore he frequently stayed in bed, and allowed his fancy to rove at its own sweet will.

They lived in what had been a monastery. There had been houses and farms on the Lazybones property, but the money not being forthcoming for repairs, they had been each in turn left for another in better condition, until the monastery-what was left of it-with its solidly built walls, offered what seemed to be a permanent home.

Here Morpheus lined a cell with tapestries and books, and wrote his sonnets. Here Leo slept and ate, and housed his dogs. The servants grumbled at the damp and mould, but made the chimneys roar with blazing logs, and held many a merry carousal where the old monks had prayed and fasted. The more devout ones rebuked these proceedings, and said they were enough to provoke a visit from the Evil One; but as yet the warning had no effect, as the revels went on as usual.

Besides being a poet, Morpheus was conducting Leo's education. Undertaken in the common way, this might have interfered with the delicate modes of thought required for the production of poems, but the Lazybones were never without ingenuity. Morpheus so arranged matters that Leo could study without damage to his father's poems. The books were marked for a month's study, and Leo's recitations consisted of a written essay which was to comprise all the knowledge acquired in that time. Thus writing and spelling were included, and made to do duty for the higher flights of his mind.

I do not tell how often Leo made his returns, neither do I mention how many papers Morpheus found no time to examine, but I may urge that Leo's out-door exercise demanded much attention, and that his father's excursions in Dream-land were equally exacting. But Leo, though he hated books, did not hate information. He knew every feathered thing by name as far as he could see it. He knew every oak and pine and fir and nut tree as a familiar friend. He knew every rivulet, every ravine, every rabbit-burrow. The streams seemed to him as melodious as the song-birds, and the winds had voices. He knew where to find the first blossom of spring and the latest of autumn, the ripest fruit and most abundant vines. He could tell just where the nests were and the number of eggs, whether of the robin or the waterfowl. He knew the sunniest bank and shadiest dell, the smoothest path, with its carpet of pine-needles and fringe of fern, or the roughest crag and darkest abyss. He could read the clouds like an open page, and predict fine weather or the coming storm. He knew where the deer couched and where they came to drink, and when the fawns would leave their mothers, and no trout was too cunning for him.

But he did not know the use of a rifle. He had all sorts of lures for the creatures he wanted to tame, but no ways of killing them. For why should he kill them? There was always food enough; he was seldom hungry, and these were his friends. He liked to look them in the eyes; he liked to win them to him, soothe their fears if they had any, and then watch their pretty joy when their liberty was regained. And how could he have done this if their blood had been upon his hands? How could he have quieted the throbbing little hearts if murder had been in his own?

Thus Leo spent his time, delightfully and innocently. If life were only a summer's day! But already winter was approaching. Discontent was brewing on the estate. Taxes were unpaid; tenants were grumbling at high rents; laborers were threatening and their wives complaining.

Frequently, in the very midst of composing a poem, Morpheus would be called to adjust a difficulty, settle a dispute, or revise an account. This so disturbed his delicate nerves that illness, or the appearance of it, was sure to follow. He would then take to his bed, refuse all but a little spiced wine, allowing no coarse food to pass his lips, and strive to remember the beautiful words of which he had intended to make verses; but, alas! the words had flown, as well as the ideas which had suggested them, like so many giddy little butterflies.

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