Slave Narratives Vol. XIV. South Carolina, Part 1

The first scene of "Lizzie's 'Sponsibility" is that of the small, one room dwelling place of Lizzie Davis, aged colored woman of Marion, S. C. A disorderly, ill-lighted, crudely furnished room, saturated with the odor of food. Behind the front door stands a gayly colored iron bed, over which is thrown a piece of oilcloth to keep the rain from leaking on it. In the center of the room are several little quaint home-made stools and two broken rockers, while in one corner sits a roughly finished kitchen table, the dumping place of all small articles.

Still in another corner, almost hidden from sight in the darkness, is the dim outline of an old trunk gaping open with worn out clothing, possibly the gift of some white person. A big fireplace in one side of the wall not only furnishes heat for the little room, but also serves as a cooking place for Lizzie to prepare her meals. On its hearth sits a large iron kettle, spider, and griddle, relics of an earlier day. The room is dimly lighted by the fire and from two small doors, together with a few tiny streaks that peep through at various cracks in the walls and top of house.

It is about 9 o'clock on a cold, drizzly morning in January, 1938. The little two room house, in which Lizzie rents one room for herself, displays an appearance of extreme coldness and dilapidation, as a visitor approaches the doorway on this particular morning. It is with somewhat of an effort that the visitor finally reaches the barred door of Lizzie's room, after making a skip here and there to keep from falling through the broken places in the little porch and at the same time trying to dodge the continual dripping of the rain through numerous crevices in the porch roof. Within is the sound of little feet scuffling about on the floor, the chatter of tiny children mixed with mumblings from Lizzie, and the noise of chairs and stools being roughly shoved about on the floor.

A rap on the door brings Lizzie, crippled up since she was twelve years of age, hobbling to the door. Taking her walking stick, she lifts the latch gently and the door opens slightly. A gray head appears through the crack of the door and Lizzie, peeping out from above her tiny rim spectacles, immediately recognizes her visitor. She offers her usual cheerful greeting and begins hastily to push the large wooden tubs from the door to make room for her visitor to enter, though it is with unusual hesitancy that she invites her guest to come in on this occasion.

Lizzie-Come in, Miss Davis. I feelin right smart dis mornin. How you been keepin yourself? Miss Davis, I regrets you have to find things so nasty up in here dis mornin, but all dis rainy weather got me obliged to keep dese old tubs settin all bout de floor here to try en catch up de water what drips through dem holes up dere. See, you twist your head up dat way en you can tell daylight through all dem cracks. Dat how I know when it bright enough to start to stir myself on a mornin.

Yes'um, I tell Miss Heddie here de other day dat I had promise you I was gwine study up some of dem old time songs to give you de next time you come back. Miss Heddie, she lookin to a right sharp age, I say. Yes'um, she been here a time, honey. I tell her to be gettin her dogs together cause I was sho gwine point her out to you de next time I see you.

I tell you, Miss Davis, I got a 'sponsibility put on me here to look after all dese chillun. Yes'um, it sho a 'sponsibility cause I think dere five of dem dere, en it de truth in de Lord sight, dey has me settin up so straight to keep a eye on dem dat I can' never settle my mind on nothin. Dey won' let me keep nothin clean. Ain' no use to scrub none, I say. You see, cripple up like I is, I ain' able to get no work off nowhe' en I keeps dem while dey parents work out. Dey mammas have a job to cook out en dey brings dem here bout 6 o'clock in de mornin for me to see after till dey get home in de afternoon. Cose dey helps me along, but it takes what little dey give me to keep dem chillun warm cause I has to try en keep a fire gwine, dey be so little. Dere Bertha Lee en Joseph, dey start gwine to school dis year en I has to see dey gets fix decent en march dem off to school every mornin. Dem other three dere, dey name: Possum en June en Alfred. Ain' but just one girl en dat-

(Lizzie's attention turns to June, who comes in crying from the back yard, where all the children went to play during Lizzie's conversation with her visitor).

Lizzie-What de matter wid you, June?

June-Aun' Izzie, Possum knock me wid de ax.

Lizzie-Great King! What a peculiar thing to hit you wid. How-come he to do dat?

June-He was bustin up dem stick out dere side de wood pile.

Lizzie-Oh, well, you just go en butt up on de ax. Dat ain' no fault of he own den. Clean up dat face en gwine on way from here.

(June, crying to himself, remains seated on the little stool).

Lizzie-Let me see now, Miss Davis, I tryin to get some of dem old time songs together to turn for you what you been axin me bout de other time you come here. Yes'um, I tryin to blow my dogs-

(Possum enters the room).

Possum-Aun' Izzie, I was bustin up dem splinters dat my daddy brung for you to cook wid en June come en set right under de ax.

Lizzie-Um-huh, ain' I tell you so? Whe' de ax, Possum? Fetch it here en put it in de corner. Ain' none of you had no business wid dat ax nohow. Ain' I tell you to mind your way round dat ax?

(Possum runs back out in the yard).

Lizzie-Like I tellin you, Miss Davis, if de people had a song in de old days, dey would put it down on a long strip called a ballad, but honey, I been through de hackles en I can' think of nothin like I used to could. Is anybody sing dis one for you, Miss Davis? It a old one, too, cause I used to hear-

(Alfred comes in to tell his tale).

Alfred-Aun' Izzie, June set on Possum's pile of splinters dat he was makin en Possum let de ax fall right on June's head.

Lizzie-Dey is cases, Miss Davis. I tellin you, dese chillun just gets everything off my mind. Most makes me forget to eat sometimes. Dere Miss Julia Woodberry, poor creature, she been down mighty sick en I ain' been able to go en see bout her no time. Don' know what ailin her cause I don' gets bout nowhe' much. No, mam, dese chillun don' have no manners to go visitin en I can' left dem here widout nobody to mind bout dat dey don' run-

Joseph-Aun' Izzie, I ain' gwine wear no coat to school dis mornin.

Lizzie-Boy, is you crazy? What de matter wid you, ain' you know de ground been white wid Jack Frost dis mornin? En you clean up dat nose fore you get dere to school, too. You ain' say your ma send you here widout no pocket rag to wipe your nose wid? You ma, she know better den to 'spect me to hunt rags for you. Come here en let me fasten up dat coat round de neck. You look like a turkey buzzard wid it gapin open dat way. Whe' Bertha Lee? It time both you been in dat road gwine to school dere.

(Bertha Lee and Joseph go out the door to leave for school).

Lizzie-Lord a mercy, Miss Davis, my mind just a windin. How dat song turn what I had for you?

One for Paul,

En one for Sidas-

Lizzie-Joseph, how-come you ain' tell dese chillun good-bye?

Joseph-Good-bye Possum, good-bye June, good-bye Alfred.

Possum, June, Alfred-Good-bye Joseph.

Lizzie-Is you got dat one now, Miss Davis? What de next? Great Jeruselum! Dem chillun done carry dat tune way wid dem. I can' turn dat one to save my neck. Just can' come to de turn table as de old man would say. (12 o'clock mill whistle blows, time teller for many colored people of the community). Lord a mercy, what dat whistle say? It done come 12 o'clock en dat pot ain' thought bout to kick up none yet. I tell you, honey, it sho a 'sponsibility I got put on me here to cook for all dese chillun en see dey ration is cook mighty done, too, so as dey won' be gwine round gruntin wid dey belly hurtin all de evenin.

(Lizzie begins to stir up the fire to make the pot boil and her visitor decides to return later to hear the songs).

Date, February 7, 1938