Princess Sarah and Other Stories by John Strange Winter
Princess Sarah and Other Stories by John Strange Winter
In a poor little street in a crowded city there stood a small house, not alone, but in the middle of a row of other houses exactly like it. There was a tiny bow window on the left of the door, and two very small sash windows in the storey above; the frames were warped, and the paint, like that of the door, was blistered and cracked in many places.
And the doorstep looked as if it had been cleaned a week or so before with whiting instead of pipe-clay, and evidently the person who had done it had, doubtless with the very best intentions in the world, given the lower part of the door a few daubs with the same cloth, which had not at all improved its shabby surface.
Between the house and the pavement there was a small garden, a very humble attempt at a garden, with a rockery in one corner and a raised bed in the middle.
It was a noisy street, though it was not a thoroughfare, for on that hot, sultry day the doors and windows were all open and the children were all playing about pavements and road, caring little for the heat and dust, screaming, laughing, shouting, crying, as children will, except when they found themselves within reach of the house which I have described; then their voices were hushed, their tones sobered; then they stood to gaze up at the closed blinds which beat now and then against the open windows, as if a door had been opened and allowed a draught of air to sweep through the house; then one little maid of ten years old or so lifted a warning finger to check a lesser child, upon whom the fear and knowledge of death had not yet fallen. "Hush--sh! Don't make a noise, Annie," she said. "Mr. Gray is dead."
The younger child, Annie, ceased her laughter, turning from the closed house to stare at two ladies who came slowly down the street, looking from side to side as if they sought one of the houses in particular.
"This must be it," said one, as her eyes fell upon the closed blinds.
"Yes," returned the other; "that must be it."
So they passed in at the little gate and knocked softly at the shabby door.
"Poor fellow!" said one, with a glance at the bit of garden before the bow window, "his doing, evidently; there's not another garden in the street like it."
"No. And what pains he must have taken with it. Poor fellow!" echoed the other.
There was a moment's scuffle within the house, the sound of loudly-whispering voices; then a heavy footstep, and the door was opened by a stout, elderly person in a shabby black gown and white apron--a person who was unmistakably a nurse. She curtsied as she saw the ladies, and the one who had spoken last addressed her.
"We heard early this morning. I see the sad news is too true," she began.
"Yes'm," shaking her head. "He went off quite quiet about ten o'clock last night. Ah, I've seen a-many, but I never saw a more peaceful end--never!"
The two ladies each made a murmur of sympathy.
"And the little girl?" said one of them.
"Well, mum, she do fret a good bit," replied the nurse pityingly.
"Poor little thing! We have brought some fruit and some other little things," said the lady, handing a basket to the nurse.
"It's real kind of you, mum!" the old woman cried. "She'll be rare and pleased, she will, poor little missy! You see, mum, it's been a queer, strange life for a child, for she's been everything to him, and she never could go out and play in the street with the other children. That couldn't be, and it was hard for the little thing to see 'em and be shut off from 'em all day as she was; and the master on that account used to make hisself more to her, which will make it all the harder for her now, poor fatherless, motherless lamb that she is!"
"Of course, of course. Poor little maid! And what will become of her, do you think?"
"I can't say for certain, mum; but the mistress, she had relations, and the master wrote to one of them on Thursday. He was sore troubled about little missy, was the master--aye, sore troubled. The letter was sent, and an answer came this morning to say that one of missy's aunts was coming to-day. The vicar opened it."
"Oh, well, I'm glad somebody is coming to the poor child," said the lady who had brought the basket of fruit. "I hope it will be all right. And you will give her the things, nurse?" with a look at the basket.
"Oh, yes, mum," with a curtsey.
There was not only some fruit in the basket, but a pot of jam and a jar of potted meat, a glass of jelly, some sponge cakes, and a packet of sweeties, such as little folk love.
The old nurse carried them into the sitting-room and set them down on the table before a little girl who was sitting beside it.
"See, missy, what a nice basket of good things Mrs. Tracy has brought for you!" the old woman cried. "Wasn't it kind of her?"
"Very kind," said the little girl, brightening up somewhat at the unexpected kindness from one almost a stranger to her.
"Grapes, Miss Sarah, and peaches, and Orleans plums; and see--potted meat! Now how could she know you're so fond of potted meat?"
"I don't know, nurse; he liked potted meat too, you know."
"Yes, dear, yes; but he's gone where he has all he's most fond of, you know."
"Except me," murmured Sarah, under her breath.
"Ah, that's true, my lamb; but you mustn't repine. Him as took the master away so calm and peaceful last night knew just what was best to do, and He'll do it, never fear! It's hard to bear, my honey, and sure," with a sigh, "no one knows better what bearing such is than old nurse. And--hark! to think of any one coming with a knock like that! enough to waken the----" But then she broke off short, and went to open the door.
Luna has tried her best to make her forced marriage to Xen work for the sake of their child. But with Riley and Sophia- Xen's ex-girlfriend and her son in the picture. She fights a losing battle. Ollie, Xen's son is neglected by his father for a very long time and he is also suffering from a mysterious sickness that's draining his life force. When his last wish to have his dad come to his 5th birthday party is dashed by his failure to show up, Ollie dies in an accident after seeing his father celebrate Riley's birthday with Sophia and it's displayed on the big advertising boards that fill the city. Ollie dies and Luna follows after, unable to bear the grief, dying in her mate's hands cursing him and begging for a second chance to save her son. Luna gets the opportunity and is woken up in the past, exactly one year to the day Sophia and Riley show up. But this time around, Luna is willing to get rid of everyone and anyone even her mate if he steps in her way to save her son.
I woke up in a blindingly white hotel penthouse with a throbbing headache and the taste of betrayal in my mouth. The last thing I remembered was my stepsister, Cathie, handing me a flute of champagne at the charity gala with a smile that didn't reach her eyes. Now, a tall, dangerously handsome man walked out of the bathroom with a towel around his hips. On the nightstand sat a stack of hundred-dollar bills. My stepmother had finally done it—she drugged me and staged a scandal with a hired escort to destroy my reputation and my future. "Aisha! Is it true you spent the night with a gigolo?" The shouts of a dozen reporters echoed through the heavy oak door as camera flashes exploded through the peephole. My phone lit up with messages showing my bank accounts were already frozen. My father was invoking the 'morality clause' in my mother’s trust fund, and my fiancé had already released a statement dumping me to marry my stepsister instead. I was trapped, penniless, and being hunted by the press for a scandal I hadn't even participated in. My own family had sold me out for a payday, and the man standing in front of me was the only witness who could prove I was innocent—or finish me off for good. I didn't have time to cry. According to the fine print of the trust, I had thirty days to prove my "rehabilitation" through a legal marriage or I would lose everything. I tracked the man down to a coffee shop the next morning, watching him take a thick envelope of cash from a wealthy older woman. I sat across from him and slid a napkin with a $50,000 figure written on it. "I need a husband. Legal, paper-signed, and convincing." He looked at the number, then at me, a slow, crooked smile spreading across his face. I thought I was hiring a desperate gigolo to save my inheritance. I had no idea I was actually proposing to Dominic Fields, the reclusive billionaire shark who was currently planning a hostile takeover of my father’s entire empire.
For eight years, Cecilia Moore was the perfect Luna, loyal, and unmarked. Until the day she found her Alpha mate with a younger, purebred she-wolf in his bed. In a world ruled by bloodlines and mating bonds, Cecilia was always the outsider. But now, she's done playing by wolf rules. She smiles as she hands Xavier the quarterly financials-divorce papers clipped neatly beneath the final page. "You're angry?" he growls. "Angry enough to commit murder," she replies, voice cold as frost. A silent war brews under the roof they once called home. Xavier thinks he still holds the power-but Cecilia has already begun her quiet rebellion. With every cold glance and calculated step, she's preparing to disappear from his world-as the mate he never deserved. And when he finally understands the strength of the heart he broke... It may be far too late to win it back.
For seventeen years, I was the crown jewel of the Kensington empire, the perfect daughter groomed for a royal future. Then, a cream-colored envelope landed in my lap, bearing a gold crest and a truth that turned my world into ice. The DNA test result was a cold, hard zero percent-I wasn't a Kensington. Before the ink could even dry, my parents invited my replacement, a girl named Alleen, into the drawing room and treated me like a trespasser in my own home. My mother, who once hosted galas in my honor, wouldn't even look me in the eye as she stroked Alleen's arm, whispering that she was finally "safe." My father handed me a one-million-dollar check-a mere tip for a billionaire-and told me to leave immediately to avoid tanking the company's stock price. "You're a thief! You lived my life, you spent my money, and you don't get to keep the loot!" Alleen shrieked, trying to claw the designer jacket off my shoulders while my "parents" watched with clinical detachment. I was dumped on a gritty sidewalk in Queens with nothing but three trunks and the address of a struggling laborer I was now supposed to call "Dad." I traded a marble mansion for a crumbling walk-up where the air smelled of exhaust and my new bedroom was a literal storage closet. My biological family thought I was a broken princess, and the Kensingtons thought they had successfully erased me with a payoff and a non-disclosure agreement. They had no idea that while I was hauling trunks up four flights of stairs, my secret media empire was already preparing to move against them. As I sat on a thin mattress in the dark, I opened my encrypted laptop and sent a single command that would cost my former father ten million dollars by breakfast. They thought they were throwing me to the wolves, but they forgot one thing: I'm the one who leads the pack.
Five years of devotion ended when Brynn was left at the altar, watching Richard rush to his true love. Knowing she could never thaw his cold heart, Brynn walked away, ready to start over. After a night of drinking, she woke beside the last man she should ever cross-Nolan, her brother's arch-enemy. As she tried to escape, he caught her, murmuring, "You kissed me all night. Leaving isn't an option." The world saw Nolan as cold and distant, but with Brynn, he indulged her every desire. He even bought her a whole village and held her close, his voice low, deep, and endlessly tempting, his robe falling open to reveal his toned abs. "Want to feel it?"
I sat in the gray, airless room of the New York State Department of Corrections, my knuckles white as the Warden delivered the news. "Parole denied." My father, Howard Sterling, had forged new evidence of financial crimes to keep me behind bars. He walked into the room, smelling of expensive cologne, and tossed a black folder onto the steel table. It was a marriage contract for Lucas Kensington, a billionaire currently lying in a vegetative state in the ICU. "Sign it. You walk out today." I laughed at the idea of being sold to a "corpse" until Howard slid a grainy photo toward me. It showed a toddler with a crescent-moon birthmark—the son Howard told me had died in an incubator five years ago. He smiled and told me the boy's safety depended entirely on my cooperation. I was thrust into the Kensington estate, where the family treated me like a "drowned rat." They dressed me in mothball-scented rags and mocked my status, unaware that I was monitoring their every move. I watched the cousin, Julian, openly waiting for Lucas to die to inherit the empire, while the doctors prepared to sign the death certificate. I didn't understand why my father would lie about my son’s death for years, or what kind of monsters would use a child as a bargaining chip. The injustice of it burned in my chest as I realized I was just a pawn in a game of old money and blood. As the monitors began to flatline and the family started to celebrate their inheritance, I locked the door and reached into the hem of my dress. I pulled out the sharpened silver wires I’d fashioned in the prison workshop. They thought they bought a submissive convict, but they actually invited "The Saint"—the world’s most dangerous underground surgeon—into their home. "Wake up, Lucas. You owe me a life." I wasn't there to be a bride; I was there to wake the dead and burn their empire to the ground.
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