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Motor Matt's Daring, or, True to His Friends by Stanley R. Matthews
Motor Matt's Daring, or, True to His Friends by Stanley R. Matthews
"Shade o' Gallopin' Dick! Say, allow me to rise an' explain that I kin ride anythin' from a hoss to a streak o' greased lightnin'. I don't take no back seat fer anythin' on hoofs, 'r wheels, 'r wings. If ye think ye kin make Eagle-eye Perkins, ex-Pirate o' the Plains, take to the cliffs an' the cactus jest by flashin' a little ole benzine push-cart onto him an' darin' him to git straddle, ye're goin' to be fooled a-plenty. Shucks! Here, hold my hat."
"You don't have to shed your hat, Perk."
"Got to cl'ar decks fer action. When a man with a wooden leg goes gallivantin' around on a two-wheeled buzz-wagon, the less plunder he keeps aboard the better. Hold the hat an' hesh up about it. Which crank d'ye turn to make 'er start?"
Ed Penny, on his one-cylinder motor-cycle, had come chug-chugging across the bridge over the town canal and stopped in front of the McReady home. While he was out in front, talking with Chub McReady, Welcome Perkins, the self-called reformed road-agent, had stumped out of the house and walked around the hitching-post against which Penny had leaned the machine. Welcome had snorted contemptuously. Penny had then whirled on the old man and had asked him if he thought he could ride the motor-cycle. This led to Welcome's outburst and the jerking off of his sombrero, which he handed to Chub.
Both boys were enchanted with the prospect ahead of them. There was never anything Welcome hadn't done or couldn't do-to hear him tell about it-and this looked like a good chance to take some of the conceit out of him.
"Ever ride a bike, Welcome?" asked Penny, his enthusiasm palling a little as he thought of what might happen to his machine.
"Ride a bike!" exploded Welcome; "me! Why, I was raised on 'em. Never was scart of a reg'lar bike yet, so I reckon two wheels an' a couple o' quarts o' gasoline ain't goin' to make me side-step none. How d'ye start 'er, I ask ye? What knob d'ye pull?"
Penny showed him how to start the gasoline and to switch on the spark. Welcome puffed himself up and patted his chest.
"Nothin' to it," he rumbled. "Watch my smoke, will ye, an' see how easy ridin' a contraption like that comes to a feller that's knowed how to do things his hull life."
He pulled off his coat and gave it to Chub to hold, along with his hat. Then he rolled up his shirt-sleeves.
"Snakes alive!" he muttered, with a sudden thought. "How am I goin' to keep that wooden pin on the pedal?"
"We'll tie it there, Perk," answered Chub promptly. "Wait a minute."
He hung the coat and hat on the hitching-post and started off into the yard. While he was gone, Welcome began pulling up the strap that secured the pin to his stump of a leg. By way of showing how calm and self-possessed he was, he sang as he worked.
"I oncet knowed a gal in the year o' '83,
A han'some young thing by the name o' Em-eye-lee;
I never could persuade her for to leave me be,
An' she went an' she took an' she married me."
When Chub got back with a piece of rope, Welcome was astride the saddle, his foot on the ground, with Penny, who was shaking with suppressed joy, helping to hold up the machine.
"Tie 'er tight, son," said Welcome.
"Don't you fret any about that, Perk," answered Chub, with a wink at Penny as he lifted himself erect. "Remember how to start?"
"Think I'm an ijut?" demanded Welcome indignantly. "I got a head fer machinery, anyways, an' I could hev studied it out all by myself if ye'd given me time. Are we all ready?"
Chub helped Penny pull the machine upright.
"All ready!" they answered, in one voice, with sly grins at each other behind the old man's back.
"Then see me tear loose."
Welcome worked the requisite levers, the machine began to sputter, and the boys gave it a shove. There was a good deal of wabbling, at first, but as the machine gathered headway it got steadier, and Welcome dwindled away down the road.
"Not so much of a joke, after all, Penny," observed Chub, in gloomy disappointment. "The old freak seems to know how to stay on and keep right side up. I thought he'd scatter himself all over the road right at the start."
"One on us, Chub," returned Penny. "Ah," he added, his eyes on Welcome, "he's turning 'round in that big open space near the canal bridge. Gee-whiz! but that was a short turn. Watch him, will you! He's comin' this way like the cannon-ball limited."
"What's he yellin' about?" queried Chub excitedly. "Something must have gone wrong."
Both boys watched the approaching Welcome with growing wonder. He was coming like a house afire, his long hair blowing out behind him, and he was howling like a Comanche. There was a look of helpless consternation on his face.
"Gosh-all-Friday! How d'ye stop 'er? Ye didn't tell me how ter stop 'er!"
Welcome shot past them like a bullet out of a gun, his voice trailing out behind him and becoming all jumbled up in the distance.
"He can stay on, all right," whooped Chub, "but he can't stop! Why didn't you tell him how to stop, Penny?"
"He never asked me!" answered Penny.
"The thing is runnin' away with him!"
Welcome described another hair-raising turn at another place that allowed him to circle, and came whooping back.
"What'm I goin' to do?" he howled; "how long've I got to keep this thing up?"
"Jump off!" suggested Chub.
"Can't! Ye tied me on! Wow!"
By that time Welcome was out of talking distance again. When he circled back on the next frantic round, it was plain that his gorge was beginning to rise.
"I'll skelp somebody fer this!" he roared. "Ye framed it up between ye, that's what ye done! Dad-bing the pizen ole thing-um-bob!"
Welcome was now tearing toward the bridge over the canal. A man was coming across the bridge on foot.
"Great C?sar!" exclaimed Chub, staring toward the bridge, "that's Dirk Hawley, the gambler, comin' this way?"
"Welcome ain't makin' any move to turn around," answered Penny. "Looks to me as though he was going to knock Hawley into the canal."
By a common impulse the boys started on a run toward the scene of threatened disaster. Hawley had come to a standstill in the middle of the bridge.
"Slow down, you old catamaran!" he cried. "What d'ye mean by scorchin' like that?"
"Head me off!" begged Welcome. "Can't stop-don't know how to stop! Trip me up 'r somethin'!"
By the time Hawley had got this through his head Welcome was upon him. With a shout of anger, Hawley hurled himself to one side. He escaped being struck, and missed going into the water of the canal by a scant margin; but he had been obliged to throw himself flat down on the bridge, and in doing so he had jarred his body a little and jolted his temper a good deal.
As he picked himself up he said a good many unkind things about Welcome, but the old fellow was plunging on beyond the bridge and had other troubles that took up his attention.
Just as he had about made up his mind to run into the side of a building, or a fence, and bring himself to a halt at any cost, his frenzied eyes caught sight of another motor-cycle, sailing toward him. A thrill of hope darted through his breast.
"Matt!" he yelped. "Stop me! The blamed thing's got the bit in its teeth an' I can't do nothin' with it!"
Matt King slowed down, stared a moment at the frantic old man, laughed a little, then described a half-circle, put on more power, and raced along beside the runaway machine. It took him but a moment to lean over and shut off the engine.
"How did you happen to get in a fix like this, Welcome?" he asked, when both machines were at a halt and the old man was standing on one foot and trying to jerk his wooden leg loose from the pedal.
"Can't ye guess what onnery limb put this up on me?" glared Welcome. "Not sence I reformed hev I ever felt like p'intin' fer All Outdoors an' becomin' a hootin', tootin' border ruffian, as I do this here minit! Wow! The ole sperrit is a-bubblin' an' a-stirrin' around in me like all-possessed, an' I don't reckon I kin hang out agin' it."
"Buck up, Welcome," said Matt, who knew the old fellow's eccentricities as well as any one, and understood just how much of a false alarm he was. "It won't do for you to backslide now, after you've lived a respectable life for so long. Here, I'll get the lashing off that wooden leg of yours."
Leaning his motor-cycle against a tree by the roadside, Matt bent down and got busy with the rope. As soon as Welcome could jerk the pin loose, he whirled and stumped furiously back in the direction of Chub and Penny. Matt grinned a little as he looked after him.
"I never saw the old chap stirred up as bad as he is now," he muttered. "I wonder what Dirk Hawley is doing over in this direction? Welcome came within one of knocking him into the canal. If that had happened there'd sure have been fireworks."
After leaning Penny's machine against the tree, Matt mounted his own and started for the bridge. As he crossed the bridge he saw something white lying on the planks, and halted to pick the object up. It proved to be an old envelope with an enclosure of some sort, and was addressed to James McReady, Ph?nix, A. T. This address was in ink, but the "James McReady" had been scratched out and the name of "Mark McReady" penciled above it.
James McReady was a prospector, and was in the hills looking for gold most of the time. He was Mark's father, and Mark's nickname was "Chub." Evidently this letter was intended for Chub, and had fallen from Dirk Hawley's pocket when he threw himself out of the way of Welcome and the charging motor-cycle. But how was it that such a letter happened to be in the possession of Hawley, the gambler? While Matt was puzzling over that phase of the question, a heavy step sounded on the bridge, and a gruff, commanding voice called out:
"What are you doin' with that letter? Hand it over here; it belongs to me!"
* * *
Motor Matt's Mystery; or, Foiling a Secret Plot by Stanley R. Matthews
The scene was the side-show tent of the "Big Consolidated," Boss Burton's "Tented Aggregation of the World's Marvels." The show had raised its "tops" at Reid's Lake, near the city of Grand Rapids. A high wind had prevented Motor Matt from giving his outdoor exhibition of a?roplane flying, and the disappointed crowds were besieging the side show, eager to beguile the time until the doors for the big show were open.
Abandoned as a child and orphaned by murder, Kathryn swore she'd reclaim every shred of her stolen birthright. When she returned, society called her an unpolished love-child, scoffing that Evan had lost his mind to marry her. Only Evan knew the truth: the quiet woman he cradled like porcelain hid secrets enough to set the city trembling. She doubled as a legendary healer, an elusive hacker, and the royal court's favorite perfumer. At meetings, the directors groaned at the lovey-dovey couple, "Does she really have to be here?" Evan shrugged. "Happy wife, happy life." Soon her masks fell, and those who sneered bowed in awe.
Joelle thought she could change Adrian's heart after three years of marriage, but she realized too late that it already belonged to another woman. "Give me a baby, and I'll set you free." The day Joelle went into labor, Adrian was traveling with his mistress on his private jet. "I don't care whom you love. My debt is paid. From now on, we have nothing to do with each other." Not long after Joelle left, Adrian found himself begging on his knees. "Please come back to me."
Audrey Wilson must marry an old, ugly man because of her father's unpaid debts. She thought her boyfriend would be her savior, but on the same day, she discovers that he has betrayed her along with her best friend. So, desperate, she has to go to a bar to look for an opportunity, and luckily, she does find it... *** Audrey feel, a strange sensation was emanating from every part of her body. She tried to clench her legs, but was prevented from doing so. Lucien spread her legs and took his c*ck and aimed it at her v*ginal entrance. Smiling, he prompted her, "I'm coming in." With that he thrust hard. "Ah-" Audrey cried out, unlike the moan she had just given. It was a scream from pain, and she felt a ripping pain coming from her bottom. Lucien sensed something was wrong and looked down to check, he saw blood. What was going on here? She really was a virgin!
My marriage ended at a charity gala I organized. One moment, I was the pregnant, happy wife of tech mogul Gabe Sullivan; the next, a reporter' s phone screen announced to the world that he and his childhood sweetheart, Harper, were expecting a child. Across the room, I saw them together, his hand resting on her stomach. This wasn't just an affair; it was a public declaration that erased me and our unborn baby. To protect his company's billion-dollar IPO, Gabe, his mother, and even my own adoptive parents conspired against me. They moved Harper into our home, into my bed, treating her like royalty while I became a prisoner. They painted me as unstable, a threat to the family's image. They accused me of cheating and claimed my child wasn't his. The final command was unthinkable: terminate my pregnancy. They locked me in a room and scheduled the procedure, promising to drag me there if I refused. But they made a mistake. They gave me back my phone to keep me quiet. Feigning surrender, I made one last, desperate call to a number I had kept hidden for years-a number belonging to my biological father, Antony Dean, the head of a family so powerful, they could make my husband's world burn.
When I was eight, Dante Moretti pulled me from the fire that killed my family. For ten years, the powerful crime boss was my protector and my god. Then, he announced his engagement to another woman to unite two criminal empires. He brought her home and named her the future mistress of the Moretti family. In front of everyone, his fiancée forced a cheap metal collar around my neck, calling me their pet. Dante knew I was allergic. He just watched, his eyes cold, and ordered me to take it. That night, I listened through the walls as he took her to his bed. I finally understood the promise he’d made me as a child was a lie. I wasn't his family. I was his property. After a decade of devotion, my love for him finally turned to ash. So on his birthday, the day he celebrated his new future, I walked out of his gilded cage for good. A private jet was waiting to take me to my real father—his greatest enemy.
Three years of marriage couldn't melt Theo's frozen heart. When an art gallery collapsed on Lena, he was off romancing another woman-lavishing her with a private jet. Three steel pins held Lena's shoulder together, but her heart remained broken. She filed for divorce and told everyone that he was impotent. Rising from the rubble, Lena blazed onto the design world's A‑list. She expected him to sail off with his true love-until Theo reappeared at her runway, pressing her against the wall. "Impotent, huh? Care to give it a try?"
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