Motor Matt's Daring, or, True to His Friends by Stanley R. Matthews
Motor Matt's Daring, or, True to His Friends by Stanley R. Matthews
"Shade o' Gallopin' Dick! Say, allow me to rise an' explain that I kin ride anythin' from a hoss to a streak o' greased lightnin'. I don't take no back seat fer anythin' on hoofs, 'r wheels, 'r wings. If ye think ye kin make Eagle-eye Perkins, ex-Pirate o' the Plains, take to the cliffs an' the cactus jest by flashin' a little ole benzine push-cart onto him an' darin' him to git straddle, ye're goin' to be fooled a-plenty. Shucks! Here, hold my hat."
"You don't have to shed your hat, Perk."
"Got to cl'ar decks fer action. When a man with a wooden leg goes gallivantin' around on a two-wheeled buzz-wagon, the less plunder he keeps aboard the better. Hold the hat an' hesh up about it. Which crank d'ye turn to make 'er start?"
Ed Penny, on his one-cylinder motor-cycle, had come chug-chugging across the bridge over the town canal and stopped in front of the McReady home. While he was out in front, talking with Chub McReady, Welcome Perkins, the self-called reformed road-agent, had stumped out of the house and walked around the hitching-post against which Penny had leaned the machine. Welcome had snorted contemptuously. Penny had then whirled on the old man and had asked him if he thought he could ride the motor-cycle. This led to Welcome's outburst and the jerking off of his sombrero, which he handed to Chub.
Both boys were enchanted with the prospect ahead of them. There was never anything Welcome hadn't done or couldn't do-to hear him tell about it-and this looked like a good chance to take some of the conceit out of him.
"Ever ride a bike, Welcome?" asked Penny, his enthusiasm palling a little as he thought of what might happen to his machine.
"Ride a bike!" exploded Welcome; "me! Why, I was raised on 'em. Never was scart of a reg'lar bike yet, so I reckon two wheels an' a couple o' quarts o' gasoline ain't goin' to make me side-step none. How d'ye start 'er, I ask ye? What knob d'ye pull?"
Penny showed him how to start the gasoline and to switch on the spark. Welcome puffed himself up and patted his chest.
"Nothin' to it," he rumbled. "Watch my smoke, will ye, an' see how easy ridin' a contraption like that comes to a feller that's knowed how to do things his hull life."
He pulled off his coat and gave it to Chub to hold, along with his hat. Then he rolled up his shirt-sleeves.
"Snakes alive!" he muttered, with a sudden thought. "How am I goin' to keep that wooden pin on the pedal?"
"We'll tie it there, Perk," answered Chub promptly. "Wait a minute."
He hung the coat and hat on the hitching-post and started off into the yard. While he was gone, Welcome began pulling up the strap that secured the pin to his stump of a leg. By way of showing how calm and self-possessed he was, he sang as he worked.
"I oncet knowed a gal in the year o' '83,
A han'some young thing by the name o' Em-eye-lee;
I never could persuade her for to leave me be,
An' she went an' she took an' she married me."
When Chub got back with a piece of rope, Welcome was astride the saddle, his foot on the ground, with Penny, who was shaking with suppressed joy, helping to hold up the machine.
"Tie 'er tight, son," said Welcome.
"Don't you fret any about that, Perk," answered Chub, with a wink at Penny as he lifted himself erect. "Remember how to start?"
"Think I'm an ijut?" demanded Welcome indignantly. "I got a head fer machinery, anyways, an' I could hev studied it out all by myself if ye'd given me time. Are we all ready?"
Chub helped Penny pull the machine upright.
"All ready!" they answered, in one voice, with sly grins at each other behind the old man's back.
"Then see me tear loose."
Welcome worked the requisite levers, the machine began to sputter, and the boys gave it a shove. There was a good deal of wabbling, at first, but as the machine gathered headway it got steadier, and Welcome dwindled away down the road.
"Not so much of a joke, after all, Penny," observed Chub, in gloomy disappointment. "The old freak seems to know how to stay on and keep right side up. I thought he'd scatter himself all over the road right at the start."
"One on us, Chub," returned Penny. "Ah," he added, his eyes on Welcome, "he's turning 'round in that big open space near the canal bridge. Gee-whiz! but that was a short turn. Watch him, will you! He's comin' this way like the cannon-ball limited."
"What's he yellin' about?" queried Chub excitedly. "Something must have gone wrong."
Both boys watched the approaching Welcome with growing wonder. He was coming like a house afire, his long hair blowing out behind him, and he was howling like a Comanche. There was a look of helpless consternation on his face.
"Gosh-all-Friday! How d'ye stop 'er? Ye didn't tell me how ter stop 'er!"
Welcome shot past them like a bullet out of a gun, his voice trailing out behind him and becoming all jumbled up in the distance.
"He can stay on, all right," whooped Chub, "but he can't stop! Why didn't you tell him how to stop, Penny?"
"He never asked me!" answered Penny.
"The thing is runnin' away with him!"
Welcome described another hair-raising turn at another place that allowed him to circle, and came whooping back.
"What'm I goin' to do?" he howled; "how long've I got to keep this thing up?"
"Jump off!" suggested Chub.
"Can't! Ye tied me on! Wow!"
By that time Welcome was out of talking distance again. When he circled back on the next frantic round, it was plain that his gorge was beginning to rise.
"I'll skelp somebody fer this!" he roared. "Ye framed it up between ye, that's what ye done! Dad-bing the pizen ole thing-um-bob!"
Welcome was now tearing toward the bridge over the canal. A man was coming across the bridge on foot.
"Great C?sar!" exclaimed Chub, staring toward the bridge, "that's Dirk Hawley, the gambler, comin' this way?"
"Welcome ain't makin' any move to turn around," answered Penny. "Looks to me as though he was going to knock Hawley into the canal."
By a common impulse the boys started on a run toward the scene of threatened disaster. Hawley had come to a standstill in the middle of the bridge.
"Slow down, you old catamaran!" he cried. "What d'ye mean by scorchin' like that?"
"Head me off!" begged Welcome. "Can't stop-don't know how to stop! Trip me up 'r somethin'!"
By the time Hawley had got this through his head Welcome was upon him. With a shout of anger, Hawley hurled himself to one side. He escaped being struck, and missed going into the water of the canal by a scant margin; but he had been obliged to throw himself flat down on the bridge, and in doing so he had jarred his body a little and jolted his temper a good deal.
As he picked himself up he said a good many unkind things about Welcome, but the old fellow was plunging on beyond the bridge and had other troubles that took up his attention.
Just as he had about made up his mind to run into the side of a building, or a fence, and bring himself to a halt at any cost, his frenzied eyes caught sight of another motor-cycle, sailing toward him. A thrill of hope darted through his breast.
"Matt!" he yelped. "Stop me! The blamed thing's got the bit in its teeth an' I can't do nothin' with it!"
Matt King slowed down, stared a moment at the frantic old man, laughed a little, then described a half-circle, put on more power, and raced along beside the runaway machine. It took him but a moment to lean over and shut off the engine.
"How did you happen to get in a fix like this, Welcome?" he asked, when both machines were at a halt and the old man was standing on one foot and trying to jerk his wooden leg loose from the pedal.
"Can't ye guess what onnery limb put this up on me?" glared Welcome. "Not sence I reformed hev I ever felt like p'intin' fer All Outdoors an' becomin' a hootin', tootin' border ruffian, as I do this here minit! Wow! The ole sperrit is a-bubblin' an' a-stirrin' around in me like all-possessed, an' I don't reckon I kin hang out agin' it."
"Buck up, Welcome," said Matt, who knew the old fellow's eccentricities as well as any one, and understood just how much of a false alarm he was. "It won't do for you to backslide now, after you've lived a respectable life for so long. Here, I'll get the lashing off that wooden leg of yours."
Leaning his motor-cycle against a tree by the roadside, Matt bent down and got busy with the rope. As soon as Welcome could jerk the pin loose, he whirled and stumped furiously back in the direction of Chub and Penny. Matt grinned a little as he looked after him.
"I never saw the old chap stirred up as bad as he is now," he muttered. "I wonder what Dirk Hawley is doing over in this direction? Welcome came within one of knocking him into the canal. If that had happened there'd sure have been fireworks."
After leaning Penny's machine against the tree, Matt mounted his own and started for the bridge. As he crossed the bridge he saw something white lying on the planks, and halted to pick the object up. It proved to be an old envelope with an enclosure of some sort, and was addressed to James McReady, Ph?nix, A. T. This address was in ink, but the "James McReady" had been scratched out and the name of "Mark McReady" penciled above it.
James McReady was a prospector, and was in the hills looking for gold most of the time. He was Mark's father, and Mark's nickname was "Chub." Evidently this letter was intended for Chub, and had fallen from Dirk Hawley's pocket when he threw himself out of the way of Welcome and the charging motor-cycle. But how was it that such a letter happened to be in the possession of Hawley, the gambler? While Matt was puzzling over that phase of the question, a heavy step sounded on the bridge, and a gruff, commanding voice called out:
"What are you doin' with that letter? Hand it over here; it belongs to me!"
* * *
Motor Matt's Mystery; or, Foiling a Secret Plot by Stanley R. Matthews
The scene was the side-show tent of the "Big Consolidated," Boss Burton's "Tented Aggregation of the World's Marvels." The show had raised its "tops" at Reid's Lake, near the city of Grand Rapids. A high wind had prevented Motor Matt from giving his outdoor exhibition of a?roplane flying, and the disappointed crowds were besieging the side show, eager to beguile the time until the doors for the big show were open.
The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
For three quiet, patient years, Christina kept house, only to be coldly discarded by the man she once trusted. Instead, he paraded a new lover, making her the punchline of every town joke. Liberated, she honed her long-ignored gifts, astonishing the town with triumph after gleaming triumph. Upon discovering she'd been a treasure all along, her ex-husband's regret drove him to pursue her. "Honey, let's get back together!" With a cold smirk, Christina spat, "Fuck off." A silken-suited mogul slipped an arm around her waist. "She's married to me now. Guards, get him the hell out of here!"
Marrying her best friend was a dream come true for Kelly, but everything truly has a limitation. Pierce is Kelly’s first love, but as his best friend, she knew well there was always another woman deep in his heart. Lexi Gilbert. The woman Pierce could never forget even if he had already been arranged to marry Kelly. *** Kelly finally realized their happy marriage of the last three years was just a beautiful dream when Pierce asked for a divorce just because Lexi returned. She could only be his best friend even if she was carrying his baby. *** Since their friendship had become a cage, Kelly chose to set him free, as well as the miserable herself. But why then, it was Pierce who became the one who refused to move on? To make matters worse, her devil stepbrother also domineeringly stepped in at the same time, asking her to be his. *** Her Prince Charming vs. Her Devil Stepbrother? How could Kelly save her heart in this battle of love and hate?
For five years, I believed I was living in a perfect marriage, only to discover it was all a sham! I discovered that my husband was coveting my bone marrow for his mistress! Right in front of me, he sent her flirtatious messages. To make matters worse, he even brought her into the company to steal my work! I finally understood, he never loved me. I stopped pretending, collected evidence of his infidelity, and reclaimed the research he had stolen from me. I signed the divorce papers and left without looking back. He thought I was just throwing a tantrum and would eventually return. But when we met again, I was holding the hand of a globally renowned tycoon, draped in a wedding dress and grinning with confidence. My ex-husband's eyes were red with regret. "Come back to me!" But my new groom wrapped his arm around my waist, and chuckled dismissively, "Get the hell out of here! She's mine now."
Since she was ten, Noreen had been by Caiden's side, watching him rise from a young boy into a respected CEO. After two years of marriage, though, his visits home grew rare. Gossip among the wealthy said he despised her. Even his beloved mocked her hopes, and his circle treated her with scorn. People forgot about her decade of loyalty. She clung to memories and became a figure of ridicule, worn out from trying. They thought he'd won his freedom, but he dropped to his knees and begged, "Noreen, you're the only one I love." Leaving behind the divorce papers, she walked away.
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
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