McAllister and His Double by Arthur Train
McAllister and His Double by Arthur Train
McAllister was out of sorts. All the afternoon he had sat in the club window and watched the Christmas shoppers hurrying by with their bundles. He thanked God he had no brats to buy moo-cows and bow-wows for. The very nonchalance of these victims of a fate that had given them families irritated him. McAllister was a clubman, pure and simple; that is to say though neither simple nor pure, he was a clubman and nothing more.
He had occupied the same seat by the same window during the greater part of his earthly existence, and they were the same seat and window that his father had filled before him. His select and exclusive circle called him "Chubby," and his five-and-forty years of terrapin and cocktails had given him a graceful rotundity of person that did not belie the name. They had also endowed him with a cheerful though somewhat florid countenance, and a permanent sense of well-being.
As the afternoon wore on and the pedestrians became fewer, McAllister sank deeper and deeper into gloom. The club was deserted. Everybody had gone out of town to spend Christmas with someone else, and the Winthrops, on whom he had counted for a certainty, had failed for some reason to invite him. He had waited confidently until the last minute, and now he was stranded, alone.
It began to snow softly, gently. McAllister threw himself disconsolately into a leathern armchair by the smouldering logs on the six-foot hearth. A servant in livery entered, pulled down the shades, and after touching a button that threw a subdued radiance over the room, withdrew noiselessly.
"Come back here, Peter!" growled McAllister. "Anybody in the club?"
"Only Mr. Tomlinson, sir."
McAllister swore under his breath.
"Yes, sir," replied Peter.
McAllister shot a quick glance at him.
"I didn't say anything. You may go."
This time Peter got almost to the door.
"Er-Peter; ask Mr. Tomlinson if he will dine with me."
Peter presently returned with the intelligence that Mr. Tomlinson would be delighted.
"Of course," grumbled McAllister to himself. "No one ever knew Tomlinson to refuse anything."
He ordered dinner, and then took up an evening paper in which an effort had been made to conceal the absence of news by summarizing the achievements of the past year. Staring head-lines invited his notice to
A YEAR OF PROGRESS.
* * *
What the Tenement-House Commission Has Accomplished.
* * *
FURTHER NEED OF PRISON REFORM.
He threw down the paper in disgust. This reform made him sick. Tenements and prisons! Why were the papers always talking about tenements and prisons? They were a great deal better than the people who lived in them deserved. He recalled Wilkins, his valet, who had stolen his black pearl scarf-pin. It increased his ill-humor. Hang Wilkins! The thief was probably out by this time and wearing the pin. It had been a matter of jest among his friends that the servant had looked not unlike his master. McAllister winced at the thought.
"Dinner is served," said Peter.
An hour and a half later, Tomlinson and McAllister, having finished a sumptuous repast, stared stupidly at each other across their liqueurs. They were stuffed and bored. Tomlinson was a thin man who knew everything positively. McAllister hated him. He always felt when in his company like the woman who invariably answered her husband's remarks by "'Tain't so! It's just the opposite!" Tomlinson was trying to make conversation by repeating assertively what he had read in the evening press.
"Now, our prisons," he announced authoritatively. "Why, it is outrageous! The people are crowded in like cattle; the food is loathsome. It's a disgrace to a civilized city!"
This was the last straw to McAllister.
"Look here," he snapped back at Tomlinson, who shrank behind his cigar at the vehemence of the attack, "what do you know about it? I tell you it's all rot! It's all politics! Our tenements are all right, and so are our prisons. The law of supply and demand regulates the tenements; and who pays for the prisons, I'd like to know? We pay for 'em, and the scamps that rob us live in 'em for nothing. The Tombs is a great deal better than most second-class hotels on the Continent. I know! I had a valet once that- Oh, what's the use! I'd be glad to spend Christmas in no worse place. Reform! Stuff! Don't tell me!" He sank back purple in the face.
"What do you know about it? I tell you it's all rot!"
"Oh, of course-if you know!" Tomlinson hesitated politely, remembering that McAllister had signed for the dinner.
"Well, I do know," affirmed McAllister.
The Confessions of Artemas Quibble by Arthur Train
The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
I died on a Tuesday. It wasn't a quick death. It was slow, cold, and meticulously planned by the man who called himself my father. I was twenty years old. He needed my kidney to save my sister. The spare part for the golden child. I remember the blinding lights of the operating theater, the sterile smell of betrayal, and the phantom pain of a surgeon's scalpel carving into my flesh while my screams echoed unheard. I remember looking through the observation glass and seeing him-my father, Giovanni Vitiello, the Don of the Chicago Outfit-watching me die with the same detached expression he used when signing a death warrant. He chose her. He always chose her. And then, I woke up. Not in heaven. Not in hell. But in my own bed, a year before my scheduled execution. My body was whole, unscarred. The timeline had reset, a glitch in the cruel matrix of my existence, giving me a second chance I never asked for. This time, when my father handed me a one-way ticket to London-an exile disguised as a severance package-I didn't cry. I didn't beg. My heart, once a bleeding wound, was now a block of ice. He didn't know he was talking to a ghost. He didn't know I had already lived through his ultimate betrayal. He also didn't know that six months ago, during the city's brutal territory wars, I was the one who saved his most valuable asset. In a secret safe house, I stitched up the wounds of a blinded soldier, a man whose life hung by a thread. He never saw my face. He only knew my voice, the scent of vanilla, and the steady touch of my hands. He called me Sette. Seven. For the seven stitches I put in his shoulder. That man was Dante Moretti. The Ruthless Capo. The man my sister, Isabella, is now set to marry. She stole my story. She claimed my actions, my voice, my scent. And Dante, the man who could spot a lie from a mile away, believed the beautiful deception because he wanted it to be true. He wanted the golden girl to be his savior, not the invisible sister who was only ever good for her spare parts. So I took the ticket. In my past life, I fought them, and they silenced me on an operating table. This time, I will let them have their perfect, gilded lie. I will go to London. I will disappear. I will let Seraphina Vitiello die on that plane. But I will not be a victim. This time, I will not be the lamb led to slaughter. This time, from the shadows of my exile, I will be the one holding the match. And I will wait, with the patience of the dead, to watch their entire world burn. Because a ghost has nothing to lose, and a queen of ashes has an empire to gain.
I just got my billionaire husband to sign our divorce papers. He thinks it's another business document. Our marriage was a business transaction. I was his secretary by day, his invisible wife by night. He got a CEO title and a rebellion against his mother; I got the money to save mine. The only rule? Don't fall in love. I broke it. He didn't. So I'm cashing out. Thirty days from now, I'm gone. But now he's noticing me. Touching me. Claiming me. The same man who flaunts his mistresses is suddenly burning down a nightclub because another man insulted me. He says he'll never let me go. But he has no idea I'm already halfway out the door. How far will a billionaire go to keep a wife he never wanted until she tried to leave?
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
Aurora woke up to the sterile chill of her king-sized bed in Sterling Thorne's penthouse. Today was the day her husband would finally throw her out like garbage. Sterling walked in, tossed divorce papers at her, and demanded her signature, eager to announce his "eligible bachelor" status to the world. In her past life, the sight of those papers had broken her, leaving her begging for a second chance. Sterling's sneering voice, calling her a "trailer park girl" undeserving of his name, had once cut deeper than any blade. He had always used her humble beginnings to keep her small, to make her grateful for the crumbs of his attention. She had lived a gilded cage, believing she was nothing without him, until her life flatlined in a hospital bed, watching him give a press conference about his "grief." But this time, she felt no sting, no tears. Only a cold, clear understanding of the mediocre man who stood on a pedestal she had painstakingly built with her own genius. Aurora signed the papers, her name a declaration of independence. She grabbed her old, phoenix-stickered laptop, ready to walk out. Sterling Thorne was about to find out exactly how expensive "free" could be.
After two years of marriage, Sadie was finally pregnant. Filled with hope and joy, she was blindsided when Noah asked for a divorce. During a failed attempt on her life, Sadie found herself lying in a pool of blood, desperately calling Noah to ask him to save her and the baby. But her calls went unanswered. Shattered by his betrayal, she left the country. Time passed, and Sadie was about to be wed for a second time. Noah appeared in a frenzy and fell to his knees. "How dare you marry someone else after bearing my child?"
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