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Malcolm by George MacDonald
Malcolm by George MacDonald
"Na, na; I hae nae feelin's, thankfu' to say. I never kent ony guid come o' them. They're a terrible sicht i' the gait."
"Naebody ever thoucht o' layin' 't to yer chairge, mem."
"'Deed, I aye had eneuch adu to du the thing I had to du, no to say the thing 'at naebody wad du but mysel'. I hae had nae leisur' for feelin's an' that," insisted Miss Horn.
But here a heavy step descending the stair just outside the room attracted her attention, and checking the flow of her speech perforce, with three ungainly strides she reached the landing.
"Watty Witherspail! Watty!" she called after the footsteps down the stair.
"Yes, mem," answered a gruff voice from below.
"Watty, whan ye fess the bit boxie, jist pit a hemmer an' a puckle nails i' your pooch to men' the hen hoose door. The tane maun be atten't till as weel's the tither."
"The bit boxie" was the coffin of her third cousin Griselda Campbell, whose body lay on the room on her left hand as she called down the stair. Into that on her right Miss Horn now re-entered, to rejoin Mrs Mellis, the wife of the principal draper in the town, who had called ostensibly to condole with her, but really to see the corpse.
"Aih! she was taen yoong!" sighed the visitor, with long drawn tones and a shake of the head, implying that therein lay ground of complaint, at which poor mortals dared but hint.
"No that yoong," returned Miss Horn. "She was upo' the edge o' aucht an' thirty."
"Weel, she had a sair time o' 't."
"No that sair, sae far as I see-an' wha sud ken better? She's had a bien doon sittin' (sheltered quarters), and sud hae had as lang's I was to the fore. Na, na; it was nowther sae young nor yet sae sair."
"Aih! but she was a patient cratur wi' a' flesh," persisted Mrs Mellis, as if she would not willingly be foiled in the attempt to extort for the dead some syllable of acknowledgment from the lips of her late companion.
"'Deed she was that!-a wheen ower patient wi' some. But that cam' o' haein mair hert nor brains. She had feelin's gien ye like-and to spare. But I never took ower ony o' the stock. It's a pity she hadna the jeedgment to match, for she never misdoobted onybody eneuch. But I wat it disna maitter noo, for she's gane whaur it 's less wantit. For ane 'at has the hairmlessness o' the doo 'n this ill wulled warl', there's a feck o' ten 'at has the wisdom o' the serpent. An' the serpents mak sair wark wi' the doos-lat alane them 'at flees into the verra mouws o' them."
"Weel, ye're jist richt there," said Mrs Mellis. "An' as ye say, she was aye some easy to perswaud. I hae nae doubt she believed to the ver' last he wad come back and mairry her."
"Come back and mairry her! Wha or what div ye mean? I jist tell ye Mistress Mellis-an' it 's weel ye're named-gien ye daur to hint at ae word o' sic clavers, it 's this side o' this door o' mine ye s' be less acquant wi'."
As she spoke, the hawk eyes of Miss Horn glowed on each side of her hawk nose, which grew more and more hooked as she glared, while her neck went craning forward as if she were on the point of making a swoop on the offender. Mrs Mellis's voice trembled with something like fear as she replied:
"Gude guide 's, Miss Horn! What hae I said to gar ye look at me sae by ordinar 's that?"
"Said!" repeated Miss Horn, in a tone that revealed both annoyance with herself and contempt for her visitor. "There's no a claver in a' the countryside but ye maun fess 't hame aneth yer oxter, as gin 't were the prodigal afore he repentit. Ye s' get sma thanks for sic like here. An' her lyin' there as she'll lie till the jeedgment day, puir thing!"
" sure I meant no offence, Miss Horn," said her visitor. "I thocht a' body kent 'at she was ill about him."
"Aboot wha, i' the name o' the father o' lees?"
"Ow, aboot that lang leggit doctor 'at set oat for the Ingies, an' dee'd afore he wan across the equautor. Only fouk said he was nae mair deid nor a halvert worm, an' wad be hame whan she was merried."
"It's a' lees frae heid to fit, an' frae bert to skin."
"Weel, it was plain to see she dwyned awa efter he gaed, an' never was hersel' again-ye dinna deny that?"
"It's a' havers," persisted Miss Horn, but in accents considerably softened. "She cared na mair aboot the chield nor I did mysel'. She dwyned, I grant ye, an' he gaed awa, I grant ye; but the win' blaws an' the water rins, an the tane has little to du wi' the tither."
"Weel, weel; sorry I said onything to offen' ye, an' I canna say mair. Wi' yer leave, Miss Horn, I'll jist gang an' tak' a last leuk at her, puir thing!"
"'Deed, ye s' du naething o' the kin'! I s' lat nobody glower at her 'at wad gang an spairge sic havers about her, Mistress Mellis. To say 'at sic a doo as my Grizel, puir, saft hertit, winsome thing, wad hae lookit twice at ony sic a serpent as him! Na, na, mem! Gang yer wa's hame, an' come back straucht frae yer prayers the morn's mornin'. By that time she'll be quaiet in her coffin, an' I'll be quaiet i' my temper. Syne I'll lat ye see her-maybe.-I wiss I was weel rid o' the sicht o' her, for I canna bide it. Lord, I canna bide it."
These last words were uttered in a murmured aside, inaudible to Mrs Mellis, to whom, however, they did not apply, but to the dead body. She rose notwithstanding in considerable displeasure, and with a formal farewell walked from the room, casting a curious glance as she left it in the direction of that where the body lay, and descended the stairs as slowly as if on every step she deliberated whether the next would bear her weight. Miss Horn, who had followed her to the head of the stair, watched her out of sight below the landing, when she turned and walked back once more into the parlour, but with a lingering look towards the opposite room, as if she saw through the closed door what lay white on the white bed.
"It's a God's mercy I hae no feelin's," she said to herself. "To even (equal) my bonny Grizel to sic a lang kyte clung chiel as yon! Aih, puir Grizel! She's gane frae me like a knotless threid."
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Mr Vane discovers that his library is haunted by the previous librarian, who takes the wraith-like form of a raven. He follows the raven through a mirror into the land of seven dimensions where he encounters beings both fey and biblical and struggles with questions of life and death. A fantasy, romance and adventure story.
George MacDonald was one of the foremost fantasy writers of the 19th century and influenced just about every writer that came after him. He was a mentor of Lewis Carroll, a friend of Mark Twain's, and a man who helped shape the works of authors like Tolkien.
George MacDonald was one of the foremost fantasy writers of the 19th century and influenced just about every writer that came after him. He was a mentor of Lewis Carroll, a friend of Mark Twain's, and a man who helped shape the works of authors like Tolkien.
"You want a divorce?" His voice was ice, sending a chill down her spine. "You'll never get it." For three years, Bellatrix devoted herself to Cillian Laurent-Miami's ruthless tycoon and her indifferent husband-hoping to earn his love. But when she's diagnosed with a life-threatening illness, she realizes the bitter truth: she was never his choice. Just a placeholder for the woman who abandoned him. and has now returned. Determined to reclaim her life, Bellatrix demands a divorce. But the man who once ignored her now refuses to let her go. As buried secrets unravel, she discovers their twisted marriage was never what it seemed. Can she break free from a love that was never hers? Or will his obsession destroy them both?
The day Raina gave birth should have been the happiest of her life. Instead, it became her worst nightmare. Moments after delivering their twins, Alexander shattered her heart-divorcing her and forcing her to sign away custody of their son, Liam. With nothing but betrayal and heartbreak to her name, Raina disappeared, raising their daughter, Ava, on her own.Years later, fate comes knocking when Liam falls gravely ill. Desperate to save his son, Alexander is forced to seek out the one person he once cast aside. Alexander finds himself face to face with the woman he underestimated, pleading for a second chance-not just for himself, but for their son. But Raina is no longer the same broken woman who once loved him.No longer the woman he left behind. She has carved out a new life-one built on strength, wealth, and a long-buried legacy she expected to uncover.Raina has spent years learning to live without him.The question is... Will she risk reopening old wounds to save the son she never got to love? or has Alexander lost her forever?
On her wedding day, Khloe’s sister connived with her groom, framing her for a crime she didn’t commit. She was sentenced to three years in prison, where she endured much suffering. When Khloe was finally released, her evil sister used their mother to coerce Khloe into an indecent liaison with an elderly man. As fate would have it, Khloe crossed paths with Henrik, the dashing yet ruthless mobster who sought to alter the course of her life. Despite Henrik’s cold exterior, he cherished Khloe like no other. He helped her take retribution from her tormentors and kept her from being bullied again.
One night. That's all it was supposed to be. After a messy divorce, Hannah wakes up next to her cold, ruthless ex-husband, Paul Green - bound to him by a night of passion neither of them intended. Humiliated and heartbroken, she vanishes without a word... carrying a secret that changes everything. Triplets. For six years, Hannah raised her children in peace, far from the man who once shattered her. But fate has other plans. A twist of mistaken identity pulls one of her sons straight into Paul's world. He doesn't know the truth. But he's about to find out.
Camille Lewis was the forgotten daughter, the unloved wife, the woman discarded like yesterday's news. Betrayed by her husband, cast aside by her own family, and left for dead by the sister who stole everything, she vanished without a trace. But the weak, naive Camille died the night her car was forced off that bridge. A year later, she returns as Camille Kane, richer, colder, and more powerful than anyone could have imagined. Armed with wealth, intelligence, and a hunger for vengeance, she is no longer the woman they once trampled on. She is the storm that will tear their world apart. Her ex-husband begs for forgiveness. Her sister's perfect life crumbles. Her parents regret the daughter they cast aside. But Camille didn't come back for apologies, she came back to watch them burn. But as her enemies fall at her feet, one question remains: when the revenge is over, what's left? A mysterious trillionaire Alexander Pierce steps into her path, offering something she thought she lost forever, a future. But can a woman built on ashes learn to love again? She rose from the fire to destroy those who betrayed her. Now, she must decide if she'll rule alone... or let someone melt the ice in her heart.
Alexander's coldness was laid bare before Florrie; he even asked her to buy morning-after pills for another woman. Enduring the pain became her routine, all because Alexander was a stand-in for Alec, her lost love. But one day, she tricked him into signing the divorce papers and said, "I never loved you." Devastation clung to him, his gaze clouded by despair. "You can't leave. I won't sign." Then Alec returned as a conglomerate heir. She searched his face for love and found none-until she turned away. He cracked, tears falling. "I'm sorry," he begged. "I love you."
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