Joyous Gard by Arthur Christopher Benson
Joyous Gard by Arthur Christopher Benson
TO
ALL MY FRIENDS
KNOWN AND UNKNOWN
I DEDICATE THIS BOOK
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PREFACE
It is a harder thing than it ought to be to write openly and frankly of things private and sacred. "Secretum meum mihi!"-"My secret is my own!"-cried St. Francis in a harrowed moment. But I believe that the instinct to guard and hoard the inner life is one that ought to be resisted. Secrecy seems to me now a very uncivilised kind of virtue, after all! We have all of us, or most of us, a quiet current of intimate thought, which flows on, gently and resistlessly, in the background of our lives, the volume and spring of which we cannot alter or diminish, because it rises far away at some unseen source, like a stream which flows through grassy pastures, and is fed by rain which falls on unknown hills from the clouds of heaven. This inner thought is hardly affected by the busy incidents of life-our work, our engagements, our public intercourse; but because it represents the self which we are always alone with, it makes up the greater part of our life, and is much more our real and true life than the life which we lead in public. It contains the things which we feel and hope, rather than what we say; and the fact that we do not speak our inner thoughts is what more than anything else keeps us apart from each other.
In this book I have said, or tried to say, just what I thought, and as I thought it; and since it is a book which recommends a studied quietness and a cheerful serenity of life, I have put my feelings to a vigorous test, by writing it, not when I was at ease and in leisure, but in the very thickest and fullest of my work. I thought that if the kind of quiet that I recommended had any force or weight at all, it should be the sort of quiet which I still could realise and value in a life full of engagements and duties and business, and that if it could be developed on a background of that kind, it might have a worth which it could not have if it were gently conceived in peaceful days and untroubled hours.
So it has all been written in spaces of hard-driven work, when the day never seemed long enough for all I had to do, between interruptions and interviews and teaching and meetings. But the sight and scent that I shall always connect with it, is that of a great lilac-bush which stands just outside my study window, and which day by day in this bright and chilly spring has held up its purple clusters, overtopping the dense, rich, pale foliage, against a blue and cloudless sky; and when the wind has been in the North, as it has often been, has filled my room with the scent of breaking buds. How often, as I wrote, have I cast a sidelong look at the lilac-bush! How often has it appeared to beckon me away from my papers to a freer and more fragrant air outside! But it seemed to me that I was perhaps obeying the call of the lilac best-though how far away from its freshness and sweetness!-if I tried to make my own busy life, which I do not pretend not to enjoy, break into such flower as it could, and give out what the old books call its 'spicery,' such as it is.
Because the bloom, the colour, the scent, are all there, if I could but express them. That is the truth! I do not claim to make them, to cause them, to create them, any more than the lilac could engender the scent of roses or of violets. Nor do I profess to do faithfully all that I say in my book that it is well to do. That is the worst, and yet perhaps it is the best, of books, that one presents in them one's hopes, dreams, desires, visions; more than one's dull and mean performances. 'Als ich kann!' That is the best one can do and say.
It is our own fault, and not the fault of our visions, that we cannot always say what we think in talk, even to our best friends. We begin to do so, perhaps, and we see a shadow gather. Either the friend does not understand, or he does not care, or he thinks it all unreal and affected; and then there falls on us a foolish shyness, and we become not what we are, but what we think the friend would like to think us; and so he 'gets to know' as he calls it, not what is really there, but what he chooses should be there.
But with pen in hand, and the blessed white paper before one, there is no need to be anything in the world but what one is. Our dignity must look after itself, and the dignity that we claim is worth nothing, especially if it is falsely claimed. But even the meanest flower that blows may claim to blossom as it can, and as indeed it must. In the democracy of flowers, even the dandelion has a right to a place, if it can find one, and to a vote, if it can get one; and even if it cannot, the wind is kind to it, and floats its arrowy down far afield, by wood and meadow, and into the unclaimed waste at last.
* * *
CONTENTS
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
"What are those wretched little flowers?" said Mr. Redmayne, pointing at them contemptuously. "Oh, don't say that," said Howard; "they are always the first to struggle up, and they are the earliest signs of spring. Those are aconites." "Aconites? Deadly poison " said Mr. Redmayne, in a tone of horror. "Well, I don't object to them, -- though I must say that I prefer the works of man to the works of God at all times and in all places. I don't like the spring -- it's a languid and treacherous time; it always makes me feel that I wish I were doing something else."
Memoirs of Arthur Hamilton, B. A. Of Trinity College, Cambridge by Arthur Christopher Benson
A.C. Benson was a popular British essayist and poet in the late 19th century, and many of his works continue to be read today.
A.C. Benson was a popular British essayist and poet in the late 19th century, and many of his works continue to be read today.
Gianna Benton, a woman who came from a great family, a family with ancient history, had always lived a life that's overshadowed by her younger sister, Quinn. After her unfair death with her unborn baby at the hands of the man she loved, Gianna got reborn. Now with the opportunity to live again, Gianna rejects her mate and gives herself to alpha Axel, falling into an unexpected contract marriage. Both plans to use each other, and falling in love isn't part of the deal for them. Gianna plans to get her revenge on her former lover, alpha Nathan, who killed her in the past because of her younger sister, but surprisingly to her, alpha Nathan wants his mate back, and Gianna is determined not to let the past repeat itself. ------------------------------------------------- "Is this hell?" "Gianna, what's wrong with you? I know that you are excited, but you need to stop acting weird." Mom said. I reach out my hands to touch her face, but she slaps my hands away. This is real, I thought. Somehow, I have gone back in time to the day I got married to Alpha Nathan. "I need to take a picture of you, but I can't do it without your sister. Wait here for me while I go get your sister." Mom left the room, leaving me alone with my thoughts. My hands formed a fist in anger as I thought of Quinn and Alpha Nathan. I don't know how I have traveled back to the past, but I'm not going to let myself make the same mistake I did in my past life; I'm not getting married to alpha Nathan. No matter what, I need to put a stop to this wedding.
She gave him her heart, her trust, and even her family's company. In return, he took her father's life - and tried to steal her kidney for her cousin. When Freya dies on the cold operating table, she wakes up... reborn - in another so-called useless orphan girl's body. But death left her with more than scars- Now, whispers of the future echo in her mind, guiding her revenge... Surrounded by greedy relatives and deadly schemes, she's ready to fight back. What she didn't expect? To accidentally fall into the bed of Leander-the nation's most feared, most unattainable billionaire. He's cold, ruthless, untouchable. But after that one night... he wants her. Her body. Her revenge. Her hand in marriage. Now, they're not just husband and wife by contract. They're partners in revenge.
Nadine reunited with her family, convinced she'd been discarded, rage simmering-only to find collapse: her mother unstable, her father poisoned; a pianist brother trapped in a sham marriage, a detective brother framed and jailed, the youngest dragged into a gang. While the fake daughter mocked and colluded, Nadine moved in secret-healing her mother, curing her father, ending the union, clearing charges, and lifting the youngest to leader. Rumors said she rode coattails, unworthy of Rhys, the unmatched magnate. Few knew she was a renowned healer, legendary assassin, mysterious tycoon... Rhys knelt. "Marry me! The entire empire is yours for the taking!"
After two years of marriage, Kristian dropped a bombshell. "She's back. Let's get divorced. Name your price." Freya didn't argue. She just smiled and made her demands. "I want your most expensive supercar." "Okay." "The villa on the outskirts." "Sure." "And half of the billions we made together." Kristian froze. "Come again?" He thought she was ordinary-but Freya was the genius behind their fortune. And now that she'd gone, he'd do anything to win her back.
Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
Everyone in town knew Amelia had chased Jaxton for years, even etching his initials on her skin. When malicious rumors swarmed, he merely straightened his cuff links and ordered her to kneel before the woman he truly loved. Seething with realization, she slammed her engagement ring down on his desk and walked away. Not long after, she whispered "I do" to a billionaire, their wedding post crashing every feed. Panic cracked Jaxton. "She's using you to spite me," he spat. The billionaire just smiled. "Being her sword is my honor."
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