The Harvard Classics Shelf of Fiction - German by J. W. von Goethe
The Harvard Classics Shelf of Fiction - German by J. W. von Goethe
At the junction of the Kurfürstendamm and the Kurfürstenstrasse, diagonally across from the Zoological Garden, there still remained, about the middle of the seventies, a large market-garden, extending towards the open country. The little house belonging to this property had but three windows, and was set about a hundred paces back in a front garden; yet in spite of its small size and its secluded position, it could be plainly seen from the road that ran past.
But all else that belonged to the place, and indeed formed the principal part of it, was hidden behind this little dwelling as if by the side-scenes of a theatre, and only a little red and green painted tower with a half broken dial beneath its peak (nothing remained of the clock itself) gave one a hint, that behind this "coulisse" something more must be hidden, a hint which was confirmed from time to time by the rising and circling of a flock of pigeons around the tower, and still more by the occasional barking of a dog. Where this dog was actually kept it was indeed impossible to find out, in spite of the fact that the door of the house, which was close to the left corner, stood open early and late and afforded a glimpse of a small part of the yard. However, nothing seemed to have been purposely hidden, and yet everyone who came along the road at the time when our story begins, had to be satisfied with a glimpse of the little house with its three windows and of a few fruit trees that stood in the front garden.
It was the week after Whitsunday, when the days are so long that it seems as if the dazzling light would never come to an end. But to-day the sun was already hidden behind the church-tower of Wilmersdorf and instead of the light, with which it had filled the front garden all day, the shades of evening had already fallen, and the half mysterious silence was only surpassed by that of the little house which was occupied by old Frau Nimptsch and her adopted daughter Lena as tenants. But Frau Nimptsch was sitting as usual by the large low hearth in her front room, which took in the whole width of the house, and, bending forward, she was gazing at a blackened old tea kettle, whose lid kept up a continual rattling, although the steam was pouring out of the spout. The old woman was holding her hands out towards the glowing embers and was so lost in her thoughts and dreams that she did not hear the hall door open and a stout woman enter somewhat noisily. Only when the latter cleared her throat and greeted her friend and neighbor, our Frau Nimptsch, quite affectionately by name, did the latter turn around and speak to her guest in friendly fashion and with a touch of playfulness: "Well, this is good in you, dear Frau D?rr, to come over again. And from the 'castle' too. For it is a castle and always will be. It has a tower. And now do sit down.... I just saw your dear husband go out. Of course he would have to. For this is his evening at the bowling alley."
She who received this friendly greeting as Frau D?rr was not only stout, but was an especially imposing-looking woman, who produced the impression of narrow-mindedness as well as that of kindliness and trustworthiness. Meanwhile Frau Nimptsch apparently took no offence and only repeated: "Yes, his evening at the bowling alley. But what I was going to say was, that D?rr's hat really will not do any longer. It is all threadbare and really disgraceful. You ought to take it away from him and put another in its place. Perhaps he would never know the difference.... And now draw up your chair, dear Frau D?rr, or perhaps over there where the footstool is.... Lena, you know, has slipped out and left me in the lurch again."
"Has he been here?"
"Of course he has. And they have both gone a little way towards Wilmersdorf; nobody comes along the footpath. But they may be back again any minute."
"Well, then I had better go."
"Oh, no indeed, dear Frau D?rr. He will not stay. And even if he should, you know, he would not mind."
"I know, I know. And how are things then?"
"Why, how should they be? I believe she is thinking of something even if she does not want others to know it, and she is imagining something or other."
"Oh, my goodness," said Frau D?rr, as she drew up a somewhat higher stool instead of the footstool that had been offered her. "Oh, my goodness, then it's bad. Whenever one begins to imagine things, trouble begins. It is just like the Amen in church. See here, dear Frau Nimptsch, it was just the very same with me, only there was no imagining. And that is just why everything was really quite different."
Apparently Frau Nimptsch did not really understand what Frau D?rr meant, and so the latter went on: "And because I never took any notions into my head, things always went perfectly well and smoothly and now I have D?rr. Oh well, that isn't much, but still it is something respectable and I can show my face everywhere. And that is why I went to church with him too, and not merely to the registrar's office. If you only go to the registrar's office, there will always be talk."
Frau Nimptsch nodded.
But Frau D?rr repeated: "Yes, in church, in the Matth?ikirche. But this is what I was really going to say, don't you see, my dear Frau Nimptsch, I was really taller and more pleasing than Lena, and if I was not prettier (for that is something one can never rightly know and tastes differ so), yet my figure was stouter and a great many like that. Yes, so much is certain. But even if I was, as you might say, more solid and weighed more, and there was a something about me--well yes, there was something about me--yet I was always very innocent, almost simple; and as to him, my Count, with his fifty years on his shoulders, well, he was very simple too and always very gay and would never behave properly. And before very long, I told him: 'No, no, Count, this will never do; I can't allow anything like this....' And old people are always like that. I will only say, dear Frau Nimptsch, you can't imagine anything of the sort. It was dreadful. And now when I see Lena's Baron, it makes me ashamed to think what mine was like. And now as to Lena herself. My Lord, of course she isn't exactly an angel, but she is neat and industrious and knows how to do everything, and loves order and practical things. And don't you see, Frau Nimptsch, that is just the sad part of it. These fly-abouts, that are here to-day and there to-morrow, well, they never come to grief, they always fall on their feet like a cat, but such a good child, who takes everything seriously, and does everything for the sake of love, that is bad.... Or perhaps it may not be so bad; you only adopted her and she is not your own flesh and blood and perhaps she is a princess or something like that."
At this conjecture Frau Nimptsch shook her head and looked as if she were about to answer. But Frau D?rr had already risen and said, as she looked along the garden path: "Heavens, there they come. And he is just in civilian's clothes, with coat and trousers to match. But you would notice him all the same! And now he is whispering something in her ear and she is smiling to herself. But she is blushing so.... And now he is going away. And now ... Really, I believe, he is turning back. No, no, he is only saying good-bye again and she is throwing him a kiss.... Yes, I think something like that would have suited me.... No, mine was not like that."
Frau D?rr went on talking, until Lena came in and greeted both women.
After five years of playing the perfect daughter, Rylie was exposed as a stand-in. Her fiancé bolted, friends scattered, and her adoptive brothers shoved her out, telling her to grovel back to her real family. Done with humiliation, she swore to claw back what was hers. Shock followed: her birth family ruled the town's wealth. Overnight, she became their precious girl. The boardroom brother canceled meetings, the genius brother ditched his lab, the musician brother postponed a tour. As those who spurned her begged forgiveness, Admiral Brad Morgan calmly declared, "She's already taken."
"Anya, a 'wolfless' in a world of powerful werewolves, was invisible, drowning her sorrows and desperately lonely. One drunken text, a desperate cry for attention, accidentally reached the Alpha, pulling her into his terrifying orbit. Now, she's trapped, a pawn in his game, forced to warm his bed while he waits for his true mate, her heart breaking with every stolen moment. As a 'wolfless' in the Blackwood Pack, Anya felt like an outsider, always yearning for a connection. One night, in a drunken haze, a misdirected text meant for her best friend landed in Alpha Declan Blackwood's inbox: ""Send me something hot."" Minutes later, the most powerful, terrifying man in the Pack stood at her door, claiming her with a possessive kiss that ignited a dangerous, unwanted fire. The next morning, his cold indifference shattered her world. Publicly humiliated and instantly fired, Anya became a pariah. Her dying mother's urgent need for a million-dollar heart transplant left her with an impossible choice: accept the Alpha's cold, transactional marriage proposal or watch her mother die. She became his ""placeholder"" wife, a contract, not a partner, all while battling a confusing attraction to the man who treated her as property. Why did he demand her, only to remind her constantly of her worthlessness, especially when everyone knew he waited for his true mate? Her world crumbled when she overheard Declan tell his returning ""true mate,"" Kristin Larsen, that Anya was ""just a substitute."" Despite the crushing betrayal and a strange, unyielding pull, Anya, fueled by her mother's desperate need, vowed to survive this gilded cage and reclaim her life before she lost herself completely."
The sterile white of the operating room blurred, then sharpened, as Skye Sterling felt the cold clawing its way up her body. The heart monitor flatlined, a steady, high-pitched whine announcing her end. Her uterus had been removed, a desperate attempt to stop the bleeding, but the blood wouldn't clot. It just kept flowing, warm and sticky, pooling beneath her. Through heavy eyes, she saw a trembling nurse holding a phone on speaker. "Mr. Kensington," the nurse's voice cracked, "your wife... she's critical." A pause, then a sweet, poisonous giggle. Seraphina Miller. "Liam is in the shower," Seraphina's voice purred. "Stop calling, Skye. It's pathetic. Faking a medical emergency on our anniversary? Even for you, that's low." Then, Liam's bored voice: "If she dies, call the funeral home. I have a meeting in the morning." Click. The line went dead. A second later, so did Skye. The darkness that followed was absolute, suffocating, a black ocean crushing her lungs. She screamed into the void, a silent, agonizing wail of regret for loving a man who saw her as a nuisance, for dying without ever truly living. Until she died, she didn't understand. Why was her life so tragically wasted? Why did her husband, the man she loved, abandon her so cruelly? The injustice of it all burned hotter than the fever in her body. Then, the air rushed back in. Skye gasped, her body convulsing violently on the mattress. Her eyes flew open, wide and terrified, staring blindly into the darkness. Her trembling hand reached for her phone. May 12th. Five years ago. She was back.
Camille Lewis was the forgotten daughter, the unloved wife, the woman discarded like yesterday's news. Betrayed by her husband, cast aside by her own family, and left for dead by the sister who stole everything, she vanished without a trace. But the weak, naive Camille died the night her car was forced off that bridge. A year later, she returns as Camille Kane, richer, colder, and more powerful than anyone could have imagined. Armed with wealth, intelligence, and a hunger for vengeance, she is no longer the woman they once trampled on. She is the storm that will tear their world apart. Her ex-husband begs for forgiveness. Her sister's perfect life crumbles. Her parents regret the daughter they cast aside. But Camille didn't come back for apologies, she came back to watch them burn. But as her enemies fall at her feet, one question remains: when the revenge is over, what's left? A mysterious trillionaire Alexander Pierce steps into her path, offering something she thought she lost forever, a future. But can a woman built on ashes learn to love again? She rose from the fire to destroy those who betrayed her. Now, she must decide if she'll rule alone... or let someone melt the ice in her heart.
I sat in the gray, airless room of the New York State Department of Corrections, my knuckles white as the Warden delivered the news. "Parole denied." My father, Howard Sterling, had forged new evidence of financial crimes to keep me behind bars. He walked into the room, smelling of expensive cologne, and tossed a black folder onto the steel table. It was a marriage contract for Lucas Kensington, a billionaire currently lying in a vegetative state in the ICU. "Sign it. You walk out today." I laughed at the idea of being sold to a "corpse" until Howard slid a grainy photo toward me. It showed a toddler with a crescent-moon birthmark—the son Howard told me had died in an incubator five years ago. He smiled and told me the boy's safety depended entirely on my cooperation. I was thrust into the Kensington estate, where the family treated me like a "drowned rat." They dressed me in mothball-scented rags and mocked my status, unaware that I was monitoring their every move. I watched the cousin, Julian, openly waiting for Lucas to die to inherit the empire, while the doctors prepared to sign the death certificate. I didn't understand why my father would lie about my son’s death for years, or what kind of monsters would use a child as a bargaining chip. The injustice of it burned in my chest as I realized I was just a pawn in a game of old money and blood. As the monitors began to flatline and the family started to celebrate their inheritance, I locked the door and reached into the hem of my dress. I pulled out the sharpened silver wires I’d fashioned in the prison workshop. They thought they bought a submissive convict, but they actually invited "The Saint"—the world’s most dangerous underground surgeon—into their home. "Wake up, Lucas. You owe me a life." I wasn't there to be a bride; I was there to wake the dead and burn their empire to the ground.
My Luna became an alpha after I rejected her : she was my Luna. I rejected her. Now she's stronger than ever and she has my son. Amelia's world shattered the day her daughter died-and her mate, Alpha Aiden of the Red Moon Pack, divorced her to reunite with his ex-girlfriend. Cast out, disgraced, and accused of poisoning her own child, Amelia was stripped of her title and driven from her pack. The next morning, her lifeless body was found at the border.They all believed she was dead.But she wasn't. Far from the ashes of betrayal, Amelia rebuilt herself-rising from rejection and ruin to become the first female Alpha of Velaris, the most powerful and respected pack in the realm. She also carried a secret Aiden never discovered:She was pregnant-with his son.Years later, fate brings them face to face once more. A deadly disease is spreading through the packs, and the only one who can stop it is the renowned doctor they thought had died. When Aiden sees the boy at her side-his eyes, his blood-he realizes the truth.He didn't just lose his Luna. He destroyed the mother of his child.And now, she's everything he's not-stronger, wiser, untouchable. Will she heal the pack that betrayed her?Will she ever let him near her heart again?Or is his punishment simply living with the consequences?
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