English Pharisees and French Crocodiles by Max O'Rell
English Pharisees and French Crocodiles by Max O'Rell
People very often speak ill of their neighbors, not out of wickedness, but merely out of laziness; it is so much easier to do so than to study their qualities and all the circumstances that might oblige you to change your opinion.
For instance, some fifty years ago, a great English wit, Sydney Smith, said that it required a surgical operation to make a Scotchman understand a joke.
Well, an English joke, he probably meant.
However, the satire was neatly expressed. When the English get hold of a good joke, and see it, it lasts them a long time.
The Scotch are a hundred times more witty and humorous than the English; but John Bull still goes on affirming that "it requires a surgical operation to make a Scotchman understand a joke."
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If such misunderstanding can exist between the English and the Scotch, just imagine what feelings the natives of a land can inspire in foreigners.
Oh! that word foreigner!
In some ears it sounds like bastards. In some people's minds, it is the synonym of bad. The English greengrocer, for instance, divides his asparagus into large and small heads. The fine large ones he binds together and sells at high prices under the name of English asparagus. The bundles of threads at one shilling figure in his shop window as foreign.
In England, the adjective English is synonymous with excellent. In France, we have an adjective that signifies excellent, too, and that is the adjective French. Do but make an observation to a French shopkeeper upon the price of his goods, and he will promptly answer: "I keep a cheaper article, but it is naturally of greatly inferior quality. Would Monsieur like to see my English stock?" In French commerce, English is synonymous with worthless.
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Now, what is a foreigner?
No man was born a foreigner.
Once an American said to me, on board a steamer, sailing from Liverpool to New York: "You are a foreigner, I guess."
"Well," I replied, "not yet. I shall be, when I get to your country."
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What is a foreigner?
As a rule, a foreigner is a good fellow, brought up by worthy parents, and belonging to a country quite as good as yours.
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Nations may be well or badly governed. They may possess hot or cold climates, indifferent or beautiful scenery. The manners and customs of their inhabitants may be utterly different. But the most stupid statement that can possibly be made is that some nations are better or worse than others.
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We French people ought not to be a closed letter to the foreigner, for Heaven knows we make no attempt to hide our defects, and I might even add that if we did study to hide them, instead of boasting of them, we might cut quite as good and moral a figure as the most proper inhabitant of the British Isles or of the State of Maine.
We offer ourselves to criticism so unreservedly, owning our shortcomings with such frankness, such abandon, that it ill becomes our neighbors to find fault with us. Indeed, we are a nation that confesses with a gay candor that should disarm unkind criticism.
Yes, the foreigner ought to be able to read, as in an open book, that good, warm-hearted, France that he hardly looks at. For him, France is Paris; Paris that supplies him with pleasures for a fortnight, and that he despises when he is satiated. The real France, peaceful and laborious, he knows nothing about beyond what he has seen of it from the windows of a railroad car.
On arriving at home again, he writes to his friends:
"I have just returned from France. What a country it is! Ah! I have seen pretty sights, I can assure you! I will tell you all about it in private, when we meet. All I can say now is, that I thank God that I was born an Englishman."
Here is a good fellow who has undoubtedly visited the wrong places.
The Frenchman is no better. He comes to London for a week on business. (I say "on business," because nobody would think of coming to London on pleasure), and profits by his visit to go and see Madame Tussaud's Exhibition. Then he returns home, and exclaims, parodying Victor Hugo's celebrated lines: "How proud a man is to call himself a Frenchman when he has looked at England."
He has looked at England, it is true, but he has not seen it.
To look is an action of the body. To see is an action of the mind.
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When people travel in foreign lands, they often make two kinds of mistakes.
Firstly, they are liable to visit the wrong places, like the Englishman who returned home "thanking God he was born an Englishman."
Secondly, they draw conclusions too quickly.
Let us illustrate this.
When English people alight at a French hotel and find no soap on the washstand, do you believe they conclude from this that the French carry their own soap in their trunks when they travel? Not they. They conclude that the French do not wash, or that, if they do, their ablutions are performed by means of a corner of a handkerchief dipped in water.
Mark Twain, the prince of American humorists, exclaims upon entering the bedroom of a French hotel: "What, waiter, no soap! Don't you know that soap is indispensable to an Englishman or an American; and that only a Frenchman can do without it?"
It is true that you find soap on the washstands in English or American hotels; but the English and their American cousins may perhaps be astonished to hear that a true-born Frenchman would have as much repugnance to using hotel soap, as they would to using a toothbrush that they might find on a lodging-house washstand. Some people like second-hand soap; some do not. We will even make bold to inform them that a great many French ladies are so particular as to carry about a supply of bedroom towels with them when they travel.
* * *
For eight years, Cecilia Moore was the perfect Luna, loyal, and unmarked. Until the day she found her Alpha mate with a younger, purebred she-wolf in his bed. In a world ruled by bloodlines and mating bonds, Cecilia was always the outsider. But now, she's done playing by wolf rules. She smiles as she hands Xavier the quarterly financials-divorce papers clipped neatly beneath the final page. "You're angry?" he growls. "Angry enough to commit murder," she replies, voice cold as frost. A silent war brews under the roof they once called home. Xavier thinks he still holds the power-but Cecilia has already begun her quiet rebellion. With every cold glance and calculated step, she's preparing to disappear from his world-as the mate he never deserved. And when he finally understands the strength of the heart he broke... It may be far too late to win it back.
"Stella once savored Marc's devotion, yet his covert cruelty cut deep. She torched their wedding portrait at his feet while he sent flirty messages to his mistress. With her chest tight and eyes blazing, Stella delivered a sharp slap. Then she deleted her identity, signed onto a classified research mission, vanished without a trace, and left him a hidden bombshell. On launch day she vanished; that same dawn Marc's empire crumbled. All he unearthed was her death certificate, and he shattered. When they met again, a gala spotlighted Stella beside a tycoon. Marc begged. With a smirk, she said, ""Out of your league, darling."
I sat in the gray, airless room of the New York State Department of Corrections, my knuckles white as the Warden delivered the news. "Parole denied." My father, Howard Sterling, had forged new evidence of financial crimes to keep me behind bars. He walked into the room, smelling of expensive cologne, and tossed a black folder onto the steel table. It was a marriage contract for Lucas Kensington, a billionaire currently lying in a vegetative state in the ICU. "Sign it. You walk out today." I laughed at the idea of being sold to a "corpse" until Howard slid a grainy photo toward me. It showed a toddler with a crescent-moon birthmark—the son Howard told me had died in an incubator five years ago. He smiled and told me the boy's safety depended entirely on my cooperation. I was thrust into the Kensington estate, where the family treated me like a "drowned rat." They dressed me in mothball-scented rags and mocked my status, unaware that I was monitoring their every move. I watched the cousin, Julian, openly waiting for Lucas to die to inherit the empire, while the doctors prepared to sign the death certificate. I didn't understand why my father would lie about my son’s death for years, or what kind of monsters would use a child as a bargaining chip. The injustice of it burned in my chest as I realized I was just a pawn in a game of old money and blood. As the monitors began to flatline and the family started to celebrate their inheritance, I locked the door and reached into the hem of my dress. I pulled out the sharpened silver wires I’d fashioned in the prison workshop. They thought they bought a submissive convict, but they actually invited "The Saint"—the world’s most dangerous underground surgeon—into their home. "Wake up, Lucas. You owe me a life." I wasn't there to be a bride; I was there to wake the dead and burn their empire to the ground.
Silvia lost everything in one night-her parents,her trust,and her mate. Coming home from their funeral,she found her "fated"partner,Zack,tangled with another she-wolf. "You'll always be my Luna... even if I need variety,"he said,smirking. Heartbroken but fierce,she rejected him-and turned to someone far more dangerous. "I need help,"she whispered. Sherman leaned closer,his voice like silk over steel. "I offer more than help,little wolf. I offer everything he couldn't give you." Now married to Zack's powerful half-brother,Silvia plays a deadly game of loyalty,vengeance,and survival. But Sherman Carter doesn't help for free-and as their bond deepens,truths unravel. Is Silvia just a pawn in Sherman's war? Or is she becoming the Queen who'll burn the whole pack down? When love,betrayal,and bloodlines collide,how far will one omega go to save her family-and destroy the mate who broke her soul?
Since she was ten, Noreen had been by Caiden's side, watching him rise from a young boy into a respected CEO. After two years of marriage, though, his visits home grew rare. Gossip among the wealthy said he despised her. Even his beloved mocked her hopes, and his circle treated her with scorn. People forgot about her decade of loyalty. She clung to memories and became a figure of ridicule, worn out from trying. They thought he'd won his freedom, but he dropped to his knees and begged, "Noreen, you're the only one I love." Leaving behind the divorce papers, she walked away.
For four years, I traced the bullet scar on Chace’s chest, believing it was proof he would bleed to keep me safe. On our anniversary, he told me to wear white because "tonight changes everything." I walked into the gala thinking I was getting a ring. Instead, I stood frozen in the center of the ballroom, drowning in silk, watching him slide his mother's sapphire onto another woman's finger. Karyn Warren. The daughter of a rival family. When I begged him with my eyes to claim me, to save me from the public humiliation, he didn't flinch. He just leaned toward his Underboss, his voice amplified by the silence. "Karyn is for power. Ember is for pleasure. Don't confuse the assets." My heart didn't just break; it incinerated. He expected me to stay as his mistress, threatening to dig up my dead mother’s grave if I refused to play the obedient pet. He thought I was trapped. He thought I had nowhere to go because of my father’s massive gambling debts. He was wrong. With shaking hands, I pulled out my phone and texted the one name I was never supposed to use. Keith Mosley. The Don. The monster under Chace's bed. *I am invoking the Blood Oath. My father’s debt. I am ready to pay it.* His reply came three seconds later, buzzing against my palm like a warning. *The price is marriage. You belong to me. Yes or No?* I looked up at Chace, who was laughing with his new fiancée, thinking he owned me. I looked down and typed three letters. *Yes.*
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