English Pharisees and French Crocodiles by Max O'Rell
 English Pharisees and French Crocodiles by Max O'Rell
People very often speak ill of their neighbors, not out of wickedness, but merely out of laziness; it is so much easier to do so than to study their qualities and all the circumstances that might oblige you to change your opinion.
For instance, some fifty years ago, a great English wit, Sydney Smith, said that it required a surgical operation to make a Scotchman understand a joke.
Well, an English joke, he probably meant.
However, the satire was neatly expressed. When the English get hold of a good joke, and see it, it lasts them a long time.
The Scotch are a hundred times more witty and humorous than the English; but John Bull still goes on affirming that "it requires a surgical operation to make a Scotchman understand a joke."
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If such misunderstanding can exist between the English and the Scotch, just imagine what feelings the natives of a land can inspire in foreigners.
Oh! that word foreigner!
In some ears it sounds like bastards. In some people's minds, it is the synonym of bad. The English greengrocer, for instance, divides his asparagus into large and small heads. The fine large ones he binds together and sells at high prices under the name of English asparagus. The bundles of threads at one shilling figure in his shop window as foreign.
In England, the adjective English is synonymous with excellent. In France, we have an adjective that signifies excellent, too, and that is the adjective French. Do but make an observation to a French shopkeeper upon the price of his goods, and he will promptly answer: "I keep a cheaper article, but it is naturally of greatly inferior quality. Would Monsieur like to see my English stock?" In French commerce, English is synonymous with worthless.
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Now, what is a foreigner?
No man was born a foreigner.
Once an American said to me, on board a steamer, sailing from Liverpool to New York: "You are a foreigner, I guess."
"Well," I replied, "not yet. I shall be, when I get to your country."
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What is a foreigner?
As a rule, a foreigner is a good fellow, brought up by worthy parents, and belonging to a country quite as good as yours.
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Nations may be well or badly governed. They may possess hot or cold climates, indifferent or beautiful scenery. The manners and customs of their inhabitants may be utterly different. But the most stupid statement that can possibly be made is that some nations are better or worse than others.
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We French people ought not to be a closed letter to the foreigner, for Heaven knows we make no attempt to hide our defects, and I might even add that if we did study to hide them, instead of boasting of them, we might cut quite as good and moral a figure as the most proper inhabitant of the British Isles or of the State of Maine.
We offer ourselves to criticism so unreservedly, owning our shortcomings with such frankness, such abandon, that it ill becomes our neighbors to find fault with us. Indeed, we are a nation that confesses with a gay candor that should disarm unkind criticism.
Yes, the foreigner ought to be able to read, as in an open book, that good, warm-hearted, France that he hardly looks at. For him, France is Paris; Paris that supplies him with pleasures for a fortnight, and that he despises when he is satiated. The real France, peaceful and laborious, he knows nothing about beyond what he has seen of it from the windows of a railroad car.
On arriving at home again, he writes to his friends:
"I have just returned from France. What a country it is! Ah! I have seen pretty sights, I can assure you! I will tell you all about it in private, when we meet. All I can say now is, that I thank God that I was born an Englishman."
Here is a good fellow who has undoubtedly visited the wrong places.
The Frenchman is no better. He comes to London for a week on business. (I say "on business," because nobody would think of coming to London on pleasure), and profits by his visit to go and see Madame Tussaud's Exhibition. Then he returns home, and exclaims, parodying Victor Hugo's celebrated lines: "How proud a man is to call himself a Frenchman when he has looked at England."
He has looked at England, it is true, but he has not seen it.
To look is an action of the body. To see is an action of the mind.
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When people travel in foreign lands, they often make two kinds of mistakes.
Firstly, they are liable to visit the wrong places, like the Englishman who returned home "thanking God he was born an Englishman."
Secondly, they draw conclusions too quickly.
Let us illustrate this.
When English people alight at a French hotel and find no soap on the washstand, do you believe they conclude from this that the French carry their own soap in their trunks when they travel? Not they. They conclude that the French do not wash, or that, if they do, their ablutions are performed by means of a corner of a handkerchief dipped in water.
Mark Twain, the prince of American humorists, exclaims upon entering the bedroom of a French hotel: "What, waiter, no soap! Don't you know that soap is indispensable to an Englishman or an American; and that only a Frenchman can do without it?"
It is true that you find soap on the washstands in English or American hotels; but the English and their American cousins may perhaps be astonished to hear that a true-born Frenchman would have as much repugnance to using hotel soap, as they would to using a toothbrush that they might find on a lodging-house washstand. Some people like second-hand soap; some do not. We will even make bold to inform them that a great many French ladies are so particular as to carry about a supply of bedroom towels with them when they travel.
* * *
 Lyric had spent her life being hated. Bullied for her scarred face and hated by everyone-including her own mate-she was always told she was ugly. Her mate only kept her around to gain territory, and the moment he got what he wanted, he rejected her, leaving her broken and alone. Then, she met him. The first man to call her beautiful. The first man to show her what it felt like to be loved. It was only one night, but it changed everything. For Lyric, he was a saint, a savior. For him, she was the only woman that had ever made him cum in bed-a problem he had been battling for years. Lyric thought her life would finally be different, but like everyone else in her life, he lied. And when she found out who he really was, she realized he wasn't just dangerous-he was the kind of man you don't escape from. Lyric wanted to run. She wanted freedom. But she desired to navigate her way and take back her respect, to rise above the ashes. Eventually, she was forced into a dark world she didn't wish to get involved with.
 For three quiet, patient years, Christina kept house, only to be coldly discarded by the man she once trusted. Instead, he paraded a new lover, making her the punchline of every town joke. Liberated, she honed her long-ignored gifts, astonishing the town with triumph after gleaming triumph. Upon discovering she'd been a treasure all along, her ex-husband's regret drove him to pursue her. "Honey, let's get back together!" With a cold smirk, Christina spat, "Fuck off." A silken-suited mogul slipped an arm around her waist. "She's married to me now. Guards, get him the hell out of here!"
 On her wedding day, Marissa learned she wasn't her parents' real daughter. Once the true heiress returned, her fiancé and adoptive parents cast her off to a rural backwater-and into an arranged marriage. Only the "village" turned out to be the nation's most exclusive enclave, and her birth family led an elite dynasty that spoiled her rotten. Garages held rare supercars; vaults opened to couture and jewels. School or family business, she chose her pace. Her "rustic" husband proved lethal, loyal, and absurdly protective. Her ex crawled back, yet she cut him off cold, "Stay the hell away from me."
 I received a pornographic video. "Do you like this?" The man speaking in the video is my husband, Mark, whom I haven't seen for several months. He is naked, his shirt and pants scattered on the ground, thrusting forcefully on a woman whose face I can't see, her plump and round breasts bouncing vigorously. I can clearly hear the slapping sounds in the video, mixed with lustful moans and grunts. "Yes, yes, fuck me hard, baby," the woman screams ecstatically in response. "You naughty girl!" Mark stands up and flips her over, slapping her buttocks as he speaks. "Stick your ass up!" The woman giggles, turns around, sways her buttocks, and kneels on the bed. I feel like someone has poured a bucket of ice water on my head. It's bad enough that my husband is having an affair, but what's worse is that the other woman is my own sister, Bella. ************************************************************************************************************************ "I want to get a divorce, Mark," I repeated myself in case he didn't hear me the first time-even though I knew he'd heard me clearly. He stared at me with a frown before answering coldly, "It's not up to you! I'm very busy, don't waste my time with such boring topics, or try to attract my attention!" The last thing I was going to do was argue or bicker with him. "I will have the lawyer send you the divorce agreement," was all I said, as calmly as I could muster. He didn't even say another word after that and just went through the door he'd been standing in front of, slamming it harshly behind him. My eyes lingered on the knob of the door a bit absentmindedly before I pulled the wedding ring off my finger and placed it on the table. I grabbed my suitcase, which I'd already had my things packed in and headed out of the house.
 Alexander's coldness was laid bare before Florrie; he even asked her to buy morning-after pills for another woman. Enduring the pain became her routine, all because Alexander was a stand-in for Alec, her lost love. But one day, she tricked him into signing the divorce papers and said, "I never loved you." Devastation clung to him, his gaze clouded by despair. "You can't leave. I won't sign." Then Alec returned as a conglomerate heir. She searched his face for love and found none-until she turned away. He cracked, tears falling. "I'm sorry," he begged. "I love you."
 **Mature Content!** "I'm so sorry, Mr. Lawson, you can marry my daughter Marga but Sabrina is an exception." "Why? She's your daughter I thought you and my parents had already arranged this marriage. And I choose Sabrina. I won't marry anyone but Sabrina." "Then why Sabrina?" "Let's say that Sabrina and I have a special thing back then," Gabriel said with a little smile. Ferdinand frowned and was curious. "Well, she might deny it." Sabrina Mondragon Alvarez – is a mute rich woman. She's an introvert and hated getting along with rich people who always talk about senseless stuff. She was bullied by socialite but never they knew that behind that innocent-looking woman hides a strong and powerful aura. Being quiet doesn't mean weak but is something more dangerous than anything. Silence would lead all of her enemies to one place that can also be called danger. Soon, she'll have them in the place that she's secretly reserving for those who made her life and family miserable. She said to be someone who can't speak not until he came and chose her to be his wife. Gabriel Lawson - a rich powerful tycoon with a strong background. He fell in love with the woman he had a one night stand with and chose her to be his wife. He would do anything for her. And for those people who hurt her--they must pay a thousand folds.
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