She gave a glance at the armchairs placed before the chimney, at the tea-table, which shone in the shade, and at the tall, pale stems of flowers ascending above Chinese vases. She thrust her hand among the flowery branches of the guelder roses to make their silvery balls quiver. Then she looked at herself in a mirror with serious attention.
The real name of the subject of this preface is Jacques-Anatole Thibault. He was born in Paris, April 16, 1844, the son of a bookseller of the Quai Malaquais, in the shadow of the Institute. He was educated at the College Stanislas and published in 1868 an essay upon Alfred de Vigny. This was followed by two volumes of poetry: 'Les Poemes Dores' (1873), and 'Les Noces Corinthiennes' (1876). With the last mentioned book his reputation became established.
Anatole France belongs to the class of poets known as "Les Parnassiens." Yet a book like 'Les Noces Corinthiennes' ought to be classified among a group of earlier lyrics, inasmuch as it shows to a large degree the influence of Andre Chenier and Alfred de Vigny. France was, and is, also a diligent contributor to many journals and reviews, among others, 'Le Globe, Les Debats, Le Journal Officiel, L'Echo de Paris, La Revue de Famille, and Le Temps'. On the last mentioned journal he succeeded Jules Claretie. He is likewise Librarian to the Senate, and has been a member of the French Academy since 1896.
The above mentioned two volumes of poetry were followed by many works in prose, which we shall notice. France's critical writings are collected in four volumes, under the title, 'La Vie Litteraire' (1888-1892); his political articles in 'Opinions Sociales' (2 vols., 1902). He combines in his style traces of Racine, Voltaire, Flaubert, and Renan, and, indeed, some of his novels, especially 'Thais' (1890), 'Jerome Coignard' (1893), and Lys Rouge (1894), which was crowned by the Academy, are romances of the first rank.
Criticism appears to Anatole France the most recent and possibly the ultimate evolution of literary expression, "admirably suited to a highly civilized society, rich in souvenirs and old traditions. . . . It proceeds," in his opinion, "from philosophy and history, and demands for its development an absolute intellectual liberty. . . . . It is the last in date of all literary forms, and it will end by absorbing them all . . . . To be perfectly frank the critic should say: 'Gentlemen, I propose to enlarge upon my own thoughts concerning Shakespeare, Racine, Pascal, Goethe, or any other writer.'"
It is hardly necessary to say much concerning a critic with such pronounced ideas as Anatole France. He gives us, indeed, the full flower of critical Renanism, but so individualized as to become perfection in grace, the extreme flowering of the Latin genius. It is not too much to say that the critical writings of Anatole France recall the Causeries du Lundi, the golden age of Sainte-Beuve!
As a writer of fiction, Anatole France made his debut in 1879 with 'Jocaste', and 'Le Chat Maigre'. Success in this field was yet decidedly doubtful when 'Le Crime de Sylvestre Bonnard' appeared in 1881. It at once established his reputation; 'Sylvestre Bonnard', as 'Le Lys Rouge' later, was crowned by the French Academy. These novels are replete with fine irony, benevolent scepticism and piquant turns, and will survive the greater part of romances now read in France. The list of Anatole France's works in fiction is a large one. The titles of nearly all of them, arranged in chronological order, are as follows: 'Les Desirs de Jean Seyvien (1882); Abeille (1883); Le Livre de mon Ami (1885); Nos Enfants (1886); Balthazar (1889); Thais (1890); L'Etui de Naire (1892); Jerome Coignard, and La Rotisserie de la Reine Pedanque (1893); and Histoire Contemporaine (1897-1900), the latter consisting of four separate works: 'L'Orme du Mail, Le Mannequin d'Osier, L'Anneau d'Amethyste, and Monsieur Bergeret a Paris'. All of his writings show his delicately critical analysis of passion, at first playfully tender in its irony, but later, under the influence of his critical antagonism to Brunetiere, growing keener, stronger, and more bitter. In 'Thais' he has undertaken to show the bond of sympathy that unites the pessimistic sceptic to the Christian ascetic, since both despise the world. In 'Lys Rouge', his greatest novel, he traces the perilously narrow line that separates love from hate; in 'Opinions de M. l'Abbe Jerome Coignard' he has given us the most radical breviary of scepticism that has appeared since Montaigne. 'Le Livre de mon Ami' is mostly autobiographical; 'Clio' (1900) contains historical sketches.
To represent Anatole France as one of the undying names in literature would hardly be extravagant. Not that I would endow Ariel with the stature and sinews of a Titan; this were to miss his distinctive qualities: delicacy, elegance, charm. He belongs to a category of writers who are more read and probably will ever exercise greater influence than some of greater name. The latter show us life as a whole; but life as a whole is too vast and too remote to excite in most of us more than a somewhat languid curiosity. France confines himself to themes of the keenest personal interest, the life of the world we live in. It is herein that he excels! His knowledge is wide, his sympathies are many-sided, his power of exposition is unsurpassed. No one has set before us the mind of our time, with its half-lights, its shadowy vistas, its indefiniteness, its haze on the horizon, so vividly as he.
In Octave Mirbeau's notorious novel, a novel which it would be complimentary to describe as naturalistic, the heroine is warned by her director against the works of Anatole France, "Ne lisez jamais du Voltaire . . . C'est un peche mortel . . . ni de Renan . . . ni de l'Anatole France. Voila qui est dangereux." The names are appropriately united; a real, if not precisely an apostolic, succession exists between the three writers.
JULES LEMAITRE
de l'Academie Francais
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
In this timeless tale, French writer Anatole France recasts the life and works of the beloved 4th century saint who was the distant ancestor of our modern-day Santa Claus. Known for his eminently generous personality, St. Nicolas has also had a number of miracles attributed to him, including the resurrection of three children who had been murdered by a crazed butcher.
Sous la révolution française, le glissement inexorable d'un "pur" vers l'abus de pouvoir et l'assassinat "légal" —puis la mort en Thermidor.
Winner of the 1921 Nobel Prize for Literature, Anatole France was a French poet, journalist and novelist, whose works were celebrated for their nobility of style and profound human sympathy. For the first time in publishing history, this comprehensive eBook presents France's complete fictional works, with numerous illustrations, many rare texts, informative introductions and the usual Delphi bonus material. (Version 1)Beautifully illustrated with images relating to France's life and worksConcise introductions to the novels and other textsALL 16 novels, with individual contents tablesImages of how the books were first published, giving your eReader a taste of the original textsAll the novels, including all four volumes of A CHRONICLE OF OUR OWN TIMES, available in no other collectionExcellent formatting of the textsAll the shorter fiction, with rare tales appearing here for the first time in digital printSpecial chronological and alphabetical contents tables for the poetry and the short storiesEasily locate the poems or short stories you want to readIncludes France's seminal historical study of Joan of ArcSpecial criticism section, with 8 essays and articles evaluating France's contribution to literatureScholarly ordering of texts into chronological order and literary genresPlease visit delphiclassics.com to browse through our range of exciting titlesCONTENTS:The NovelsTHE CRIME OF SYLVESTRE BONNARDTHE ASPIRATIONS OF JEAN SERVIENHONEY-BEETHAÏSAT THE SIGN OF THE REINE PÉDAUQUETHE OPINIONS OF JEROME COIGNARDTHE RED LILYA CHRONICLE OF OUR OWN TIMES I: THE ELM-TREE ON THE MALLA CHRONICLE OF OUR OWN TIMES II: THE WICKER-WORK WOMANA CHRONICLE OF OUR OWN TIMES III: THE AMETHYST RINGA CHRONICLE OF OUR OWN TIMES IV: MONSIEUR BERGERET IN PARISA MUMMER'S TALETHE WHITE STONEPENGUIN ISLANDTHE GODS ARE ATHIRSTTHE REVOLT OF THE ANGELSThe Shorter FictionJOCASTA AND THE FAMISHED CATBALTHASAR AND OTHER WORKSMOTHER OF PEARLTHE WELL OF SAINT CLARECLIOCRAINQUEBILLE, PUTOIS, RIQUET AND OTHER PROFITABLE TALESTHE MERRIE TALES OF JACQUES TOURNEBROCHETHE SEVEN WIVES OF BLUEBEARD AND OTHER MARVELLOUS TALESCHILD LIFE IN TOWN AND COUNTRYMISCELLANEOUS STORIESThe Short StoriesLIST OF SHORT STORIES IN CHRONOLOGICAL ORDERLIST OF SHORT STORIES IN ALPHABETICAL ORDERThe PlaysCRAINQUEBILLETHE COMEDY OF A MAN WHO MARRIED A DUMB WIFECOME WHAT MAYThe PoetryLIST OF POETICAL WORKSThe Non-FictionTHE LIFE OF JOAN OF ARCThe CriticismANATOLE FRANCE — 1904 by Joseph ConradANATOLE FRANCE by Arnold BennettHOMAGE TO ANATOLE FRANCE by John GalsworthyANATOLE FRANCE by John Cowper PowysANATOLE FRANCE by Robert LyndTHE WISDOM OF ANATOLE FRANCE by John Middleton MurryANATOLE FRANCE by George BrandesANATOLE FRANCE by Winifred StephensPlease visit delphiclassics.com to browse through our range of exciting titles
She was the notorious Alana Wilson, a shameful daughter of the Wilson family. Her reputation went downhill after she broke her engagement with her fiance, Albert Harris. They pointed finger at her, calling her a cheater. However, in truth, who was the cheater here? Alana would do anything she could to have her engagement with Albert broken, even if it meant sacrificing her own reputation. Ten years of abuse she endured in her last life was enough. She made sure that in this life, she would never marry that cheating bastard again. As her previous crush, as well as her brother's best friend, Lorenzo Miller is now back to the country, what would happen to her already messed up life? Especially when her ex-fiance also didn't want to leave her alone. Sequel is out now! Rebirth of the Billionaire's Vengeful Actress Wife
Betrayed by her mate and sister on the eve of her wedding, Makenna was handed to the ruthless Lycan Princes as a lover, her indifferent father ignoring her plight. Determined to escape and seek revenge, she captured the interest of the three Lycan princes, who desired her exclusively amid many admirers. This complicated her plans, trapping her and making her a rival to the future Lycan queen. Entwined in jealousy and vindictiveness, could Makenna achieve her vengeance in the intricate dance with the three princes?
Kara Martin was known as Miss Perfect. She was a beauty with good personality and successful career. Unfortunately, her life changed at one night. She was accused of adultery, losing her job, and abandoned by her fiance. The arrogant man who slept with her did not want to take responsibility. He even threatened to kill her if they met again. What's worse, Kara was pregnant with twins and she chose to give birth to them. Four and a half years later, Kara returned to work at a large company. As the secretary, she would frequently face their notorious CEO. Kara thought it wouldn't be a problem, but as it turned out ... the CEO was the father of the twins!
Rena got into an entanglement with a big shot when she was drunk one night. She needed Waylen's help while he was drawn to her youthful beauty. As such, what was supposed to be a one-night stand progressed into something serious. All was well until Rena discovered that Waylen's heart belonged to another woman. When his first love returned, he stopped coming home, leaving Rena all alone for many nights. She put up with it until she received a check and farewell note one day. Contrary to how Waylen expected her to react, Rena had a smile on her face as she bid him farewell. "It was fun while it lasted, Waylen. May our paths never cross. Have a nice life." But as fate would have it, their paths crossed again. This time, Rena had another man by her side. Waylen's eyes burned with jealousy. He spat, "How the hell did you move on? I thought you loved only me!" "Keyword, loved!" Rena flipped her hair back and retorted, "There are plenty of fish in the sea, Waylen. Besides, you were the one who asked for a breakup. Now, if you want to date me, you have to wait in line." The next day, Rena received a credit alert of billions and a diamond ring. Waylen appeared again, got down on one knee, and uttered, "May I cut in line, Rena? I still want you."
To the public, she was the CEO's executive secretary. Behind closed doors, she was the wife he never officially acknowledged. Jenessa was elated when she learned that she was pregnant. But that joy was replaced with dread as her husband, Ryan, showered his affections on his first love. With a heavy heart, she chose to set him free and leave. When they met again, Ryan's attention was caught by Jenessa's protruding belly. "Whose child are you carrying?!" he demanded. But she only scoffed. "It's none of your business, my dear ex-husband!"
After two years of marriage, Sadie was finally pregnant. Filled with hope and joy, she was blindsided when Noah asked for a divorce. During a failed attempt on her life, Sadie found herself lying in a pool of blood, desperately calling Noah to ask him to save her and the baby. But her calls went unanswered. Shattered by his betrayal, she left the country. Time passed, and Sadie was about to be wed for a second time. Noah appeared in a frenzy and fell to his knees. "How dare you marry someone else after bearing my child?"