Cinderella Jane by Marjorie Benton Cooke
Cinderella Jane by Marjorie Benton Cooke
It was the Pageant of the Prophets which gave Jerry Paxton his first chance. There were several links in the primrose chain of fortune which led him from the first opportunity to the last. The first and most important may be said to have been Mrs. Abercrombie Brendon, who opened her house for a portrait exhibition. She had an eye for men as well as for art, so when handsome Jerry appeared, she annexed him. The second link was Jerry's sense of dramatic values, which made him play up to this somewhat elderly siren. The third was the gods, who had ever smiled on Jerry Paxton.
It was a season when all the society clubs and leagues were spending themselves and their money in lavish spectacles of all kinds. There were Balls of the Gods and Pagan Routs, Persian Ballets and Greek Friezes, personified by the very best people, and some of the second best.
Mrs. Abercrombie Brendon, who was socially elect, headed an eager and earnest group of ladies of her set, who desired to outdo all previous efforts in a mammoth affair, which would provide woollen underwear for the Belgians, or something equally practical and unpoetic. She happened to mention her dilemma to Jerry, as they sat at tea in Mrs. Brendon's drawing-room a week or so after their first meeting.
"We can't seem to think of anything which has not been done," she complained. "We have people to be in the thing, people to produce it, people to come to see it, and all we need is--"
"Brains," said Jerry daringly.
"Have you any?"
"I have a couple of lobes."
"Have you them with you?"
"There is at least one in good working order, and at your disposal," he laughed.
"Think of something new for us to do."
"If I supply the idea, will you make me director?"
"We'll make you prime minister, court chamberlain, anything you like!"
"Good. The thing will be called the 'Pageant of the Prophets.'"
"What prophets?"
"The old Biblical ones, but we'll draw on the entire Bible for our characters. We will build a palace throne room, Pontius Pilate's perhaps, or King Herod's, very gorgeous and beautiful. We can have groups, and friezes, and scenes; the costuming has infinite possibilities. We can have music and singing pilgrims. We can have dancing Salome, with her dripping head. Oh! it will be one magnificent spectacle!"
"You are a genius!" cried Mrs. Brendon.
"Granted. Then what?"
"We will have you do it all. You shall design the whole thing, and direct it. Draw your plans and submit your terms. You are elected right now."
"You are in earnest?"
"Never more so."
"Then accept my services as a poor return for your excellent tea."
"Nonsense. That is a pretty speech, but you have to earn your own living, don't you?"
"Alas, yes."
"Then there is no reason why you should donate time and brains for nothing. This is a business proposition. Will you take it?"
"With both hands and a grateful heart."
"You'll have to use both lobes of that boasted brain," she laughed. "What shall I be?"
"Herodias, beautiful wife of King Herod," said Jerry without hesitation. "We'll give you a costume that will dazzle 'em!"
"You shall paint me in it."
"Delighted."
"This has certainly been a lucky day for me. I'll call the directors in the morning, Mr. Paxton. We'll make our plans while you work out yours. Then we'll meet with you, and appoint our committees at once. Can you begin right away?"
"If I can postpone some portrait sittings. I shall do my best."
"If they are women sitters put them in the pageant, that will keep them busy. We must have you at once."
"That's an idea. Au revoir. You have given me an eventful afternoon. My thanks."
As he walked down the avenue toward his studio, Jerry's mind was in a whirl. The tap of his feet on the sidewalk made a time: "If I put this through, I've arrived. If I put this through, I've arrived." It was dusk when he climbed to his quarters and he hummed as he went. He threw open the door and rushed in. The big room was dark, save in the far corner, where a lamp was lit, with the shade off, so that an ugly glare lighted the face of the woman who sat beside it, mending socks.
"Ah, Miss Jane Judd, is that you?"
"Good afternoon," she answered, not looking up.
Jerry sang gaily as he dumped his belongings on the divan. He lit a cigarette, and laughed aloud involuntarily.
"Have you ever had delirium tremens, Miss Judd?" he demanded. She looked up without reply. "I've got a case right now."
She went on with her work. He glanced at her, marked how the shadow from the lamp accentuated the bold modelling of her face, bringing out its mask-like quality.
"I suppose you don't deal much in emotions," he added.
She neither smiled nor answered. He laughed at the idea himself.
"Jane Judd, conversationally, you are about as satisfactory as 'a bloomin' idol made of mud.'"
"You do not engage me to talk," she answered, in a low rather dull voice. "You engage me to work."
"So I do, but some day I am going to pay you double rates for your thoughts. A silent woman is a menace. I'm afraid of you."
A rat-a-tat-tat came on the door.
"Come in," called Jerry gaily.
An odd, boyish-looking girl stuck in her head.
"At home, Jerry? What's the celebration?"
"I've got a job, Bobsie, a big, cash-in-hand kind of a job, and I'm trying to raise a spark of human response in the frozen buzzum of Jane Judd."
"Oh, is this your Jane day? Hello, Jane," she added, seating herself comfortably. "Go ahead, Jerry, let's hear."
He told her the story, in some detail, with touches of his own. He was so boyishly elated over it that she was fired with some of his enthusiasm.
"But look here, Jerrymander, how about the big mural designs? How about my portrait? This pageant won't get you anywhere."
"Won't it? You should have heard me tell the Abercrombie Brendon that I would try my best to put off my portrait sitters. You, my dear Bobs, are my portrait sitters."
"It will ruin your winter's work. They'll pick your brains, that crowd, and take your time, and you can whistle for your money."
"I wasn't in kindergarten yesterday, Bobs. I know a thing or two about the dear rich. They will pay-as-we-go, one good big deposit down in advance."
"Get you all out of the work spirit-make you yearn for the flesh pots."
"Well, Bobs, I never did choose a diet of figs and thistles."
"That's just the trouble with you. It's nip and tuck all the time between the artist and the senses, Jerry. That uptown crowd can ruin you for good."
"Dear old Bobs! If they ruin me, I'll come to you for a scourge. Let's go to Buffanti's for a celebration. We'll get Chat and Jinny for a foursome, what? Are the Chatfields at home to-day, Jane?" he added.
"Yes; I was there this morning," she answered.
"Come on, old wailing banshee!" he cried.
"All right; but I don't like it, just the same. This very night may mark the grave of Jerome Paxton, painter."
"Well, think up some jolly epitaph and we'll sing it in our cups. Don't dree, Bobs; you're as bad as Jane."
At his mention of her, they both glanced at the silent bent figure, so indifferent to their presence.
"Time to close up, Miss Judd; we're off to dinner," said Jerry.
She quietly rose and put away the mended things. She set things to rights, as noiseless as a wraith. The other two went on talking and laughing, until she came toward them in her hat and coat.
"What do I owe you?" Jerry asked.
"Just for to-day."
"I haven't any change. Can you let it go until next time?"
"No," she said simply.
"Well, old Shylock, here's five. Consider yourself paid as long as that lasts."
"I don't wish to do that. I'll bring you change."
"Bother you, Jane Judd; what difference does it make whether you get it all at once, or in driblets?"
"Here, Jerry, I've got it even. You owe me," Bobs said.
"All right; much obliged."
Jane hesitated a moment, then took it with a bow, and went to the door.
"Good-night, Jane Judd," said Bobs.
"Good-night," the woman answered mechanically.
"Night," said Jerry, searching for cigarettes among his impedimenta.
"Queer creature, that," Bobs mused.
"What's that?"
"Jane Judd. What do you suppose she thinks of us all?"
"God knows, and I care as little as He does."
"I care. I'd like to know her. She's like steel, clean-cut, shining, efficient, silent, unbreakable."
"Is she? I've never noticed," said Jerry indifferently.
"She knows all our secrets, our economies, our loves, and hates. She mends us up, keeps us in order. Jane Judd is the law and order of our set. She glides among us, and we say everything we know before her, as if she were a wall."
"Gog and Magog! Do I have to listen to you ramble on about Jane Judd? She interests me about as much as a Wheeler and Wilson sewing machine. Come on to dinner."
Bobs rose and stretched herself luxuriously, with a yawn.
"Man is the most incomprehensible animal evolved from protoplasm," she remarked.
"That remark doesn't seem to have any point, Bobs, but I suppose it has."
"Thanks. From now on, I suppose only Bible allusions will have point to you."
"Well, there's nothing Biblical about Jane Judd."
"Humph! She might be the dim and vasty void out of which creation sprang."
"Good Lord!" cried Jerry, turning out the light. He took her by the elbow and led her out, closing the door on that conversation.
* * *
For three years, Deanna endured scorn in a one-sided marriage. When Connor forced her to choose between her career and a divorce, she didn't hesitate-she walked away. Determined to reclaim her birthright, Deanna returned as the brilliant heiress to a medical conglomerate. Her ex and his family begged for another chance, but it was too late. With a tycoon father, a legendary healer mother, a CEO brother who adored her, and a showbiz powerhouse sibling, Deanna's life overflowed with power. Even her arrogant rival, heir to billions, only ever had a soft spot for her.
For seventeen years, I was the crown jewel of the Kensington empire, the perfect daughter groomed for a royal future. Then, a cream-colored envelope landed in my lap, bearing a gold crest and a truth that turned my world into ice. The DNA test result was a cold, hard zero percent-I wasn't a Kensington. Before the ink could even dry, my parents invited my replacement, a girl named Alleen, into the drawing room and treated me like a trespasser in my own home. My mother, who once hosted galas in my honor, wouldn't even look me in the eye as she stroked Alleen's arm, whispering that she was finally "safe." My father handed me a one-million-dollar check-a mere tip for a billionaire-and told me to leave immediately to avoid tanking the company's stock price. "You're a thief! You lived my life, you spent my money, and you don't get to keep the loot!" Alleen shrieked, trying to claw the designer jacket off my shoulders while my "parents" watched with clinical detachment. I was dumped on a gritty sidewalk in Queens with nothing but three trunks and the address of a struggling laborer I was now supposed to call "Dad." I traded a marble mansion for a crumbling walk-up where the air smelled of exhaust and my new bedroom was a literal storage closet. My biological family thought I was a broken princess, and the Kensingtons thought they had successfully erased me with a payoff and a non-disclosure agreement. They had no idea that while I was hauling trunks up four flights of stairs, my secret media empire was already preparing to move against them. As I sat on a thin mattress in the dark, I opened my encrypted laptop and sent a single command that would cost my former father ten million dollars by breakfast. They thought they were throwing me to the wolves, but they forgot one thing: I'm the one who leads the pack.
My marriage to Joshua Caldwell was a prison sentence. I was a Hartman trophy, sold to the powerful family who had destroyed mine. Then I discovered he was cheating. His mistress was pregnant with the child he denied me, and he was stealing my secret song lyrics to build her career. When I confronted him, he called me a spineless liability and threatened to destroy what was left of my family. To make matters worse, a one-night stand with a stranger turned out to be with my husband's brother, Anthony Caldwell-the Don of the city. He knew all of Joshua's secrets and used them to trap me in a twisted game, seeing me as nothing more than an asset. They both thought I was a broken doll they could control. I wrote a song for his mistress, a beautiful execution with a single, impossible note I knew would destroy her voice. She sang it, and now her career is over. Now the Don has summoned me to Chicago, not knowing the woman he thinks is his asset is the one who just burned his brother's world to the ground.
I was once the heiress to the Solomon empire, but after it crumbled, I became the "charity case" ward of the wealthy Hyde family. For years, I lived in their shadows, clinging to the promise that Anson Hyde would always be my protector. That promise shattered when Anson walked into the ballroom with Claudine Chapman on his arm. Claudine was the girl who had spent years making my life a living hell, and now Anson was announcing their engagement to the world. The humiliation was instant. Guests sneered at my cheap dress, and a waiter intentionally sloshed champagne over me, knowing I was a nobody. Anson didn't even look my way; he was too busy whispering possessively to his new fiancée. I was a ghost in my own home, watching my protector celebrate with my tormentor. The betrayal burned. I realized I wasn't a ward; I was a pawn Anson had kept on a shelf until he found a better trade. I had no money, no allies, and a legal trust fund that Anson controlled with a flick of his wrist. Fleeing to the library, I stumbled into Dallas Koch—a titan of industry and my best friend’s father. He was a wall of cold, absolute power that even the Hydes feared. "Marry me," I blurted out, desperate to find a shield Anson couldn't climb. Dallas didn't laugh. He pulled out a marriage agreement and a heavy fountain pen. "Sign," he commanded, his voice a low rumble. "But if you walk out that door with me, you never go back." I signed my name, trading my life for the only man dangerous enough to keep me safe.
I was four months pregnant, weighing over two hundred pounds, and my heart was failing from experimental treatments forced on me as a child. My doctor looked at me with clinical detachment and told me I was in a death sentence: if I kept the baby, I would die, and if I tried to remove it, I would die. Desperate for a lifeline, I called my father, Francis Acosta, to tell him I was sick and pregnant. I expected a father's love, but all I got was a cold, sharp blade of a voice. "Then do it quietly," he said. "Don't embarrass Candi. Her debutante ball is coming up." He didn't just reject me; he erased me. My trust fund was frozen, and I was told I was no longer an Acosta. My fiancé, Auston, had already discarded me, calling me a "bloated whale" while he looked for a thinner, wealthier replacement. I left New York on a Greyhound bus, weeping into a bag of chips, a broken woman the world considered a mistake. I couldn't understand how my own father could tell me to die "quietly" just to save face for a party. I didn't know why I had been a lab rat for my family’s pharmaceutical ambitions, or how they could sleep at night while I was left to rot in the gray drizzle of the city. Five years later, the doors of JFK International Airport slid open. I stepped onto the marble floor in red-soled stilettos, my body lean, lethal, and carved from years of blood and sweat. I wasn't the "whale" anymore; I was a ghost coming back to haunt them. With my daughter by my side and a medical reputation that terrified the global elite, I was ready to dismantle the Acosta empire piece by piece. "Tell Francis to wash his neck," I whispered to the skyline. "I'm home."
I stood at the edge of the freezing pond on the Boone estate, my body trembling with a fear that rattled my bones. Across from me, Amanda Olsen looked immaculate in her cashmere coat, a sharp contrast to the jagged reality I was trying to hold together. "Why?" I whispered. Amanda just smiled, admitting she killed Grandpa Boone because he actually liked me. She pulled out a thick envelope-divorce papers Cordero had signed that morning. She told me he called me a parasite and was celebrating with her the night I suffered a miscarriage. Before I could even scream, Amanda lunged and shoved me into the icy water. My heavy wool coat acted like a sponge, dragging me into the artificial abyss. I thrashed and gasped for air, but Amanda just stood on the bank, watching me drown with her hands tucked casually in her pockets. As my lungs burned and the darkness closed in, I realized I had spent my entire marriage taking their abuse. I was the "foster trash" and the "gold digger" who let them win every single time. I was dying alone, hated by the husband I had tried so hard to love, while my murderer stood victorious on the shore. I never fought back. I just let them destroy me. Then, a violent spasm tore through my body. I sat up gasping, sucking in dry, air-conditioned oxygen instead of murky pond water. I wasn't dead. I was back in the opulent master suite, surrounded by red rose petals and wedding decorations. The digital clock glowed: October 14, 2019. I had gone back five years to the very night my nightmare began. The bathroom door clicked open, and Cordero stepped out, looking at me with the same cold disgust I remembered. But as I gripped the silk sheets, a new resolve hardened in my chest. This time, I wasn't going to be the victim. This time, the Boone family was going to find out exactly what happens when you push someone too far.
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