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Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles.
Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles.
In these times of ours, though concerning the exact year there is no need to be precise, a boat of dirty and disreputable appearance, with two figures in it, floated on the Thames, between Southwark bridge which is of iron, and London Bridge which is of stone, as an autumn evening was closing in.
The figures in this boat were those of a strong man with ragged grizzled hair and a sun-browned face, and a dark girl of nineteen or twenty, sufficiently like him to be recognizable as his daughter. The girl rowed, pulling a pair of sculls very easily; the man, with the rudder-lines slack in his hands, and his hands loose in his waistband, kept an eager look out. He had no net, hook, or line, and he could not be a fisherman; his boat had no cushion for a sitter, no paint, no inscription, no appliance beyond a rusty boathook and a coil of rope, and he could not be a waterman; his boat was too crazy and too small to take in cargo for delivery, and he could not be a lighterman or river-carrier; there was no clue to what he looked for, but he looked for something, with a most intent and searching gaze. The tide, which had turned an hour before, was running down, and his eyes watched every little race and eddy in its broad sweep, as the boat made slight head-way against it, or drove stern foremost before it, according as he directed his daughter by a movement of his head. She watched his face as earnestly as he watched the river. But, in the intensity of her look there was a touch of dread or horror.
Allied to the bottom of the river rather than the surface, by reason of the slime and ooze with which it was covered, and its sodden state, this boat and the two figures in it obviously were doing something that they often did, and were seeking what they often sought. Half savage as the man showed, with no covering on his matted head, with his brown arms bare to between the elbow and the shoulder, with the loose knot of a looser kerchief lying low on his bare breast in a wilderness of beard and whisker, with such dress as he wore seeming to be made out of the mud that begrimed his boat, still there was a business-like usage in his steady gaze. So with every lithe action of the girl, with every turn of her wrist, perhaps most of all with her look of dread or horror; they were things of usage.
'Keep her out, Lizzie. Tide runs strong here. Keep her well afore the sweep of it.'
Trusting to the girl's skill and making no use of the rudder, he eyed the coming tide with an absorbed attention. So the girl eyed him. But, it happened now, that a slant of light from the setting sun glanced into the bottom of the boat, and, touching a rotten stain there which bore some resemblance to the outline of a muffled human form, coloured it as though with diluted blood. This caught the girl's eye, and she shivered.
'What ails you?' said the man, immediately aware of it, though so intent on the advancing waters; 'I see nothing afloat.'
The red light was gone, the shudder was gone, and his gaze, which had come back to the boat for a moment, travelled away again. Wheresoever the strong tide met with an impediment, his gaze paused for an instant. At every mooring-chain and rope, at every stationery boat or barge that split the current into a broadarrowhead, at the offsets from the piers of Southwark Bridge, at the paddles of the river steamboats as they beat the filthy water, at the floating logs of timber lashed together lying off certain wharves, his shining eyes darted a hungry look. After a darkening hour or so, suddenly the rudder-lines tightened in his hold, and he steered hard towards the Surrey shore.
Always watching his face, the girl instantly answered to the action in her sculling; presently the boat swung round, quivered as from a sudden jerk, and the upper half of the man was stretched out over the stern.
The girl pulled the hood of a cloak she wore, over her head and over her face, and, looking backward so that the front folds of this hood were turned down the river, kept the boat in that direction going before the tide. Until now, the boat had barely held her own, and had hovered about one spot; but now, the banks changed swiftly, and the deepening shadows and the kindling lights of London Bridge were passed, and the tiers of shipping lay on either hand.
It was not until now that the upper half of the man came back into the boat. His arms were wet and dirty, and he washed them over the side. In his right hand he held something, and he washed that in the river too. It was money. He chinked it once, and he blew upon it once, and he spat upon it once - 'for luck,' he hoarsely said - before he put it in his pocket.
'Lizzie!'
The girl turned her face towards him with a start, and rowed in silence. Her face was very pale. He was a hook-nosed man, and with that and his bright eyes and his ruffled head, bore a certain likeness to a roused bird of prey.
'Take that thing off your face.'
She put it back.
'Here! and give me hold of the sculls. I'll take the rest of the spell.'
'No, no, father! No! I can't indeed. Father! - I cannot sit so near it!'
He was moving towards her to change places, but her terrified expostulation stopped him and he resumed his seat.
'What hurt can it do you?'
'None, none. But I cannot bear it.'
'It's my belief you hate the sight of the very river.'
'I- I do not like it, father.'
'As if it wasn't your living! As if it wasn't meat and drink to you!'
At these latter words the girl shivered again, and for a moment paused in her rowing, seeming to turn deadly faint. It escaped his attention, for he was glancing over the stern at something the boat had in tow.
'How can you be so thankless to your best friend, Lizzie? The very fire that warmed you when you were a babby, was picked out of the river alongside the coal barges. The very basket that you slept in, the tide washed ashore. The very rockers that I put it upon to make a cradle of it, I cut out of a piece of wood that drifted from some ship or another.'
Lizzie took her right hand from the scull it held, and touched her lips with it, and for a moment held it out lovingly towards him: then, without speaking, she resumed her rowing, as another boat of similar appearance, though in rather better trim, came out from a dark place and dropped softly alongside.
'In luck again, Gaffer?' said a man with a squinting leer, who sculled her and who was alone, 'I know'd you was in luck again, by your wake as you come down.'
'Ah!' replied the other, drily. 'So you're out, are you?'
'Yes, pardner.'
There was now a tender yellow moonlight on the river, and the new comer, keeping half his boat's length astern of the other boat looked hard at its track.
'I says to myself,' he went on, 'directly you hove in view, yonder's Gaffer, and in luck again, by George if he ain't! Scull it is, pardner - don't fret yourself - I didn't touch him.' This was in answer to a quick impatient movement on the part of Gaffer: the speaker at the same time unshipping his scull on that side, and laying his hand on the gunwale of Gaffer's boat and holding to it.
'He's had touches enough not to want no more, as well as I make him out, Gaffer! Been a knocking about with a pretty many tides, ain't he pardner? Such is my out-of-luck ways, you see! He must have passed me when he went up last time, for I was on the lookout below bridge here. I a'most think you're like the wulturs, pardner, and scent 'em out.'
He spoke in a dropped voice, and with more than one glance at Lizzie who had pulled on her hood again. Both men then looked with a weird unholy interest in the wake of Gaffer's boat.
'Easy does it, betwixt us. Shall I take him aboard, pardner?'
'No,' said the other. In so surly a tone that the man, after a blank stare, acknowledged it with the retort:
'- Arn't been eating nothing as has disagreed with you, have you, pardner?'
'Why, yes, I have,' said Gaffer. 'I have been swallowing too much of that word, Pardner. I am no pardner of yours.'
'Since when was you no pardner of mine, Gaffer Hexam Esquire?'
'Since you was accused of robbing a man. Accused of robbing a live man!' said Gaffer, with great indignation.
'And what if I had been accused of robbing a dead man, Gaffer?'
'You COULDN'T do it.'
'Couldn't you, Gaffer?'
'No. Has a dead man any use for money? Is it possible for a dead man to have money? What world does a dead man belong to? 'Tother world. What world does money belong to? This world. How can money be a corpse's? Can a corpse own it, want it, spend it, claim it, miss it? Don't try to go confounding the rights and wrongs of things in that way. But it's worthy of the sneaking spirit that robs a live man.'
'I'll tell you what it is -.'
'No you won't. I'll tell you what it is. You got off with a short time of it for putting you're hand in the pocket of a sailor, a live sailor. Make the most of it and think yourself lucky, but don't think after that to come over ME with your pardners. We have worked together in time past, but we work together no more in time present nor yet future. Let go. Cast off!'
'Gaffer! If you think to get rid of me this way -.'
'If I don't get rid of you this way, I'll try another, and chop you over the fingers with the stretcher, or take a pick at your head with the boat-hook. Cast off! Pull you, Lizzie. Pull home, since you won't let your father pull.'
Lizzie shot ahead, and the other boat fell astern. Lizzie's father, composing himself into the easy attitude of one who had asserted the high moralities and taken an unassailable position, slowly lighted a pipe, and smoked, and took a survey of what he had in tow. What he had in tow, lunged itself at him sometimes in an awful manner when the boat was checked, and sometimes seemed to try to wrench itself away, though for the most part it followed submissively. A neophyte might have fancied that the ripples passing over it were dreadfully like faint changes of expression on a sightless face; but Gaffer was no neophyte and had no fancies.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."Six Little Bunkers at Cousin Tom's" by Laura Lee Hope is part of the Six Little Bunkers series. The Six Little Bunkers series is about the adventures of the Bunker Family when they had no access to technology.
In the 1840s Charles Dickens wrote 5 short stories with strong social and moral messages. The Chimes: A Goblin Story of Some Bells that Rand an Old Year Out and a New Year In, is the second of these stories, whose predecessor was the famous A Christmas Carol. The Chimes focuses on Trotty, a poor elderly messenger who is filled with gloom over reports of crime and immorality in the newspapers. After losing faith in the society, Trotty follows a call to the church bell tower where he encounters Goblins that teach him, and listeners, lessons in the form of visions about the mistreatment of the lower class in society. This story of social awakening inspires listeners to treat everyone with fair kindness.
Charles Dickens needs no formal introduction, having been the most popular English writer of the 19th century and still one of the most popular writers in history today. Dickens was obsessed with reading, making him a natural journalist by the age of 20, when he began a career in journalism. Along the way, he also began writing his own short stories and materials, often serializing them in monthly installments in publications, a popular method of publishing in the 19th century. Unlike most writers, Dickens would not write an entire story before it began its serialization, allowing him to work on the fly and leave plot lines up in the air with each opportunity. By the time he died at the relatively young age of 58 from a stroke, he was already Europe's most famous writer. His obituary noted that Dickens was a "sympathiser with the poor, the suffering, and the oppressed." Dickens was interred in Westminster Abbey, a rare honor bestowed only among the greatest and most accomplished Britons. Many of Dickens' novels were written with the concept of social reform in mind, and Dickens' work was often praised for its realism, comic genius and unique personalities. At the same time, however, Dickens' ability as a writer was nearly unrivaled, with his ability to write in prose unquestioned and unmatched.
A Christmas Carol launched Dickens's Christmas novellas; The Haunted Man and the Ghost's Bargain brings the series to an end. Professor Redlaw is haunted by a ghost-like creature that looks astonishingly like him. The spirit relieves Redlaw of his miseries from years gone by, but there are unforeseen consequences of forgetting the past.
Dodo Collections brings you another classic from Charles Dickens, 'The Cricket on the Hearth: A Fairy Tale of Home.' Dickens gave his first formal expression to his Christmas thoughts in his series of small books, the first of which was the famous "Christmas Carol." There followed four others: "The Chimes," "The Cricket on the Hearth," "The Battle of Life," and "The Haunted Man." The five are known today as the "Christmas Books." Of them all the "Carol" is the best known and loved, and "The Cricket on the Hearth," although third in the series, is perhaps next in popularity, and is especially familiar to Americans through Joseph Jefferson's characterisation of Caleb Plummer. The title creature is a sort of barometer of life at the home of John Peerybingle and his much younger wife Dot. When things go well, the cricket on the hearth chirps; it is silent when there is sorrow. Tackleton, a jealous old man, poisons John's mind about Dot, but the cricket through its supernatural powers restores John's confidence and all ends happily. Charles Dickens was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the twentieth century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity.Born in Portsmouth, Dickens left school to work in a factory when his father was incarcerated in a debtors' prison. Despite his lack of formal education, he edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms. A prolific 19th Century author of short stories, plays, novellas, novels, fiction and non-fiction; during his lifetime Dickens became known the world over for his remarkable characters, his mastery of prose in the telling of their lives, and his depictions of the social classes, morals and values of his times. Some considered him the spokesman for the poor, for he definitely brought much awareness to their plight, the downtrodden and the have-nots. He had his share of critics, like Virginia Woolf and Henry James, but also many admirers, even into the 21st Century.
A satiric masterpiece about the allure and peril of money, Our Mutual Friend revolves around the inheritance of a dust-heap where the rich throw their trash. When the body of John Harmon, the dust-heap’s expected heir, is found in the Thames, fortunes change hands surprisingly, raising to new heights “Noddy” Boffin, a low-born but kindly clerk who becomes “the Golden Dustman.” Charles Dickens’s last complete novel, Our Mutual Friend encompasses the great themes of his earlier works: the pretensions of the nouveaux riches, the ingenuousness of the aspiring poor, and the unfailing power of wealth to corrupt all who crave it. With its flavorful cast of characters and numerous subplots, Our Mutual Friend is one of Dickens’s most complex—and satisfying—novels.
Being second best is practically in my DNA. My sister got the love, the attention, the spotlight. And now, even her damn fiancé. Technically, Rhys Granger was my fiancé now-billionaire, devastatingly hot, and a walking Wall Street wet dream. My parents shoved me into the engagement after Catherine disappeared, and honestly? I didn't mind. I'd crushed on Rhys for years. This was my chance, right? My turn to be the chosen one? Wrong. One night, he slapped me. Over a mug. A stupid, chipped, ugly mug my sister gave him years ago. That's when it hit me-he didn't love me. He didn't even see me. I was just a warm-bodied placeholder for the woman he actually wanted. And apparently, I wasn't even worth as much as a glorified coffee cup. So I slapped him right back, dumped his ass, and prepared for disaster-my parents losing their minds, Rhys throwing a billionaire tantrum, his terrifying family plotting my untimely demise. Obviously, I needed alcohol. A lot of alcohol. Enter him. Tall, dangerous, unfairly hot. The kind of man who makes you want to sin just by existing. I'd met him only once before, and that night, he just happened to be at the same bar as my drunk, self-pitying self. So I did the only logical thing: I dragged him into a hotel room and ripped off his clothes. It was reckless. It was stupid. It was completely ill-advised. But it was also: Best. Sex. Of. My. Life. And, as it turned out, the best decision I'd ever made. Because my one-night stand isn't just some random guy. He's richer than Rhys, more powerful than my entire family, and definitely more dangerous than I should be playing with. And now, he's not letting me go.
To fund her father's medical bills, Helena stepped in for her half‑sister and wed the city's notorious deaf heir. On their wedding night, as she bared herself, he dismissed her hope with, "This is strictly business." Living beneath the weight of his unpredictable moods, she learned to fear every moment. When everyone bet on her ruin, he became her fiercest protector. But as their contract expired and she gathered her things, tears shimmered in his eyes. "Please… don't leave me."
Katherine endured mistreatment for three years as Julian's wife, sacrificing everything for love. But when his sister drugged her and sent her to a client's bed, Katherine finally snapped. She left behind divorce papers, walking away from the toxic marriage. Years later, Katherine returned as a radiant star with the world at her feet. When Julian saw her again, he couldn't ignore the uncanny resemblance between her new love and himself. He had been nothing but a stand-in for someone else. Desperate to make sense of the past, Julian pressed Katherine, asking, "Did I mean nothing to you?"
Life was a bed of roses for Debra, the daughter of Alpha. That was until she had a one-night stand with Caleb. She was sure he was her mate as determined by Moon Goddess. But this hateful man refused to accept her. Weeks passed before Debra discovered that she was pregnant. Her pregnancy brought shame to her and everyone she loved. Not only was she driven out, but her father was also hunted down by usurpers. Fortunately, she survived with the help of the mysterious Thorn Edge Pack. Five years passed and Debra didn't hear anything from Caleb. One day, their paths crossed again. They were both on the same mission—carrying out secret investigations in the dangerous Roz Town for the safety and posterity of their respective packs. Caleb was still cold toward her. But as time went on, he fell head over heels in love with her. He tried to make up for abandoning her, but Debra wasn't having any of it. She was hell-bent on hiding her daughter from him and also making a clean break. What did the future hold for the two as they journeyed in Roz Town? What kind of secrets would they find? Would Caleb win Debra's heart and get to know his lovely daughter? Find out!
Rumors said that Lucas married an unattractive woman with no background. In the three years they were together, he remained cold and distant to Belinda, who endured in silence. Her love for him forced her to sacrifice her self-worth and her dreams. When Lucas' true love reappeared, Belinda realized that their marriage was a sham from the start, a ploy to save another woman's life. She signed the divorce papers and left. Three years later, Belinda returned as a surgical prodigy and a maestro of the piano. Lost in regret, Lucas chased her in the rain and held her tightly. "You are mine, Belinda."
Blinded in a crash, Cary was rejected by every socialite—except Evelina, who married him without hesitation. Three years later, he regained his sight and ended their marriage. "We’ve already lost so many years. I won’t let her waste another one on me." Evelina signed the divorce papers without a word. Everyone mocked her fall—until they discovered that the miracle doctor, jewelry mogul, stock genius, top hacker, and the President's true daughter… were all her. When Cary came crawling back, a ruthless tycoon had him kicked out. "She's my wife now. Get lost."
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