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A Great Man (1904), which Bennett subtitled "A Frolic," gives his humorous talent full rein. The novel is a hilarious character study of Henry Shakespeare Knight from his humble beginnings to his assent to the pinnacle of fame as a popular writer.
A Great Man (1904), which Bennett subtitled "A Frolic," gives his humorous talent full rein. The novel is a hilarious character study of Henry Shakespeare Knight from his humble beginnings to his assent to the pinnacle of fame as a popular writer.
On an evening in 1866 (exactly eight hundred years after the Battle of Hastings) Mr. Henry Knight, a draper's manager, aged forty, dark, clean-shaven, short, but not stout, sat in his sitting-room on the second-floor over the shop which he managed in Oxford Street, London. He was proud of that sitting-room, which represented the achievement of an ideal, and he had a right to be proud of it. The rich green wall-paper covered with peonies in full bloom (poisoning by arsenical wall-paper had not yet been invented, or Mr.
Knight's peonies would certainly have had to flourish over a different hue) matched the magenta table-cloth of the table at which Mr. Knight was writing, and the magenta table-cloth matched the yellow roses which grew to more than exhibition size on the Axminster carpet; and the fine elaborate effect thus produced was in no way impaired, but rather enhanced and invigorated, by the mahogany bookcase full of imperishable printed matter, the horsehair sofa netted in a system of antimacassars, the waxen flowers in their glassy domes on the marble mantelpiece, the Canterbury with its spiral columns, the rosewood harmonium, and the posse of chintz-protected chairs. Mr. Knight, who was a sincere and upright man, saw beauty in this apartment. It uplifted his soul, like soft music in the gloaming, or a woman's face.
Mr. Knight was writing in a large book. He paused in the act of composition, and, putting the pen between his teeth, glanced through the pages of the volume. They were filled with the drafts of letters which he had addressed during the previous seven years to the editors of various newspapers, including the Times, and several other organs great then but now extinct. In a space underneath each letter had been neatly gummed the printed copy, but here and there a letter lacked this certificate of success, for Mr. Knight did not always contrive to reach his public. The letters were signed with pseudonyms, such as A British Citizen, Fiat Justitia, Audi Alteram Partem, Indignant, Disgusted, One Who Knows, One Who Would Like to Know, Ratepayer, Taxpayer, Puzzled, and Pro Bono Publico-especially Pro Bono Publico. Two letters, to a trade periodical, were signed A Draper's Manager of Ten Years' Standing, and one, to the Clerkenwell News, bore his own real name.
The letter upon which he was now engaged was numbered seventy-five in the series, and made its appeal to the editor of the Standard. Having found inspiration, Mr. Knight proceeded, in a hand distinguished by many fine flourishes:
' ... It is true that last year we only paid off some four millions, but the year before we paid, I am thankful to say, more than nine millions. Why, then, this outcry against the allocation of somewhat less than nine millions out of our vast national revenue towards the further extinction of the National Debt? It is not the duty of the State, as well as of the individual, to pay its debts? In order to support the argument with which I began this communication, perhaps you will permit me, sir, to briefly outline the history of the National Debt, our national shame. In 1688 the National Debt was little more than six hundred thousand pounds....'
After briefly outlining the history of the National Debt, Mr. Knight began a new paragraph thus:
'In the immortal words of Shakspere, wh--'
But at this point he was interrupted. A young and pleasant woman in a white apron pushed open the door.
'Henry,' she called from the doorway.
'Well?'
'You'd better go now.'
'Very well, Annie; I'll go instantly.'
He dropped the pen, reduced the gas to a speck of blue, and in half a minute was hurrying along Oxford Street. The hour was ten o'clock, and the month was July; the evening favoured romance. He turned into Bury Street, and knocked like fate at a front-door with a brass tablet on it, No. 8 of the street.
'No, sir. He isn't in at the moment, sir,' said the maid who answered Mr. Knight's imperious summons.
'Not in!' exclaimed Mr. Knight.
'No, sir. He was called away half an hour ago or hardly, and may be out till very late.'
'Called away!' exclaimed Mr. Knight. He was astounded, shocked, pained. 'But I warned him three months ago!'
'Did you, sir? Is it anything very urgent, sir?'
'It's--' Mr. Knight hesitated, blushing. The girl looked so young and innocent.
'Because if it is, master left word that anyone was to go to Dr. Christopher's, 22, Argyll Street.'
'You will be sure to tell your master that I came,' said Mr. Knight frigidly, departing.
At 22, Argyll Street he was informed that Dr. Christopher had likewise been called away, and had left a recommendation that urgent cases, if any, should apply to Dr. Quain Short, 15, Bury Street. His anger was naturally increased by the absence of this second doctor, but it was far more increased by the fact that Dr. Quain Short happened to live in Bury Street. At that moment the enigma of the universe was wrapped up for him in the question, Why should he have been compelled to walk all the way from Bury Street to Argyll Street merely in order to walk all the way back again? And he became a trinity consisting of Disgusted, Indignant, and One Who Would Like to Know, the middle term predominating. When he discovered that No. 15, Bury Street, was exactly opposite No. 8, Bury Street, his feelings were such as break bell-wires.
'Dr. Quain Short is at the Alhambra Theatre this evening with the family,' a middle-aged and formidable housekeeper announced in reply to Mr. Knight's query. 'In case of urgency he is to be fetched. His box is No. 3.'
'The Alhambra Theatre! Where is that?' gasped Mr. Knight.
It should be explained that he held the stage in abhorrence, and, further, that the Alhambra had then only been opened for a very brief period.
'Two out, and the third at the theatre!' Mr. Knight mused grimly, hastening through Seven Dials. 'At the theatre, of all places!'
A letter to the Times about the medical profession was just shaping itself in his mind as he arrived at the Alhambra and saw that a piece entitled King Carrot filled the bill.
'King Karrot!' he muttered scornfully, emphasizing the dangerously explosive consonants in a manner which expressed with complete adequacy, not only his indignation against the entire medical profession, but his utter and profound contempt for the fatuities of the modern stage.
The politeness of the officials and the prompt appearance of Dr. Quain Short did something to mollify the draper's manager of ten years' standing, though he was not pleased when the doctor insisted on going first to his surgery for certain requisites. It was half-past eleven when he returned home; Dr. Quain Short was supposed to be hard behind.
'How long you've been!' said a voice on the second flight of stairs, 'It's all over. A boy. And dear Susan is doing splendidly. Mrs. Puddiphatt says she never saw such a--'
From the attic floor came the sound of a child crying shrilly and lustily:
'Aunt Annie! Aunt Annie! Aunt Annie!'
'Run up and quieten him!' Mr. Knight commanded. 'It's like him to begin making a noise just now. I'll take a look at Susan-and my firstborn.'
* * *
Arnold Bennett (1867-1931) was a prolific British writer and journalist. Bennett is popular for fiction such as The Old Wives' Tale and also for non-fiction works such as How to Live on 24 Hours a Day and Mental Efficiency. This edition of The Old Adam: A Story of Adventure includes a table of contents.
Arnold Bennett (1867-1931) was a prolific British writer and journalist. Bennett is popular for fiction such as The Old Wives' Tale and also for non-fiction works such as How to Live on 24 Hours a Day and Mental Efficiency. This edition of The Ghost: A Modern Fantasy includes a table of contents.
Arnold Bennett was a prolific British writer who penned dozens of works across all genres, from adventurous fiction to propaganda and nonfiction. He wrote plays like Judith and historical novels like Tales of the Five Towns.
Dodo Collections brings you another classic from Arnold Bennett, '"Denry the Audacious."' Like many of Arnold Bennett's works of fiction, the comic novel Denry the Audacious is set among the quaint village lanes of the Potteries District of Staffordshire. It is amidst this humble environment that the one-of-a-kind character Edward Henry Machin emerges from poverty and, largely through the force of his own indomitable will, achieves a measure of power and influence. Enoch Arnold Bennett (always known as Arnold Bennett) was one of the most remarkable literary figures of his time, a product of the English Potteries that he made famous as the Five Towns. Yet he could hardly wait to escape his home town, and he did so by the sheer force of his ambition to succeed as an author. In his time he turned his hand to every kind of writing, but he will be remembered for such novels as The Old Wives' Tale, the Clayhanger trilogy (Clayhanger, Hilda Lessways, and These Twain), and The Card. He also wrote such intriguing self-improvement books as Literary Taste, How To Live on 24 Hours a Day, The Human Machine, etc. After a local education Bennett finished his education at the University of London and for a time was editor of Woman magazine. After 1900 he devoted himself entirely to writing; dramatic criticism was one of his foremost interests. Bennett is best known, however, for his novels, several of which were written during his residence in France. Bennett's infancy was spent in genteel poverty, which gave way to prosperity as his father succeeded as a solicitor. From this provincial background he became a novelist.His enduring fame is as a Chronicler of the Potteries towns, the setting and inspiration of some of his most famous and enduring literary work and the place where he grew up.
Anna Tellwright, daughter of a wealthy but miserly and dictatorial father, lives in the Potteries area of Staffordshire, England. Her activities are strictly controlled by the Methodist church. Anna struggles for freedom and independence against her father's restraints, and her inward battle between wanting to please her father and wanting to help Willie Price whose father, Titus Price, committed suicide after falling into bankruptcy and debt.
Arnold Bennett (1867-1931) was a prolific British writer and journalist. Bennett is popular for fiction such as The Old Wives' Tale and also for non-fiction works such as How to Live on 24 Hours a Day and Mental Efficiency. This edition of The Matador of the Five Towns and Other Stories includes a table of contents.
Billionaire Bennett Graham urgently needed a wife to close a business deal but his fiancée wasn't ready to tie the knots yet. So his grandmother picked the most unassuming maid for him. Everything was supposed to go incredibly well, and all he had to do was wait until he divorced her a year later. But after seeing Maliyah's ocean eyes.it wasn't looking simple anymore. *** Before I could get her up, it was as if she felt the light and an uncomfortable sound came out of her mouth. "Uh-huh..." She raised her hand to cover her eyes. But I didn't have time to wait for her to wake up, so I told her to "Get Up." My voice seemed to scare her, and her light-fearing eyes suddenly widened and she kept moving to the corner. The only voice in the quiet art room was her fear-filled voice, "No...please...go away...don't come close to me." She was afraid of me? I hadn't even spoken to her before, what was she afraid of? This was definitely not going to work, I couldn't talk to her if she couldn't calm down. Then I moved closer to her, my hand on her trembling shoulder, and I whispered soothingly "Calm down.I'm not going to hurt you.I'm not going to hurt you."I assured and then she moved her hair away from her face as if to stare at me properly. Our eyes met.It was that moment. It felt as if I was enchanted for a moment. Those ocean eyes were the most beautiful eyes I've ever seen.
Scarlett was left betrayed and broken beyond repair when her best friend Megan set her up with the male escort who stole her virginity...Or at least, that's what she thought he was. There was something odd about the strong and strikingly beautiful man that she spent a night with. Despite the pure hatred she felt for him, the deals he ended up offering wasn't one she could refuse. Scarlett always thought she'd marry her soulmate but turns out, that won't be the case for her. But could her mysterious husband make his way through her broken heart and fix it? It's hard to imagine but love has funny ways to manifest in places where it's least expected....
Elliana, the unfavored "ugly duckling" of her family, was humiliated by her stepsister, Paige, who everyone admired. Paige, engaged to the CEO Cole, was the perfect woman-until Cole married Elliana on the day of the wedding. Shocked, everyone wondered why he chose the "ugly" woman. As they waited for her to be cast aside, Elliana stunned everyone by revealing her true identity: a miracle healer, financial mogul, appraisal prodigy, and AI genius. When her mistreatment became known, Cole revealed Elliana's stunning, makeup-free photo, sending shockwaves through the media. "My wife doesn't need anyone's approval."
Janice, the long-forgotten legitimate heiress, made her way back to her family, pouring her heart into winning their hearts. Yet, she had to relinquish her very identity, her academic credentials, and her creative works to her foster sister. In return for her sacrifices, she found no warmth, only deeper neglect. Resolute, Janice vowed to cut off all emotional bonds. Transformed, she now stood as a master of martial arts, adept in eight languages, an esteemed medical expert, and a celebrated designer. With newfound resolve, she declared, "From this day forward, no one in this family shall cross me."
"Please trust me, I didn't do anything." "I don't believe you. I am rejecting you as my Queen and giving you the punishment of death." Alina was living outside her pack for five years. Her parents didn't try to contact her and always ignored her. Her best friend convinced her to go back to their pack and she agreed. But she had never imagined what was waiting there for her. She never thought she would meet her mate and had to face betrayal from everywhere. She had to pay for the crime which she never committed. Aaron Robertson is the king of Lycans. He is a very dominant and powerful King who not only rules Lycans but also rules other ranks of werewolves. Everyone is afraid of Lycans and he is the king of them. But who knew that he would get a mate who was just a simple Omega with no powers and strengths? He called her weak all the time but little did he know that his weak Omega would give him the biggest betrayal of his life for which he had to give her the sentence of death.
She spent ten years chasing after the right brother, only to fall for the wrong one in one weekend. ~~~ Sloane Mercer has been hopelessly in love with her best friend, Finn Hartley, since college. For ten long years, she's stood by him, stitching him back together every time Delilah Crestfield-his toxic on-and-off girlfriend-shattered his heart. But when Delilah gets engaged to another man, Sloane thinks this might finally be her chance to have Finn for herself. She couldn't be more wrong. Heartbroken and desperate, Finn decides to crash Delilah's wedding and fight for her one last time. And he wants Sloane by his side. Reluctantly, Sloane follows him to Asheville, hoping that being close to Finn will somehow make him see her the way she's always seen him. Everything changes when she meets Knox Hartley, Finn's older brother-a man who couldn't be more different from Finn. He's dangerously magnetic. Knox sees right through Sloane and makes it his mission to pull her into his world. What starts as a game-a twisted bet between them-soon turns into something deeper. Sloane is trapped between two brothers: one who's always broken her heart and another who seems hell-bent on claiming it... no matter the cost. CONTENT WARNING: This story is strongly 18+. It delves into dark romance themes such as obsession and lust with morally complex characters. While this is a love story, reader discretion is advised.
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