Among so many effective and artistic tales, it is difficult to give a preference to one over all the rest. Yet, certainly, even amid Verne’s remarkable works, his “Off on a Comet” must be given high rank. Perhaps this story will be remembered when even “Round the World in Eighty Days” and “Michael Strogoff” have been obliterated by centuries of time. At least, of the many books since written upon the same theme as Verne’s, no one has yet succeeded in equaling or even approaching it.
Among so many effective and artistic tales, it is difficult to give a preference to one over all the rest. Yet, certainly, even amid Verne's remarkable works, his "Off on a Comet" must be given high rank. Perhaps this story will be remembered when even "Round the World in Eighty Days" and "Michael Strogoff" have been obliterated by centuries of time. At least, of the many books since written upon the same theme as Verne's, no one has yet succeeded in equaling or even approaching it.
In one way "Off on a Comet" shows a marked contrast to Verne's earlier books. Not only does it invade a region more remote than even the "Trip to the Moon," but the author here abandons his usual scrupulously scientific attitude. In order that he may escort us through the depths of immeasurable space, show us what astronomy really knows of conditions there and upon the other planets, Verne asks us to accept a situation frankly impossible. The earth and a comet are brought twice into collision without mankind in general, or even our astronomers, becoming conscious of the fact. Moreover several people from widely scattered places are carried off by the comet and returned uninjured. Yet further, the comet snatches for the convenience of its travelers, both air and water. Little, useful tracts of earth are picked up and, as it were, turned over and clapped down right side up again upon the comet's surface. Even ships pass uninjured through this remarkable somersault. These events all belong frankly to the realm of fairyland.
If the situation were reproduced in actuality, if ever a comet should come into collision with the earth, we can conceive two scientifically possible results. If the comet were of such attenuation, such almost infinitesimal mass as some of these celestial wanderers seem to be, we can imagine our earth self-protective and possibly unharmed. If, on the other hand, the comet had even a hundredth part of the size and solidity and weight which Verne confers upon his monster so as to give his travelers a home - in that case the collision would be unspeakably disastrous - especially to the unlucky individuals who occupied the exact point of contact.
But once granted the initial and the closing extravagance, the departure and return of his characters, the alpha and omega of his tale, how closely the author clings to facts between! How closely he follows, and imparts to his readers, the scientific probabilities of the universe beyond our earth, the actual knowledge so hard won by our astronomers! Other authors who, since Verne, have told of trips through the planetary and stellar universe have given free rein to fancy, to dreams of what might be found. Verne has endeavored to impart only what is known to exist.
In the same year with "Off on a Comet," 1877, was published also the tale variously named and translated as "The Black Indies," "The Underground City," and "The Child of the Cavern." This story, like "Round the World in Eighty Days" was first issued in "feuilleton" by the noted Paris newspaper "Le Temps." Its success did not equal that of its predecessor in this style. Some critics indeed have pointed to this work as marking the beginning of a decline in the author's power of awaking interest. Many of his best works were, however, still to follow. And, as regards imagination and the elements of mystery and awe, surely in the "Underground City" with its cavern world, its secret, undiscoverable, unrelenting foe, the "Harfang," bird of evil omen, and the "fire maidens" of the ruined castle, surely with all these "imagination" is anything but lacking.
From the realistic side, the work is painstaking and exact as all the author's works. The sketches of mines and miners, their courage and their dangers, their lives and their hopes, are carefully studied. So also is the emotional aspect of the deeps under ground, the blackness, the endless wandering passages, the silence, and the awe.
20000 Lieues sous les mers Parts 1&2 by Jules Verne
On her wedding day, Khloe’s sister connived with her groom, framing her for a crime she didn’t commit. She was sentenced to three years in prison, where she endured much suffering. When Khloe was finally released, her evil sister used their mother to coerce Khloe into an indecent liaison with an elderly man. As fate would have it, Khloe crossed paths with Henrik, the dashing yet ruthless mobster who sought to alter the course of her life. Despite Henrik’s cold exterior, he cherished Khloe like no other. He helped her take retribution from her tormentors and kept her from being bullied again.
Madisyn was stunned to discover that she was not her parents' biological child. Due to the real daughter's scheming, she was kicked out and became a laughingstock. Thought to be born to peasants, Madisyn was shocked to find that her real father was the richest man in the city, and her brothers were renowned figures in their respective fields. They showered her with love, only to learn that Madisyn had a thriving business of her own. "Stop pestering me!" said her ex-boyfriend. "My heart only belongs to Jenna." "How dare you think that my woman has feelings for you?" claimed a mysterious bigwig.
Rachel used to think that her devotion would win Brian over one day, but she was proven wrong when his true love returned. Rachel had endured it all—from standing alone at the altar to dragging herself to the hospital for an emergency treatment. Everyone thought she was crazy to give up so much of herself for someone who didn’t return her feelings. But when Brian received news of Rachel’s terminal illness and realized she didn’t have long to live, he completely broke down. "I forbid you to die!" Rachel just smiled. She no longer needed him. "I will finally be free."
Five years ago, Alessia La Rosa's life took a drastic turn when, suffering from memory loss, she wed to Dominic Carter under her grandfather's mysterious arrangement. But their marriage was a facade, bringing her only humiliation and heartache as Dominic showed no love, and she couldn't conceive. Upon discovering Dominic's infidelity, Alessia sought liberation through divorce. Yet, fate had more in store for her. Five years later, spurred by an anonymous email hinting at her lost child's whereabouts, she returns to the city with her twin babies in tow, determined to uncover the truth. As she navigates the tangled web of her past, a surprising twist awaits. Dominic, upon meeting her again, finds himself drawn to the woman she has become, unaware of her true identity as his former wife. Little does he know, the woman he's falling for is not only his ex-wife but also a powerful Doctor and Master Hacker.
After hiding her true identity throughout her three-year marriage to Colton, Allison had committed wholeheartedly, only to find herself neglected and pushed toward divorce. Disheartened, she set out to rediscover her true self-a talented perfumer, the mastermind of a famous intelligence agency, and the heir to a secret hacker network. Realizing his mistakes, Colton expressed his regret. "I know I messed up. Please, give me another chance." Yet, Kellan, a once-disabled tycoon, stood up from his wheelchair, took Allison's hand, and scoffed dismissively, "You think she'll take you back? Dream on."
There was only one man in Raegan's heart, and it was Mitchel. In the second year of her marriage to him, she got pregnant. Raegan's joy knew no bounds. But before she could break the news to her husband, he served her divorce papers because he wanted to marry his first love. After an accident, Raegan lay in the pool of her own blood and called out to Mitchel for help. Unfortunately, he left with his first love in his arms. Raegan escaped death by the whiskers. Afterward, she decided to get her life back on track. Her name was everywhere years later. Mitchel became very uncomfortable. For some reason, he began to miss her. His heart ached when he saw her all smiles with another man. He crashed her wedding and fell to his knees while she was at the altar. With bloodshot eyes, he queried, "I thought you said your love for me is unbreakable? How come you are getting married to someone else? Come back to me!"