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The Fisher Girl by Bj?rnstjerne Bj?rnson
The Fisher Girl by Bj?rnstjerne Bj?rnson
http://www.archive.org/details/fishergirl00bjgoog
THE
FISHER GIRL
BY
BJ?RNSTJERNE BJ?RNSON.
TRANSLATED FROM THE NORWEGIAN
BY
SIVERT AND ELIZABETH HJERLEID.
(Translators of Ovind.)
LONDON:
TRüBNER AND CO.
* * *
<p> <i>Cannibals All!<\/i> got more attention in William Lloyd Garrison's <i>Liberator<\/i> than any other book in the history of that abolitionist journal. And Lincoln is said to have been more angered by George Fitzhugh than by any other pro-slavery writer, yet he unconsciously paraphrased <i>Cannibals All!<\/i> in his House Divided speech. <\/p><p> <\/p><p> Fitzhugh was provocative because of his stinging attack on free society, laissez-faire economy, and wage slavery, along with their philosophical underpinnings. He used socialist doctrine to defend slavery and drew upon the same evidence Marx used in his indictment of capitalism. Socialism, he held, was only \"the new fashionable name for slavery,\" though slavery was far more humane and responsible, \"the best and most common form of socialism.\" <\/p><p> <\/p><p> His most effective testimony was furnished by the abolitionists themselves. He combed the diatribes of their friends, the reformers, transcendentalists, and utopians, against the social evils of the North. \"Why all this,\" he asked, \"except that free society is a failure?\" <\/p><p> <\/p><p> The trouble all started, according to Fitzhugh, with John Locke, \"a presumptuous charlatan,\" and with the heresies of the Enlightenment. In the great Lockean consensus that makes up American thought from Benjamin Franklin to Franklin Roosevelt, Fitzhugh therefore stands out as a lone dissenter who makes the conventional polarities between Jefferson and Hamilton, or Hoover and Roosevelt, seem insignificant. Beside him Taylor, Randolph, and Calhoun blend inconspicuously into the American consensus, all being apostles of John Locke in some degree. An intellectual tradition that suffers from uniformity--even if it is virtuous, liberal conformity--could stand a bit of contrast, and George Fitzhugh can supply more of it than any other American thinker. <\/p>
When I was eight, Dante Moretti pulled me from the fire that killed my family. For ten years, the powerful crime boss was my protector and my god. Then, he announced his engagement to another woman to unite two criminal empires. He brought her home and named her the future mistress of the Moretti family. In front of everyone, his fiancée forced a cheap metal collar around my neck, calling me their pet. Dante knew I was allergic. He just watched, his eyes cold, and ordered me to take it. That night, I listened through the walls as he took her to his bed. I finally understood the promise he’d made me as a child was a lie. I wasn't his family. I was his property. After a decade of devotion, my love for him finally turned to ash. So on his birthday, the day he celebrated his new future, I walked out of his gilded cage for good. A private jet was waiting to take me to my real father—his greatest enemy.
Elliana, the unfavored "ugly duckling" of her family, was humiliated by her stepsister, Paige, who everyone admired. Paige, engaged to the CEO Cole, was the perfect woman-until Cole married Elliana on the day of the wedding. Shocked, everyone wondered why he chose the "ugly" woman. As they waited for her to be cast aside, Elliana stunned everyone by revealing her true identity: a miracle healer, financial mogul, appraisal prodigy, and AI genius. When her mistreatment became known, Cole revealed Elliana's stunning, makeup-free photo, sending shockwaves through the media. "My wife doesn't need anyone's approval."
Eliana reunited with her family, now ruined by fate: Dad jailed, Mom deathly ill, six crushed brothers, and a fake daughter who'd fled for richer prey. Everyone sneered. But at her command, Eliana summoned the Onyx Syndicate. Bars opened, sickness vanished, and her brothers rose-one walking again, others soaring in business, tech, and art. When society mocked the "country girl," she unmasked herself: miracle doctor, famed painter, genius hacker, shadow queen. A powerful tycoon held her close. "Country girl? She's my fiancée!" Eliana glared at him. "Dream on." Resolutely, he vowed never to let go.
Two years of marriage left Brinley questioning everything, her supposed happiness revealed as nothing but sham. Abandoning her past for Colin, she discovered only betrayal and a counterfeit wedding. Accepting his heart would stay frozen, she called her estranged father, agreeing to the match he proposed. Laughter followed her, with whispers of Colin's power to toss her aside. Yet, she reinvented herself-legendary racer, casino mastermind, and acclaimed designer. When Colin tried to reclaim her, another man pulled Brinley close. "She's already carrying my child. You can't move on?"
Sophie stepped in for her sister and married a man known for his disfigured looks and reckless past. On their wedding day, his family turned their backs on him, and the town laughed behind their hands, certain the marriage would collapse. But Sophie's career soared, and their love only deepened. Later, during a high-profile event, the CEO of some conglomerate took off his mask, revealing Sophie's husband to be a global sensation. *** Adrian had no interest in his arranged wife and had disguised himself in hopes she would bail. But when Sophie tried to walk away, Adrian broke down and whispered, "Please, Sophie, don't go. One kiss, and I'll give you the world."
Years ago, Cathy's husband threw himself into danger to save her. Then fate cut the cord-after the accident, he remembered everyone but the woman he'd once died for. On their third anniversary, he betrayed her, and that night she signed the divorce. Freed, she dusted off her hidden brilliance: miracle healer, racing legend, elite hacker, visionary designer. When his memories roared back, regret did, too. He stormed her wedding, pleading, "Cathy, please, one more chance!" But a certain trillionaire held her close and huffed, "Honey, someone's asking for trouble."
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