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Sylvie and Bruno is a novel for children by Lewis Carroll published in 1889. The work evolved from his short story "Bruno's Revenge," published in 1867 in Aunt Judy's Magazine. With its sequel, Sylvie and Bruno Concluded (1893), it was his final work for children. The novel has two main plots; one set in the real world at the time the book was published (the Victorian era), the other in the fictional world of Fairyland. While the latter plot is a fairytale with many nonsense elements and poems, similar to Carroll's most famous children's book Alice's Adventures in Wonderland, the story set in Victorian Britain is a social novel. The French philosopher Gilles Deleuze termed Sylvie and Bruno "a masterpiece which shows entirely new techniques compared to Alice and Through the Looking-Glass." Charles Lutwidge Dodgson better known by the pseudonym Lewis Carroll (1832 – 1898), was an English author, mathematician, logician, Anglican deacon and photographer.
-and then all the people cheered again, and one man, who was more excited than the rest, flung his hat high into the air, and shouted (as well as I could make out) "Who roar for the Sub-Warden?" Everybody roared, but whether it was for the Sub-Warden, or not, did not clearly appear: some were shouting "Bread!" and some "Taxes!", but no one seemed to know what it was they really wanted.
All this I saw from the open window of the Warden's breakfast-saloon, looking across the shoulder of the Lord Chancellor, who had sprung to his feet the moment the shouting began, almost as if he had been expecting it, and had rushed to the window which commanded the best view of the market-place.
"What can it all mean?" he kept repeating to himself, as, with his hands clasped behind him, and his gown floating in the air, he paced rapidly up and down the room. "I never heard such shouting before-and at this time of the morning, too! And with such unanimity! Doesn't it strike you as very remarkable?"
I represented, modestly, that to my ears it appeared that they were shouting for different things, but the Chancellor would not listen to my suggestion for a moment. "They all shout the same words, I assure you!" he said: then, leaning well out of the window, he whispered to a man who was standing close underneath, "Keep'em together, ca'n't you? The Warden will be here directly. Give'em the signal for the march up!" All this was evidently not meant for my ears, but I could scarcely help hearing it, considering that my chin was almost on the Chancellor's shoulder.
The 'march up' was a very curious sight:
{Image...The march-up}
a straggling procession of men, marching two and two, began from the other side of the market-place, and advanced in an irregular zig-zag fashion towards the Palace, wildly tacking from side to side, like a sailing vessel making way against an unfavourable wind so that the head of the procession was often further from us at the end of one tack than it had been at the end of the previous one.
Yet it was evident that all was being done under orders, for I noticed that all eyes were fixed on the man who stood just under the window, and to whom the Chancellor was continually whispering. This man held his hat in one hand and a little green flag in the other: whenever he waved the flag the procession advanced a little nearer, when he dipped it they sidled a little farther off, and whenever he waved his hat they all raised a hoarse cheer. "Hoo-roah!" they cried, carefully keeping time with the hat as it bobbed up and down. "Hoo-roah! Noo! Consti! Tooshun! Less! Bread! More! Taxes!"
"That'll do, that'll do!" the Chancellor whispered. "Let 'em rest a bit till I give you the word. He's not here yet!" But at this moment the great folding-doors of the saloon were flung open, and he turned with a guilty start to receive His High Excellency. However it was only Bruno, and the Chancellor gave a little gasp of relieved anxiety.
"Morning!" said the little fellow, addressing the remark, in a general sort of way, to the Chancellor and the waiters. "Doos oo know where Sylvie is? I's looking for Sylvie!"
"She's with the Warden, I believe, y'reince!" the Chancellor replied with a low bow. There was, no doubt, a certain amount of absurdity in applying this title (which, as of course you see without my telling you, was nothing but 'your Royal Highness' condensed into one syllable) to a small creature whose father was merely the Warden of Outland: still, large excuse must be made for a man who had passed several years at the Court of Fairyland, and had there acquired the almost impossible art of pronouncing five syllables as one.
But the bow was lost upon Bruno, who had run out of the room, even while the great feat of The Unpronounceable Monosyllable was being triumphantly performed.
Just then, a single voice in the distance was understood to shout "A speech from the Chancellor!" "Certainly, my friends!" the Chancellor replied with extraordinary promptitude. "You shall have a speech!" Here one of the waiters, who had been for some minutes busy making a queer-looking mixture of egg and sherry, respectfully presented it on a large silver salver. The Chancellor took it haughtily, drank it off thoughtfully, smiled benevolently on the happy waiter as he set down the empty glass, and began. To the best of my recollection this is what he said.
"Ahem! Ahem! Ahem! Fellow-sufferers, or rather suffering fellows-" ("Don't call 'em names!" muttered the man under the window. "I didn't say felons!" the Chancellor explained.) "You may be sure that I always sympa-" ("'Ear, 'ear!" shouted the crowd, so loudly as quite to drown the orator's thin squeaky voice) "-that I always sympa-" he repeated. ("Don't simper quite so much!" said the man under the window. "It makes yer look a hidiot!" And, all this time, "'Ear, 'ear!" went rumbling round the market-place, like a peal of thunder.) "That I always sympathise!" yelled the Chancellor, the first moment there was silence. "But your true friend is the Sub-Warden! Day and night he is brooding on your wrongs-I should say your rights-that is to say your wrongs-no, I mean your rights-" ("Don't talk no more!" growled the man under the window. "You're making a mess of it!") At this moment the Sub-Warden entered the saloon. He was a thin man, with a mean and crafty face, and a greenish-yellow complexion; and he crossed the room very slowly, looking suspiciously about him as if he thought there might be a savage dog hidden somewhere. "Bravo!" he cried, patting the Chancellor on the back. "You did that speech very well indeed. Why, you're a born orator, man!"
"Oh, that's nothing!" the Chancellor replied, modestly, with downcast eyes. "Most orators are born, you know."
The Sub-Warden thoughtfully rubbed his chin. "Why, so they are!" he admitted. "I never considered it in that light. Still, you did it very well. A word in your ear!"
The rest of their conversation was all in whispers: so, as I could hear no more, I thought I would go and find Bruno.
I found the little fellow standing in the passage, and being addressed by one of the men in livery, who stood before him, nearly bent double from extreme respectfulness, with his hands hanging in front of him like the fins of a fish. "His High Excellency," this respectful man was saying, "is in his Study, y'reince!" (He didn't pronounce this quite so well as the Chancellor.) Thither Bruno trotted, and I thought it well to follow him.
The Warden, a tall dignified man with a grave but very pleasant face, was seated before a writing-table, which was covered with papers, and holding on his knee one of the sweetest and loveliest little maidens it has ever been my lot to see. She looked four or five years older than Bruno, but she had the same rosy cheeks and sparkling eyes, and the same wealth of curly brown hair. Her eager smiling face was turned upwards towards her father's, and it was a pretty sight to see the mutual love with which the two faces-one in the Spring of Life, the other in its late Autumn-were gazing on each other.
"No, you've never seen him," the old man was saying: "you couldn't, you know, he's been away so long-traveling from land to land, and seeking for health, more years than you've been alive, little Sylvie!" Here Bruno climbed upon his other knee, and a good deal of kissing, on a rather complicated system, was the result.
"He only came back last night," said the Warden, when the kissing was over: "he's been traveling post-haste, for the last thousand miles or so, in order to be here on Sylvie's birthday. But he's a very early riser, and I dare say he's in the Library already. Come with me and see him. He's always kind to children. You'll be sure to like him."
"Has the Other Professor come too?" Bruno asked in an awe-struck voice.
"Yes, they arrived together. The Other Professor is-well, you won't like him quite so much, perhaps. He's a little more dreamy, you know."
"I wiss Sylvie was a little more dreamy," said Bruno.
"What do you mean, Bruno?" said Sylvie.
Bruno went on addressing his father. "She says she ca'n't, oo know. But I thinks it isn't ca'n't, it's wo'n't."
"Says she ca'n't dream!" the puzzled Warden repeated.
"She do say it," Bruno persisted. "When I says to her 'Let's stop lessons!', she says 'Oh, I ca'n't dream of letting oo stop yet!'"
"He always wants to stop lessons," Sylvie explained, "five minutes after we begin!"
"Five minutes' lessons a day!" said the Warden. "You won't learn much at that rate, little man!"
"That's just what Sylvie says," Bruno rejoined. "She says I wo'n't learn my lessons. And I tells her, over and over, I ca'n't learn 'em. And what doos oo think she says? She says 'It isn't ca'n't, it's wo'n't!'"
"Let's go and see the Professor," the Warden said, wisely avoiding further discussion. The children got down off his knees, each secured a hand, and the happy trio set off for the Library-followed by me. I had come to the conclusion by this time that none of the party (except, for a few moments, the Lord Chancellor) was in the least able to see me.
"What's the matter with him?" Sylvie asked, walking with a little extra sedateness, by way of example to Bruno at the other side, who never ceased jumping up and down.
{Image...Visiting the profesor}
"What was the matter-but I hope he's all right now-was lumbago, and rheumatism, and that kind of thing. He's been curing himself, you know: he's a very learned doctor. Why, he's actually invented three new diseases, besides a new way of breaking your collar-bone!"
"Is it a nice way?" said Bruno.
"Well, hum, not very," the Warden said, as we entered the Library. "And here is the Professor. Good morning, Professor! Hope you're quite rested after your journey!"
A jolly-looking, fat little man, in a flowery dressing-gown, with a large book under each arm, came trotting in at the other end of the room, and was going straight across without taking any notice of the children. "I'm looking for Vol. Three," he said. "Do you happen to have seen it?"
"You don't see my children, Professor!" the Warden exclaimed, taking him by the shoulders and turning him round to face them.
The Professor laughed violently: then he gazed at them through his great spectacles, for a minute or two, without speaking.
At last he addressed Bruno. "I hope you have had a good night, my child?" Bruno looked puzzled. "I's had the same night oo've had," he replied. "There's only been one night since yesterday!"
It was the Professor's turn to look puzzled now. He took off his spectacles, and rubbed them with his handkerchief. Then he gazed at them again. Then he turned to the Warden. "Are they bound?" he enquired.
"No, we aren't," said Bruno, who thought himself quite able to answer this question.
The Professor shook his head sadly. "Not even half-bound?"
"Why would we be half-bound?" said Bruno.
"We're not prisoners!"
But the Professor had forgotten all about them by this time, and was speaking to the Warden again. "You'll be glad to hear," he was saying, "that the Barometer's beginning to move-"
"Well, which way?" said the Warden-adding, to the children, "Not that I care, you know. Only he thinks it affects the weather. He's a wonderfully clever man, you know. Sometimes he says things that only the Other Professor can understand. Sometimes he says things that nobody can understand! Which way is it, Professor? Up or down?"
"Neither!" said the Professor, gently clapping his hands. "It's going sideways-if I may so express myself."
"And what kind of weather does that produce?" said the Warden. "Listen, children! Now you'll hear something worth knowing!"
"Horizontal weather," said the Professor, and made straight for the door, very nearly trampling on Bruno, who had only just time to get out of his way.
"Isn't he learned?" the Warden said, looking after him with admiring eyes. "Positively he runs over with learning!"
"But he needn't run over me!" said Bruno.
The Professor was back in a moment: he had changed his dressing-gown for a frock-coat, and had put on a pair of very strange-looking boots, the tops of which were open umbrellas. "I thought you'd like to see them," he said. "These are the boots for horizontal weather!"
{Image...Boots for horizontal weather}
"But what's the use of wearing umbrellas round one's knees?"
"In ordinary rain," the Professor admitted, "they would not be of much use. But if ever it rained horizontally, you know, they would be invaluable-simply invaluable!"
"Take the Professor to the breakfast-saloon, children," said the Warden. "And tell them not to wait for me. I had breakfast early, as I've some business to attend to." The children seized the Professor's hands, as familiarly as if they had known him for years, and hurried him away. I followed respectfully behind.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."The Moving Picture Girls: Or, First Appearances in Photo Dramas" is part of "The Moving Picture Girls" series. "The Moving Picture Girls" is a series about the adventures of Ruth and Alice DeVere who live with their father who is an actor.
One winter night, at half-past nine, Cold, tired, and cross, and muddy, I had come home, too late to dine, And supper, with cigars and wine, Was waiting in the study.
Accused of murder, Sylvia Todd's mother was deemed a traitor by the entire pack, condeming Sylvia to live the rest of her life alone in humiliation as a lowly slave. All she wanted to do was to prove her mother's innocence somehow, but fate never seemed to be on the side of the traitor's daughter. Still, Sylvia never lost hope. As the future lycan king of all werewolves, Rufus Duncan possessed great power and status, but he had an inexplicable reputation for being cruel, bloodthirsty, and ruthless. Unbeknownst to everyone, he had been cursed long ago to transform into a killer monster on every full moon. Even though fate did not always look upon the two, it brought Sylvia and Rufus together as each other's destined mates. Will justice be served for Sylvia's mother? What about Rufus' secret? Can Sylvia and Rufus defy all societal norms and stay together? Will these two unlucky souls have their happy ending?
Anabel found out she was pregnant and dialed her husband's number to share the good news to him. They have been married for two years without a child. Desmond's mother had been accusing her of being barren and unproductive. When the call was picked, she was flabbergasted and broken. She was hearing a loud moan of feminine voice. "Ohh! Yeah! Don't stop fucking me! Fuck me harder baby!" accompanied with sound of skins slapping against the other. She went home to confront her husband and end up receiving a divorce paper. Desmond divorced him for a lady his mother was rooting. Few months later when he found out that his ex-wife is a billionaire heiress and she is pregnant with twins, he went crazy!
Janet was adopted when she was a kid -- a dream come true for orphans. However, her life was anything but happy. Her adoptive mother taunted and bullied her all her life. Janet got the love and affection of a parent from the old maid who raised her. Unfortunately, the old woman fell ill, and Janet had to marry a worthless man in place of her parents' biological daughter to meet the maid's medical expenses. Could this be a Cinderella's tale? But the man was far from a prince, except for his handsome appearance. Ethan was the illegitimate son of a wealthy family who lived a reckless life and barely made ends meet. He got married to fulfill his mother's last wish. However, on his wedding night, he had an inkling that his wife was different from what he had heard about her. Fate had united the two people with deep secrets. Was Ethan truly the man we thought he was? Surprisingly, he bore an uncanny resemblance to the impenetrable wealthiest man in the city. Would he find out that Janet married him in place of her sister? Would their marriage be a romantic tale or an utter disaster? Read on to unravel Janet and Ethan's journey.
The day Raina gave birth should have been the happiest of her life. Instead, it became her worst nightmare. Moments after delivering their twins, Alexander shattered her heart-divorcing her and forcing her to sign away custody of their son, Liam. With nothing but betrayal and heartbreak to her name, Raina disappeared, raising their daughter, Ava, on her own.Years later, fate comes knocking when Liam falls gravely ill. Desperate to save his son, Alexander is forced to seek out the one person he once cast aside. Alexander finds himself face to face with the woman he underestimated, pleading for a second chance-not just for himself, but for their son. But Raina is no longer the same broken woman who once loved him.No longer the woman he left behind. She has carved out a new life-one built on strength, wealth, and a long-buried legacy she expected to uncover.Raina has spent years learning to live without him.The question is... Will she risk reopening old wounds to save the son she never got to love? or has Alexander lost her forever?
Blurb "Part your legs for me, princess" Alpha Damian humored huskily like he was intoxicated, I whimpered as he voice sents a jolts of emotions round my body. An emotion that I wasn't supposed to feel. Selene was 18 years old when she found out that Alpha Jasper of the Silver Crescent pack was her mate at her Awakening ceremony. Being a reject with no parents she lived with him for over one year as a slave and he never acknowledged her as his mate because he couldn't accept a reject as his mate. On her 20th birthday, her mate not only rejected her and chose her best friend; Imogen, as his new mate, but he also sold Selene to the most feared Alpha; Alpha Damian of the Crimson Moon pack whom everyone referred to as a beast. Not knowing why Alpha Damian chose to buy her, she can only resign herself to fate. What has the moon goddess installed for me again? Is this the freedom she solely crave for? Will she be tied down with the shackles of the unknown?
"I, Erika Blackwood, stand before you, Alexander Robertson, with a heavy heart. I hereby reject you as my mate. The bond we once shared has grown fragile, and my soul yearns for a different path. May you find solace in the love of another, and may we both find the happiness we seek." Alexander didn't say a word and looked at me. But he refused to accept. *********** Erika Blackwood is the next Alpha in line of the Ironclaw Pack. She hides her identity and gets mated to the Alpha of the Moonforest Pack, Alexander Robertson. Three years passed, but Alexander is still unwilling to let go of his childhood sweetheart. Erika is mistreated and eventually framed by the same childhood sweetheart. Now she leaves with that humiliation, and goes back to her pack, swearing vengeance on those who hurt her. They all waited for her to return and beg, but what happens when they realize that the famous Ironclaw Pack that was going to help in the rogue war, was ruled by a woman named, Erika Blackwood. Now her Ex mates want her back. Other Alphas want this woman.. But will she accept any of them? Or will she stay independent forever?...