The present Government, having shown itself to be particularly clever in its management of Indictments for Conspiracy, cannot do better, we think (keeping in its administrative eye the pacification of some of its most influential and most unruly supporters), than indict the whole manufacturing interest of the country for a conspiracy against the agricultural interest.
The present Government, having shown itself to be particularly clever in its management of Indictments for Conspiracy, cannot do better, we think (keeping in its administrative eye the pacification of some of its most influential and most unruly supporters), than indict the whole manufacturing interest of the country for a conspiracy against the agricultural interest.
As the jury ought to be beyond impeachment, the panel might be chosen among the Duke of Buckingham's tenants, with the Duke of Buckingham himself as foreman; and, to the end that the country might be quite satisfied with the judge, and have ample security beforehand for his moderation and impartiality, it would be desirable, perhaps, to make such a slight change in the working of the law (a mere nothing to a Conservative Government, bent upon its end), as would enable the question to be tried before an Ecclesiastical Court, with the Bishop of Exeter presiding. The Attorney-General for Ireland, turning his sword into a ploughshare, might conduct the prosecution; and Mr. Cobden and the other traversers might adopt any ground of defence they chose, or prove or disprove anything they pleased, without being embarrassed by the least anxiety or doubt in reference to the verdict.
That the country in general is in a conspiracy against this sacred but unhappy agricultural interest, there can be no doubt. It is not alone within the walls of Covent Garden Theatre, or the Free Trade Hall at Manchester, or the Town Hall at Birmingham, that the cry "Repeal the Corn-laws!" is raised. It may be heard, moaning at night, through the straw-littered wards of Refuges for the Destitute; it may be read in the gaunt and famished faces which make our streets terrible; it is muttered in the thankful grace pronounced by haggard wretches over their felon fare in gaols; it is inscribed in dreadful characters upon the walls of Fever Hospitals; and may be plainly traced in every record of mortality. All of which proves, that there is a vast conspiracy afoot, against the unfortunate agricultural interest.
They who run, even upon railroads, may read of this conspiracy. The old stage-coachman was a farmer's friend. He wore top-boots, understood cattle, fed his horses upon corn, and had a lively personal interest in malt. The engine-driver's garb, and sympathies, and tastes belong to the factory. His fustian dress, besmeared with coal-dust and begrimed with soot; his oily hands, his dirty face, his knowledge of machinery; all point him out as one devoted to the manufacturing interest. Fire and smoke, and red-hot cinders follow in his wake. He has no attachment to the soil, but travels on a road of iron, furnace wrought. His warning is not conveyed in the fine old Saxon dialect of our glorious forefathers, but in a fiendish yell. He never cries "ya-hip", with agricultural lungs; but jerks forth a manufactured shriek from a brazen throat.
Where is the agricultural interest represented? From what phase of our social life has it not been driven, to the undue setting up of its false rival?
Are the police agricultural? The watchmen were. They wore woollen nightcaps to a man; they encouraged the growth of timber, by patriotically adhering to staves and rattles of immense size; they slept every night in boxes, which were but another form of the celebrated wooden walls of Old England; they never woke up till it was too late - in which respect you might have thought them very farmers. How is it with the police? Their buttons are made at Birmingham; a dozen of their truncheons would poorly furnish forth a watchman's staff; they have no wooden walls to repose between; and the crowns of their hats are plated with cast-iron.
Are the doctors agricultural? Let Messrs. Morison and Moat, of the Hygeian establishment at King's Cross, London, reply. Is it not, upon the constant showing of those gentlemen, an ascertained fact that the whole medical profession have united to depreciate the worth of the Universal Vegetable Medicines? And is this opposition to vegetables, and exaltation of steel and iron instead, on the part of the regular practitioners, capable of any interpretation but one? Is it not a distinct renouncement of the agricultural interest, and a setting up of the manufacturing interest instead?
Do the professors of the law at all fail in their truth to the beautiful maid whom they ought to adore? Inquire of the Attorney-General for Ireland. Inquire of that honourable and learned gentleman, whose last public act was to cast aside the grey goose-quill, an article of agricultural produce, and take up the pistol, which, under the system of percussion locks, has not even a flint to connect it with farming. Or put the question to a still higher legal functionary, who, on the same occasion, when he should have been a reed, inclining here and there, as adverse gales of evidence disposed him, was seen to be a manufactured image on the seat of Justice, cast by Power, in most impenetrable brass.
The world is too much with us in this manufacturing interest, early and late; that is the great complaint and the great truth. It is not so with the agricultural interest, or what passes by that name. It never thinks of the suffering world, or sees it, or cares to extend its knowledge of it; or, so long as it remains a world, cares anything about it. All those whom Dante placed in the first pit or circle of the doleful regions, might have represented the agricultural interest in the present Parliament, or at quarter sessions, or at meetings of the farmers' friends, or anywhere else.
But that is not the question now. It is conspired against; and we have given a few proofs of the conspiracy, as they shine out of various classes engaged in it. An indictment against the whole manufacturing interest need not be longer, surely, than the indictment in the case of the Crown against O'Connell and others. Mr. Cobden may be taken as its representative - as indeed he is, by one consent already. There may be no evidence; but that is not required. A judge and jury are all that is needed. And the Government know where to find them, or they gain experience to little purpose.
Trajectory presents classics of world literature with 21st century features! Our original-text editions include the following visual enhancements to foster a deeper understanding of the work: Word Clouds at the start of each chapter highlight important words. Word, sentence, paragraph counts, and reading time help readers and teachers determine chapter complexity. Co-occurrence graphs depict character-to-character interactions as well character to place interactions. Sentiment indexes identify positive and negative trends in mood within each chapter. Frequency graphs help display the impact this book has had on popular culture since its original date of publication. Use Trajectory analytics to deepen comprehension, to provide a focus for discussions and writing assignments, and to engage new readers with some of the greatest stories ever told."Six Little Bunkers at Cousin Tom's" by Laura Lee Hope is part of the Six Little Bunkers series. The Six Little Bunkers series is about the adventures of the Bunker Family when they had no access to technology.
In the 1840s Charles Dickens wrote 5 short stories with strong social and moral messages. The Chimes: A Goblin Story of Some Bells that Rand an Old Year Out and a New Year In, is the second of these stories, whose predecessor was the famous A Christmas Carol. The Chimes focuses on Trotty, a poor elderly messenger who is filled with gloom over reports of crime and immorality in the newspapers. After losing faith in the society, Trotty follows a call to the church bell tower where he encounters Goblins that teach him, and listeners, lessons in the form of visions about the mistreatment of the lower class in society. This story of social awakening inspires listeners to treat everyone with fair kindness.
Charles Dickens needs no formal introduction, having been the most popular English writer of the 19th century and still one of the most popular writers in history today. Dickens was obsessed with reading, making him a natural journalist by the age of 20, when he began a career in journalism. Along the way, he also began writing his own short stories and materials, often serializing them in monthly installments in publications, a popular method of publishing in the 19th century. Unlike most writers, Dickens would not write an entire story before it began its serialization, allowing him to work on the fly and leave plot lines up in the air with each opportunity. By the time he died at the relatively young age of 58 from a stroke, he was already Europe's most famous writer. His obituary noted that Dickens was a "sympathiser with the poor, the suffering, and the oppressed." Dickens was interred in Westminster Abbey, a rare honor bestowed only among the greatest and most accomplished Britons. Many of Dickens' novels were written with the concept of social reform in mind, and Dickens' work was often praised for its realism, comic genius and unique personalities. At the same time, however, Dickens' ability as a writer was nearly unrivaled, with his ability to write in prose unquestioned and unmatched.
A Christmas Carol launched Dickens's Christmas novellas; The Haunted Man and the Ghost's Bargain brings the series to an end. Professor Redlaw is haunted by a ghost-like creature that looks astonishingly like him. The spirit relieves Redlaw of his miseries from years gone by, but there are unforeseen consequences of forgetting the past.
Dodo Collections brings you another classic from Charles Dickens, 'The Cricket on the Hearth: A Fairy Tale of Home.' Dickens gave his first formal expression to his Christmas thoughts in his series of small books, the first of which was the famous "Christmas Carol." There followed four others: "The Chimes," "The Cricket on the Hearth," "The Battle of Life," and "The Haunted Man." The five are known today as the "Christmas Books." Of them all the "Carol" is the best known and loved, and "The Cricket on the Hearth," although third in the series, is perhaps next in popularity, and is especially familiar to Americans through Joseph Jefferson's characterisation of Caleb Plummer. The title creature is a sort of barometer of life at the home of John Peerybingle and his much younger wife Dot. When things go well, the cricket on the hearth chirps; it is silent when there is sorrow. Tackleton, a jealous old man, poisons John's mind about Dot, but the cricket through its supernatural powers restores John's confidence and all ends happily. Charles Dickens was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the twentieth century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity.Born in Portsmouth, Dickens left school to work in a factory when his father was incarcerated in a debtors' prison. Despite his lack of formal education, he edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms. A prolific 19th Century author of short stories, plays, novellas, novels, fiction and non-fiction; during his lifetime Dickens became known the world over for his remarkable characters, his mastery of prose in the telling of their lives, and his depictions of the social classes, morals and values of his times. Some considered him the spokesman for the poor, for he definitely brought much awareness to their plight, the downtrodden and the have-nots. He had his share of critics, like Virginia Woolf and Henry James, but also many admirers, even into the 21st Century.
A satiric masterpiece about the allure and peril of money, Our Mutual Friend revolves around the inheritance of a dust-heap where the rich throw their trash. When the body of John Harmon, the dust-heap’s expected heir, is found in the Thames, fortunes change hands surprisingly, raising to new heights “Noddy” Boffin, a low-born but kindly clerk who becomes “the Golden Dustman.” Charles Dickens’s last complete novel, Our Mutual Friend encompasses the great themes of his earlier works: the pretensions of the nouveaux riches, the ingenuousness of the aspiring poor, and the unfailing power of wealth to corrupt all who crave it. With its flavorful cast of characters and numerous subplots, Our Mutual Friend is one of Dickens’s most complex—and satisfying—novels.
After two years of marriage, Kristian dropped a bombshell. "She's back. Let's get divorced. Name your price." Freya didn't argue. She just smiled and made her demands. "I want your most expensive supercar." "Okay." "The villa on the outskirts." "Sure." "And half of the billions we made together." Kristian froze. "Come again?" He thought she was ordinary—but Freya was the genius behind their fortune. And now that she'd gone, he'd do anything to win her back.
Kallie, a mute who had been ignored by her husband for five years since their wedding, also suffered the loss of her pregnancy due to her cruel mother-in-law. After the divorce, she learned that her ex-husband had quickly gotten engaged to the woman he truly loved. Holding her slightly rounded belly, she realized that he had never really cared for her. Determined, she left him behind, treating him as a stranger. Yet, after she left, he scoured the globe in search of her. When their paths crossed once more, Kallie had already found new happiness. For the first time, he pleaded humbly, "Please don't leave me..." But Kallie's response was firm and dismissive, cutting through any lingering ties. "Get lost!"
On the day of their wedding anniversary, Joshua's mistress drugged Alicia, and she ended up in a stranger's bed. In one night, Alicia lost her innocence, while Joshua's mistress carried his child in her womb. Heartbroken and humiliated, Alicia demanded a divorce, but Joshua saw it as yet another tantrum. When they finally parted ways, she went on to become a renowned artist, sought out and admired by everyone. Consumed by regret, Joshua darkened her doorstep in hopes of reconciliation, only to find her in the arms of a powerful tycoon. "Say hello to your sister-in-law."
“You need a bride, I need a groom. Why don’t we get married?” Both abandoned at the altar, Elyse decided to tie the knot with the disabled stranger from the venue next door. Pitying his state, she vowed to spoil him once they were married. Little did she know that he was actually a powerful tycoon. Jayden thought Elyse only married him for his money, and planned to divorce her when she was no longer of use to him. But after becoming her husband, he was faced with a new dilemma. “She keeps asking for a divorce, but I don’t want that! What should I do?”
Rachel used to think that her devotion would win Brian over one day, but she was proven wrong when his true love returned. Rachel had endured it all—from standing alone at the altar to dragging herself to the hospital for an emergency treatment. Everyone thought she was crazy to give up so much of herself for someone who didn’t return her feelings. But when Brian received news of Rachel’s terminal illness and realized she didn’t have long to live, he completely broke down. "I forbid you to die!" Rachel just smiled. She no longer needed him. "I will finally be free."
Rumors said that Lucas married an unattractive woman with no background. In the three years they were together, he remained cold and distant to Belinda, who endured in silence. Her love for him forced her to sacrifice her self-worth and her dreams. When Lucas' true love reappeared, Belinda realized that their marriage was a sham from the start, a ploy to save another woman's life. She signed the divorce papers and left. Three years later, Belinda returned as a surgical prodigy and a maestro of the piano. Lost in regret, Lucas chased her in the rain and held her tightly. "You are mine, Belinda."