Vanity Fair: A Novel without a Hero is a novel by William Makepeace Thackeray, first published in 1847–48, satirizing society in early 19th-century Britain. The book's title comes from John Bunyan's allegorical story The Pilgrim's Progress, first published in 1678 and still widely read at the time of Thackeray's novel. Vanity fair refers to a stop along the pilgrim's progress: a never-ending fair held in a town called Vanity, which is meant to represent man's sinful attachment to worldly things. The novel is now considered a classic, and has inspired several film adaptations.
As the manager of the Performance sits before the curtain on the boards and looks into the Fair, a feeling of profound melancholy comes over him in his survey of the bustling place.
There is a great quantity of eating and drinking, making love and jilting, laughing and the contrary, smoking, cheating, fighting, dancing and fiddling; there are bullies pushing about, bucks ogling the women, knaves picking pockets, policemen on the look-out, quacks (other quacks, plague take them!) bawling in front of their booths, and yokels looking up at the tinselled dancers and poor old rouged tumblers, while the light-fingered folk are operating upon their pockets behind. Yes, this is VANITY FAIR; not a moral place certainly; nor a merry one, though very noisy. Look at the faces of the actors and buffoons when they come off from their business; and Tom Fool washing the paint off his cheeks before he sits down to dinner with his wife and the little Jack Puddings behind the canvas. The curtain will be up presently, and he will be turning over head and heels, and crying, "How are you?"A man with a reflective turn of mind, walking through an exhibition of this sort, will not be oppressed, I take it, by his own or other people's hilarity. An episode of humour or kindness touches and amuses him here and there-a pretty child looking at a gingerbread stall; a pretty girl blushing whilst her lover talks to her and chooses her fairing; poor Tom Fool, yonder behind the waggon, mumbling his bone with the honest family which lives by his tumbling; but the general impression is one more melancholy than mirthful. When you come home you sit down in a sober, contemplative, not uncharitable frame of mind, and apply yourself to your books or your business.I have no other moral than this to tag to the present story of "Vanity Fair." Some people consider Fairs immoral altogether, and eschew such, with their servants and families: very likely they are right. But persons who think otherwise, and are of a lazy, or a benevolent, or a sarcastic mood, may perhaps like to step in for half an hour, and look at the performances. There are scenes of all sorts; some dreadful combats, some grand and lofty horse-riding, some scenes of high life, and some of very middling indeed; some love-making for the sentimental, and some light comic business; the whole accompanied by appropriate scenery and brilliantly illuminated with the Author's own candles.What more has the Manager of the Performance to say?- To acknowledge the kindness with which it has been received in all the principal towns of England through which the Show has passed, and where it has been most favourably noticed by the respected conductors of the public Press, and by the Nobility and Gentry. He is proud to think that his Puppets have given satisfaction to the very best company in this empire. The famous little Becky Puppet has been pronounced to be uncommonly flexible in the joints, and lively on the wire; the Amelia Doll, though it has had a smaller circle of admirers, has yet been carved and dressed with the greatest care by the artist; the Dobbin Figure, though apparently clumsy, yet dances in a very amusing and natural manner; the Little Boys' Dance has been liked by some; and please to remark the richly dressed figure of the Wicked Nobleman, on which no expense has been spared, and which Old Nick will fetch away at the end of this singular performance.And with this, and a profound bow to his patrons, the Manager retires, and the curtain rises.LONDON, June 28, 1848
Catherine: A Story was the first full-length work of fiction produced by William Makepeace Thackeray. It first appeared in serialized installments in Fraser's Magazine between May 1839 and February 1840. Thackeray's original intention in writing it was to criticize the Newgate school of crime fiction, exemplified by Bulwer-Lytton and Harrison Ainsworth, whose works Thackeray felt glorified criminals.
William Makepeace Thackeray was one of the mid-19th century's most popular authors, and this is one of his famous works, which is still widely read today.
William Makepeace Thackeray was one of the mid-19th century's most popular authors, and this is one of his famous works, which is still widely read today.
Rumors claimed that Fernanda, newly back with her family, was nothing more than a violent country bumpkin. Fernanda just flashed a casual, dismissive grin in response. Another rumor suggested that the usually rational Cristian had lost all sense, madly in love with Fernanda. This frustrated her. She could tolerate gossip about herself, but slander against her beloved crossed the line! Gradually, as Fernanda's multiple identities as a celebrated designer, a savvy gamer, an acclaimed painter, and a successful business magnate came to light, everyone realized they were the ones who had been fooled.
After two years of marriage, Sadie was finally pregnant. Filled with hope and joy, she was blindsided when Noah asked for a divorce. During a failed attempt on her life, Sadie found herself lying in a pool of blood, desperately calling Noah to ask him to save her and the baby. But her calls went unanswered. Shattered by his betrayal, she left the country. Time passed, and Sadie was about to be wed for a second time. Noah appeared in a frenzy and fell to his knees. "How dare you marry someone else after bearing my child?"
Yelena discovered that she wasn't her parents' biological child. After seeing through their ploy to trade her as a pawn in a business deal, she was sent away to her barren birthplace. There, she stumbled upon her true origins—a lineage of historic opulence. Her real family showered her with love and adoration. In the face of her so-called sister's envy, Yelena conquered every adversity and took her revenge, all while showcasing her talents. She soon caught the attention of the city's most eligible bachelor. He cornered Yelena and pinned her against the wall. “It's time to reveal your true identity, darling.”
PERMISSION IS TAKEN FRIM THE ORIGINAL, BE WARNED!! Do you believe in Myths? Just when she thinks it can't get any worse, it does. Lucy lost everything four years ago in a rogue attack. She's been abused, starved, rejected, and broken. As her eighteenth birthday approaches, strange things start to happen, things that only happen once every century. She finds friendship in the most unlikely place and escapes to find her true self with the help of the most dangerous Alpha. Warning: This werewolf trilogy is not intended for anyone under the age of 18 or anyone who doesn't enjoy a good spanking. It will take you on adventures around the world, make you laugh, fall in love, crush your heart and possibly leave you drooling.
Madisyn was stunned to discover that she was not her parents' biological child. Due to the real daughter's scheming, she was kicked out and became a laughingstock. Thought to be born to peasants, Madisyn was shocked to find that her real father was the richest man in the city, and her brothers were renowned figures in their respective fields. They showered her with love, only to learn that Madisyn had a thriving business of her own. "Stop pestering me!" said her ex-boyfriend. "My heart only belongs to Jenna." "How dare you think that my woman has feelings for you?" claimed a mysterious bigwig.
"I, Erika Blackwood, stand before you, Alexander Robertson, with a heavy heart. I hereby reject you as my mate. The bond we once shared has grown fragile, and my soul yearns for a different path. May you find solace in the love of another, and may we both find the happiness we seek." Alexander didn't say a word and looked at me. But he refused to accept. *********** Erika Blackwood is the next Alpha in line of the Ironclaw Pack. She hides her identity and gets mated to the Alpha of the Moonforest Pack, Alexander Robertson. Three years passed, but Alexander is still unwilling to let go of his childhood sweetheart. Erika is mistreated and eventually framed by the same childhood sweetheart. Now she leaves with that humiliation, and goes back to her pack, swearing vengeance on those who hurt her. They all waited for her to return and beg, but what happens when they realize that the famous Ironclaw Pack that was going to help in the rogue war, was ruled by a woman named, Erika Blackwood. Now her Ex mates want her back. Other Alphas want this woman.. But will she accept any of them? Or will she stay independent forever?...