Jane Austen

Two sisters of opposing temperaments who share the pangs of tragic love provide the theme for Jane Austen's dramatically human narrative. Elinor, practical and conventional, is the perfection of sense. Marianne, emotional and sentimental, is the embodiment of sensibility. To each comes the sorrow of unhappy love. Their mutual suffering brings a closer understanding between the two sisters—and true love finally triumphs when sense gives way to sensibility and sensibility gives way to sense. Jane Austen's authentic representation of early-nineteenth-century middle-class provincial life, written with forceful insight and gentle irony, makes her novels the enduring works on the mores and manners of her time.With an Introduction by Margaret Drabble and an Afterword by Mary Balogh

One of the most universally loved and admired English novels, Pride and Prejudice was penned as a popular entertainment. But the consummate artistry of Jane Austen (1775–1817) transformed this effervescent tale of rural romance into a witty, shrewdly observed satire of English country life that is now regarded as one of the principal treasures of English language. In a remote Hertfordshire village, far off the good coach roads of George III's England, a country squire of no great means must marry off his five vivacious daughters. At the heart of this all-consuming enterprise are his headstrong second daughter Elizabeth Bennet and her aristocratic suitor Fitzwilliam Darcy — two lovers whose pride must be humbled and prejudices dissolved before the novel can come to its splendid conclusion.

Twenty-seven-year old Anne Elliot is Austen's most adult heroine. Eight years before the story proper begins, she is happily betrothed to a naval officer, Frederick Wentworth, but she precipitously breaks off the engagement when persuaded by her friend Lady Russell that such a match is unworthy. The breakup produces in Anne a deep and long-lasting regret. When later Wentworth returns from sea a rich and successful captain, he finds Anne's family on the brink of financial ruin and his own sister a tenant in Kellynch Hall, the Elliot estate. All the tension of the novel revolves around one question: Will Anne and Wentworth be reunited in their love? Jane Austen once compared her writing to painting on a little bit of ivory, 2 inches square. Readers of Persuasion will discover that neither her skill for delicate, ironic observations on social custom, love, and marriage nor her ability to apply a sharp focus lens to English manners and morals has deserted her in her final finished work.

This special edition of Northanger Abbey includes the famous illustrations by Henry Matthew Brock, originally created in 1898. Brock and his brothers were all successful illustrators of the day and often posed for each other using costumes, props and furniture in their Cambridge studio. Brock's older brother Charles joined him in illustrating other Jane Austen releases for this set of 1898 editions. Northanger Abbey was Austen's first completed novel but was published posthumously in 1817. Austen sold the novel to a bookseller in 1803 - for £10 - who decided not to publish it. Her brother bought it back for the same amount after her death. Catherine Morland is the daughter of a country clergyman, one of ten children. She devours Gothic novels and has an active imagination. After a lively season in Bath, she is invited to Northanger Abbey, where she finds the house is not the dark, moody Gothic mansion of her imaginings. Catherine's exciting season in Bath leads her to become acquainted with the dashing John Thorpe, who encourages her flights of fancy and attempts to divert her from his rival Henry Tilney. But Henry extends an invitation she can't resist and she finds herself visiting Northanger Abbey. There, as a "heroine in training," she is determined to bring one of her favorite Gothic novels to life, but the charming and very down to earth Mr. Tilney eventually brings her to see that real life can be even more interesting than the most spine-chilling Gothic fantasy.

Mansfield Park is a novel by Jane Austen, published in May 1814. At the age of ten, Fanny Price leaves her Portsmouth home to be brought up among the family of her wealthy uncle, Sir Thomas Bertram, the owner of Mansfield Park. There she must accepts her lowly status ...

Clever, rich - and single - Emma Woodhouse is perfectly content with her life and sees no need for either love or marriage. Nothing, however, delights her more than interfering in the romantic lives of others. But when she ignores the warnings of her good friend Mr. Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected. With its imperfect but charming heroine and its witty and subtle exploration of relationships, Emma is often seen as Jane Austen's most flawless work.

It happened that the undersigned spent the last Christmas season in a foreign city where there were many English children. In that city, if you wanted to give a child’s party, you could not even get a magic-lantern or buy Twelfth-Night characters — those funny painted pictures of the King, the Queen, the Lover, the Lady, the Dandy, the Captain, and so on — with which our young ones are wont to recreate themselves at this festive time.

Set in Lombardy during the Spanish occupation of the late 1620s, The Betrothed tells the story of two young lovers, Renzo and Lucia, prevented from marrying by the petty tyrant Don Rodrigo, who desires Lucia for himself. Forced to flee, they are then cruelly separated, and must face many dangers including plague, famine and imprisonment, and confront a variety of strange characters the mysterious Nun of Monza, the fiery Father Cristoforo and the sinister Unnamed' in their struggle to be reunited. A vigorous portrayal of enduring passion, The Betrothed's exploration of love, power and faith presents a whirling panorama of seventeenth-century Italian life and is one of the greatest European historical novels.

I am an old woman now, and things are very different to what they  were in my youth.  Then we, who travelled, travelled in coaches,  carrying six inside, and making a two days' journey out of what  people now go over in a couple of hours with a whizz and a flash, and  a screaming whistle, enough to deafen one.

SOON after sunrise, on a cloudy morning in the year 1881, a special messenger disturbed the repose of Dennis Howmore, at his place of residence in the pleasant Irish town of Ardoon. Well acquainted apparently with the way upstairs, the man thumped on a bed-room door, and shouted his message through it: “The master wants you, and mind you don’t keep him waiting.” The person sending this peremptory message was Sir Giles Mountjoy of Ardoon, knight and banker. The person receiving the message was Sir Giles’s head clerk. As a matter of course, Dennis Howmore dressed himself at full speed, and hastened to his employer’s private house on the outskirts of the town.

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Some forty years ago the commencement and partial preparation of this work assisted to beguile the tedium of a winter’s residence from home, where even Orange and Magnolia groves with the novel vegetation of a semi-tropical region, could scarcely dispel the ennui attending a life of idleness.

The novel takes place in the utopian community of Blithedale, presumably in the mid-1800s. The main character, Miles Coverdale, embarks on a quest for betterment of the world through the agrarian lifestyle and community of the Blithedale Farm. The story begins with Coverdale's chat with a character named Old Moodie, who reappears throughout the story. The legend of the mysterious Veiled Lady is introduced; she is a popular clairvoyant who disappears unannounced from the social scene. Coverdale then makes the voyage to Blithedale, where he is introduced to such characters as Zenobia and Mr. and Mrs. Silas Foster. At their first community dinner they are interrupted by the arrival of Hollingsworth, a previous acquaintance of Coverdale's, who is carrying a frail, pale girl. Though Hollingsworth believes the girl (whose age is never clarified) is an expected guest, none of the Blithedale citizens recognize her. She immediately develops a strong attachment to Zenobia, and reveals her name to be Priscilla. Soon after, Coverdale becomes severely ill and is bedridden. Hollingsworth takes care of him, as does Zenobia, and he returns to health shortly. However, during his sickness, he believes he is on the brink of death and develops a closeness with Hollingsworth due to their anxiety-ridden situation and discussion of worldly ideals. As he recovers and spring comes, the residents of the community begin to work the land successfully and prove to their neighbors the plausibility of their cause. Priscilla starts to open up, and relationships between the other characters develop as well. Tension in the friendship between Coverdale and Hollingsworth intensifies as their philosophical disagreements continue. Meanwhile, Zenobia and Hollingsworth become close and rumor flies they might build a house together. Mr. Moodie makes a reappearance and asks about Priscilla and Zenobia for reasons to be revealed later. Coverdale then meets a stranger who turns out to be a Professor Westervelt. Westervelt asks also about Zenobia and Hollingsworth. Coverdale does not like the Professor, and when he is retreating in a tree he overhears the Professor talking to Zenobia implying that they have a prior relationship.

Spring had come to the West Country, a joyous spring laden with soft airs and odours of distant flowering lands, and filling the hearts of men with a restless delight. It seemed impossible not to be happy, with a blue sky flecked by little clouds running down to meet a blue sea, the hedgerows gleaming with blackthorn, and the pink tips of the beeches shining in the sun. Children were out in the copses, picking primroses; farmers counted their lambs in the pasture, and down in the harbour sailor boys watched the rising tide and were all impatience to be aboard.

Alice Vavasor cannot decide whether to marry her ambitious but violent cousin George or the upright and gentlemanly John Grey - and finds herself accepting and rejecting each of them in turn. Increasingly confused about her own feelings and unable to forgive herself for such vacillation, her situation is contrasted with that of her friend Lady Glencora - forced to marry the rising politician Plantagenet Palliser in order to prevent the worthless Burgo Fitzgerald from wasting her vast fortune. In asking his readers to pardon Alice for her transgression of the Victorian moral code, Trollope created a telling and wide-ranging account of the social world of his day.

My dear A.E.—I dedicate this book to you because, whether you think it well or ill written, you will sympathize with the sorrows and the ecstasies of its personages, perhaps even more than I do myself. Although I wrote these stories at different times and in different manners, and without any definite plan, they have but one subject, the war of spiritual with natural order; and how can I dedicate such a book to anyone but to you, the one poet of modern Ireland who has moulded a spiritual ecstasy into verse?