Jane Austen

Two sisters of opposing temperaments who share the pangs of tragic love provide the theme for Jane Austen's dramatically human narrative. Elinor, practical and conventional, is the perfection of sense. Marianne, emotional and sentimental, is the embodiment of sensibility. To each comes the sorrow of unhappy love. Their mutual suffering brings a closer understanding between the two sisters—and true love finally triumphs when sense gives way to sensibility and sensibility gives way to sense. Jane Austen's authentic representation of early-nineteenth-century middle-class provincial life, written with forceful insight and gentle irony, makes her novels the enduring works on the mores and manners of her time.With an Introduction by Margaret Drabble and an Afterword by Mary Balogh

One of the most universally loved and admired English novels, Pride and Prejudice was penned as a popular entertainment. But the consummate artistry of Jane Austen (1775–1817) transformed this effervescent tale of rural romance into a witty, shrewdly observed satire of English country life that is now regarded as one of the principal treasures of English language. In a remote Hertfordshire village, far off the good coach roads of George III's England, a country squire of no great means must marry off his five vivacious daughters. At the heart of this all-consuming enterprise are his headstrong second daughter Elizabeth Bennet and her aristocratic suitor Fitzwilliam Darcy — two lovers whose pride must be humbled and prejudices dissolved before the novel can come to its splendid conclusion.

Twenty-seven-year old Anne Elliot is Austen's most adult heroine. Eight years before the story proper begins, she is happily betrothed to a naval officer, Frederick Wentworth, but she precipitously breaks off the engagement when persuaded by her friend Lady Russell that such a match is unworthy. The breakup produces in Anne a deep and long-lasting regret. When later Wentworth returns from sea a rich and successful captain, he finds Anne's family on the brink of financial ruin and his own sister a tenant in Kellynch Hall, the Elliot estate. All the tension of the novel revolves around one question: Will Anne and Wentworth be reunited in their love? Jane Austen once compared her writing to painting on a little bit of ivory, 2 inches square. Readers of Persuasion will discover that neither her skill for delicate, ironic observations on social custom, love, and marriage nor her ability to apply a sharp focus lens to English manners and morals has deserted her in her final finished work.

This special edition of Northanger Abbey includes the famous illustrations by Henry Matthew Brock, originally created in 1898. Brock and his brothers were all successful illustrators of the day and often posed for each other using costumes, props and furniture in their Cambridge studio. Brock's older brother Charles joined him in illustrating other Jane Austen releases for this set of 1898 editions. Northanger Abbey was Austen's first completed novel but was published posthumously in 1817. Austen sold the novel to a bookseller in 1803 - for £10 - who decided not to publish it. Her brother bought it back for the same amount after her death. Catherine Morland is the daughter of a country clergyman, one of ten children. She devours Gothic novels and has an active imagination. After a lively season in Bath, she is invited to Northanger Abbey, where she finds the house is not the dark, moody Gothic mansion of her imaginings. Catherine's exciting season in Bath leads her to become acquainted with the dashing John Thorpe, who encourages her flights of fancy and attempts to divert her from his rival Henry Tilney. But Henry extends an invitation she can't resist and she finds herself visiting Northanger Abbey. There, as a "heroine in training," she is determined to bring one of her favorite Gothic novels to life, but the charming and very down to earth Mr. Tilney eventually brings her to see that real life can be even more interesting than the most spine-chilling Gothic fantasy.

Mansfield Park is a novel by Jane Austen, published in May 1814. At the age of ten, Fanny Price leaves her Portsmouth home to be brought up among the family of her wealthy uncle, Sir Thomas Bertram, the owner of Mansfield Park. There she must accepts her lowly status ...

Clever, rich - and single - Emma Woodhouse is perfectly content with her life and sees no need for either love or marriage. Nothing, however, delights her more than interfering in the romantic lives of others. But when she ignores the warnings of her good friend Mr. Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected. With its imperfect but charming heroine and its witty and subtle exploration of relationships, Emma is often seen as Jane Austen's most flawless work.

The moon had newly risen, a late October moon, a pale almost imperceptible crescent, above the dark pine spires in the thicket through which Roderick Vawdrey came, gun in hand, after a long day’s rabbit-shooting. It was not his nearest way home, but he liked the broad clearing in the pine wood, which had a ghostly look at dusk, and was so still and lonely that the dart of a squirrel through the fallen leaves was a startling event.

AT last, after so many years, I have the pleasure of re-introducing you to ‘Prince Otto,’ whom you will remember a very little fellow, no bigger in fact than a few sheets of memoranda written for me by your kind hand. The sight of his name will carry you back to an old wooden house embowered in creepers; a house that was far gone in the respectable stages of antiquity and seemed indissoluble from the green garden in which it stood, and that yet was a sea-traveller in its younger days, and had come round the Horn piecemeal in the belly of a ship, and might have heard the seamen stamping and shouting and the note of the boatswain’s whistle.

Alexei Maximovitch Peshkoff was born March 14, 1869, at Nijni Novgorod. On both his father's and mother's side he belonged to the people; his father followed the trade of a jobbing upholsterer, and his mother was the daughter of a dyer. He was left an orphan when quite young, and he passed then under the care of his grandfather, a cruel and tyrannical old man, who had already so ill-treated young Alexei's father when a lad, that he ran away from home.

These are the last words of Israel di Murska, known in the days of strife as Natas, the Master of the Terror, given to the Children of Deliverance dwelling in the land of Aeria, in the twenty-fifth year of the Peace, which, in the reckoning of the West, is the year nineteen hundred and thirty.

The other day, in looking over my papers, I found in my desk the following copy of a letter, sent by me a year since to an old school acquaintance:—

Almost every Saturday, just before the All-Night Vigil Service,[1] from two windows in the cellar of merchant Petúnnikoff's old and filthy house, opening on the narrow court-yard encumbered with various utensils, and built up with wooden servants'-quarters ricketty with age, broke forth the vehement shrieks of a woman:

It is our fate as a nation, head and heart of a world empire, that much of our manhood must pursue its career far away from home. And it is our strength that these English sons of ours have taught themselves to make it home wherever they find their work.

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WE were three quiet, lonely old men, and SHE was a lively, handsome young woman, and we were at our wits' end what to do with her. A word about ourselves, first of all - a necessary word, to explain the singular situation of our fair young guest. We are three brothers; and we live in a barbarous, dismal old house called The Glen Tower. Our place of abode stands in a hilly, lonesome district of South Wales. No such thing as a line of railway runs anywhere near us. No gentleman's seat is within an easy drive of us. We are at an unspeakably inconvenient distance from a town, and the village to which we send for our letters is three miles off.

There are women who cannot grow alone as standard trees — for whom the support and warmth of some wall, some paling, some post, is absolutely necessary — who, in their growth, will bend and incline themselves towards some such prop for their life, creeping with their tendrils along the ground till they reach it when the circumstances of life have brought no such prop within their natural and immediate reach.